Territory/object: Marriage/Thai Brides. Concepts: contract, marriage, freedom/autonomy, love. Thinkers/texts: Kant’s Metaphysics of Morals, Hegel’s Philosophy of Right. Change/contrast: contrast between Thai Bride marriages/modern day British marriages. Contrast object with arranged marriages and love marriages. Main objective: My project is driven by the intuition that our normal Western understanding of marriage as the lifetime union of two loved ones, (under a public formal contract), is questionably going to become a thing of the past. Here, we must take into consideration factors such as: -the world interacting on an unprecedented technological advances,(Internet access, accessibility to cheap travel, etc) and, -more importantly, the resulting impact of influential views from different cultures upon each other. I will be investigating what marriage is in today’s world/in the past, and whether much has really changed. I also ask the question as to whether modern Britain has time for love? Intended knowledge outcomes: By engaging in this project, I intend to: 1. learn about the historical origins of marriage; 2. be acquainted with the standard descriptions of an authentic marriage and the justifications of these; 3. be able to define the central concepts of marriage and property; 4. demonstrate the connection between my key texts and everyday understandings of a phenomenon (here, marriage).
Category: 2008
In this project I am using the novel Jurassic Park by Michael Crichton as my territory and focus on the character of John Hammond and his desire to recreate an extinct species. I will explore the ethical implications involving scientific knowledge in a postmodern world. I am going to look at Jurassic Park and show that once Hammond starts creating dinosaurs it becomes a social labour. Once this happens without ethical restraints chaos can ensue. I will begin with an overview of the story, I will then explain how the story shows that an independent enquiry becomes a social labour when Hammond’s team start creating dinosaurs, and as a result their actions affect other people. Once I have shown this the need for an ethical theory to restrict social, (in this case of Hammond’s recreation of dinosaurs) will become clear. I will consider whether two different ethical theories would have allowed Jurassic Park. The ethical theories I will consider applying will be Mill’s Utilitarianism and Kant’s Hypothetical and Categorical Imperatives. The reason I have chosen to explore these is because one is teleological and the other is deontological. I will compare and contrast the opposing theories and evaluate whether either can provide a good model for making ethical decisions with reference to social labour. I will then add a brief summary of what I have discussed.
Territory: Four businesses operating in the UK retail sector of industry and their company websites. Areas of Investigation: • Company values and the role and functions of these in business. • The ‘relationship’ between business and its customers and how this is changing as a result of the internet. • Marketing and advertisement techniques and the possible effects they might have on consumers. • Crisis of legitimation and the poststructuralist interpretations of western society. Philosophical Thinkers Involved: Nietzsche’s ‘Will to Power’ exposes fundamental issues with values in retail business practises. As a result conceptions of power are considered in the forms expressed by Foucault and Thomas to see how this affects the position of the consumer. Baudrillard’s ideas of simulacra and simulation were then used to highlight possible reasons for company values in relation to how we perceive the real. Further exposition of the consumer relation to business was carried out through the work of Jean François Lyotard and Gianni Vattimo. Conclusions: Businesses values are not legitimate but instead the result of our interactions as consumers; our purchases can actually shape society making our relationship with business an active one instead of passive. The overall conception of business as a physical entity is misleading as it has no fixed point; businesses are sociological phenomenon that reflects the general will of society because they are governed by the pragmatics of economics and are fundamentally made from members of that society.
TERRITORY: THE DRUG WAR As the world’s largest exporter of Cocaine, accounting for around 80% of all Cocaine consumed in the USA, the impact on Colombian society has been profound affecting every aspect of society. Colombian drug trafficking up to the early 1990’s was run by 4 main Drug Cartels who controlled every aspect of society including infiltrating the government using ruthless methods to maintain dominance such as, murder, kidnap intimidation, bribery etc… OBJECT: FARC – EP This left wing Colombian Marxist-Leninist paramilitary group originated in the 1960’s and are fighting the government to make communist reforms. These guerrillas are located in the hard to reach jungles of Colombia and are one of the richest terror groups in the world due to their involvement with drug trafficking. Other methods of financing include kidnapping high profile figures for ransom and exchange of prisoners. Recent military attacks and the deaths of the two top leaders have put the future of the organisation in doubt. Has the revolt com to its end? PARALLEL: PARAMILITARIES IN N. IRELAND POST GOOD FRIDAY AGREEMENT After 30 years of civil unrest in N.I. paramilitaries position in society were effectively made redundant. Many of the organisations turned to criminal activities such as drugs, extortion, gun crime and racketeering. Many of the activities had previously used to fund the groups in their political ambitions but with ideology gone all that has been left is criminality. This is comparable to FARC where their adventure into drug trafficking has blurred their political ideology. CONCEPTS: REVOLUTION AND HISTORY USING MARX AND FUKUYAMA I will be exploring the territory and object using Marx and Fukuyama and their respective theories of history both influenced by Hegel. Using Marx I shall be asking whether or not communism is a redundant ideology in the 21st century due to the dramatic shift in the political climate in the past 100 years. Using Fukuyama’s ‘End of History and The Last Man’ I’ll be investigating whether in fact Liberal Democracy is the final frontier in political ideology as it has proven to be the most stable over since its genesis. Is this the final stage or is Revolution still possible in the 21st Century?
