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2007 Abstracts Stage 3

Study in Femininity and Gender in the Postmodern Era, with reference to the art of Sarah Lucus

How has the representation of women in art changed since modern times? In what ways is Lucas’ art demonstrative of wider changes regarding the role of gender in identity and the position of women in society? – the shift from ‘natural’ to prescribed gender roles – Lucas subverting traditional roles / images of women – comparison with Goya’s ‘Maja’ paintings (from early modernity) – Beck’s theory of self identity in the postmodern age – Gidden’s writings on gender identity in late modernity – Harvey’s description of postmodern art (is art the best medium in which to initiate change in attitudes or is it merely reflective of this?)

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2006 Abstracts Stage 2

Love will Tear us Apart: is Every Relationship based on Conflict?

My territory: Domestic Violence. My Methods And Sources: Women’s Aid, The Women’s Shelter, Political Bills and Laws, Interviews, Questionnaires, Books, Magazines, Pamphlets. The Ideas: Husserl and Hegel’s influence on Sartre’s construction on his theories of love and viewing the other as an attractive object. The battle to one’s freedom from being viewed as an object. Krishnamurti’s idea of the importance of becoming a free individual to transcend an essentially violent society. My Philosophers: The Existentialists, Husserl, Sartre, Krishnamurti.

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2005 Abstracts Stage 3

Beautification and Mutilation: is Beauty in the Eye of the Beholder

Is someone who finds a tribal scarring ceremony beautiful wrong or justified to believe whatever they choose? This includes an exploration of the concept of beauty and its dimensions. Beauty will be mainly discussed in terms of the female; it is aimed towards beauty as a concept in modern times, regarding appearance rather than the aesthetics of art. The overall thesis of this discussion is that beauty, controversial as it can be, is in the eye of the beholder and therefore different cultures, times and context all have varying priorities and values regarding beauty. Chapter 1 What is beauty? The philosophical arguments regarding beauty. Different philosophical theories ranging from Plato to Kant and Santayana, concluding that the modern perspective is that beauty is subjective. However, is beauty the actual object or the feeling connected with beauty? Kirwin argues that the sensation of beauty is universal and therefore while the object is subjective the sensation is not. The biological argument, initiated by Darwin, that people perceive beauty in humans with regard to biological advantage is also discussed- does this make human beauty universal, what about homosexuals? Chapter 2 Case study-Warie Dirie, a description of infibulation and the cultural arguments surrounding it within a specific case. Debate on the justification of female circumcision, what are the concepts of beauty within this tradition? Chapter 3 Cosmetic surgery, its massive growth throughout the last ten years-why is it so popular-what are the aims, the problematization of age-what does this imply about beauty. Chapter 4 Feminist arguments about beauty, is beauty a ‘beauty myth’? Are women subordinated by the pressure to conform to an ideal? The aims and art of Orlan-challenging beauty through cosmetic surgery. Chapter 5 Different practices within cultures that are either beautifying or mutilating. A look at the rise in body modification through tattoos, piercings and scarification, what are the aims of these modifiers-to challenge cultural norms? Is it cultural imperialism to class something alien to us as mutilation? A discussion of whether or not one can impose a view upon another culture without being imperialist, a comparison of foot binding with female circumcision. Is beauty ideology? A glimpse at power through the eyes of Foucault, Lenin, Lukes and Marx. Conclusion-what does this all imply about beauty. A parallel between beauty and deformation with Calabrese’s notion of the neo-baroque and replicants, a homogenising of society. Harvey’s postmodern consumerist world. The Dove Report, what do Western women really feel about beauty. Philosophical implications of the differing viewpoints regarding beauty and perfection. Beauty is in the eye of the beholder??

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2005 Abstracts Stage 3

Promiscuity as the Masculinization of Women: Masculinization as the Complexification of Nature

Place: The Suit, as an image, as an androgynous construct Aim: My intention is not to assess the concept of promiscuity from a moral standpoint but more to suggest that it has been illustrative of the move away from what is essentially feminine to a world where women themselves in terms of what is masculine and how this gendering is representative of our move away from nature towards into an age of complexification Masculine and feminine: towards an age of androgyny? What is masculine? What is feminine? Indoctrinated definitions of gender through the ages from Plato to present day, the implication of gender classification on social constructs Promiscuity I will initially focus on the idea of promiscuous behaviour, how and why there has been an increase in women partaking in this behaviour (if this is the case) and the social ramifications of this. The issue is the promise of sex totally free of reproductive consequences, a myth that has served men not women. Our sexual culture which promotes pleasure over responsibility has ignored the reproductive capability of women’s bodies. Pose the question do, and if so why do women replicate men, instances of masculine behaviour, women at work etc why is success viewed in male terms, i.e. mothering undervalued, all the traditional female roles considered irreverent in modern society Masculinization. From Greek thought there has been a separation of culture and nature into male and female categories. Since the mechanical age we have become first mechanized and then manufactured, our bodies are commodities Promiscuity could be predicted as the result of a complex system, a particular way of handling material objects, everything has to be consumable. Promiscuous behaviour ultimately an expression that has been mechanized and commodified until it has become transparent. It is because we have become separated from nature that women have become masculinized, progression away from nature.

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2003 Abstracts Stage 3

The Oppression of Female Athletes

Concepts:- To examine the way in which female athletes are systematically discriminated against in the following areas:- 1) Media 2) Sexuality 3) Race 4) Disability 5) Gender – Masculinity/Femininity 6) Coaching and Administrative positions Sources:- Newspapers, The History of Sexuality – M. Foucault Sporting Females – J. Hargreaves Women, Sport and Culture – S. Birrell & C.L.Cole Sport & Postmodern Times – Ed by G.Rail Tattoo, Torture, Mutilation & Adornment – A.Bolin Project Territory:- The world of sport – and in particular female sports. The Change:- Unfortunately my research has shown that there has not been a major change as of yet. There have been numerous improvements in the treatment of female athletes, but there is still an enormous way to go before they are treated on a par with their male counterparts.

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2002 Abstracts Stage 3

Baroque and ‘the Wasp Factory’

‘The Wasp Factory’ – Written in 1984 by Ian Banks – Tells the story of Frank aged 16 – The murders: · Aged 6 kills his cousin Blyth by poisoning him · Aged 8 kills his brother Paul with a bomb · Aged 11 kills his cousin Esmerelda with a kite – Eric his older brother is on the run from a mental hospital The ruin – Represented by the rusting old bomb on the beach, causes the death of Paul – Is a baroque symbol due to the melancholy contemplation of ruin and death The Labyrinth – Represented by the wasp factory that gives the book its title – Popular baroque image as it represents uncertainty, riddle and melancholy The inevitable arrival of catastrophe – The arrival of Eric, a destructive force represents the arrival of catastrophe – His progress is fragmented and there is an increasing awareness of catastrophe, which causes insecurity The androgynous other – Frank represents the androgynous other. Totally unaware of his gender or sexuality he is a baroque image – Women are regarded as the weaker sex and Frank agrees with the baroque notion that humans are weak due to their sexuality