Investigating whether painting depicts reality in a more meaningful way compared to photography when faced with political and non-political issues and scenarios.
Category: Stage 2
Essentialism is a widely debated facet of philosophy, often focused on the role of women in society. However, not often is research concerned with the role of masculinity within essentialism. To see the effect of and on social influence I will be reflecting the concepts of masculinity and essentialism onto film. This is not previously reflected upon categories, and overall the way that feminism can reflect onto masculinity is something that can be helpful to both genders. I will approach this question through an analysis of the films Billy Elliot (2000) and Dead Poets Society (1989) as a microcosmic story of society’s values. These films will enable me to see complete storylines. Also, I will refer to The Wolf of Wall Street (2013) and Goldfinger (1964), and Skyfall (2012), from the Bond franchise as influential storylines for the viewer. It will be approached under the guise of three methodologies, analytic, interpretive, and historical. Between these, I will proficiently examine the argument of essentialism, the idea of masculinity in relation to this, and finally, the way film can illuminate the way we view masculinity. This will be with specific reference to Diana Fuss’ book Essentially Speaking (1989) to frame the essentialism argument; also using Andrea Waling’s discourse around ‘toxic’ and ‘healthy’ masculinities. The addition of Locke’s idea of ‘nominal’ versus ‘real’ essence and Luce Irigaray’s input on feminism of difference all integrate to form a coherent basis from which to analyse and interpret the selection of films and draw conclusions. The concluding finding is that film is an integral lens through which we can view society and the demonization of femininity that evolves from the negative masculinity we continue to idealise. This is important to explore as previously the literature has fallen short of showing the practical ends film can lead to, and the importance of delineating the way we view essence even if it is a foundational part of knowledge.
This project explores the role offence plays in the creation of authentic and progressive discourses. It will be exploring this by looking at misogynistic rap lyrics, investigating the offence these lyrics cause. It will begin by discussing John Stuart Mill and Joel Feinberg in order to demonstrate how offensive rap lyrics offend rather than harm. Then it will discuss the work of Catherine Mackinnon, looking at how a minority of rap lyrics could be defined as pornography and therefore harmful. However, it will then demonstrate how misogynistic rap lyrics should be understood as responding to the world building of pornography. This project will then discuss how rap music also has the potential to challenge the belief system created by pornography. Through discussing Martin Heidegger, we see how misogynistic rap lyrics defy our everyday idle talk, creating a new authentic discourse. This discourse is created through the shock caused by offensive lyrics. We will see how shock has a liberating potential, as demonstrated by Walter Benjamin. Ultimately this project will investigate how rap’s offensive misogynistic lyrics shock us, forcing us to engage with them. This creates a new authentic discourse that allows the rise of progressive voices.
For my project I’m going to be exploring the concept of taxation with reference to the philosophies of John Rawls and Robert Nozick.
– I’ll analyse Rawls and Nozick’s conceptions of justice and how these apply within a state.
– I’ll apply Rawl’s principles of justice to the current tax system to argue that reform is necessary.
– Further I will attempt to dismantle Nozick’s conception of justice and taxation to show it does not go far enough.
– I’ll consider the specific reforms to income and inheritance tax that can be made to move the UK closer to a Rawlsian just state.
– The current taxation system in the UK will be central to my argument, but reference will be made to the tax system post WW2.
Object – The object I will be examining is to do with the question of medical treatment and prioritisation in UK hospitals, in relation to a pandemic scenario such as covid-19 pandemic.
Aim:
How – I am applying different ethical concepts to the question of prioritisation in order to find which one will be the most helpful in deciding which patients to treat.
Why – I am looking at this because it has been a very relevant problem during the Covid-19 pandemic. Hopefully I can find the best way to prioritise patients
Concepts & thinkers:
Fletcher – situations ethics
Mill – Rule Utilitarianism
Foucault – Biopolitics and governmentality
Main sources:
Fletcher – Situation Ethics: the new morality
Mill – Utilitarianism
NHS
Foucault –The Birth of Biopolitics
My project’s territory is desire, and the object of this enquiry is the film Festen by Thomas Vinterberg. Festen showcases a family’s revelation to its secrets and traumatic past. The film was the first film made under the influence of the rules of Dogme 95 Movement. The aesthetics of the film are directly influenced by the strict rules of the movement. From the aesthetics of the film, I started my examination of the film in order to uncover a new understanding of desire. The conceptual tools that I utilised for this intellectual exploration are found in two primary texts. The first text, written by Gilles Deleuze, is Cinema 2: The Time-Image. This text provided a philosophical taxonomy of cinematic images that indicated a way the aesthetics of a film can be understood. The second, and more central text, is Anti-Oedipus. This text was written by Gilles Deleuze and Felix Guattari and it features an extensive critique of the psychoanalytic discourse and a new conceptual image of desire.My project’s main objective is to present the novel image of desire, as seen in Festen, with the aid of the two philosophical texts. The film is interested in the idea of the family and all things that are attached to it. Through my examination, I uncovered how closely attached is desire to the family. Festen, seemingly, unpacks this conception of desire and reveals the repressive implications of such conception.The result of my examination is a new, and more open, picture of desire that can reverse the negative and repressive implications of the familial conception of desire that was previously established.
