My project will focus on the impact of capitalism on education in modern society focusing mainly on the work of Jean-Francois Lyotard. Through his work I look at Lyotard’s attempt to describe the state of knowledge and the problem of its legitimation in developed western societies. • Over the last few hundred year’s education has changed dramatically, especially within the developed world. Gone is the idea that reason alone is a sufficient guide to action. In fact the idea that rational thinking provides us with a universal guide has become increasingly problematic during post-modernity. • With the rise of capitalism as the dominant socio-economic force within the modern world, knowledge has become a commodity which can be bought and sold. For Lyotard, knowledge is now the principal force of production. This commercialisation of knowledge, according to Lyotard could raise serious questions about the nature of ethics and the very relationship between governments and large multinational companies. • My essay will judge the role of what Lyotard calls ‘performativity’ in education and the capitalist system that requires constant re-evaluation in order to generate optimal output. • Using up-to-date education statistics and recent newspaper and TV articles I will attempt to show how education is not simply about educating people. It is instead a means to produce a workforce to meet the demands of capitalism. However that very capitalist system has now infiltrated schools, with the rise of privately funded academies, and new emphasis on league tables and performance related pay. I will discuss how this has impacted on education, positively or negatively? • What impact has this also had on the individual freedom, happiness and identity? Is our culture of working exhaustive hours in order to consume and the desire to consume installed in us through education? Main Sources: Jean Francois Lyotard – The Postmodern Condition: A report on Knowledge and Just Education, Jacques Derrida – Derrida and Education, Jurgen Habermas – The Legitimation Crisis
Category: Abstracts
To explore noise and its theoretical underpinnings. Drawing on the work of Deleuze and Guattari, I wish to argue that noise appears as a perpetual deterritorialization of music. Over the course of the twentieth century there arose an increased difficulty to distinguish music from its counterparts of silence and noise. It was not until Luigi Russolo’s 1913 essay The Art of Noises that noise was encouraged to be used in musical composition, consequently liberating musicians from the antiquity of harmony and rhythm which dominated musical discourse for centuries. Noise today can be found permeating numerous musical acts. However, my intention was to examine those artists whom present noise with no melodic retrieval, who remain with noise as noise. My main referral was the work and philosophies of Masami Akita (Merzbow) a quintessential figure within noise music. Attali suggested that music, the codification of noise and silence “prefigures new social relations.” Likewise, I wanted to examine noise as a possible marker of temporal and cultural difference. Territories and Change: Drawing on the work of Deleuze and Guattari, I argued that noise is a perpetual deterritorialization of music. Capitalism brings with it both restrictions but also the possibility to escape such restrictions. Just as the human is encouraged to live creatively within capitalism, noise artists likewise attempt to exist creatively within music, challenging conceptions of how music is to be defined and created. That is, noise artists such as Merzbow trace lines of flight in an attempt to resist stratification. In this sense I also examined noise as an example of a smooth space and a rhizome. Noise however cannot escape musical strata entirely; rather it remains within music, forever on its periphery challenging what it is we define as music. It thus seems that the ethos or idiom of noise is dependent upon musical strata. Noise therefore must remain within music as extra-idiomatic, that is, a sense from within music that it is uncontainable. In examining noise as a perpetual deterritorialization of music, I was examining a change in musical conceptions as they have been hitherto and as they may come in the wake of the possibilities opened up by noise.
