Territory: I chose to consider the use of nanotechnology and drugs when applied to living organisms, more specifically humans, to increase the average life time and explore the ethical implications that may be associated with it. Aim: I intend to explore the socio‐economic effects of a society in which all individuals or a select group have an extended life span, from anything between an additional 50 years of life up to, theoretically, several hundred or even thousands! At the end of my study I intend to consider if such technology can be applied, if it should be applied and in what capacity. Concepts: I shall be considering the philosophical dilemmas presented by specialist scholars in the field of my study as well as deliberating issues I have considered myself. To help me consider these issues I shall apply the philosophies of Mill’s Utilitarianism and Nietzschean thought to see if either, both or neither can agree on specific aspects of the study.
Category: Stage 2
Japan today is a nation synonymous with contemporary culture and ambitious technology that tries to transform the way in which we live. However, it is hard to imagine that just over a century ago; Japan was in the midst of a massive change which saw it go from a country of feudal military foundations to an industrious world power which would contribute to world history in a substantial way. This project aims to look at the History of Japan over the Meiji Restoration in the late 1800s and see how this event was the catalyst which caused a nation to turn its back on 800 years of uniform history and become a contending power on the world stage. The cultural principles of Japan at this time shall lead me to look at the post war writer Yukio Mishima, whose ideas on the culture of Japan after World War II provoked him to write some of the most defining Japanese literature of the 20th Century. Ultimately, his views in this area led to his highly publicised ritual suicide in 1970 prior to which he tried to start a coup against the new media based, industrial Japan. To link this project philosophically, I shall be referring the ideas of Mishima to those of Georges Bataille, who Mishima himself had a fascination with. Bataille’s theories brought forward notions related to sacrifice within a culture. This includes specifically the concept of Potlatch, wherein Native American tribal chiefs would appease opposing leaders by destroying resources and objects of value. With this in mind, I shall show how the Japanese transformation was a Potlatch on a grand scale, and how Mishima was a microcosm of this in the 20th Century. The conclusion of this project will come to the point where justification of Japan’s change will be shown.
Whether or not the realm of freedom apparent in the plurality of styles used by contemporary artists is actually a way of concealing its true function, as a slave to business? In contemporary art’s exploration of the human psyche, it appears to hold out no consolation; conventional styles are broken and indiscretions of morals all define the basic contemporary art world orthodoxy. However although contemporary art has reinvented itself this also means that art’s existence now comes in relation to world politics, commerce, consumerism and the worlds of business and finance. In this project I will discuss how art has changed and been shaped by the demands that these external pressure points have put upon it, and what that means for the way we ‘read’ art and treat artists in contemporary culture. I will centre my argument on how the mass consumer culture of our society has lead to the commodification of art. I will focus on the artists Tracy Emin and Damien Hirst, and how both artists have embraced commercial success and celebrity status, buying into the values that art originally transcends, suggesting that they themselves have become a brand name out of which their art is made. The key philosopher that I will be using is Karl Marx and his theory of capitalism. He believed that the continual modernization in industry means that old structures, traditions and attachments begin to dissolve, so that in his famous phrase “all that is solid melts into air.” This can be applied to art’s status which is conventionally and ideally aligned with truth, beauty and ethics but with capitalisms involvement there is a shift from ethics to aesthetics. Contemporary art has become about creating pieces that are morally ambiguous, that promote corporations and entertain the mass culture. I will also be using Guy Debord and his Society of the Spectacle to elaborate on Marx’s theory and explain how he felt art had become commodified and the consequences of this, such as alienation and the loss of art’s function.
Aims
In my project I will discuss how the relationship between friends affects our ability to make objective moral decisions. In doing so I hope to clarify some of the philosophical positions on friendship and assess my own views philosophically in order to attain whether moral theories should devote specific attention to this idea.
Object
The object for my project is the documentary film “Touching the Void”. This film tells the story of two friends who set out to climb the previously un-summited west face of “Siula Grande” in the Peruvian mountains. In doing so both friends were plunged into a life and death struggle and one was forced to make an arduous decision to end his friend’s life.