This project aims to explore the nature of offensive humour, using readings of W.E.B Du Bois’ theory of ‘double consciousness’ (a duel perspective originally felt by black Americans) as well as the three laughter theories (as told by Hobbes, Kant and Freud) as a framework for presenting the main arguments regarding taboo topics within the comedic realm, these being 1.) in support of censorship within humour, with the exception of oppositional satire from the oppressed, and 2.) in support of a freedom within laughter and comedy, as per their supposed nature. I aim to ultimately offer a new perspective regarding this argument, expanding on ideas seen within my chosen concepts.
OBJECT: Offensive Humour and laughter as a response, and how this may link to censorship/freedom of speech
TERRITORY: Ethics. (Analysing whether offensive humour is ‘right’ to use)
CONCEPTS: Interpretations of DuBoisian ‘Double Consciousness’, laughter theories (as stated by Hobbes, Kant, Freud)
This project will be looking into the representations and models of beauty with a view of understanding whether they are inherently oppressive or liberating. The beauty industry along with the media industry have advanced in such a way that we see a correlation with the rise of beauty standards and a decline in mental health in women (and sometimes men) in society today. Furthermore, it will be Investigating as well as arguing whether the beauty industry is truly corrupting the minds of the younger generations or whether they are aiding the younger generations in finding their liberation. The findings showed that mental health is suffering greatly amongst the youth and there are numerous statistics to show links to social media platforms, especially those promoting vanity. Even conservative countries like Saudi Arabia give crucial priority to the western industrialised culture and hence embark on the westernised criteria of beauty standards. The philosophers touched upon in the project including Georg Hegel, David Hume, as well as influential feminist thinkers like Kathy Davis and Kathryn Morgan have demonstrated that the underlying deeper motive for women’s bodies undergoing so much exploitation is all a consequence of wanting the approval of the male species.
A philosophical investigation in the response carried out by the USA, the UK & New Zealand against Coronavirus
This project aims to analyze the concepts of state capitalism, totalitarianism, authoritarianism, anarchism, and the idolization of revolutionary figures through a Marxist lens. It takes into consideration both the theoretical and practical sides of revolutionary history provided by theoreticians such as Marx, Engels and Parenti and leaders such as Lenin, Castro, Mao and Xi.
Doing so, with a heightened focus on communist nations and communities, it is intended to be a response to the BBC’s, and the general British Media’s, own claims about Marxism.
In discussing the true intentions of the media in regard to its portrayal of Marxism, I intend to highlight the obvious, and subtle, shortcomings of the British media. This project will focus on Marxism due to its decisive nature and extensive history, which allows ample opportunity for analysis and evaluation of journalistic sources.
The aim of this project is to look at consumerism, specifically consumer behaviour during the coronavirus pandemic and how it has evolved. The project will also explore how big tech companies such as Microsoft and Google are planning on using this for their own profit and power gain, whilst finally looking at some of the social and critical philosophy of Theodor Adorno and Max Horkheimer to highlight how this might be problematic and the potential implications it holds for society as a whole.
In my project I will be exploring and researching the concept of media impartiality, specifically in regard to political news stories, and whether news companies have a responsibility to produce impartial reports, or whether they have a right to express their opinion on their platform.
I analyse data and surveys conducted around the world in order to emphasise how present news media impartiality is in this day and age, and how detectable it is by the readers of the newspapers. This is an incredibly important subject as the news is more accessible now more than ever hence, it is more influential.
It will then be brought to light now influential the news is in the political world, seen in the images above, the Sun and Fox News, both owned by Rupert Murdoch. The Sun’s article claims responsibility for the 1997 United Kingdom election results, Fox news’ article states that the Unites States election of 2020 was rigged for Democrat Joe Biden. Both of these claims, made by the top newspapers in the country, sent tremors around the country causing backlash and violence, and ultimately mistrust in the media.
My approach in my essay is to cover the topic of media impartiality with reference to both 21st century philosophers and 17th/18th century philosophers.
I have chosen to do this, so the subject is widely covered by philosophers who address media impartiality directly; Diana Mutz and Joseph Mazor, and those who I apply their philosophical theorems to media impartiality; Immanuel Kant, Jeremy Bentham and John Stuart Mill.
‘Journalism is the first draft of History’
I will conclude that partisan news companies do not need to adhere to as strict impartiality as non-partisan news companies as their reputation should reflect the view point the journalists will be taking when reporting on political issues. Whereas news companies who claim to be impartial must strictly follow this claim as people will rely on them for an even-handed report on political issues.
What is the most morally acceptable and workable solution, regarding the method of imprisonment as a means of punishment?
I will be exploring the relationship between consumerism and identity. I will ask if people are free to create an identity and control the way in which they express themselves under the social order of consumerism. I will argue that rather than being emancipatory, consumerism instead imposes restrictions on people in ways that will be explored in this essay. The main philosophical ideas used to engage with this thesis will be drawn from works of Jean Baudrillard. I will primarily be drawing from Baudrillard’s The Consumer Society and will later incorporate some ideas from his Simulacra and Simulation. Baudrillard’s philosophical analysis of consumerism provokes much thought about identity, and the freedom that we possess to manipulate this identity. These ideas will be fundamental to my argument.
