Tag: Heidegger

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2013 Abstracts Stage 3

Existential Therapy: a Discussion of Heidegger’s Contribution to Psychoanalysis and the Relevance of his Ideas to Current Day Therapy

Daseinsanalysis
• Heidegger and a psychologist Medard Boss created a strand of psychoanalysis called Daseinsanalytic within ‘The Zollikon Seminars’
• Boss used Heidegger’s phenomenological method from ‘Being and Time’ to create a therapy based on the openness of Dasein to the world
• I will compare this therapy to modern-day Cognitive Behavioural Therapy

Cognitive Behavioural Therapy
• CBT is the main therapy offered by the NHS
• Heidegger believes that technology removes our ability to understand Being
• It turns us into calculable resources
• I will discuss CBT as an obvious product to our current technological society

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2013 Abstracts Stage 3

The Magazine Industry: are We Truly Free to Live an Authentic Life?

I aim to look at the effects mass culture has on society, particularly the influence of the magazine industry, and assess whether we are able to live authentically in keeping with the ideas of Adorno and Heidegger.

The evolution of magazines and the explosion of mass media has influenced individuals greatly.
Magazines have played a part in producing a set of standardized ideals for society to obey. Are we able to live authentically in spite of this?

Theodor Adorno; The Culture Industry
Popular culture in capitalist society is nothing more than a factory of mass produced goods which manipulate society into passivity and obedience.

Martin Heidegger; Being and Time
As humans we are thrown into a culture and society which we have no control over.

If we are all stroked with the same brush of culture then how is it possible to live an authentic life?

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2013 Abstracts Stage 3

Animal Farm: Does the Subtle and Binary Nature of Philosophy Fail where Literature Succeeds?

IS ANIMAL FARM A COMMENT ON SOVIET RUSSIA? A COMMENT ON THE PITFALLS OF MARXIST THEORY? A COMMENT ON HUMAN NATURE WITH REGARDS TO POWER? OR IS THIS A LIMITING VIEW OF TRUTH? CAN LITERATURE SHOW US GREATER TRUTH?

HEIDEGGER:
THE POWER OF POETRY FOR A HIGHER TRUTH, A TRANSCENDANCE OF OUR SITUATION TO REVEAL THE BEING-OF-BEINGS

FOUCAULT:
SURELY THERE IS NOT SUCH A THING AS RESISTANCE OR TRUTH? EVERYTHING IS PART OF THE SYSTEM OF POWER, EVEN IDENTITY, SO CAN ORWELL BE ANYTHING MORE THAN AN IDENTITY CREATED BY POWER’S MECHANISM?

VATTIMO:
ONCE WE ACCEPT THAT WE ARE HISTORICALLY CONTINGENT AND THERE IS NO ‘TRUTH’ WE CAN WORK WITHIN THE SYSTEM OF UNDERSTANDING TO TRANSCEND OUR GIVEN VALUES THROUGH OSCILLATORY NIHILISTIC HERMENEUTICS: CRITICAL THOUGHT: IS THIS WHAT ORWELL ACHIEVES?

“Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind” (Orwell, 1984)

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2012 Abstracts Stage 2

The Authenticity Blues. A Study in Heideggerian Authenticity in Blues Music

In this project I shall explore the idea of authenticity in the blues, using both the idiomatic definition of ‘authentic’, and martin Heidegger’s theory of authentic and inauthentic existence

As a case study I shall use the career of Huddie ‘lead belly’ Ledbetter and his working relationship with the folklorists John and Alan Lomax

Are the blues authentic?
Is the life of a bluesman?
Can we appreciate the blues in an authentic way today?

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2012 Abstracts Stage 3

Avatar Selves: Ontological Implications of Fluid Identity in the Virtual Age

“We are becoming fluid and many-sided. Without quite realizing it, we have been evolving a sense of self appropriate to the restlessness and flux of our time.” – The Protean Self (R.J.Lifton)

What is the nature of Being in the burgeoning age of virtual networks?