Territory
The philosophers I will use in my project are;
• Aristotle, who writes explicitly on the conditions of complete friendship in his book
“Nicomachean Ethics”
• Hegel, most importantly his concept of recognition and how that is affected by
friendship and how this in turn affects his moral theory
• Hobbes, the idea of rational egoism and how friendship is affected by this
Territory
The War in Afghanistan; which began on October 7, 2001 as the U.S. military operation, ‘Operation Enduring Freedom’, was launched by the United States with the United Kingdom, and Natoled, UN authorized ISAF in response to the September 11 attacks. This conflict will form the basis of my project. I will discuss the various ethical issues which have arisen from it and attempt to clarify the different arguments for and against such a war.
Object
There are many issues surrounding this conflict, for example the justification of the war itself, Increasing civilian casualties, lack of support for troops, both from the public and in terms of equipment. The detrimental effect on the population, especially farmers and industrial workers. The lack of sufficient troop numbers. The requirements of the Afghan population. There are many philosophical proponents of these theories and I intend to apply the theories of a number of philosophers to the problems we see in this conflict; Plato, Hobbes, Kant, Hegel Augustine, Thomas Aquinas, Locke & Rousseau, are some of the philosophers I will use to discuss the moral issues which result from these problems, from the just war arguments to the opposing teleological and deontological notions of war. Change I am particularly interested in the attitude of the UK towards this conflict, I will investigate the extent to which our attitude to war has changed, from the first and second world wars to the present day conflict in Afghanistan, with reference to the Falkland’s conflict and the Northern Ireland troubles. I wish to understand how these conflicts have affected the way the UK views war. To what extent has our perception of it changed over the past one hundred years? And what can we learn from these past conflicts? This shall be the ultimate goal of my project.
Objective: In this essay I intend to look at how alienation and disaffection may be a catalyst for art, in particular with popular music, as a form of social commentary and self-expression, and what effect if any this art may produce within society. I will do so through studying Marx’s theory on alienation by looking at how if one becomes alienated in society they may use music as an alternative form of subjective labour. Then I will assess the role and worth of popular music in relation to the individual creating it and in turn how this may be used by other people in society and what they can gain from it. Concept: Popular music as a form of social commentary and self-expression. Thinkers: 1. Marx’s theory of alienation: ‘Anxiety about one’s social role, its basis, and its value is especially likely for creative artists who have “betaken themselves to their work as an isolated means of ‘self-expression’ without clear social function.’ (Elridge, 2003) I will explore how, whilst deprived a means of objectifying and fulfilling one’s human nature capitalist labour, creation of music may be an alternative form of productive labour. 2. Adorno’s critique of popular music ‘Its planned idiocy virtually tests what mankind will put up with, what threadbare, noncommittal intellectual contents can be imposed upon it.’ (Adorno, 1989.p52) Next, I will critically assess Adorno’s damning critique of popular music, aiming to interact with his theory to illustrate how, rather than being a meaningless practice, an audience may connect and be of benefit from it. Key Sources: Marx— Economic and Philosophic Manuscripts of 1844, Adorno— Introduction to the Sociology of Music, Popular music, Popular culture, Society.
Territory: In the autumn of 1978 in a rural area of Guyana, South America, a tragic event occurred, making headlines and remaining in the minds of many for years to come. A religious leader known as Rev. Jim Jones orchestrated a mass ‘suicide’ of over 900 people in a remote area known as Jonestown. Aims: To uncover the truth behind such an unusual event and really focus my attention upon the character of Jim Jones to see what led him to such an unfortunate end. I shall aim to do this by looking at the works of George Bataille. I intend to unmask not only the character of Jim Jones’ character and his followers, but also that of Bataille. I shall focus on Bataille’s own thought to see how it sheds light on the Jonestown massacre. Concepts: Bataille’s notion of homogeneity versus heterogeneity. Bataille’s views on religion in relation to Jim Jones’. Bataille’s on fascism versus Jones’ on socialism Georges Bataille versus Jim Jones. Research: Bataille: Visions of Excess, Gemerchak, The Sunday of the Negative, Tim Reiterman, Raven-The untold story of the People’s Temple.
Since Sotheby’s auction house opened in 1744, the art market has grown and now sells pieces for millions of dollars every day. My project explores the societal and technological changes which have occurred throughout modernity to understand why paintings like The Scream were bought for over $119 million.