When we fall in love, we fall first for the physical appearance and then for the beauty that the other embodies. We fall in love with the ‘who’ that radiates through a face and a body. In that gaze we unite the flesh and spirit of the loved one and reveal them as an unrepeatable existence. Lovers perceive their fragility in the world, and so they entrust each other to corporeal language, and by exposing themselves to each other, seek an unrepeatable, whole and necessary existence (Cavarero: 2000). The amorous game creates a scene for the unification of body and mind, a place where the content of being can be released. In this unification you can feel as though you are part of the world soul, fragile in the external yet consumed by the fleeting power to appreciate ulterior forms; to know love and to know what it is to exist
Outline: I aim to explore the concept of anxiety, loss of meaning and absurdity of life as presented within “Existentialist” narrative. In evoking these ideas from specific novels I will analyse them more precisely with relation to Martin Heidegger’s concept of anxiety. Territory: In particular I will be studying Jean-Paul Sartre’s Nausea, Albert Camus’ The Outsider, Fyodor Dostoyevsky’s Notes from Underground, and Leo Tolstoy’s A Confession. In examining these texts I hope to explore how the idea of loss of meaning is presented and focus particularly upon the individual’s coming to terms with the absurdity of life. Philosophical Material: The philosopher that I have chosen to focus on is Martin Heidegger and particularly his concept of anxiety within his work What is Metaphysics? Here Heidegger produces an account which indicates how the individual is able to think about and question their own existence and how, through the state of anxiety, they are able to reflect upon “the nothing” that appears on their horizon of thought. As well as analysing What is Metaphysics? I shall also use Heidegger’s Being and Time, On the Essence of Truth and The Origin of the Work of Art to indicate the significant role that this concept of anxiety plays within his greater philosophy. Where Heidegger builds upon a philosophy considering the individual I shall also look at the work of Emmanuel Levinas, who concentrates on a more social philosophy, in order to bring contrast to Heidegger’s thought. In his struggle to come to terms with a finite existence Leo Tolstoy was torn between suicide and religion. The struggle of the individual’s existence is the concept that lies at the heart of my project.
-Are the ideas of institutions such as museums and libraries relevant any longer in postmodern society? – People are increasingly becoming very distanced from their past and their heritage. Within postmodernity, the past seems to have been separated from our everyday lives. It is frequently looked at as something that is no longer relevant. We sometimes seem so focused on progress that we ignore how we came to be where we are in the first place – Can development exist without any reference to the past? – In modernity we look at the past because we can see the ways in which it has affected and created the present, and will do also, for the future, therefore, we cannot fully separate the idea of development from a narrative of history. I am looking at the ways in which institutions such as museums and libraries contribute to growing knowledge and inventiveness, by enabling us to have access to the knowledge, discoveries and great works of the past.Table2[@Title]
TERRITORY: The American Dream. CONCEPTS: The Individual Vs Society, Equality Happiness and Fulfilment, Freedom. PHILOSOPHICAL THINKERS/TEXTS: Rousseau: and his theory of the social contract- The individual vs Society & Equality. John Locke: The 2 Treatises of Government. The natural rights of men and Government- Equality and the individual and society. Mill & Bentham: The theory of Utilitarianism and what it means to be happy for society and the individual. Problems? Is the American dream just a myth? Can society and individual peacefully co-exist? Are all people truly equal in their attempt to obtain their American dream?