How are modes of relating to one another, spaces, and information changing?

Our society is fast evolving from centering on hard modern technologies to soft postmodern technologies in tandem with a move to a postmodern identification with complexity and flexibility,

Our capacity to project our identity into an interactive cyberspace of other projected identities raises new questions about boundaries of intellect, collaboration, agency, authorship, self-knowledge, transhumanism, identity, shifts in neurological and social function…

Heidegger saw technology as enframing our way of being in the world. It can enable us to satisfy our desires, but there is always the danger of letting it obscure our essence as human beings. We must continually return to this always-already essence of being, and resist becoming functionaries for technology.

This is all the more applicable in an information-based society in which we present ourselves informatically through the medium of technological interfaces we have no understanding of.

The ontological, social and autobiographical implications for self-knowledge and agency in the novel complex networks of our virtualised society.

Philosophers and thinkers: Heidegger/Borgman/Nietzsche/Zizek/Harman/ Eagleman/Gorny/Self/Stirling/Lifton

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2011 Abstracts Stage 3

Does Art Succeed where Language Fails? Art as the Vehicle for the Expression of Emotion

I aim to see why we as humans ever need to say such phrases and is it at this point that art comes to the fore.

I will use the following Philosophers:
Heidegger M. On the Way to Language. 1982. Harper Collins Basic Writings: Martin Heidegger. Ed. David Farrell Krell. 2010. Routledge.

Mugerauer R. Heidegger’s Language and Thinking. 1991. Humanities Press International.

Van der Heiden G-J. The Truth (and Untruth) of Language. 2010. Duquesne University Press.

Silverman D. and Torode B. The Material Word. 1980. Routledge and Kegan Paul.

Derrida J. Writing and Difference. 2010. Routledge.

Derrida J. Of Grammatology. 1997. John Hopkins University Press.

Basic Writings: Jean-Paul Sartre. Ed. Stephen Priest. 2006. Routledge.

A Nietzsche Reader. Ed. Hollingdale R.J. 1977. Penguin Classics.

Gadamer H-G. Truth and Method. 2006. Continuum

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2011 Abstracts Stage 3

Commodification: for Better or for Worse?

Are professional athletes alienated towards the original values that uphold sport?

Historically, sport had been used among other things as a means of building character, promoting the spirit of fair play, and even nation building. Now in our contemporary society, sport is budding into one of the most forceful business and entertainment franchises within our capitalist culture.

My aim: to investigate how the commodifications of sport (through cultural advancement) have altered and enhanced the social value of modern day athletes

Territory: There is perhaps no better illustration of the commodifications of professional sport than the advancements of European football. As a result, my project is particularly focused on investigating the commodifications and cultural advancements of sport within European Football

Methodology: I intend to discuss my topic of the commodifications of sport through a hermeneutical critique, engaging on the evolvement of professional sport that has led the 21st century athlete into becoming a ‘celebrity’ rather than purely a competitor. My discussion is centred upon two key philosophical theories involving the works of Karl Marx (theory of alienation) and Martin Heidegger (a question concerning technology)

The objective of my discussion is a critical dialogue in which I seek to outline the cultural changes that have caused this apparent transformation within our society, and hence altered the social value of professional athletes today. This project aims to prove that through capitalist commerce and exploitation, the business of sport and its athletes become alienated, and additionally have lost a relationship towards the original bounds that compile sports and competition.

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2011 Abstracts Stage 3

Linking Heidegger’s Essay The Question Concerning Technology to the Changes of Technology within Football from the 1960s to the Present Day

The aim of my project is to link Heidegger’s essay The Question Concerning Technology to the changes of technology within football from the 1960s to the present day.

From watching the 1966 World Cup Final, England vs. West Germany and the 2010 Tyne-Wear Derby, Newcastle United vs. Sunderland, and also with the use of some useful websites, I would be able to highlight the changes of technology within football. These are the six changes of technology within football which I have highlighted:

1. Picture Quality/Display
2. Replays
3. Capturing of the Game play/Emotions
4. Football boots
5. The Football
6. Co-commentary/Audio

I will explain Heidegger’s essay The Question Concerning Technology from his book The Questioning Concerning Technology, and relate the changes of technology within football to the relevant parts of his theory.