Commodity fetishism and the global art market
Using Marx’s exploration of capitalism I focused on what constitutes a commodity and how art has been fetishized. I then incorporated Vattimo’s use of telematics and globalised media to demonstrate capitalisms more recent developments; this enabled me to discuss the role paintings have played in a global billion dollar market. In contrast I also looked back to 15th century artists, to understand if art has become a commodity only with the advent of capitalism and technology.
Mechanical technology and mass production
I used Benjamin’s philosophy of mechanical reproducibility to highlight the importance of technological advancement, especially that of mass reproduction, in selling the image of a work enabling fame and exposure to a wider market.
I also looked to how these factors of the current market affected the minds and work of artists themselves using the philosophy of Andy Warhol, and the artwork of Damien Hurst, Warhol himself, and Julian Opie. All of these artists demonstrated the drive of a capitalist mind-set, have benefited from global exposure, and produce pieces using technology invented in a postmodern age such as laser printing and spinning. My goal was to ultimately demonstrate that the market has changed both the nature of the art which is produced and opened the art world up to everyone on a global scale.
Internally replicable model of the art market
Mass reproduction of famous classical/modern works (such as The Scream and No.1)
Original work becomes more valuable as its image and fame is spread over a global market (both sold for millions)
The traditional application of philosophy is intrinsically tied to a set of values, methods and self definitions which excluded women. Because philosophical works attributed to women have been devalued and therefore not included in recognized works, the traditional history of philosophy is a history of men’s ideas. Womanless history, however, is a distortion of the past which serves to justify the status quo, women philosophers are challenging mainstream philosophy to cease evaluating itself according to the standards set by men.
The aim of my investigation is to determine whether Feminism would ever have been necessary if the philosophical works of women were given any credit. I intend to look into the social theories of Rousseau, Locke and Hume. These thinkers preached the idea of equality, yet is there any correlation in the fact when writing of the collective they term it ‘man’? I intend to study the role of women and how if any Feminism has altered this view.
Do events in society affect artists in such a way that it is clearly reflected in their work, or is their work completely individual? In my project I look at the Abstract Expressionist movement, in particular Jackson Pollock. My main focus is the effect WW2 had on Artists in America and how Abstract Expressionism emerged as a result of it. I look into the government funding behind the movement and the postwar mood of society. Jackson Pollock is an interesting focus point because not only was he an alcoholic who suffered from depression but his art works, particularly his drip‐paintings, were extremely emotional and well documented. I centre my attention on the drip‐painting era because they demonstrate his connection with his art, his technique was controversial and the result seemed thoughtless and chaotic to some critics. To establish what is to be considered aesthetically pleasing, I will be looking at Kant, this covers how we perceive things as human beings and how our desires and preferences affect what we consider to be beautiful. To explore this idea I am going to focus on Kant’s concept of beauty, where he believes what we perceive as beauty, can be nothing other than subjective because it is the individual’s taste. In essence my project analyses art aesthetically, from both the artist and the people’s point of view. The influences surrounding artists at the time shows how art can be an inevitable result of mass emotion and therefore its popularity does not relate to how aesthetically pleasing it is.
For George Bataille, human beings have a natural desire to both create and destroy. This dualism can be considered a balance of time spent productively and time wasted. Modern Capitalist culture gives less room than ever for destruction and time‐wasting. As a result of this, the modern human being finds strange new ways to accommodate his desire to transgress the social dogma of spending time usefully. Could binge drinking and drug abuse be examples of such transgression? The Newcastle undergraduate, newly expected to manage his time effectively, is a fascinating example to study under the Bataillean spotlight. My Stage 2 Project shall take the concepts of radical French thinker George Bataille, and assess to what extent his theory can account for alcohol and drug abuse within Newcastle University students. This aspect of student behaviour will be examined under the Bataillean spotlight of transgression and taboos.
In this project I hope to discuss the problem of evil – namely how God can exist as evil does. By examining the Holocaust in regards to this I hope to be able to shed some new light on this infamous example of evil and suffering beyond comprehension. Did the German people knowingly allow the Holocaust to happen and if so what were the reasons behind this? By reading Rudolf Hoess’ autobiography I hope to be able to discover whether following orders removes all moral responsibility. Ultimately, could it happen again?
