Plagiarism is wrong. Says who? Why should we obey this? Does Plagiarism stifle creativity? Is plagiarism a force of coercion and obedience?
Category: 2017
Territory: Russian Late-Romantic Music
Object: Rachmaninoff’s Prelude in C-Sharp Minor
Method: Interpretative and Axiological
Aim: I will be using Frolova-Walker’s musicology and Adorno’s musical philsophy to dissect Rachmaninoff’s Prelude and discuss whether it can be understood as a piece of Russian nationalist music.
Michael Foucault
– The repressive hypothesis
– Changes in sexual practices over time
– Mode of power within society
Theodore Adorno
– Enlightenment
– Culture Industry
-Standardisation of sexual categories
Do sexual categories define individuals?
Has sexuality always existed?
How does sexuality function within society?
Aims:
My project will examine whether contemporary society’s attitude towards ‘Suicide’ have changed over time?
Are we living in the past?
Are we scared to talk about mental health?
Territory/Object:
My territory is ‘Student suicide’
My object is the BBC Three documentary ‘Student Suicide: Real Stories’.
The documentary looks at how three students took their lives at University; but from the perspective of their loved ones.
Many students do not tell anyone, as they feel “ashamed”.
Philosophers:
This project will focus on the philosophical concepts; Suicide and Morality.
Durkheim’s On Suicide investigates whether social factors affect suicide rates.
Hume’s essay ‘Of Suicide’ illustrates his views against the traditional viewpoint of suicide.
Kant’s The Groundwork of the Metaphysics of Morals dictates his views against suicide.
In this project I investigate why the present institutions and discourse of cosmopolitics frustrate rather than facilitate peace and resolution.
Through improperly structuring reasoning and creating subjectivity, the current cosmopolitic fails to provide the required conditions for the prevention of and intervention in genocide.
Through an examination of Kant’s cosmopolitanism and current cosmopolitical theories, demonstrated with the use of 3 case studies of Rwanda, Kosovo, and Myanmar I intend to highlight the fundamental contradiction at the heart of cosmopolitanism. Systems are either too universal and empty, ignoring important cultural fabric, or too particular and local, resulting in inaction.
As a result of these failures, intervention becomes an expression of ideology, not humanitarian interest.
Object: The art criticism of works in Louise Bourgeois’ Cells series
Territory: Contemporary art criticism
Concepts: Subjectivity, intention, Freudian psychoanalysis, the artist and their relation to works of art, authority of criticism
Philosophy: Nietzsche, Foucault, Wimsatt and Beardsley, Bal.
In my project, the work of Louise Bourgeois in her Cells series is utilised as a case study to explore wider issues in art criticism and how works of art are interpreted in relation to the artist. An examination of the reception of Louise Bourgeois’ work shows largely the same approach in psychoanalysing Louise Bourgeois and relating this back to her work and perceived intended meaning. Conversely, the position in the project argues that such a reading of her work, as well as that of other artists and authors, carries problems related to the importance of artistic intention, the public sphere of a work of art compared to the private sphere of the artist, as well as to what extent such readings are not only valid, but in the case of Louise Bourgeois count as genuine criticism rather than uncritically accepting her own statements.
Philosophy from the course included use of material from modules PHI2002 and PHI2006.
Between Emancipation and Control: A Critical Discussion of Social Media in Postmodern Society
Is social media the key to emancipation, or the handcuffs prohibiting liberation? This project started from the object of social media and the claim that, as society has become highly mechanised, it is a further perpetuation of control and the very medium, which keeps individual behaviour in accordance with what is deemed socially acceptable. This project aimed to investigate this claim, using the case of Cambridge Analytica, to reach a conclusion to the overriding question: CAN SOCIAL MEDIA EMANCIPATE?
Money + Love
Can artists make a statement about consumer culture without falling into it themselves?
Territory: Arcade Fire’s album Everything Now
Object: Consumer Culture
Philosophy: Adorno’s The Culture Industry