Aim: Explore how the issue of abortion has relation to free will and how in turn, society relates to this ethical issue. I want to analyse how an ethical situation can affect the relations between families and society with relation to the novel, ‘The Abortionist’s Daughter’. Territory: The compelling novel, ‘The Abortionist’s Daughter.’ Within which the ethical position of abortion is key. Philosophy: Freud- Unfreedom and unhappiness within society. I will see how people can feel like their freedom as an individual is corrupted through society and its rules and regulation and set values and morals. Mill- Utilitarian view of abortion with relation to the effect on the individual within society. Hobbes- Murder and the social contract will be included to understand how society and the women within it could be restrained by this view. Christian philosophy Augustine- This will highlight how there has been a change in attitude since the time of Augustine and this may be through the fact that religion is now not as paramount to people’s lives within Christianity therefore people may not have such a strong belief on abortion either way. Key Concepts • Freedom/ freewill • Society and its rule over your choice • The nature of personhood/ right to life • The question of religion and ethical questions • Moral and legal policy
Territory: Capital Punishment using ‘Ted Bundy’ and ‘The Life of David Gale’ to explore arguments for and against this form of punishment. Personalised Content: The discussion of these films is supported by information that has appeared in the media after the execution of Saddam Hussein, which has brought capital punishment back into the society’s consciousness. I have noticed a change in attitudes towards capital punishment and a trend in the reasons why it has gathered support. The threat of terrorist attacks and the increase in violent crime in society has brought about increased support for the death penalty. Prior to 2001 it was generally found that people opposed the death penalty on moral grounds, however it is now gained the greatest amount of support in recent history. The increase of support surrounding the death penalty has brought about further ethical implications, including discussion of methods used and debate over whether criminals should be allowed to die with dignity. Philosophical Content: I was interested in considering how certain ethical theories would link with capital punishment, in particular the theories put forward by Kant and Mill. I wished to link the films used to one of the theories in order to gauge whether they assisted in supporting or rejecting the particular standpoint. I linked ‘The Life of David Gale’ to Kant’s view outlined in his ‘Groundwork to the Metaphysics of Morals’ and found that the film just reinforced Kant’s view that it is acceptable to use capital punishment as a form of retribution. The argument in ‘David Gale’ is against capital punishment, but is so weakly constructed that it only assists in showing the strengths of Kant’s work. ‘Ted Bundy’ was linked to Utilitarianism as at the end of the film we see a celebration at the death of a serial killer, showing that at times capital punishment may produce the greatest happiness for the greatest number,
Project Outline: In our daily lives we experience a huge amount of artistic representation in the things we see and do. This art can take any form, be it adverts, architecture or sculptures; but on the whole it goes unnoticed by the observer. This project is looking to uncover hidden meanings behind these artworks to explain their origins and placement in the urban environment whilst focusing on the implications to the observer. Methods and Sources: Architecture, Advertisements, Film, Street Art, Photography, Sculptures,Television Etc. The Ideas: What is the purpose of art? – Modernity vs. Postmodernity; do they exist?; Why do people create art? – Existentialism in art and the principles of Sartre; What is good art? – Aesthetic qualities from Kant and Hegel.
Territory: This project will focus on the development of surfing from its roots in Hawaiian culture to the position we find it in today. The key points in this progression will provide indications of the motivating factors behind the world’s top surfers. Object: • Kelly Slater – 8 Time world champion and arguably the greatest competitive surfer of all time • Laird Hamilton – Big wave pioneer who helped develop tow-in surfing Philosophy: The work of Hobbes and Hegel will form the foundation of the philosophical content. Hobbes’ social theory will help to place surfing in context with the ever changing situations that are a result of the cultures we experience. However, his concept of the state of nature in which we find humans stripped down to their most primitive form provides a strong argument to suggest extreme sports such as surfing are irrational and unnecessarily dangerous. The analysis of Hegel’s Phenomenology of Spirit will provide an alternative approach to nature of risk taking.