Inspired by the 1980’s setting of Alan Moore’s epic superhero tale, Watchmen, we consider reason and its practical application for the purposes of generating an ideal society. How ideal do we find such a setting? Has utopia been achieved? And if not, what hinders such progress? We centre on Kant’s philosophy which considers the realisation of Utopic conditions via applied rational thought, contrasted to Hobbes who considers the nature of man before rational application. Furthermore, if utopia is desirable, what would be the means to achieve such? To consider such we turn to the Utilitarian actions of Ozymandias!
Advertising and consumerism is undeniably significant in modern society and this study takes an alternative philosophical approach towards the issue as well as considering modern thinkers that have discussed the medium previously.
Schopenhauer argued that an individual is controlled by their will and this leads them to live a life of dissatisfaction and suffering. This study shows that advertising does not produce this suffering but intensifies negative feelings because it forces desires on individuals. Schopenhauer argues that to discover metaphysical truth is a temporary release from this cycle and so this study also considers its applicability to contemporary society. The texts used will be ‘The World as Will and Representation volume I and II’.
Bataille considers how a homogenous society seeks to remove unproductive elements from this sphere but I argue that because modern society is dominated by capitalism and homogeneity, it seeks to remove unproductive behaviour from all of society. This study then examines how advertising could be used as a tool to remove unproductive or heterogeneous behaviour by shaping our desires. The negative consequence is that heterogeneous behaviour is inseparable from productive behaviour. This insight is taken from a collection of essays by Bataille.
My key point is to look into the fashion trends of Vivienne Westwood, I shall concentrate on the era of ‘Punk’ where Vivienne Westwood and Malcolm McLaren played a vital role. I shall compare this with the Philosophy of Georges Bataille who had an obsession with obscene things such as Human Sacrifice. Concentrating mainly on his Base Materialism and his writing’s Eroticism and Story of the Eye. Punk……. • Punk first emerged in the mid 1970s in London as an anarchic and aggressive movement. About 200 young people defined themselves as an anti-fashion urban youth street culture. Vivienne Westwood is often cited as punk’s creator, but the complex genesis of punk is also found in England’s depressed economic and socio-political conditions of the mid-1970s. Punk was as much a youthful reaction against older generations, considered oppressive and outdated, as a product of the newly recognized and influential youth culture. Creative and entrepreneurial people, such as Westwood, often contribute to an aesthetic that brings a sub cultural style to the forefront of fashion. Bataille…. This image of a torture victim from Taiwan fascinated Georges Bataille. He thought that “the expression on the man’s face is the ecstasy of sexual pleasure”. Georges Bataille believed, as Hegel did, that ‘history is dead’ that we need to come up with new and exciting ways to take society forward to a new way of living because as it is now it is boring. He believed that the key to this was through art, shocking people into change.
The questions I will investigate are the following: • Is the way disabled individuals treated morally right? • Should the countries which allow such abusive treatment be allowed to join the European Union? • Why is torment rather than treatment continuing? • Do disabled people have human rights? The aim of this project is to investigate into the treatment of those with mental and physical disabilities, the way in which individuals are often from birth put into institutions and never endure a real life out of the walls of confinement. This project is a discussion into the inhuman and abusive treatment of many children, orphans in many cases and adults throughout the world’s institutions, and why this treatment occurs or if it there are plans to change it. Territory: Disability and Segregation. Object: The treatment of disabled people within institution in contemporary society. Concepts: Segregation and violation of human rights. Change: The treatment of mentally and physically disabled people changed over time from the ‘houses of confinement’ and the ‘birth of the asylum’. Thinkers: Michael Foucault- The history of madness, John Locke – Human rights and equality, Peter Singer – Equality and discrimination
In my project, I wanted to explore the notion of sacrifice in relation to Christianity, specifically looking at the idea of martyrdom. I wanted to contrast this with Bataille’s ideas on religious sacrifices and his notions of the sacred. My aim for my project was so that I could understand the reason as to why people are willing to sacrifice their lives for their beliefs. To understand martyrdom in Christianity, I decided to look at their beliefs and values that they uphold and teach. I then looked at the meaning of martyrdom, and how it has changed from meaning martus, ‘to witness’ to die for a purpose or a cause.
To illustrate this point, I looked at Simone Weil as an example. She starved herself to death as a protest to the treatment of French citizens under Nazi-Germany. I wanted to explore her biography and her philosophy so I could understand her values and her beliefs. I then wanted to contrast Christian thoughts, with Bataille. He argued that sacrifice is religion portraying the heterogeneous. It breaks the means-end lifestyle for those who witness it, however, for the person martyring their self, he argued that they want to do it to break away from ‘things’. After looking at Bataille, I wanted to finally look at Yukio Mishima. I wanted to see whether his death was for a greater ‘good’ or belief he supported, or whether it was an attraction to the heterogeneous.
