Aim/Territory:
A study of Martin Heidegger’s philosophy of authenticity through the concept of care, in order to recover the idea of authenticity within education, and stamp out the institutionalised “they” understanding of education to produce non-conformist, original individuals.
John Dewey: providing an alternative philosophy of education, a pragmatic approach.
Ivan Illich, Noam Chomsky: contemporary philosophers of education, supporting the move away from institutionalised education.
Fundamental claims:
The authenticity of Football has been diluted due to the commodification of the game in our contemporary culture. • The commodification of the game is a result of all imposing factors that serve to weaken the integrity of the game. • I have argued these imposing factors are: the effects of Mass Media, Fetishism of the game, and the reproducibility of the game.
Philosophers used to support my claims:
1. Marx 2. Adorno 3. Debord, Benjamin
Through exposing the make-up of our contemporary culture it is made possible to see how the game Football was never going to exist in the same nature as it did when it first originated. Our society has served to alter the existence of the game and how it functions. By integrating
Adorno and his theory of ‘Mass Media’ we will be able to see both the detrimental and beneficial effects that media has had on the game. I will also look at Debord’s ‘Society of the Spectacle’, which will allow us to refute whether or not the game is merely a representation of itself. I believe Marx’s theory of ‘Commodity Fetishism’ and Benjamin’s theory on the ‘Reproducibility of the Work of Art in the Mechanical Age’ will make apparent the form of attachment a fan has to their club.
Adorno – MUSIC is OBJECTIVE. Music was at its best in the Classical Period, due to its complexity and its projection as an art form. If you are to disagree with his opinion, it is because you cannot understand the music properly…
Capitalism commodified music, creating an environment of ‘pseudo-subjectivity’. As music began to be attached to pop stars as a commodity, the relevance of artistic talent was eradicated.
Benjamin + Vattimo – MUSIC is NOT SUBJECTIVE or OBJECTIVE.
The age of mass reproduction removed the objectivity of music by eliminating its ‘aura’. With no object, it is impossible for something to be subjective, as there is nothing to be subjective in relation to.
INSTEAD, our age’s MUSIC is INTERPRETIVE, meaning that there is no objective or subjective point of view, only our own interpretation, which is formed due to our historical origins and upbringing.
I am going to explore the differing perceptions, classifications and treatments of mental illness, in particular depression.
Key Themes
Personal: The sufferer’s explanation
Scientific: A biochemical explanation of the causes and symptoms, and consequent treatment using medicine
Holistic: Classification of a mental illness takes into account the patient’s experiences, cognition processes and learned behaviours, which therapy seeks to overcome
Social: The onlooker’s explanation and the stigma in society
Foucault: Modern psychiatry, although grounded in scientific truths, is primarily a system of moral judgements. Treatment of the mentally ill can be seen as society’s way of controlling what they deem to be immoral / undesirable.
Sartre: Man has the freedom to choose what their life is, however many of us live in bad faith by hiding from this freedom as it is accompanied by the responsibility to have meaning; man is condemned to be free.
This project will examine will investigate the philosophical concepts as demonstrated in “The Origin of the Work of Art”. The objective will be to show evidence of Heidegger’s thought in the context of modern music. The essay will involve a philosophical enquiry into modern music-society, using Foucault, Lyotard, Kant and Taylor to compare and contrast Heidegger’s opinion with others.
What can we truly know of what it means to exist? The contemporary mode of scientific rational thought says nothing of the way one exists. The thought of Heidegger and Deleuze, however, does. Heidegger’s thought suggests that one may find truth through an authentic experience of art and attunement to the mood of anxiety. (Heidegger, 1993) Deleuze claims that we may create concepts that enable a coherent understanding of phenomena, such as time and space, with an appreciation of film. (Deleuze, 1997) This Project suggests that these ideas may be extrapolated through the films of Steve McQueen. McQueen’s directional techniques and their subject matter provide the perfect representation for this philosophical thought, as this project explores.
A philosophical investigation into the monumental art and cultural changes at the beginning of the 20th Century – specifically focused on the art movement Surrealism and the philosophical theory of Walter Benjamin, juxtaposed with the thought of Georg Wilhelm Friedrich Hegel.
To what effect did Surrealism change the course of our culture and did it succeed in its ambition to eradicate art pour l’art ? Are we capable of appreciating art beyond the sphere of aesthetics? Why Surrealism is such a tremendous influence on artists today, and particularly in the medium of film? What cultural changes were occurring during this time that enabled the movement to flourish, and what were the lasting effects? Does Surrealist art allow for freer expression, and can this constitute fine art? Furthermore, is it the leading cause of our amalgamation of high and low cultures, and is this a good thing?
I will be evaluating these questions amongst many others in my final year project, looking specifically at the artists Giorgio de Chirico and Frida Kahlo.
Providing an in-depth study into the operations taking place within Bitcoin and outlining the current and possible future effects it could have in changing the way in which the monetary system works. This project will involve the Philosophical implications it could have on changing the way in which society as a whole is understood to operate.
