Category: Stage 2

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2012 Abstracts Stage 2

The Moral Status of Animals

‘Animals obviously cannot have a right of free speech or a right to vote because they lack the relevant capacities. But their right to life and to be free of exploitation is no less fundamental than the corresponding right of humans.’ – Julian H. Franklin

In this project I have looked back through the history of animal rights and the way in which the consideration for them is evidently growing. Will this care for the animals ever grow until their rights become equal to ours? Descartes believed that animals were merely muscular machines, unable to feel pain due to the fact that they were lacking in mind and soul. Bentham began the fight for animal rights in the 1800’s. Today, vivisection continues…

‘Speciesism’ – The argument for putting the rights of humans over those of animals – Peter Singer.

‘How we ought to treat animals depends first of all on the relationship we have with them… There is our relation with pets, who are promoted to honorary membership of the moral community. They are an exception, in a sense a perversion, and a temptation too. There is our relation with animals that we keep for our uses, where we have a clear duty of care but we are not trying to establish quasi-personal relations. Then finally there is our relation with animals in the wild. My argument is that we have duties to animals in all these three areas but they are of a different kind depending on the structure of the relationship.’- Roger Scruton

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2012 Abstracts Stage 2

The Ethics of the Hero: Can Comic Books and Graphic Novels be Used for Moral Guidance?

My project was an examination of Comic Books and Graphic Novels and whether or not they can be used to give us Ethical and Moral Direction in our lives. I focused on the Comic Books Kick Ass by Mark Millar and John Romita Jr. and also on V for Vendetta by Alan Moore and David Lloyd. I looked at the Ethical Philosophy of John Stuart Mill, looking at his Utilitarian theory from his Book titled Utilitarianism, Immanuel Kant and his theory from Groundwork for the metaphysics of Morals and also Thomas Hobbes’s theory seen in the Leviathan. I also looked at the Aesthetic Theory of Arthur Schopenhauer. I applied the Philosophy to the actions portrayed in the comic books to see if there was any ethical guidance to be taken from the comic books. Also looking at the Comics as works of art to see if there is any element of Aesthetic pleasure to be gained from them.

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2012 Abstracts Stage 2

A Discussion of Ronald David Laing as an Existential Psychoanalyst in the History of Madness

Laing was a psychoanalyst in the mid sixties who was a revolutionary and controversial character. Within my project I will discuss the impact Laing had on the liberation of the voice of madness in the 60’s. Even though his practices were not well renowned towards the end of his career, at his peak Laing was the ‘pop star’ of the psychological world. His medical practices were considered to be revolutionary in that he took madness out of the asylum and created a home within a city where the mentally insane were housed. His practices were controversial in that he condoned excessive drug use in order to access a ‘higher reality’ and due to the fact that he considered psychotic regression to be a necessary stage within the healing of madness. For example, he allowed one of his patients to smear her walls with her own faeces and to be fed out of a bottle like a baby.

Once I have explained Laing’s position within the history of madness I will focus the rest of my project on Laing’s first book: ‘The Divided Self’. Within, he explains the existential view of madness from the stages of the schizoid condition to schizophrenia and psychosis. I will relate Laing’s discussion of madness to Sartre’s views on Bad Faith and the Other, as expressed within ‘Being and Nothingness.’ This will allow me to have a detailed discussion of Laing’s existentialism of madness as expressed as the loss of the self to the point where the patient can be considered to be existentially dead.

“The self, being transcendent, empty, omnipotent, free in its own way, comes to be anybody in phantasy and nobody in reality.” – R. D. Laing

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2012 Abstracts Stage 2

The Authenticity Blues. A Study in Heideggerian Authenticity in Blues Music

In this project I shall explore the idea of authenticity in the blues, using both the idiomatic definition of ‘authentic’, and martin Heidegger’s theory of authentic and inauthentic existence

As a case study I shall use the career of Huddie ‘lead belly’ Ledbetter and his working relationship with the folklorists John and Alan Lomax

Are the blues authentic?
Is the life of a bluesman?
Can we appreciate the blues in an authentic way today?

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2012 Abstracts Stage 2

Where’s the Sense in Surgery? An investigation into the use of cosmetic surgery in relation to the Feminist thought of Simone de Beauvoir

The aim of my project is to examine how impossible standards of beauty are being promoted as the ideal within society.