I will explore the life and work of Philip K. Dick, best known for writing Science Fiction, by closely examining a number of his novels, as well as a selection of his non-fictional, philosophical, theological and literary writings, coupled with information obtained from biographies and interviews with the man himself. The main themes permeating his life and work which I will explore are the nature of reality, the psyche and humanity, especially in relation to contemporary capitalist society. Of particular interest will be his exploration of the concepts of sanity, considering his views on schizophrenia and paranoia, and his treatment of ideas about selfhood, identity and subjectivity. I will explore these areas in terms of the philosophy of Gilles Deleuze, both alone and in collaboration with Felix Guattari. I will pay particular attention to the concepts of schizoanalysis, rhizomatics, territorialization, lines of flight, nomadology, becomings, machines and difference. My aim, rather than to reach a definitive conclusion, is simply to explore the vast and complex works of both men, using each to shed light on the other, and to pose questions, rather than propose answers, which will have a profound effect on the way we view the world.
This project will look at the Sorrows of Young Werther in Conjunction with an example of emotionally hardcore internet blogging in order to establish the significance of emotional intensity seen today in youth groups. The sorrows of young Werther depicts a fictional 18th century character that holds many similarities to the type of life many modern youths aspire too. Primarily this project is concerned with exploring the emotionally hardcore movement that is taking place, and how this will affect future social change. Werther channelled his emotional intensity through art and literature, using it as a way of expressing his anguish. The emotionally hardcore individual uses art and music as a form of expression, and literature as a way to ‘blog’ this way of life, through means of fictional and factual storytelling, and also poetry. Using concepts of alienation, aesthetics, romanticism and existentialism, this project will analysis the emotionally hardcore individual, society’s objections and the emotionally hardcore movement as a whole. In historical format this project will look at how the sorrows of young Werther symbolises an apparent social theme of alienation from the masses. Secondary to the above, the thoughts of Schiller will be examined with reference to romanticism as a whole. This hopefully will shed light on the importance of emotion, passion and Romance within. Hopefully this project will look at the emotionally hardcore movement in a way that has never been undertaken before, therefore examining a section of social progression that is personal and individual to me.
This project is an investigation into the discourse of advertising in our contemporary late capitalist society. This study shall attempt to assess the role advertising plays in manipulation of the masses and its relation to mass media in capitalist society. My aim is to assess whether advertising is a central tool of deception in the commodity driven culture of capitalism Advertising has changed dramatically since the time of the industrial revolution. The division of labour and the beginning of mass production due to the industrialisation that has created far more of a ‘need’ to advertise and stay one step ahead of competitors. This I would stipulate is due to the onslaught of late capitalism, globalisation and commodity infatuation of the consumer. Ongoing advancement in technology has created an environment in modern society by which there are more and more means of mass broadcasting. The industrial revolution was the catalyst for this. The use of advertising has metamorphosed from a simple presentation of information on a product to the public in a manner to inform of use and content of a product; to an ambience creating, aesthetic tool merged with mass media creating a barrage on the senses. Branding and heritage of brand has outplayed use, image out mustering purpose The end product of Advertising’s growth through the mass media is its immanence in society, and its ability to shape the ideas and behaviour, as well as formation of self of the individual.
The nature of this discussion does not lend itself to a specific object on which to focus, the subject is simply too vast. However, the central topic of this discussion is the question concerning the possibility of existence or extinction of authenticity in a highly consumerist culture. The topic led me to discuss many subsequent questions: Heidegger’s temple, in which ‘world’ becomes manifest. Can this relate to contemporary song? Can life affirming, world reflecting, active truth be found in a contemporary song? Is it possible to be both a ‘mainstream’ and an authentic artist? Can art and artist ever really validate or justify their influence on social change and politics, does it exist at all or, does surrealism and artistic social/political/philosophical commentary fall inevitably back into consumerism? If we conclude that ‘symbolic authenticity’ (the representation in art of underlying popular, time and culture specific ‘feeling’ and opinion) is compromised by capitalism and consumerism, are the feelings and opinions themselves compromised? The main areas of focus as outlined above are discussed with reference to Martin Heidegger, Theodor Adorno, Sigmund Freud and Andre Breton.
I wish to show through this project how it is in imagination, that we discover the truth about reality. This process of discovery happens in the earliest stages of childhood through a child’s awareness of the physical objects around them and what these mean. This awareness of reality later develops to a state of ‘play’. It is in the free state of play that a child first explores their ability for creation. The link between imagination and reality shifts from childhood to adulthood. What I wish to explore is the nature of this link and ask whether it ceases in childhood or whether it continues by later revealing itself in other forms of creative arts. I will explore whether creation in any art form can reveal truth about our own reality and further still even shape it? Can creative play in childhood reveal truth about our being in the world?