A few examples of linking Heidegger’s theory to the changes of technology within football

– Heidegger talks about how modern technology reveals but also challenges, and I linked this to the development in the replays from the 1960s to today in the use of different camera angles which reveals more of what just happened, e.g. of a goal scored or challenging a decision made by the referee.
– Heidegger talks about how nature’s energy has become a standing reserve and how nature is now a resource of technological exploitation. As well, we ourselves are situated in the standing reserve as human resources. I linked this to the development in camera angles in capturing more emotions in football today than in the 1960s, therefore making football more of a standing reserve. Why? More is revealed (captured) in the match for the television audience.

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2011 Abstracts Stage 3

Can We Ever Connect? An Investigation into the Relationship between the Human Being and the Natural World, with particular reference to Heidegger and the Akie Hunter-Gatherers of Tanzania

The investigation aims to establish the relationship between human beings and their natural environment; contrasting the views of the Western world and the Akie hunter-gatherers of Tanzania. Through an examination of the Akie lifestyle there is an attempt to understand the complex relationship they have with nature. Contrastingly there is a study into how the Western World considers nature, particularly in a society dominated by science and technology.

Heidegger’s original texts are referred to, along with ideas from Kierkegaard and Gadamer also. Several secondary sources and the BBC’s Tribe on the Akie (with Bruce Parry) will additionally be examined to develop a thorough understanding of the matter at hand.

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2011 Abstracts Stage 3

How Are Franz Kafka’s Novels Ethical?

Aim: I aim to demonstrate how Blanchot’s ethics can be found within literature. Specifically, in Kafka’s work.

Philosophy: death of a subject is, ultimately, Blanchot’s ethics. It is instigated by the interruption of the ‘Il y a’. Here, all former values (everydayness) is replaced by those of the other (otherness). This motion is mimicked in literature, particularly in Kafka’s work. My project will assess why.

Anti-thesis: Is Kafka’s work symbolic (stubbornly independent) or allegorical (autobiographical)? That is, is Kafka himself present throughout his work?

I will argue that Kafka’s work is allegorical; he is everywhere in his work.

Blanchot’s Texts: Reading Kafka, Kafka and Literature, The Language of Fiction Literature and the Right to Death, Death Sentence.
Heidegger’s Texts: Why Poets?, On the Essence of Truth, The Origin of the Work of Art, Way to Language.
Kafka’s texts: The Trial, The Castle, Metamorphosis.

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2011 Abstracts Stage 3

A Second Enlightenment: A Revolution in Education

In this project, borrowing from the philosophy of Martin Heidegger, I shall argue that with the increase of technology, the spread of capitalism and the loss of ambiguity in language, a second Enlightenment is needed; in order to save man from destroying, and losing his ambiguous relationship with the world. I shall argue that the only way for man to avoid such fate is through a revolution in education. I shall draw on the educationalists Ken Robinson, and Mary Evans to demonstrate that contemporary education is failing children, for multiple reasons. Essentially modern education systems have turned into businesses, as such not only do they restrict creativity in the class room, but they are ensuring ‘cut-backs’ in creative subjects.

I shall draw on the philosophy of Gilles Deleuze to demonstrate why creativity and creative thinking are an essential attribute of any individual. Moreover I shall argue alongside Jean François Lyotard, that the modern world calls for order and structure which is dramatically limiting the creative abilities of individuals in our society. Thus my proposal is that the only way to change this ordered, scientific mind-set, inherited from the Enlightenment, is to revolutionise the way we educate children, so as to encourage creativity and critical thinking. Furthermore I shall argue that if this is not achieved, the conclusion could result in the end of mankind.

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2010 Abstracts Stage 3

Anxiety: Disorder or Not?