Territory: Women and their representation within society over the last 100 years. Object: Within Territory looking at women in relation to Identity, Self-Image and Social Determination. Philosophical Concepts: Sartre – Existence preceding essence. Debord – Society of the Spectacle, Donna Haraway – Cyborg and a sexless society. Over the last 100 years, the representation of women within society has completely turned around. With advancements in liberation and law, women now enjoy an equal status in UK society. I was initially inspired by fashion, and how women have used fashion as a vehicle of expression. However I realised the way women dressed and expressed themselves, merely mirrored the social and cultural changes of the time. I looked at each decade over the last 100 years in the UK, studying the major changes of each decade which have impacted women’s liberation. How women’s identity has changed from a second class citizen, to the role of a strong maternal figure, to enjoying equal status. Key historical moments like WWI/WWII and women getting the vote have helped. Women’s self-image has changed, as women enjoy relaxed rules about dress, sex, marriage and children. This has allowed women to liberate the way they are seen and how they feel about themselves. Fashion movements like the mini skirt along with movie stars like Marilyn Monroe encouraged women to view and express themselves differently. Women’s social determination has moved to a point where first and second wave feminism are contradicting each other and influences from the media mean women are confused about their true role and representation within society. From Thatcher to Madonna, how are women now supposed to fit into society?
In August of 2006 I noticed a Headline on a copy of The Sun newspaper, the most popular newspaper in the United Kingdom. Accompanying a full page picture of the celebrated reality television star Jade Goody, the headline read: “THE FACE OF EVIL” This headline inspired me to focus my second year project on celebrity culture. Specifically I am interested in this modern phenomena present within our culture of individuals gaining celebrity seemingly for merely the fact that they are available to us to observe on a mass scale, at peak times, the ratings for the T.V. show on which Jade Goody found her fame, Big Brother reached to over seven million. Following the notorious incident of alleged racial abuse committed by Jade onto another contestant, our chancellor of the exchequer and soon to be Prime Minister Gordon Brown made a public apology in concerns to the incident. This led me to ask several questions. Is Jade Goody seen as a public representative of British culture and standards? For what reason specifically do we ‘celebrate’ people who have gained fame in this manner? On what basis could we reasonably suggest that jade is evil personified? My suspicion is that this culture is an element of a grand illusion, a mere spectacle. Exploring this subject I have drawn on the writings of the situationist Guy Debord, and various publications concerning modern mythology.
Key concepts: University education system, changes in teaching methods, the idea behind university, vocational elements to further education, course structure and the general university institution set up/structure. Object and territory: The object-Is represented by the student; the student represents the consumer of the territory and is essentially the most affected and involved aspect of the movements occurring within the university education system. Within my project I have looked to the student with regards to how they are affected by changing teaching methods, different forms of institution, funding issues, course structure changes, employability aspects and government incentives etc. The territory- Is Newcastle University; this institution gives me an example of a 19th century university which offers various types of degree. In order to use this university within my project I researched into the history and future of the institution in terms of the significant changes that were either planned or has already occurred. The university was essentially used as a representative for universities nationally, because my project homes in more generally to university systems as a whole rather than one specific university. This is possible because the issues and transformations that have occurred for Newcastle are typically apparent within all universities nationally. Research methods: In order to research my topic I used a variation of methods, most of my research coming from newspaper articles, radio broadcasts, books and experience of my course itself. I also looked to the ‘Idea of a university’ put forward by John Newman in order to gain some perspective on what originally made a university; this allowed me to compare the postmodern ideas of education to a previous account of what a university institution originally represented. Essentially I wanted my research to focus on the major changes that were occurring within university education and I wanted to highlight these for individuals in order for them to note the possible future that may exist within the university system. The change: Within my project in terms of research into the university I am looking to its origins in comparison with today’s situation. This is a broad time spectrum hence obviously within this time scale I will be focussing more on the modern and contrasting it back to make the changes apparent. I also want to bring in the postmodern and consider the future of university education which will tie in specifically with Lyotard and my considerations over the possibility of computerised learning. Philosophical concepts: Within my project I want to tie in 3 key thinkers with regards to the focus of my project. Initially I will bring in the more general thinkers, Kant and Mill. Kant who will emphasise the importance of learning essentially because we are rational beings and it can be seen as a benefit to educate because it allows man to become ‘man.’ We have a duty to be educated within the world and to use this to continue to act rationally and essentially make good actions to display goodness in society. Hence my ideas on Kant will tie in with the more traditional methods of teaching which emphasis moral training. Then I will bring in Mill that will focus on the utility principle and claim education is always correct and beneficial regardless of its methods, if it benefits society and this is clearly apparent when we consider the needs of the labour market and the emphasis on low unemployment. Finally I will bring Lyotard and his ideas on the inhuman and tie them in closely with the changing teaching methods of education specifically to computer learning or Open University degrees where everything is done via a computer. Personal change/ development: I feel I have through my project developed a wide variation of skills especially my organisation and research skills; this project has ensured that I work to deadlines and collect sufficient information to ensure I produce a good end product. I have been allowed to investigate something interesting to me that I otherwise would not have had the time to look to in depth. It has taught me about the institution of which I am part of and has given me insight into something particularly relevant to myself. I can use my findings in the future to explain myself and my degree in greater detail than before undergoing this project.