As a result, thousands of women are resorting to the use of cosmetic surgery to try and emulate this ideal.

Women have been banished to the sphere of Otherness, destined to achieve nothing and receive only that which men have been willing to grant.

Simone de Beauvoir argues that women should be liberated from abstract, restrictive essences, like ‘femininity’, which continue to cement women in their subordinate place.

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2012 Abstracts Stage 2

Mummy’s little monster … Can a child be born evil, or are they only made so by adults?

My aim is to explore the question of whether a child can be born purely evil, or whether they can only be made so by adults. I first compared philosopher’s views on the concept of evil whilst also exploring the issue of the age of criminal responsibility in respect to ethics. My territory was the ethical debates behind the treatment of child offenders and debating whether the age of criminal responsibility is correct.

The object I used is the novel and 2011 film We need to talk about Kevin. It is a novel about the relationship between a successful business woman named Eva and her son Kevin, a 16 year old boy who kills seven fellow students at school. The novel tackles the issue of nature vs nurture, asking whether a child can be predisposed to being ‘evil’ and with the intent to kill, or whether a parent’s shortcomings can shape their child and potentially lead them to evil actions.

I looked at the idea of responsibility, both moral and legal, and whether the age of responsibility is ethically sound or not. The fact that the defence of infancy age differs widely from country to country, from as high as 18 in Columbia, to no defence of age at all in Saudi Arabia. suggests that the law is highly debatable.

I looked primarily at the ethics concepts of Kant and Hobbes, comparing Hobbesian ethics laid down in his Leviathan, and Kant’s deontological ethical views with the Groundwork of the metaphysic of morals. I chose to look at Kantian ethics because of his strong claim that one is only responsible for what is under one’s control. Additionally, Hobbes has strong ethical views on authority, which can be linked with the idea of a parental control and also with the age of legal responsibility. Hobbes and Kant both also hold strong different views on why we obey laws in the first place, along with views on freewill and determinism, which ties in with the nature vs. nurture debate.

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2012 Abstracts Stage 2

Honda: the Power of Dreams

The Advertising of Honda – Popular and life-affirming, but is it just a capitalist front designed purely for selling and promoting the spectacle?

Popular and life-affirming, but is it just a capitalist front designed purely for selling and promoting the spectacle?
The Society of the Spectacle (Guy Debord) – claims our society is dominated by the spectacle (TV for e.g.) but is it too cynical?

‘The Power of Dreams’ or ‘the glitter of the spectacle’s distractions’? Through this project, I aim to examine the theory Guy Debord asserts in his The Society of the Spectacle in detail, in order to discuss the relevance of a Debordian analysis with relation to Honda’s advertising.

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2012 Abstracts Stage 2

The Legalisation of Drugs: The Case for Socio-Cultural Relativism

Aims
– To outline the key philosophical, social and legal theories which are integral to the debate about the legalisation of drugs.

– To consider some of the most salient and persuasive cases for the legalisation of drugs, including:
o Medicinal cannabis use
o Spiritual or religious drug use

– To make recommendations for changes to the extant legal and social policies with regard to certain types of illegal drug use.

“In our societies, the systems of punishment are to be situated in a certain ‘political economy’ of the body […] it is always the body that is at issue – the body and its forces, their utility and docility, their distribution and their submission.” (Foucault)

The War on Drugs

Key Thinkers
– John Stuart Mill, On Liberty
– Michel Foucault, Discipline and Punish

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2012 Abstracts Stage 2

Dictatorships: ‘The Good, Bad and the Ugly’ How much freedom does a society have within a Dictatorship?

Chairman Mao
Mao Zedong (1893 – 1976) is the focal dictator within my project. He ruled over the People’s Republic of China for nearly 30 years and in that time is said to have caused the deaths of 5070 million people. However he is still seen by many of China’s people as one of their great leaders.

His doctrine of Maoism refers to Mao’s belief in the mobilization of the masses, particularly in large-scale political movements. This ideology was projected during the Cultural Revolution whereby Mao retained his position of absolute power after giving it up, due to the downfall of his Great Leap Forward initiative.