Is anxiety a disorder to be eradicated, or a mood beneficial to human life? The aim of this essay is to establish whether or not there is a correlation between Heidegger’s concept of anxiety in relation to the Nothing, and Gadamer’s concept of anxiety as a legitimate, and often misunderstood, mode of knowledge.

Heidegger claimed that anxiety was the gateway to the Nothing and therefore could be used as a path to the answer to the question of being.

Gadamer claimed that mental illness, including anxiety, whilst seemingly treated to the best of a particular period’s abilities, is cast aside as being irrational. In fact, Gadamer claims that the way in which the mentally ill think is to be taken seriously and one must therefore enter into it.

The territory for this essay will be mental illness in our own modern society, as shown by the York Retreat below. I will attempt to show which mental illnesses to do with anxiety are prevalent in our society compared to societies in the past. I will also attempt to show if there are, in general, more cases of anxiety based mental illness in modern society than ever before, for example in the U.S.A. 13.3% of the adult population suffer from one or several forms of anxiety disorders (www.healthyplace.com).

For Heidegger, anxiety is a crucial “original” mood which cannot be entered willingly. He called such experiences “erfahrung”, meaning an experience which is undergone, not chosen. Such experiences are extremely powerful and although not directly life changing, do have an effect on one’s attitude to one’s life.

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2010 Abstracts Stage 3

The Psychological Costs of Capitalism: an Exploration into How We Are Being Emotionally Snookered by the Demands of 21st Century Living

In our society we are getting richer and richer and simultaneously less and less happy. Within my stage three project I want to explore how in modern life capitalism and the consumer culture has corrupted our values and as a result people are increasingly driven by an obsessive desire to define themselves by their earnings, possessions, appearance and celebrity. I want to show how this is responsible for the ever rising rates of depression and anxiety in England and America…

Heidegger’s analysis of boredom suggests that our lives lack personal meaning, and where there is a lack of personal meaning, capitalism creates all sorts of diversions and substitutes, mostly in the form of consumption. Through the work of Heidegger, I will reveal how our fundamental needs as beings are not being met. This endless pursuit of unfulfillable desires has created a profoundly impoverished emotional culture, subsequently we are no longer living authentic lives.

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2010 Abstracts Stage 3

Director’s Role of ‘Delivering’ a Play with Heidegger’s Philosophy of Art and Truth

Art enables us to interpret the world around us; just as Philosophy encourages us to understand our being in-existence. This project aims to discuss the way in which the art of theatre encourages us to reflect upon the world through a director’s recreation of reality upon a stage.

Heidegger’s notion of ‘being-in-the world’ and language in his work Being and Time, encourages us as beings to come to terms with the idea of Being, otherwise known as Dasein. From this, we are able to grasp the true nature of our existence.

I aim to pay close attention to the Artistic Director Sam Walters of the theatre in-the-round: The Orange Tree Theatre. Being-in-the-theatre is a process of entertainment, whereby as an audience we are faced with characters and scenarios that touch upon aspects of our own lives. Hence, there exists a fine line between forms of real life and the features of ‘make-believe’.

In order to connect the art of theatre with Heidegger’s philosophy, I aim to explore the concept of Being and art in his work The Origin of the Work of Art and Julian Young’s Heidegger’s Philosophy of Art, both of which consider and examine:
– The ‘origin’ of an art-work.
– The unconcealment of a ‘world’ via the metaphysical relationship between ‘earth and world’; shown through the Greek Temple.
– The notion of truth [Wahrheit] revealed through an art-work.

In order to test Heidegger’s thought on language, art and Being, I aim to discuss Alan Ayckbourn’s farcical creation of Taking Steps; a play that explores modern-day issues such as marriage and alcohol. As an audience, we recognise aspects of a ‘taboo’ subject-matter, but preserve our comfort-zone through laughter.

I aim to conclude, that through ‘being-in-the-theatre’ with Heidegger’s Philosophy, we essentially examine our world; and thus come to terms with the truth of our ‘being-in-the-world’.

