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2021 Abstracts Stage 2

An exploration of logic and mathematics in Lewis Carroll’s ‘Alice’s Adevtures in Wonderland’

Wonderland is often used as a synonym for nonsense, but is there something more complex and logical functioning beneath the surface? Lewis Carroll’s fiction novel Alice’s Adventures in Wonderland presents the most remarkable synergy of sense and nonsense; logic and fallacies. With Deleuze’s Logic of Sense being utilised to illuminate the key fields of logic in the novel, appropriate fields of geometry and algebra will be utilised under the scope of mathematics to elevate an establishment of logic.

A conservative mathematician, Carroll disputed the pivotal change that was being introduced in the 19th century. With preceding mathematics emphasising logical Euclidean methods, the 1800’s saw mathematical theories introduce more abstract principles which extended mathematics beyond the isolation of arithmetic and numbers. Deeming this absurd, Carroll thus utilised the nonsense fiction in Alice’s Adventures in Wonderland to subtly mock the contemporary mathematical climate.

Having always possessed an interest in how fiction literature can re-orientate the mechanics of our perceived reality, highlighting the logic in Alice’s Adventures in Wonderland will enable a platform to project my passion for mathematics in a qualitatively fiction context. By illuminating the masked logic and mathematics throughout the novel, this project will ultimately aim to convey how this nonsense fiction literature often anchors itself in a sound and consistent logic.

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2021 Abstracts Stage 2

Anorexia: order or disorder? Interpreting anorexia from a feminist perspective.

Anorexia is a mental illness which predominately affects women, whereby the sufferer severely restricts their food intake in order to lose a significant amount of weight, founded on an intense fear of gaining weight. In this dissertation I examine the feminist theories of Simone de Beauvoir in The Second Sex and Susan Bordo in Unbearable Weight in order to gain an understanding of the development of anorexia. In doing so, I hope to provide an account of anorexia that offers a level of compassion to those who suffer from the disorder.
I analyse Beauvoir’s account of women’s oppression in The Second Sex, in which she argues that women are subservient to men because they are defined in relation to men, rather than in and of themselves. I suggest that anorexia develops during adolescence when young girls realise this inevitable subordination, concentrating on the themes of control and objectification. I then consider Bordo’s claim in Unbearable Weight that anorexia is a manifestation of our cultural idealisation of slenderness, and modern understanding of femininity. I find that although both Beauvoir and Bordo provide a useful insight into why women develop anorexia, Bordo provides a more progressive feminist theory in the context of anorexia.

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2021 Abstracts Stage 2

According to Italian Marxist Feminist Thought, what is the role of women within capitalism?

An evaluation on women’s position in the transition to capitalism, the function of capitalism, and 21st century capitalism through the works of key Italian Marxist Feminist thinkers. This project will analyse how Italian feminists have critiqued and developed Marx to develop a new theory on capitalism which focuses specifically on women’s exploitation. Analysis of Italian Marxist feminist theory will demonstrate how and why they understand capitalism to inherently entail women’s exploitation.

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2021 Abstracts Stage 2

Exploring The Current Philosophical Impact Of Surveillance Capitalism And The Big Data Economy

This research paper highlights the need for more transparency, open-source initiatives and regulatory bodies surrounding the big data economy. It will help individuals understand what is at stake each time they choose to give up parts of their personal information to companies who offer ‘free’ services.

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2021 Abstracts Stage 2

Can paintings depict reality in a more meaningful way compared to photography in terms of political issues?

Investigating whether painting depicts reality in a more meaningful way compared to photography when faced with political and non-political issues and scenarios.