I aim to explore the concept of how we act morally in videogames and what motivates us to do so. I chose to use this game, Hotline Miami, a top-down, two-dimensional pastiche of ultra-violence, stealth and surreal story-telling, played from a canvas of 80s synth subculture particularly notable in the soundtrack and visuals. It is a neo-noir crime drama blearily glimpsed through a psychedelic haze, which follows the nameless protagonist the player controls. It is comprised of numerous chapters, most of which begin with the nameless protagonist waking up in his apartment and being tasked to complete a certain amount of massacres against an unspecific criminal organization at the behest of your answering machine. As hallucinations and reality become increasingly impossible to differentiate, moments of lucidity where you are given the opportunity to reflect on your actions become disturbingly non-existent.
In my project, I want to investigate whether the concept of player choice holds any value and if a video game can provide the territory for a meaning philosophical investigation today. With the factor of responsibility and authored narrative surrounding us, are we able to resist and rationally control our enjoyment of a game wherein you are tasked with committing immoral acts? The philosophers I will use are: Paul Ricoeur and his mimetic narrative of culture and Slovaj Zizek and his views on personal identity in the artistic video gaming world.
CONCEPTS FREEDOM, IDENTITY, AUTHENTICITY
A controversial attempt at defending an institution often deemed as exploitative, by considering the potentiality for change in marketing strategy due to the proliferation and availability of interpretative consumer choices within social media culture.
Aims of the project:
Explore whether human nature makes us fixate upon personal and political ideals. • Discuss the issue of political agency and how anonymity can aid it in postmodern culture.
• Use existentialism to assess if anxiety encourages the rise of conflict.
• Examine Islamic State and how they use anxiety and uncertainty as aids to their recruitment process.
• Finally try to assess whether conflict is inevitable in postmodern culture.
“To resent is already to go beyond, to move toward the possibility of an objective transformation.” – Jean-Paul Sartre
“The most that force can achieve is acquiescence and outer conformity.” – Bernard Williams
“Throughout the ages people have wanted to ‘improve’ humanity.” – Friedrich Nietzsche
Within this project I plan to show how gastronomy has been negatively represented in the philosophical world and how this way of thinking no longer is true and reflective of the trends found within modern society. I shall be using a range of philosopher to show how modes of thought which claim gastronomic experience to be unworthy of aesthetic response are no longer valid to implement.
Key words
Gastronomy: the practice or art of choosing, cooking, and eating good food
Michelin Star: a hallmark of fine dining quality in restaurants across the world. A restaurant may receive one, two, or three stars, representing very good, exceptional, or exquisite cuisine, respectively.
A Brief Introduction to the Philosophers Used
Plato and Gastronomy
Plato held that anything to do with the stomach must be shunned. He claimed that the stomach could only be governed by passion and appetite and hence it was not virtuous to take pleasure from food. Essentially for Plato, ‘food and drink merely reeked of the transient, inadequate, inferior material world of the senses, bodily pleasures and humdrum non philosophical activities.’ (Allhoff and Monroe: 2007, 24)
Kant and Gastronomy
Kant provided the main attack against the value of gastronomy and it is this view which remains prevalent in the philosophical world. Kant maintains that food cannot provide an aesthetic experience in the same way as a piece of art would since he claims food can only provide an immediate response which can only ever be agreeable or disagreeable. Furthermore he claims our relationship with food can never be disinterested (a characteristic he states to be necessary of aesthetic experience) since the consumption of food is an innate animalistic desire.
Brillat-Savarin and Gastronomy
Brillat-Savain claims that food is able to provide aesthetic experience and he lays out his argument in his work, The Physiology of Taste. He claims that tasting and appreciating food is a complex endeavour which takes both time and reflective judgement. He formulated the sequence of ingestion which shows how this occurs. The three stages of sensation he identifies are namely; direct, complete and reflective. Brillat-Savarin also infers that the pleasure deduced from enjoyment of gastronomy is the most divine of them all.
Objectives: To investigate the degree to which the law is both economically and ethically constituted – To compare and contrast Ancient Mesopotamian law with our own.
Territory: Modern EU law – The Code of Hammurabi (1754 BC) – Ancient Babylon – The Code of Ur-Nammu (2100 BC) – Ancient Sumer ‘ The German Ideology ’ – Marx ‘ Elements of the Philosophy of Right ’ – Hegel
Structure: I will begin by first describing both the Code of Hammurabi and the Code of UrNammu, subsequently contrasting them with Modern law. After this, Marx will be used to argue that the law is economically routed, whilst Hegel to state that it is ethical and has progressed over time. Finally there will be an analysis of the changes made in modern day law, to exhibit the shift away from the financial ‘burdens’ of ethics, in the era of late Capitalism.
“Political Economy regards the proletarian … like a horse, he must receive enough to enable him to work. It does not consider him, during the time when he is not working, as a human being.” – Karl Marx, 1844
Central Thesis:
We have entered a ‘Digital Age’ new and peculiar to us and as such our basic system of rights needs to be updated to accommodate for this new age. The investigation into free speech on the internet provides compelling insight into this claim, with free speech doctrine not only being proved ineffective and outdated on the online medium but actually, I will argue, free speech is in danger.