Territory: Disability. Object: The treatment of disabled people. Concepts: Equality, Dependence. Change: Treatment of disabled people over time. Thinkers: Singer, MacIntyre. Questions I am going to consider: • The idea of ‘normality’, and whether a disabled person can constitute a ‘normal person’. • The idea of inclusion and whether disabled people can be considered to be included as normal members of our society. • Both of these things, normality and inclusion, relate to the concept of equality. Are disabled people equals to people without disabilities? • Is the language used in reference to disabled people appropriate or could it be improved upon? • How much does independence matter to a disabled person? Should they have greater independence despite their limitations? Sources: • ‘The Disability Reader’, edited by Tom Shakespeare, 1998, Continuum • ‘The Diving Bell and the Butterfly’, Jean-Dominique Bauby, 2008, Harper Perennial • ‘Practical Ethics’, Peter Singer, 1993, Cambridge University Press • ‘Rational Dependent Animals, Alasdair MacIntyre, 1999, Gerald Duckworth and Co. Ltd.
This project investigates the motivations behind different terrorist attacks. From what drives them to become involved in terrorism to the different positions that are open to them and finally the effectiveness of their role and the influence of society’s perception. I decided to title my project “The War on Terrorism”. By my title I do not mean the campaign that was initiated by America and joined by other countries throughout the world to ‘curb the spread of terrorism’. My project will discuss the reasons why this campaign will not work. This War on Terrorism was authorized by the United States Congress under the Authorization for Use of Military Force Against Terrorists and was passed on the 18th of September 2001 after the attacks on America on 9/11. The object I plan to focus on is a scene from the film ‘The Kingdom’. The reason for this is because it is a film about terrorism, which I think compliments the objective I am trying to prove. The reason why I chose this is film is because at the start of the film when the terrorist bomb goes off in the housing compound, Agent Fleury whispers in one of his associate’s ears in comfort something we as the audience cannot hear. Then in one of the latest scenes when the leader of the terrorist group is shot and is dying he whispers to a young girl in comfort something that again we as the audience can’t hear. Then in the final scene each person reveals what was said to them. It was, “Don’t worry, we’ll kill them all.” This for me is very significant because it showed that even though the American agent was claiming to be bringing justice to the terrorists he was actually just looking to kill them all for killing his comrades. Both sides had the same objective, they both wanted to kill. How will this ever stop terrorism? My parallel territory was the Cold War as I believe no other event in history has affected world politics as the same way the Cold War did in the mid 1940’s till the early 1990’s. Terrorism has taken its place in modern day politics. The concepts I identified throughout my project were power, identity and the loss of identity. I believe America’s waging of war on terror was just an assertion of power and way in which to reinsert them as the main hegemonic power throughout the world. A philosophers whose work I have used is Ted Honderich, especially his work terrorism for Humanity which raises many difficult questions that are unavoidable at this moment in time as the war on terror rages. Questions related to the morality of terrorism and the use of political violence. In this work Honderich’s arguments for and against terrorism are directed towards the goal of the Principle of humanity. The questions which are raised throughout run along the lines of when is terrorism right, if ever? And when is it wrong? And what are the reasons for it being wrong? The main reason I chose this philosopher to focus on is because throughout this work he implores us to open our minds and explore political philosophy but he reminds us that even though we are opening our minds to see the bigger picture it does not mean we have to lose our convictions. Other philosophers I chose to look at are Castell and his work on resistance and identity, Habermas’s philosophy at the time of terror and Baudrillard and his fatalist theory,
Territory: Fast food industry. Objective: The aim of my project is to focus on how the fast food industry is taking over society and how the advertising within the media influences our decisions. I will illustrate how the fast food industry began and how it has developed into the global industry that we know today. How this industry has dominated the way that we see food as well as changing society into a fast pace society of convenience. As well as how our food choices are so heavily influenced by these corporations, that we are slowly becoming a nation killing ourselves through unhealthy food. Aim: I will be looking at chefs such as Jamie Oliver and Gordon Ramsey to understand how they are trying to change society’s eating habits and trying to help us not become such an unhealthy nation. The Philosopher that I will be using to aid my thought process will be Marx. I will focus on Marxist ideas on commodities and capitalism, as well as his theory of ideology. Focusing not just on Marx, but also on influential Marxists such as Fredric Jameson and Georg Lukac.