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2021 Abstracts Stage 2

The Essence of Masculinity and its Presentation in Film

Essentialism is a widely debated facet of philosophy, often focused on the role of women in society. However, not often is research concerned with the role of masculinity within essentialism. To see the effect of and on social influence I will be reflecting the concepts of masculinity and essentialism onto film. This is not previously reflected upon categories, and overall the way that feminism can reflect onto masculinity is something that can be helpful to both genders. I will approach this question through an analysis of the films Billy Elliot (2000) and Dead Poets Society (1989) as a microcosmic story of society’s values. These films will enable me to see complete storylines. Also, I will refer to The Wolf of Wall Street (2013) and Goldfinger (1964), and Skyfall (2012), from the Bond franchise as influential storylines for the viewer. It will be approached under the guise of three methodologies, analytic, interpretive, and historical. Between these, I will proficiently examine the argument of essentialism, the idea of masculinity in relation to this, and finally, the way film can illuminate the way we view masculinity. This will be with specific reference to Diana Fuss’ book Essentially Speaking (1989) to frame the essentialism argument; also using Andrea Waling’s discourse around ‘toxic’ and ‘healthy’ masculinities. The addition of Locke’s idea of ‘nominal’ versus ‘real’ essence and Luce Irigaray’s input on feminism of difference all integrate to form a coherent basis from which to analyse and interpret the selection of films and draw conclusions. The concluding finding is that film is an integral lens through which we can view society and the demonization of femininity that evolves from the negative masculinity we continue to idealise. This is important to explore as previously the literature has fallen short of showing the practical ends film can lead to, and the importance of delineating the way we view essence even if it is a foundational part of knowledge.

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2021 Abstracts Stage 2

“I said it with my chest and I don’t care who I offend” Thinking of offence as a progressive voice.

This project explores the role offence plays in the creation of authentic and progressive discourses. It will be exploring this by looking at misogynistic rap lyrics, investigating the offence these lyrics cause. It will begin by discussing John Stuart Mill and Joel Feinberg in order to demonstrate how offensive rap lyrics offend rather than harm. Then it will discuss the work of Catherine Mackinnon, looking at how a minority of rap lyrics could be defined as pornography and therefore harmful. However, it will then demonstrate how misogynistic rap lyrics should be understood as responding to the world building of pornography. This project will then discuss how rap music also has the potential to challenge the belief system created by pornography. Through discussing Martin Heidegger, we see how misogynistic rap lyrics defy our everyday idle talk, creating a new authentic discourse. This discourse is created through the shock caused by offensive lyrics. We will see how shock has a liberating potential, as demonstrated by Walter Benjamin. Ultimately this project will investigate how rap’s offensive misogynistic lyrics shock us, forcing us to engage with them. This creates a new authentic discourse that allows the rise of progressive voices.

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2021 Abstracts Stage 2

Shaking the Third Rail: Reforming Taxation

For my project I’m going to be exploring the concept of taxation with reference to the philosophies of John Rawls and Robert Nozick.

– I’ll analyse Rawls and Nozick’s conceptions of justice and how these apply within a state.

– I’ll apply Rawl’s principles of justice to the current tax system to argue that reform is necessary.

– Further I will attempt to dismantle Nozick’s conception of justice and taxation to show it does not go far enough.

– I’ll consider the specific reforms to income and inheritance tax that can be made to move the UK closer to a Rawlsian just state.

– The current taxation system in the UK will be central to my argument, but reference will be made to the tax system post WW2.

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2021 Abstracts Stage 2

The extreme task of prioritising patients during the Covid-19 pandemic.

Object – The object I will be examining is to do with the question of medical treatment and prioritisation in UK hospitals, in relation to a pandemic scenario such as covid-19 pandemic.

Aim:
How – I am applying different ethical concepts to the question of prioritisation in order to find which one will be the most helpful in deciding which patients to treat.

Why – I am looking at this because it has been a very relevant problem during the Covid-19 pandemic. Hopefully I can find the best way to prioritise patients

Concepts & thinkers:
Fletcher – situations ethics
Mill – Rule Utilitarianism
Foucault – Biopolitics and governmentality

Main sources:
Fletcher – Situation Ethics: the new morality
Mill – Utilitarianism
NHS
Foucault –The Birth of Biopolitics

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2021 Abstracts Stage 2

DESIRE BEYOND THE FAMILY: EXPLORING DESIRE IN ‘FESTEN’