Aim: The aim of my project is to address why racism is still prevalent within society today. I will do this by interpreting philosophical approaches towards racism as well as addressing the recent event of George Floyd. Towards the end of my project, I will explore key actions that we are currently doing and can take as a society to help diminish racism.
Key philosophical thinkers: Frantz Fanon, Lewis Gordon, Angela Y.Davis
Methodology: Historical approach, axiological approach, interpretive approach
Social and emotional skills are situated at the heart of human lives. We are social beings that depend on collaborative behaviour to thrive in any given society, yet historically and traditionally speaking our society promotes competitive behaviours that have damaging effects on our emotional and social well-being. Over the recent years mental health awareness has been growing rapidly and more people are waking up to the fact that our emotional intelligence is just as important, if not more, than our intelligence quotient. This notion has stimulated an explosion of exploration into the educational process and this essay will explore why the vast majority of schools today still possess the old factory based model for education.
Does drug prohibition provide safety within society, or does it merely conceal our freedom, and the freedom of low-income and minority communities to protect the middle-classes?
This project focuses on a Foucauldian framework to analyse the power dynamics between the systems that are supposed to protect us, and addicts’ abilities to control their own forms of therapies. It also analyses the freedom of addicts themselves, and whether the therapies currently in place helps these people to break out of their situations and take control over their own lives, or whether it just slots them into a position that conforms with societal norms at current.
I also analyse different future options for therapies for low-income and minority communities breaking from their drug addiction with psychedelic therapies and psychoactive substances.
The aim of the essay is fundamentally an attempt to breakdown the lives of addicted people and the ways in which we can continue to support them and provide them with the freedom that as humans, we deserve.
The object of this project is the sport of MMA itself, and the project will emphasise and refer to the philosophical concepts of Sun Tzu, with a concise focus on his philosophy of war within The Art of War. With regards to context, this project will emphasise how a mixed martial artist’s adherence of Sun Tzu’s war philosophy can contribute to the elevation of their performance. This essay will firstly address Sun Tzu’s Five Indispensable Matters of the leader and demonstrate how an MMA head coach’s adherence of these concepts can build the foundations of a successful team. This will be executed by outlining a specific MMA Gym that subconsciously adheres to the five matters and will meanwhile demonstrate the type of leader that aspiring mixed martial artists should aim to fight under in accordance with Sun Tzu’s philosophy. After evaluating the five matters, I will then focus upon Sun Tzu’s concepts of The Spirit of the Troops and Emptiness and Strength as here the emphasis will shift from leader to soldier, and therefore I will apply his philosophy directly to the fighter’s rather than their head coaches. Here I will apply his concepts to contemporary mixed martial arts examples and demonstrate circumstances where they are subconsciously applied by successful MMA practitioners. The purpose of this will be to demonstrate how a mixed martial artists adherence of the Sun Tzu’s philosophy can prove to be prudent in one’s pursuit of a world title. With regards to secondary literature, I will utilise Michaelson’s Sun Tzu for Execution, which is his interpretation of how to utilise Sun Tzu’s war philosophy to get results in the modern day. In order to improve the validity of this project I have also conducted two online interviews via direct message with professional mixed martial artists Nathan Fletcher (6-1) and Luke Riley (3-0), with the two athlete’s responses showing contrasting perspectives.
In this investigation, I answer my object of the extent to which the British Media has invaded the lives of the public. Is there a need to limit the freedom of the press, what has been done and what is left to do to ensure the protection of ordinary people? Using texts by Jeremy Bentham and the work of Hannah Arendt as my philosophical insight, I ask, are we too reliant on the press to pass us our information and if so who is to blame for the politically fuelled hate campaigns that arise towards certain groups, individuals and sectors in our society spearheaded by the media?
Project aims:
• To raise awareness of the dangers facing this and future generations, such as the mental health crisis and the existential threat to society.
• To offer real world practical solutions, such as legal/governmental legislation to moderate social media and by limiting our own social media use today.
• To create a challenge for myself, by applying 20th century philosophy to a modern-day concept.
Object/territory:
• Social media: The big six include Facebook, Twitter, Instagram, Snapchat, YouTube and TikTok.
• Smartphone generation or Generation Z is anyone born between 1995-2012, this is the first generation to grow up with social media.
Sources used:
• Consciousness, Art and Technology: Karl Barthes, ‘The Death of the Author’ and Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction. The social media author is dead, and the cause is suicide.
• Kantian and Post-Kantian Philosophy: Sigmund Freud, ‘Instincts and their Vicissitudes’. There is a drive attached to social media.
• ‘iGen’ book by Jean Twenge notices children are growing up slower and are facing a mental health crisis.
• ‘The Social Dilemma’ documents how social media is deigned to addict the user and then sell their data on. This can then end up in the wrong hands.