In this project I am looking to investigate the effects of capitalism on the music industry and more specifically the dominance of major record labels over independent. • One of the major influences for this project is the rise of television programmes such as the X Factor and Pop Idol and their effect on the world of music. These programmes seem to concentrate more on how much money they make rather than what the producers say they aim to do, which is to find musical talent. • By looking primarily in Marx and Fukuyama, I want to develop the idea of capitalism and the division of labour through Weber and Durkheim. • Finally I hope to bring both Music and Philosophy together by looking at Keith Negus and Simon Frith who have both looked at the idea of capitalism in music in an attempt to conclude once and for all whether or not capitalism truly has had a negative effect on the quality and production of music.
Territory: The territory I have considered in this project in order to understand the changing nature of identity is that of advertising in contemporary society. I have explored the history of advertising, the psychology of advertising and some advertising techniques that are used by companies to persuade. Concepts: The key concepts I have engaged with in this project are: – Loss of agency -Fragile nature of identity -Identity given by society -Identity in flux. Key questions I have engaged with are: -How is our identity formed in modern society? -How has it changed over time? -What are the influential factors on identity? -How do advertising agencies target individuals? -What methods do they use?
Territory – Comedy. Object – Offensive Humour. Concepts – Ethics, Liberty, Utilitarianism. Thinkers – Mill, Freud, Bakhtin. The Two Ways In Which Humour Can Be Evaluated: The aesthetical question concerns when it is fitting to laugh at something, and the ethical question, when is it morally wrong to laugh at something. For example if you claim that you should not laugh at sexist jokes, then in the aesthetic sense that means sexist jokes lack the features that something must have in order to be funny. If someone is amused by these jokes, then in this sense there has been an error of judgement, it’s not that they have done anything morally wrong, rather these kind of jokes fail as comedy. The ethical question, on the other hand, identifies something as morally wrong to laugh at. Linked to this is Ronald De Sousa’s account of how humour works. He claims that in order to be amused by something we have to endorse the attitudes of it. To take the previous example, according to him, some of us will find sexist jokes funny whereas others will not, the difference is in whether you support those attitudes. Therefore it would become immoral to be amused by this type of joke since to find it humorous is to be sexist. Main Objective: I intend to make a study into the area of humour, focusing upon looking into ethics surrounding amusement and attempting to find out whether it could ever be morally perverse or wrong to make jokes, or laugh about particular things. Utilitarian Concept: I shall engage with a utilitarian perspective when it comes to discovering whether finding humour in something could ever be morally wrong. Take for example the Dutch cartoon of Mohammed. Clearly this had a lot of negative consequences and upset a lot of people. Quite obviously blasphemous humour can be offensive. However no utilitarian evaluation is complete without looking at all the consequences, and it could be argued that there was some positive outcomes. It got people talking about religious views, and reflection and discussion are beneficial to individuals and society as a whole. A society with more discourse and exchanging of ideas is a happier society than one without. In that sense jokes such as these could be argued to be for the greater good. Change and Contrast: The historical contrast between the role of parody in the Medieval carnival and the limits of parody in modernity. Medieval Carnival: Generalised ethical permission under which parody, that would have amounted to blasphemy on any other occasion, was acceptable, under a particular kind of social occasion. Modern day there are restrictions on parody and what is acceptable or viewed as offensive. Could not conceive permission to create a parody of a war memorial for example.
One of my main sources links Fight Club with an article by Omar Lizardo named ‘Fight Club, or the Cultural Contradictions of Late Capitalism’, which I found in the Journal for Cultural Research. I chose this because it places quite an original perspective in that it is a reaction to arguments that tend to emphasize Fight Clubs relevance for the study of contemporary representations of gender and masculinity. Lizardo argues ‘that Fight Club can be seen as an attempt to deal with the evacuation and exhaustion of the original form of value-rationality from the realm of production in service work. Basically it contemplates whether class-consciousness in the modern capitalist state has left man with a sense of lost virility, and whether or not Fight Club is a reaction to this. I have chosen to link this with Thomas Hobbes’ ‘Leviathan’ which talks of the state of nature and how man gave up his freedom and violent, barbaric ways to conform to civil society under social contract. Sigmund Freud served more as a psychoanalyst and sociologist than a philosopher in this project as I used his work ‘Civilization and its Discontents’ to analyse the possible reasons for the narrator’s breakdown. Many of Freud’s ideas already appear quite blatant and self explanatory in the film, however Freud covers much more material that is not evident at all. I chose to use the film ‘Zeitgeist’ by Peter Joseph as I felt this would be both very interesting material and also would place a very original comparative to Fight Club. I was in complete awe, shock and amazement when I first watched this extremely powerful and scary film and am very passionate about spreading the word about it. It will prove highly relevant to some of the material in Fight Club, and is something that I feel everyone should know about.