“The world will not stand still and let us enjoy our freedoms. It will continually make itself anew, and as it does, we must consider the ever new methods by which it may be augmented or curtailed” Balkin (2001)
Identity will be considered in terms of the construction process and the impact that social media and the online community can have on this process in accordance with the theories listed
MacIntyre-Narrative Embedding through a socio-historical understanding. Tradition is thus key.. Dangers arise in consideration of the anonymity of the internet and fantasy of online environment distracting from this.
Giddens-Acknowledgment of importance of social background. self as a reflexive process.. Is it possible that the world of social media and online profile building provides guidance now? Does this then promote cultural relativism
Habermas -Theory of Communicative Action and Discourse Ethics. Reason amongst humans is considered to not be based in objective terms. Discussion key to understanding the self. But necessitate compliance the Rules of Discourse .
Trilling- Differentiation between Sincerity and Authenticity. Rejection of sincerity as only the role of the actor for the gratification of others.. Does the online identity building epidemic loose this authenticity and re-establish the pressure of those forming their identities in the realm of sincerity. The formatting of stating elements of our identity independently and publicly creates sincerity hoops.
Borgmann-Recognition of the role social media in modernity and the advent of Hyper-reality as a result. We become overly connected and this results in irrational behaviour and affections. We only end up disappointed at the lack of fulfilment of this strange unreal reality.
Dreyfus- Online identity formation and Social Media exist in a risk free environment. This can cause issues with personhood through desire to exist in a simulated environment and never transcend to interpersonal relationships in reality.
Risk and Potential Difficulties- Risks exist in the realms of the vulnerability of the unestablished self. This is via the advent of social consensus and a lack of objective rationality, the potential of manipulation in unequal partners, loss of interpersonal communication and inability to create relationships
There is a requirement for the self to be established prior to online engagement and necessity of return to Trilling’s Sincerity as the resulting conclusion and means from which the identity can benefit from Social Media.
This project aims to argue that the doppelganger in cinema represents a fear in society. The project will aim to chart the change in this fear. Deleuze’s work offers a psychoanalytical perspective on this whereas Giddens and Beck look at modernity more generally. Science fiction cinema is a cinematic cousin of the double film and works in a similarly reflexive manner. As film projection is digitized so is our society, meaning that we both rely on and resent technology. So is the prevalence of double films in 2014 related to our increasingly strong links to machines?
Phenomenology urges closer scrutiny of our experiences. A phenomenological approach to mental disorder concerns an acute study the patient’s experience; its conditions and its structure. My objective is to gain insight into the refined and perplexed experiences of the Schizophrenic mind. Philosophy has traditionally been concerned with issues of subjectivity and the first-person. In order to facilitate a dialogue between philosophy and psychopathology I will be referencing specialists in the field such as Dan Zahavi, Karl Jaspers and Christopher Frith.
I wish to claim that technology is not what man uses to master nature, but a philosophy of history a way of looking at the world or a way of life.
The aim of my project was to trace the history of technology in order to establish a definition of its essence that is consistent across time.
Heidegger argued that technology is a means of exploiting nature, reducing it to “standing reserve” which we can draw upon as we desire it. Further, he argued that modern technology reduces man to standing reserve and that we should be sceptical of it.
In response to his argument I explored the thought of Marcuse and Feenberg who both suggest that technology is defined more by its social elements than by its function.
Finally, I explored the future of technology, specifically artificial intelligence, and considered which, if any, definition of the essence of technology I explored remains applicable.
Main Sources:
The Questioning Concerning Technology by Heidegger, One Dimensional Man by Marcuse, and Questioning Technology by Feenberg.
An investigation into the relationship between the growing individualistic tendencies of the West and commitment-phobia: The identity crisis of the chooser with infinite choice
Case Study: Marriage – Why are marriage rates declining?
Kierkegaard, The Aesthetic Validity of Marriage
Blond, Marriage: Union for the future or contract for the present
“The faith of the Faithless”
Q) Would a restoration of religiosity in our culture make the idea of commitment more reasonable?
Thesis: Absolute freedom of comic expression is a prerequisite for a fair and functional society and can provide a form of abstract social mobility. Some forms of comic performances can be considered artistic.
Objective: To explain the philosophical theories concerning why we laugh, to demonstrate these theories through contemporary and historical comedy, and to determine the extent at which comedy is relevant today.
The Superiority Theory: Do we enjoy laughter because we enjoy the suffering of others? Is it just a method for self-elevation? Plato, Hobbes, and Descartes think so.
The Relief Theory: ‘laughter does in the nervous system what a pressure-relief valve does in a steam boiler.’ Nervous energy from insecurities can be released through laughter, according to Freud and Spencer.
The Incongruity Theory: When something seems out of the ordinary, or incongruous, we laugh. Aristotle, Kant and Kierkegaard agreed.