Tag: feminism

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2012 Abstracts Stage 2

Where’s the Sense in Surgery? An investigation into the use of cosmetic surgery in relation to the Feminist thought of Simone de Beauvoir

The aim of my project is to examine how impossible standards of beauty are being promoted as the ideal within society.

As a result, thousands of women are resorting to the use of cosmetic surgery to try and emulate this ideal.

Women have been banished to the sphere of Otherness, destined to achieve nothing and receive only that which men have been willing to grant.

Simone de Beauvoir argues that women should be liberated from abstract, restrictive essences, like ‘femininity’, which continue to cement women in their subordinate place.

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2007 Abstracts Stage 2

Women in Society: Identity, Self-image and Social Determination

Territory: Women and their representation within society over the last 100 years. Object: Within Territory looking at women in relation to Identity, Self-Image and Social Determination. Philosophical Concepts: Sartre – Existence preceding essence. Debord – Society of the Spectacle, Donna Haraway – Cyborg and a sexless society. Over the last 100 years, the representation of women within society has completely turned around. With advancements in liberation and law, women now enjoy an equal status in UK society. I was initially inspired by fashion, and how women have used fashion as a vehicle of expression. However I realised the way women dressed and expressed themselves, merely mirrored the social and cultural changes of the time. I looked at each decade over the last 100 years in the UK, studying the major changes of each decade which have impacted women’s liberation. How women’s identity has changed from a second class citizen, to the role of a strong maternal figure, to enjoying equal status. Key historical moments like WWI/WWII and women getting the vote have helped. Women’s self-image has changed, as women enjoy relaxed rules about dress, sex, marriage and children. This has allowed women to liberate the way they are seen and how they feel about themselves. Fashion movements like the mini skirt along with movie stars like Marilyn Monroe encouraged women to view and express themselves differently. Women’s social determination has moved to a point where first and second wave feminism are contradicting each other and influences from the media mean women are confused about their true role and representation within society. From Thatcher to Madonna, how are women now supposed to fit into society?

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2007 Abstracts Stage 3

Study in Femininity and Gender in the Postmodern Era, with reference to the art of Sarah Lucus

How has the representation of women in art changed since modern times? In what ways is Lucas’ art demonstrative of wider changes regarding the role of gender in identity and the position of women in society? – the shift from ‘natural’ to prescribed gender roles – Lucas subverting traditional roles / images of women – comparison with Goya’s ‘Maja’ paintings (from early modernity) – Beck’s theory of self identity in the postmodern age – Gidden’s writings on gender identity in late modernity – Harvey’s description of postmodern art (is art the best medium in which to initiate change in attitudes or is it merely reflective of this?)

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2005 Abstracts Stage 2

A Portrait of the Female Writer

Territory: Derrida’s theory of deconstruction provides us with a position of duplicity that operates within the language of reason. This allows us to escape from the condition of falleness. In relation to this I will explore Heidegger’s: ‘end of philosophy’. Derrida’s deconstructionist theory is a theory that is applied to feminine writing. Cixous argues that when we read deconstructively it invites us to recognise ourselves. For Cixous, the feminine is the embodiment of duality and as a result she is open to the other. Cixous argues that writing is woman’s because woman admits that there is another. As a writer of philosophy and fact as well as fiction she maintains that one must write in the present with an acceptance of inevitable death. Heidegger argued that to live authentically one must contemplate one’s inevitable death. To see death without dying allows us to live and frees us from all censors and judges in life. Themes: Derrida’s deconstructionist theory in relation to feminine writing and how femininity is open to the other due to an admittance of difference. Feminine writing and how it sketches an alternate possibility to self other relations in being/becoming. Heidegger and his notion of the ‘end of philosophy’ and that philosophy was nothing more than the ideology of the western ethos and true philosophical questions are based on ‘being’. Application: I intend to explore my territory and themes in relation to the feminist critique of Gayatri Chakravorty Spivak, focusing on her translation of Derrida’s work on deconstruction and how this deconstruction is a political safeguard.