I will be investigating the anti-globalisation movement in America known as the Patriots, looking more specifically at their aggressive militia groups. These libertarians seek to build communities that are not governed by the ‘corrupt Federal Government’, communities which promote the Constitution’s Second Amendment right to bear arms so that one day they may fight the “Jewish gangsters’ New World Order” and it’s United Nations’ police force. In response to this I will be look at Derrida’s idea of ‘Community’, of ‘Hospitality’ and ‘Democracy’. Idea’s which revolve around a respect for the ‘Other,’ not aggression and hate. In addition to this I will look towards Žižek’s notion of racism as fantasy, as a respect for the ‘Other.’ For Žižek the state is the only buffer between a conflict of fantasies and must be in place to stop an all out war from happening between different ‘ethnic others.’
Lenny Bruce was a controversial American comedian in the 1960’s. He spoke about sex, religion and what it is to be obscene. It was not just the content of Lenny’s act that was thought to be obscene it was also the language he used. As a result of this he was charged with obscenity. This project looks at Lenny’s work and whether he was obscene or whether he was a moral philosopher. He claimed that had the court allowed him to see his work in context and allowed him to perform his act as evidence they would not find him obscene. His act was instead read out by a policeman or written down and used as evidence. However is there a distinction between speech and writing? Is context singular? Is what is obscene a fact or just an interpretation? Looking at the change in views on the binary opposition of speech and writing from Plato to Derrida this project will discuss whether had Lenny been allowed to perform his act in court would the decision of the court been different.
A friend once told me visiting Cuba is like “the closest thing to time travel”. To understand exactly what they meant I did no less than visit the place myself. When I arrived the immediate visual images I saw confirmed this. Foremost I noticed the appearance of the buildings and transport; many still used horse and cart, and there was an abundance of 1950’s cars and likewise Soviet cars from the 1970’s. But even more strikingly there was a lack of imagery that one takes for granted in a capitalist society. Instead of seeing a huge Coca-Cola signs leering at me as I drove down the road I would see a huge monument of Che Guevara eyes staring down at me. In place of brand-name slogans are sentiments of an anti-bush propaganda. Does this country really exist? It of course got me to thinking about how this country has come to exist amids such an advanced capitalist and technological world? What has inspired this country so strongly that it has not only sustained itself without support from the western world but has managed to resist attack from it? To understand this country as it is today, first must be understood the movement which inspired such a revolution as Che Guevara’s and Fidel Castro’s. Che Guevara was inspired by Marx and the revolution can be seen as an honest attempt to put implement the theory of Marx’s science. I will explore Marx, in particular reference to Hegel and further explore what relevance the concepts of such a movement have today. Having explored the past of Cuba and what has led it to become the place that it is today, I will then ask what future can not only Cuba as a place have but what future there are for all the ideologies that surround it. Is Cuba only the shadow of an old History? Or will the direction the Globalised world takes revert back to some of these ideologies?
Territory – Relationships, marriage and the family unit. Empirical Research – Government stats, art and literature. Philosophers – Kant, Hegel, Giddens. Concepts – Kant saw marriage a sexual contract, Hegel as an amalgamation of love and law, Giddens as unnecessary in the postmodern. My argument – Many see the emancipation of women and the sexual liberation of the sixties as causing chaos and the breakdown of the family. I will argue that harking back to nostalgic phantasms is a poor reflection of true reality and that one must ride with the times and embrace the pure relationship based on choice, freedom and intimacy.