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2009 Abstracts Stage 3

‘Mountains of the Mind’. Leisure, Thrill and the Nature of Human Existence

Object/Territory: I chose to study the sport of mountaineering with reference to the historical development and change in attitude towards it. I essentially wanted to provide a philosophical explanation behind the reason people take part in such a high risk sport.

Philosophers and Concepts: Immanuel Kant and Burke- The Theory of the Sublime Jean- Paul Sartre- Existential Freedom and Authentic Existence. Vertigo Theory. Martin Heidegger- Dasein, Being-towards-death.

By using the above philosophical concepts I intend to explain what makes mountaineering so appealing to the human mind and how these attitudes have changed over the course of time. I will take into account the history of the sport and the changing attitudes that have resulted in the change from a leisure activity to one that seeks a deeper, more satisfying thrill factor concerning human endurance. Ultimately I want to demonstrate that mountaineering provides fundamental experiences that are vital to the human condition and to our sense of self-understanding.

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2009 Abstracts Stage 3

Dying in Denial: the Industrialisation of Death in Contemporary Society

For my stage three project I have decided to explore the industrialisation of death in our current society. My examination begins with a look at the gradual change in the perception of death, from the classical age to the modern day. By taking a genealogical approach to this historical change I am able to identify the specific reasons for these changes and reflect upon what significance these changes have on the perceived meaning of death. Beginning with the role in which death played in the Classical Age, I examined how death was once understood as a harsh reality of life to which everyone was made aware through events such as the bubonic plague and the limitations in medical knowledge. After which I explored the gradual development of anatomical pathology in the modern age and the effect that demography, pathology and sociology had and currently have on how death is now approached. In particular I looked at the importance that has been placed on defining death in terms of its physiological cause and the implication that this definition has on each of the specific areas of study I have mentioned. By understanding the changes that have occurred between these two points of history, I highlight the key issues that are involved in the industrialisation of death and what exactly this means in relation to our individual approach to death and our common understanding.

Following this I introduced the philosophical theory of Martin Heidegger and his explanation of death in relation to his phenomenological task to uncover true meaning in ‘Being and Time’. By setting out a brief explanation of how Heidegger attempts to understand the meaning of being in general through human experience, I examine the significance that death has in making possible the discovery of true meaning. From this I moved onto Heidegger’s later work, ‘The Question Concerning Technology’ and his thought on the role of technology in the pursuit of understanding being and the distinction he makes between authentic and inauthentic perception. It is at this point where I applied the issues I raised, in the study of my concept, to Heideggerian theory and translate what effect the industrialisation of death has had on the authenticity of understanding the true meaning of death in the modern day. In conclusion I offered a personal insight to my opinion on the impact that contemporary society has had on our perceived meaning of death and what significance this has to our eventual confrontation with death.

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2009 Abstracts Stage 3

Identity Theft: an Investigation into the Repercussions of the Identity Card on the Identity and Existence of the Individual

Territory: Through the developments especially within recent years, the identity card has become a prominent part of modern life. The territory under examination is the identity card. The debate of protection over control and the amount of information that is held about each individual has become evermore important. The identity card suggests the ability to allow people to be recognised as the individual they are through the information contained on and within the card. The identity card therefore appears to present implications to the idea of identity presenting it as a fixed material idea which seems to do against the modern understanding of the self and the individual identity.

Aims: The primary aim of this project was to explore the extent to which identity cards impact the creation and development of the individual identity. Through the development in technology, particularly those within the area of the identity card it is possible to recognise a decline within the understanding of the individual and unique identity. The secondary aim of this project was to examine the effect that the restriction on the ability of the individual in the creation of the identity would have on the idea of existence that the self would have within the world. It is possible to suggest that existence is affirmed within the world through authentic experience and the projection of the identity in its individual being. Therefore if we are unable to create the self as we wish and perpetuate the individual identity this would seem to have a detrimental effect on projecting our existence.