Key Books for my Project
Christian Beliefs and Martyrdom— “Christian Beliefs and Modern Questions” by O.Quick-Chase and “Martyrdom—The Psychology, Theology, and Politics of Self-sacrifice” by R.M Fields.
Simone Weil—”Simone Weil” by S. Pétrement and “Gravity and Grace” by S. Weil
Bataille—”Theory of Religion” by G. Bataille and “After Bataille – Sacrifice, Exposure, Community” by P. Ffrench
Mishima— “Life and Death of Yukio Mishima” by H. ScottStokes and “The Sea of Fertility” by Y. Mishima
In my project, I will examine the process of acting, and the emotional experience of becoming a character. Physically looking the part is very different to mentally becoming the part. Stanislavski’s ‘Emotional Memory’ encourages an actor to recall their own memories in order to create a realistic interpretation of a role. Therefore, one must remove themselves from their ‘true self’ in order to create a ‘new self’. From this, I believe an actor must consciously explore their subconscious. Therefore, this concept can be associated with Freud’s examination of the human psyche. Thus, I will compare Emotional Memory with Psychoanalysis. Like actors, Freud’s patients must explore their unconscious. I will examine Psychoanalysis, whereby the relationship between the patient and analyst is crucial for an effective treatment. From this, I will examine ‘free association’ and ‘unconscious formations’: both central features of this Freudian system, aiding the patient on a laborious journey of recovery. Whether in theatre or film, I believe there is a danger in acting. One must be extremely careful in adapting their mentality when becoming a character, in order to remain secure in their ‘true self’. Occasionally, an actor’s addiction to his role can become detrimental, as seen through Heath Ledger’s tragic death in 2008. It is argued that the extreme depth of his role of The Joker in The Dark Knight, combined with his perfect interpretation, led him towards self-destruction. Through acting, one must Psychoanalyse your ‘own self’, when creating a ‘new self’. However, one must be consciously aware of the complexity of the process, and thus intentionally maintain your own mentality.
After experiencing a dream so real to me I could not believe I was dreaming I have come to question what I believe to be real around me. In this project I have investigated the present and past key concepts, thoughts and theories behind dreaming and lucid dreaming, it became clear to me quickly much of my thoughts are that of a skeptic I quite literally began to doubt everything around me. Descartes is famous for his dream argument so his meditations are a key feature within my project as he has influenced the works of Freud who also came up with some key theories to dreaming and why we dream. I introduce the idea of the Truman show and the matrix as recent examples of people’s thoughts about reality, technology today allows for these science fiction films to be made and they are made in such a way where you sit back and think well why not? Why can’t that be real? What is the point to all of this? My intentions were to evaluate whether or not the “truth” is worth pursuing…or is ignorance quite literally bliss? Are dreams an escape to a realm that is perhaps more real to us than the life we consider to be real while we are awake, or is it quite literally what you see is what you get. Do we create our own realities and if we do then does this mean millions of different realities exist as we can never know for sure we all perceive things in exactly the same way as the person next to us.
My territory for my project is society itself and I have been looking at two possible scenarios that could happen. The first scenario which I call the left wing scenario is where society could go down the road to anarchy because of course of the youth going out of control and the striping away the powers of the parents and teachers of punishing the youth for doing wrong. To argue my case for this scenario I shall be primarily using Thomas Hobbes and his book Leviathan. I shall also be using the novel Battle Royale by Koushun Takami as a comparison to this scenario. The second scenario is what I call the right wing scenario this is where the government tries to counter the trend of declining into anarchy by putting in place legislation to the places they see as the causes of the problems. The problem is if they continue to increase the laws it could unintentionally end up a repressive state obsessed with keeping order. To back up my argument on this point I shall use both Hobbes and Niccollò Machiavelli’s book The Prince. And use the novel Nineteen Eighty-Four by George Orwell to use as a comparison to this scenario. I will then conclude with my thoughts on the matter. And start an introduction to the solution to the problems posed by the two scenarios to try and prevent them from happening.