Methodology
This project was a brief insight into the systems of government around the world, the main focal point being, of course, Dictatorships. It delves into the concepts of power, justice and equality. I feel that my project contains importance for everyone as it delves into concepts that have had direct or indirect effects on all of us, due to politics and government that has an effect on all of our lives in some respect.

Dictators also have profound effects on people, some positive but mostly negative, and the project will outline what it is that moves individuals into something outside of basic human morals.

Philosophers
I have of course looked at the major works of Machiavelli The Prince as well as Thomas Hobbes and Leviathan. I have discussed that both hold the same ideal – that there should be a single seat of absolute power within a society – but are at differences as to how said single individual should project their power.

I have also looked at the work of John Locke on the notion of freedom in the sense of natural rights, such as property. With reference to John Stuart Mill and his utilitarian view on freedom, as well as justice.

There is also a small view into John Rawls, David Hume and Aristotle on this issue, as they are all philosophers who speak in depth on the topic of a ‘Rule of One’ and the concepts that are addressed in the project.

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2012 Abstracts Stage 2

Breaking the Festival Barriers: Is the music festival an exercise in liberation and expression, or simply another mode of social constraint?

Aim: To discuss the relevance of the music festival as an arena for transgression and excess, and as an escape from the constraints of society. Using a variety of music festivals from past and present to construct a coherent argument.

Discussion: It is felt that music festivals provide a much needed release from the strains and pressures of society; one is permitted a degree of excess within a shared environment. The use of drugs and alcohol during a festival is representative of the need to cast off one’s inhibitions and to partake in unrestrained celebration. However, the music festival is still influenced by social rules and regulations. It is a temporary letting-loose, and therefore may be regarded as another form of social constraint.

Philosophy: – Freud; Civilisation and its Discontents, Totem and Taboo – Bataille; Inner Experience – Hegel; Elements of the Philosophy of Right, The Phenomenology of Mind

“Long may the expression of free-thinking people reign over this land!” -Michael Eavis

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2012 Abstracts Stage 2

Excessive Expenditure. An investigation into ‘the student experience’. Is university an opportunity for rebellion or another cultural norm?

HEGEL’S SITTLICHKEIT:
Using Hegel’s Philosophy of Right and Philosophy of Mind, I have established the theory of Sittlichkeit and the State. The Sittlichkeit is the moral fabric of a society, founded on the historical development of social norms. Within a state, it is the basis of personal and societal morality. If we look at the student experience, it could be seen as part of modern society’s Sittlichkeit, a social norm in itself based around mutual interests and community.

MY OBJECT:
The student experience: excessive drinking, late nights, unhealthy food, promiscuity.

BATAILLE’S NON-PRODUCTIVE EXPENDITURE:
We have urges for sacrifice and ritual not supported by society. Bataille says we must release these need through non-productive expenditure, concerned only with destruction and sacrifice. Bataille’s general economy is this cycle of production and destruction: both equally necessary. Applied to the student lifestyle, excessive behaviours are nothing more than a release of these urges through action for its own sake: non-productive.

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2012 Abstracts Stage 2

Is it Edifying to Reject the Moral Boundaries Implicit in Everyday Life in Order to Place Oneself in an Environment where Excess, Ecstasy and Self-Expression are Accessible?

A CRITICAL ANALYSIS OF MUSIC FESTIVALS IN RELATION TO: BATAILLE’S NOTION OF FESTIVITY, MICHAEL KELLEY AND MICHAEL SMITH’S A VOYAGE OF GROWTH AND DISCOVERY, AND NIETZCHE’S DUALISTIC COMPONENTS OF ATTIC TRAGEDY.

BATAILLE
Notion of festival: general and restricted economy, non-productive expenditure, taboo and transgression, sacrifice, the sacred and profane, and joy before death…

CONTEMPORARY MUSIC FESTIVALS
The Burning Man…

A VOYAGE OF GROWTH AND DISCOVERY
Smith and Kelley’s artistic interpretation of carnivalism…

NIETZSCHE
Apollonian and Dionysian: Greek Attic tragedy and Wagner…

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2012 Abstracts Stage 2

Mirror, Mirror on the Wall, which Fine Art is Best of All? A Philosophical Inquiry into whether Beauty Has Disappeared from Modern Day Artworks.