TERRITORY: The exploitation of animals in genetic engineering. CHANGES: * Advancements in technology and therefore genetic engineering. * Attitudes towards illness and genetic defects. Potential changes: * Media hysteria towards genetic engineering. * The world as we currently know it to be. CONCEPTS: Ethical theorists – Peter Singer and Donna Haraway. Plus briefly also including; eugenics and the teachings of; Green-Peace, Catholicism, Judaism and Buddhism. Throughout my project I analyse the different forms of justifications offered for exploiting animals including; 1. Efficiency and practicalities. 2. Gaining knowledge and understanding. 3. Improving the environment. 4. Improving the human race. 5. Medical advancements. I offer examples for each of these justifications taken from Channel Four’s three-part documentary ‘Animal Farm’ broadcast on 19/3/07, 26/3/07 and 2/4/07. These justifications are juxtaposed with the work of Singer and Haraway, I also offer brief assessments of genetic engineering by; the philosophy of Eugenics, Green-Peace, Catholicism, Judaism and Buddhism in order to assess whether or not the exploitation of animals in genetic engineering can be justified.
Territory: ∗ For my Project territory I chose to look at the work of Derren Brown, I chose this territory because I was interested in exploring the idea of free will, and the influence of others over our free will. I considered that Derren Brown is a perfect example of another human being having a strong influence over someone else’s actions. Concepts: ∗ The concepts I chose to explore were the influence of other people on our free will and consequently how much freedom do we actually have? Philosophical ideas and Objectives: ∗ My exploration of the concept of freedom lead me to examine the work of various philosophers including Kant, using in particular the ‘Categorical Imperative’ taken from his Groundwork of the Metaphysic of Morals. ∗ After this examination I hope to be able to conclude whether or not we free and consequently responsible for our actions.
Territory‐ Football, the supporters, the industry and its change in relation to society. Questions and Objectives‐ Explore why we wish to be part of a group, Is identity simply an external concept? To show the social importance of sport, football in particular and how it integrates but also divides us in society. It is a Working‐class game; does the team give males another source of pride in their identity? rather than in work for example. Is it more important to be a valuable part of society and ‘fit in’ or should you aim to be an individual? Ideas involving freedom, does it exist? Key sources: Sartre, Being and Nothingness; Freud, on individualism, psychoanalysis, Massenpsychologie und Ich‐Analyse; Nietzsche, various texts on individualism and socialism; Durkheim, Sociology, Institutional Analysis; Hargreaves, Sport, Power and Culture.
The book about the time James Frey spent in a rehab clinic found its way onto the New York Times bestseller list after Oprah Winfrey added it to her “World’s Most Powerful book club.” Starting up with concepts such as freewill and determinism and the authenticity of autobiographies I began to look at what part the self plays in writing such works. Looking at Rousseau’s Confessions amongst other things it was obvious that a shift had occurred in terms of human responsibility coinciding with the greater importance placed upon the individual through the centuries. Starting with the different approaches of Rousseau and Frey I began to contrast the concept of Freewill in terms of Addiction. Modern thought would be to class addiction as a chronic illness where both the involuntary cravings and the voluntary use (of given substance) are CAUSED. However, “The recognition that addiction is a brain disease does not mean that the addict is simply a hapless victim” Whilst also taking into account the contemporary philosophy of Jean-Paul Sartre, I looked at to what extent the addict can be held responsible for his actions. The extreme philosophy of Sartre and to an extent Frey leaves the responsibility solely on the shoulders of the individual, whereas modern thought including genetic work claims a strong link to Determinism.