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2004 Abstracts Stage 2

The Power of Oppression

OBJECTIVE: • I intend to explore the oppression of women in a patriarchal society with particular reference to art. • To achieve this I will examine the treatment of women in art institutions and within society as a whole and by discussing assumptions about the nature of femininity and how these have an oppressive force. SOCIETY: • Family: What does it mean to be a “good” women? An exploration into patriarchal codes of conduct enforced upon women that forbid female professionalism. • Institutions: How knowledge is manipulated to maintain current social divisions that segregate men and women and prioritise male characteristics. • Power: artistic impressions of the power dynamic that exists between men and women. Using examples of pictures I will demonstrate different approaches to this subject. ART HISTORY: • An investigation into the manipulation of knowledge and the use of negative assumptions of femininity to prevent female artists achieving recognition. EROTICISM: • The evident bias in painting of the nude that only acknowledges the male viewer. • How does this bias affect the idea of rights and equality and how have female artists confronted this issue? • Have women escaped oppression today?

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2004 Abstracts Stage 2

The Feminine

Territory: Helene Cixous, simultaneous writer of fiction, philosophy, and fact, develops the idea of l’ecriture feminine, ‘feminine writing.’ Against the hierarchical duality of binary oppositions (action/passion, head/heart, activity/passivity), the feminine is the position of non-duality, characterised by openess to Other. Subtler than political feminism based only on gender and power, the feminine is opposed to the masculine, not the male. Cixous’s notion of the feminine is not restricted to woman, although woman’s feminine libidinal ecomomy does provide a propensity for the feminine. (A woman’s writing can be, and indeed usually is, phallocentric; Cixous urges women to throw off this masculine paradigm and write their body). (Clarice Lispector’s (left) is a supreme example, for Cixous, of a truly feminine writing). Being/becoming: Supple, moving, chaotic-poetic, feminine writing is characterised by immediacy, it is a writing of being. Its propinquity, its earthy, erotic immanence, can equally be interpreted as becoming, always moving. Feminine writing is fully present in the moment (being), and open to the temporal flux of existence (becoming). By addressing the neglected area of feminine being (becoming?), we discover a writing characterised by giving, openness, simultaneously homogeneous and heterogeneous. Application: My dissertation in part addresses Cixous’s writing (along with biblical character Salome and turn of the century socialite Alma Mahler). I argue that Cixous’s feminine writing (The Book of Promethea) embodies the Nietzschien ideal of the will to power and his notion of the eternal return. In other essays, I have read Lispector from a Cixousian perspective, and looked at what Cixous’s notion of feminine writing means for philosophy.

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2003 Abstracts Stage 2

The Nature of Power and the Symbolic Female

An exploration into the nature of power in Prague in the Baroque and Art Deco Periods using the Symbolic Female to reflect the Paradigm Shift. Emperor Rudolf II made his home in Prague drawing astronomers, artists, astrologers and alchemists to his court. As the map on the left indicates Bohemia was considered to be the heart of Europe during the Baroque era as it flourished culturally and scientifically. The start of my exploration will begin in this period, examining the nature of Rudolf’s power as given by God through the ‘Divine Right of Kings.’ I intend to show how this power was demonstrated through art using the symbol of the female form, particularly looking at the work of the Czech Artist Karel _kreta. The Nature of Power and the Symbolic Female Using the Art of Alphonse Mucha I will examine the state of these early nations, exploring what circumstances led to them. Mucha was born and spent much of his time in Bohemia and the culmination of his work was the Slav Epic in which he wished to give to the Slavic people as sense of their nation’s history. In my examination of the Art Deco period I will also be using the work of Gustav Klimt. Klimt’s work explores the crises of separation, the nihilism that had come about due to the failing truth of the subject-object divide. Klimt’s women no longer look entirely female, people often blend into backgrounds, the perfection of the female of the Baroque period is gone. Perfection is no longer given by God just as power is no longer given by God. The very nature of truth, beauty and power has changed. My project will try to determine why these changes have taken place, what process it was that led to this transformation from Power given by God to the emerging Nations.

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2003 Abstracts Stage 2

What are the Norms that Determine the Notion of ‘Womanhood’ in Society?