Philosophers: Through the work of Sartre I have explored the way in which we strive to live an authentic life and the importance that Sartre places on this. I have explored the manner in which the identity card restricts the possibility for the individual to live this authentic life and create the self as they wish. The writings of Sartre were also used in the exploration of the idea of affirming our existence within the world, in that we are only an identity within our action, and through our action we are able to have existence within the world. The work of Heidegger was also important to this idea and his understanding of being. If we identify ourselves as a certain idea we are conforming and reducing the self to something that is less than the existence that we have. The idea that we are much more than we understand ourselves as being was important for Heidegger. We must not reduce our identities and our ability to exist by taking the identity card to be all that we are.

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2009 Abstracts Stage 3

Exploring the Philosophy of Heidegger through the Work of Samuel Beckett

In my project, I will use Beckett’s work, including novels, short prose, drama and critical essays, to explore and challenge the work of Heidegger. I will explore Heidegger’s philosophy, in terms of his views on the way people exist in the world, their perspectives and the nature of truth and knowledge, with a particular focus on his ideas about art. I will use the style, mediums and characters of Beckett to explore how valid these ideas are for the modern world, particularly after the atrocities of the Second World War. I will focus particularly on Heidegger’s condemnation of art in the modern world, exploring its validity. I hope to show that Heidegger’s ideas, though often persuasive and enlightening, are inapplicable to a modern world in which subjects and communities are simply not the coherent and well-integrated wholes he hoped for. Following Beckett, I will explore the precarious, impotent, tragic and confused nature of existence, resolvable, perhaps, in death.

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2008 Abstracts Stage 3

Anxiety and the Loss of Meaning

Outline: I aim to explore the concept of anxiety, loss of meaning and absurdity of life as presented within “Existentialist” narrative. In evoking these ideas from specific novels I will analyse them more precisely with relation to Martin Heidegger’s concept of anxiety. Territory: In particular I will be studying Jean-Paul Sartre’s Nausea, Albert Camus’ The Outsider, Fyodor Dostoyevsky’s Notes from Underground, and Leo Tolstoy’s A Confession. In examining these texts I hope to explore how the idea of loss of meaning is presented and focus particularly upon the individual’s coming to terms with the absurdity of life. Philosophical Material: The philosopher that I have chosen to focus on is Martin Heidegger and particularly his concept of anxiety within his work What is Metaphysics? Here Heidegger produces an account which indicates how the individual is able to think about and question their own existence and how, through the state of anxiety, they are able to reflect upon “the nothing” that appears on their horizon of thought. As well as analysing What is Metaphysics? I shall also use Heidegger’s Being and Time, On the Essence of Truth and The Origin of the Work of Art to indicate the significant role that this concept of anxiety plays within his greater philosophy. Where Heidegger builds upon a philosophy considering the individual I shall also look at the work of Emmanuel Levinas, who concentrates on a more social philosophy, in order to bring contrast to Heidegger’s thought. In his struggle to come to terms with a finite existence Leo Tolstoy was torn between suicide and religion. The struggle of the individual’s existence is the concept that lies at the heart of my project.

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2008 Abstracts Stage 3

Architecture

THE HOME Taking architecture as the territory, the object I have chosen is the home. ⇒ Everyone has a different idea of home – not necessarily always a building. ⇒ Factors such as politics, society and culture affect where and how we live. ⇒ How free are we to live as we choose? DWELLING ⇒ How does the way we dwell shape our characters as individuals? ⇒ Levinas’ notion of the Other – dependant upon being welcomed into a dwelling place. ⇒ Adorno feels capitalism subsumes art, limiting it to only the bourgeoisie whilst reifying all others. ⇒ Mass-produced homes = hundreds of people living the same? HEIDEGGER ⇒ Effects of technology, or techne: bringing-forth truth, unconcealment ⇒ Identity: for us to develop ‘Being-one’s-Self’ we need truth as a basis. ⇒ To be true to ourselves we must live authentically, but instead most of the time we are trapped in the inauthenticity of the ‘they’.