TERRITORY: Banksy is an infamous stencil graffiti artist, using the urban scenery for his canvas, painting on everything from walls, over the top of other art and even animals. Banksy’s work, from the walls of London Zoo to the Segregation Wall of Palestine, evokes strong reactions in the minds of those who look upon it. This is arguably one of his many aims, evoking reaction and controversy, awakening the often numb souls of the urban jungle. The city streets of the world can be transformed, his work acting as a catalyst within the minds of creativity; attempting to corrupt the already corrupted world of corporation, government, advertising and capitalism. Deleuze and Guattari, the War Machine. In this study, I will evoke what the a war machine essentially is, and what it actually encompasses with a close reading of A Thousand Plateaus, which I will use as my primary reading source. I will consider Banksy as a war machine, and throughout the study will relate the characteristics of the war machine to Banksy’s thought and art. In developing this I will explore what I believe the war machine has created, and whether these movements are useful, or perhaps more appropriately whether they are beneficial, to modern society. Furthermore, I will also argue as to whether one, or whether the war machine, can maintain a level of creativity within our society, which as it evolves appears to be suffocating the creative flows with the engulfing arms of capitalism, systems of government, and society itself. One question that I believe is crucial to ask is can a war machine truly exist? Are all attempts at creativity inevitably condemned to fail and become part of the system that they originally rejected? It is these, amongst other questions that will form the structure of Weapons of Mass Creation.
The basic aim of my project is to explore the fundamental themes of both aesthetic and ethical lives. What does drive us to make decisions and what should drive us to make decisions; in other words what sort of a life should we live? Through the exploration into my territory “The Picture of Dorian Gray” by Oscar Wilde, I identified the key concept of aestheticism and observed the character’s downfall due to his choice of life. This led me to explore the life of the aesthete in comparison with the ethical in the context of existentialism. The existentialists believed that it is the choices that we make as individuals on how we live our lives that provides the central sense of meaning to our existence. In particular I chose to look at Kierkegaard and more specifically at his work “Either/Or.” Kierkegaard closely explores the relationship between the aesthetic life; where the individual is consumed by beauty and the fulfilment of the senses, and the ethical; where the individual bases decisions on commitment and rational thought. He shows that the aesthete is ultimately doomed to a life of despair due to the limited nature of such a life. Those that live within the ethical stage of life will on the other hand achieve happiness in balancing aesthetical values with ethical conduct and responsibility. The final thought on my project brings these values of aesthetics and ethics into modern society in order to observe the concepts in relation to today’s generation. It seems that the majority of today’s youth are being consumed by the media and having aesthetical values forced upon them. Magazines are primarily concerned with looks and bombard the senses with images telling the reader how to think of themselves and others. Little is done to promote ethical values in this modern age and as this worsens future generations could suffer.
Aims and Objectives • To being by establishing and exploring the shift towards Capitalism and more importantly, how and why it came about. • To show, through the work of Deleuze and Guattari, how MySpace is a product of Capitalism. • To illustrate how and why society has changed with the production of MySpace. Overview of Territory: MySpace is a social networking website which consists primarily of an interactive, user-submitted network of friends. The site consists of personal profiles with photos, music, videos, and blogs, attracting a billion page views every day. The company consists of over 106 million accounts and gains over 230,000 new registrations a day. MySpace is currently the fifth most popular English speaking website in the world, while 82% of online visits to social networking websites are made to MySpace. Key Change: The redistribution of labour with the move to the city saw a new emerging middle class with the bourgeois controlling the factories and their profit. The old hierarchy and values of the feudal system are replaced by money which operates as the universal source and bearer of all value. The emerging economic system of a world where money is the centre of social organisation is Capitalism. Capitalism creates desire in a fundamentally unpredictable way in a society where fortunes are made and lost. Through the use of marketing and advertising, Capitalism is able to unleash desire and channel it towards our fixation with money itself in a society structured around the capacity to earn. Philosophical Concepts To Be Explored • MySpace as a rhizome • Pre-personal desires • The processes of deterritorialization and reterritorialization • The major and minor movements • Identity. Sources: The Key source for my investigation will be Deleuze and Guattari’s A Thousand Plateaus. In addition to this, I will refer to Capitalism and Schizophrenia.