Objective: · To investigate the philosophical concepts that determined the notion of ‘womanhood’ in society. · To establish if these philosophical concepts underpin the norms that determine the notion of womanhood in Victorian and Modern society. · To determine to what extent these norms have changed from the Victorian period, through to the Modern period. Part 1: This section focuses on dualism. Dualism exists due to a denied dependency on an inferior other and it is through this, that a domination/subordination relationship is formed. Through looking at dualism’s such as: public/private, human/nature, rationality/irrationality, one can see that all those on the left, superior side relate to masculinity and reason and all those on the right, inferior side relate to femininity and nature. In order to ascertain why women are perceived as inferior and subordinate to men, and furthermore why they are associated with nature, one will examine the key dichotomous relationships: human/nature, rationality/irrationality and public/private. The purpose of examining philosophical concepts is to understand the norms that determined the notion of ‘womanhood’ and to then analyse to what extent these norms have changed from the Victorian to the Modern period. Sources: L McDowell and K Pringle, Defining Women: Social Institution and Gender Divisions. Morwenna Griffiths and Margaret Whitford, Feminist Perspectives in Philosophy. Val Plumwood, Feminism and The Mastery of Nature. Part 2: This section focuses on the norms that determine the notion of ‘womanhood’ in Victorian society. It analyses to what extent the philosophical concepts mentioned in the first section are apparent in the Victorian period. Women’s association with nature is a prominent theme, suggesting that women were in more in tune with their bodies, hence, more emotional and irrational. Women’s relation to the home was a fundamental feature of the nineteenth century. Women were placed in the private sphere due to their association with nature and irrationality, whereas men’s association with intellect and reason placed them in the material world, in the public sphere. An example of a Victorian woman is provided. Florence Nightingale is discussed, showing how she can be seen as reacting against the norms that determined the notion of ‘womanhood’ in Victorian society. Sources: Duncan Crow, The Victorian Women. Ema Olatson Hellerstein, Leslie Parker Hume and Karen M Offen, Victorian Women. Gordon Marsden, Victorian Values, Personalities and Perspectives in Nineteenth Century Society. Cecil Woodham Smith, Florence Nightingale 1820-1910. Julia Swindells, Victorian Writing and Working Women. Part 3: This section concentrates on the Modern period. Along with the Modern period came feminism. This ideology could be seen as replacing the ‘woman movement’ of the Victorian period. A change is evident in the Modern period regarding the dualism’s which are present in the Victorian period. During the twentieth century women were becoming more independent and could be seen to be turning their back on the domestic sphere, hence women’s place in the private sphere was not so rigid. Also, through sexual expression women wanted to make themselves equal to the male. In order to highlight the norms that determine the notion of ‘womanhood’ in Modern society, one focuses on an example of a Modern Woman, Hannah Arendt. Sources: Nancy F Cott, The Grounding of Modern Feminism. Elzbieta Ettinger, Hannah Arendt and Martin Heidegger. Elizabeth Gross, Knowing Women, Feminism and Knowledge. Part 4: This section establishes the changes that occur from the Victorian through to the Modern period. It concentrates on the key dichotomous relationships, public/private, rationality/irrationality, human/nature. It focuses on women’s association with nature, irrationality and the private sphere which characterise the Victorian period, and examines to what extent these philosophical concepts have changed by the twentieth century. Sources: Nancy F Cott, The Grounding of Modern Feminism. Morwenna Griffiths and Margaret Whitford, Feminist Perspectives in Philosophy. R Minsky, Knowing Women: Feminism and Knowledge. Val Plumwood, Feminism and the Mastery of Nature.

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2003 Abstracts Stage 3

The Oppression of Female Athletes

Concepts:- To examine the way in which female athletes are systematically discriminated against in the following areas:- 1) Media 2) Sexuality 3) Race 4) Disability 5) Gender – Masculinity/Femininity 6) Coaching and Administrative positions Sources:- Newspapers, The History of Sexuality – M. Foucault Sporting Females – J. Hargreaves Women, Sport and Culture – S. Birrell & C.L.Cole Sport & Postmodern Times – Ed by G.Rail Tattoo, Torture, Mutilation & Adornment – A.Bolin Project Territory:- The world of sport – and in particular female sports. The Change:- Unfortunately my research has shown that there has not been a major change as of yet. There have been numerous improvements in the treatment of female athletes, but there is still an enormous way to go before they are treated on a par with their male counterparts.