The discussion of this paper will be centred on the object of art with reference to beauty. We know that beauty has played a vital role in the lives of humans for thousands of years, we seek it in natural and man-made objects, and we crave it. So, why is our art turning towards what we would generally consider to be ‘ugly’ aspects within our modern culture?

This project will focus on the following main questions;
 What do we mean when we call a work of art ‘beautiful’?
 Does art have to be beautiful?
 Has beauty been lost to the modern world?
 Has the understanding of what is beautiful changed in the modern world?
 Can beauty still be found?

We will be discussing the position held by Roger Scruton, who asserts the purpose of art is to provide the spectator with a sense of comfort, however, he states this rationale has been consequently lost to modern art as the artist is no longer concerned with technique or skill and instead focuses on self expression. We shall consider the views of Arthur Danto, who claims since the Brillo Box exhibition, art has become a purely philosophical endeavour. Our discussion will finally lead us to the views of Hans-Georg Gadamer who is unafraid to admit that there is an inevitable ‘gap’ between what we classify as traditional art and what we see as modern art, however, he sees philosophy as being able to bridge this gap. We will also look to his concept of ‘play’, ‘symbol’ and ‘festival’ which primarily allow for an object to be regarded as art.

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2012 Abstracts Stage 2

Should Drum and Bass Be Valued as Art?

To determine whether or not drum and bass is a legitimate art form I have looked at the publications of four men; two philosophers and two artists.

Schopenhaur – Music is a representation of the will. Good music accurately depicts the will.

Adorno – music is good insofar as it is innovative and revolts against the bourgeoisie culture industry.

Goldie – Don’t think about art just enjoy it!

Wilde – Art Is good insofar as it is beautiful – as simple as that.

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2012 Abstracts Stage 2

“I Predict a Riot”. What Was the Mentality of Those Behind the Summer Riots and Were Their Actions Legitimate or Simply Acts of Hooliganism?

Background:
In August 2011, England experienced its ‘most serious bout of civil unrest in a generation’, for most the riots were a clear indication of the deepening problem of broken Britain. The majority of people could not understand and were left deeply bewildered at the shocking behaviour exhibited and total disregard shown for the law, 59% were unemployed and 50% were under 18.

Aims:
– In this project one of my fundamental aims is to assess whether the motives behind the riots were legitimate or as David Cameron described acts of ‘mindless criminality’ 
– Did the participants wish to change the political system? Were they just fed up of being ignored? Or did people just follow the masses and joined in because everybody else was like a ‘domino effect’ 
– I will also research the validity of rioting itself and distinguish between violent and non-violent protest and research whether non-violent protest can significantly change a system or is just witnessed and ignored.

Thinkers:
Thomas Hobbes- Concentrates on the individual’s pleasure. However emphasised the importance of a state, as there would be anarchy without one.

John Stuart Mill- Uses Utilitarianism as a foundation (pleasing the majority) Also focused on the individual, pleasure alone motivates us

Thomas Aquinas- Just War theory ‘last resort’, has to be appropriate motives

Emile Durkheim- Sociologist witnessed social disunity. Offered theory of Social Integration.

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2011 Abstracts Stage 2

“Madness. Death. Passion. Perfection.” A Philosophical Commentary of Black Swan and The Red Shoes

Is madness a symptom of a quest for perfection, or is madness a social failure? Is it passion that kills us, or does death consume us once our passion is achieved? These are the territories I will explore in response to my concept of Black Swan and The Red Shoes.

Black Swan and The Red Shoes are cinematic experiences of the ballet world, and of a passion that leads to madness and death. One protagonist is trapped by a perfection that makes her envy her lucid alter ego, and the other protagonist is torn between the love of her work and the love of her life. Both are alike in a tragic finale of death. But it must be asked – was it the ballet that led to their downfall, or were they in themselves a destructive force?

Apollonian + Dionysian ≠ A Beautiful Soul

Nietzsche’s Apollonian and Dionysian from The Birth of Tragedy, proved that the ballerinas were tormented. The Apollonian was the “ethical deity” of the innocent white swan, and the “self knowledge” of outstanding ballet ability. The “chaotic” Dionysian was the seducing black swan, and despairing romance. In being torn between two passions, and two perfections, the ballerinas became mad.

Schiller’s notion of the “Beautiful Soul” reveals why. There must be inner harmony between the formal and sense drives in order to have a beautiful soul. In always allowing the Dionysian to devour the Apollonian, the ballerinas could never have harmony. Real perfection was in the culmination of both passions.

A Tragic Finale

Nietzsche enforced that “the continuing development of art is tied to the duality of the Apollonian and the Dionysian” , whilst Freud warned that satisfying dreams could hide “painful ideas”. The ballerinas could not equate their two passions, and so their art could not continue. Death became inevitable. Their aspirations were not pleasurable, they were painful.

Foucault’s Madness and Civilisation discusses madness a symbol of passion verses madness a social fault. It allows the conclusion that the ballerinas cause their own downfall. And death became a necessity. Madness and torment was seeping into their art. It was slowly destroying their inability. And so they had to die, because it was the only way to preserve the legacy of their passion.

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2011 Abstracts Stage 2

Is it Right for an Editor to Have so Much Influential Power?

In my project I aim to discuss whether or not individuals have too much power when it comes to the media and journalism. I will look particularly into the jobs of the editors and owners. I will do this by investigating several case studies including the 1992 general election that Murdoch believed was won due to The Sun’s Headline: “If Kinnock wins today will the last person to leave Britain please turn out the lights”

I will mainly be focusing on John Stuart Mill’s novel On Liberty. Mill focused on freedom of speech, believing that no matter what position or job you have in society you should always be allowed to have your own opinions. However, he also believes that individuals should not spread their opinion if it will be harmful to others. I will be looking into and analysing both of these claims.

I will also be studying Dale Jacquette’s novel Journalistic Ethics: Moral Responsibility in the Media, Heinz Steinert’s novel Culture Industry, and Political Freedom (Problems of Philosophy) by George G. Brenkert, along with many others. As well as Mill I will be critically analysing Debord’s work on the media and comparing it to other philosophers.
Overall I aim to come to a conclusion about whether or not the editors and owners of newspapers have the right to print fabricated stories, whether the facts are true or whether they are lies.

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2011 Abstracts Stage 2

Capitalism, Fashion & Freedom: an Exploration into the Freedom of Choice in Modern Britain

– In this project I will be exploring the idea of liberty within a capitalist society… is the ‘free’ society we think we live in really that ‘free’?
– In terms of fashion: ideas of seasonal fashion change and the choice available in fashion outlets currently as well as the influence of the media, including social media.

Looking at the effect of the economical system of capitalism on society in modern Britain, I have chosen to look at philosophical ideas of Marx and Hegel to compare and contrast their views on it.

In light of the exploration into philosophical theory, I will further the study by using and applying the concepts to analyse the issue of capitalism, freedom and fashion. Using the arguments of Marx and Hegel applied to the idea of the freedom of fashion in society at the present time I will conclude by asking whether capitalism is working to the advantage or disadvantage of our liberty.E690

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2011 Abstracts Stage 2

It’s Better if You Don’t Own Land

Aim: to determine if humanity has a right to own land

When progress is interpreted in respect to potential living standards, it is undeniable that examples such as the developments made in medicine are evidence of humanity’s progress.

BUT: 10% of the world (0.88 billion) live on an income of under $1 a day
20 years leading up to 1997 child poverty doubled worldwide.
Mortality rates: North America (7) VS Africa (88).

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2011 Abstracts Stage 2

Has our Society Been Changed by the Increasing Influence of the Television?

– “Television is by now so inextricably part of all our domestic lives that it resists analysis.” (Fred Inglis) 
– In this project my aim is to examine how the television has affected our lives in the last fifty years.

Guy Debord
– In this project I will discuss Debord’s theory of mass media 
– I apply his theory to contemporary television to discuss the extent to which his argument is valid.

“A Short History of Celebrity” by Fred Inglis
– Through looking at this book I have examined how the television has affected the celebrity 
– I have compared David Beckham to Stanley Matthews to see how the television has affected the footballer as the celebrity

Political Affect
– I have examined the different propagandas used by politicians 
– I have looked at the first televised debates in 1960 between Nixon and Kennedy 
– I have discussed the extent to which the television has influenced votes.

Paris Hilton
– I have chosen Paris Hilton as a case study 
– Paris has used the media and the television to create herself as a brand which she sells