My project’s territory is desire, and the object of this enquiry is the film Festen by Thomas Vinterberg. Festen showcases a family’s revelation to its secrets and traumatic past. The film was the first film made under the influence of the rules of Dogme 95 Movement. The aesthetics of the film are directly influenced by the strict rules of the movement. From the aesthetics of the film, I started my examination of the film in order to uncover a new understanding of desire. The conceptual tools that I utilised for this intellectual exploration are found in two primary texts. The first text, written by Gilles Deleuze, is Cinema 2: The Time-Image. This text provided a philosophical taxonomy of cinematic images that indicated a way the aesthetics of a film can be understood. The second, and more central text, is Anti-Oedipus. This text was written by Gilles Deleuze and Felix Guattari and it features an extensive critique of the psychoanalytic discourse and a new conceptual image of desire.My project’s main objective is to present the novel image of desire, as seen in Festen, with the aid of the two philosophical texts. The film is interested in the idea of the family and all things that are attached to it. Through my examination, I uncovered how closely attached is desire to the family. Festen, seemingly, unpacks this conception of desire and reveals the repressive implications of such conception.The result of my examination is a new, and more open, picture of desire that can reverse the negative and repressive implications of the familial conception of desire that was previously established.

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2021 Abstracts Stage 2

Why Did The Duck Cross The Line? An Exploration of Offensive Humour, Laughter as a Response, and DuBoisian ‘Double Consciousness’

This project aims to explore the nature of offensive humour, using readings of W.E.B Du Bois’ theory of ‘double consciousness’ (a duel perspective originally felt by black Americans) as well as the three laughter theories (as told by Hobbes, Kant and Freud) as a framework for presenting the main arguments regarding taboo topics within the comedic realm, these being 1.) in support of censorship within humour, with the exception of oppositional satire from the oppressed, and 2.) in support of a freedom within laughter and comedy, as per their supposed nature. I aim to ultimately offer a new perspective regarding this argument, expanding on ideas seen within my chosen concepts.

OBJECT: Offensive Humour and laughter as a response, and how this may link to censorship/freedom of speech

TERRITORY: Ethics. (Analysing whether offensive humour is ‘right’ to use)

CONCEPTS: Interpretations of DuBoisian ‘Double Consciousness’, laughter theories (as stated by Hobbes, Kant, Freud)

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2021 Abstracts Stage 2

To investigate representations and models of beauty with a view of understanding whether they are inherently oppressive or whether they can be a liberation if one “takes control” of them

This project will be looking into the representations and models of beauty with a view of understanding whether they are inherently oppressive or liberating. The beauty industry along with the media industry have advanced in such a way that we see a correlation with the rise of beauty standards and a decline in mental health in women (and sometimes men) in society today. Furthermore, it will be Investigating as well as arguing whether the beauty industry is truly corrupting the minds of the younger generations or whether they are aiding the younger generations in finding their liberation. The findings showed that mental health is suffering greatly amongst the youth and there are numerous statistics to show links to social media platforms, especially those promoting vanity. Even conservative countries like Saudi Arabia give crucial priority to the western industrialised culture and hence embark on the westernised criteria of beauty standards. The philosophers touched upon in the project including Georg Hegel, David Hume, as well as influential feminist thinkers like Kathy Davis and Kathryn Morgan have demonstrated that the underlying deeper motive for women’s bodies undergoing so much exploitation is all a consequence of wanting the approval of the male species.

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2021 Abstracts Stage 2

Can powerful nations act morally in the face of Coronavirus?

A philosophical investigation in the response carried out by the USA, the UK & New Zealand against Coronavirus

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2021 Abstracts Stage 2

An analysis of British Journalism’s evaluation of Marxism, with emphasis on the BBC.

This project aims to analyze the concepts of state capitalism, totalitarianism, authoritarianism, anarchism, and the idolization of revolutionary figures through a Marxist lens. It takes into consideration both the theoretical and practical sides of revolutionary history provided by theoreticians such as Marx, Engels and Parenti and leaders such as Lenin, Castro, Mao and Xi.

Doing so, with a heightened focus on communist nations and communities, it is intended to be a response to the BBC’s, and the general British Media’s, own claims about Marxism.

In discussing the true intentions of the media in regard to its portrayal of Marxism, I intend to highlight the obvious, and subtle, shortcomings of the British media. This project will focus on Marxism due to its decisive nature and extensive history, which allows ample opportunity for analysis and evaluation of journalistic sources.

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2021 Abstracts Stage 2

An investigation into the ways in which consumer behaviour has changed as a result of the pandemic, how big tech companies are using this change for profit and the social implications of this.

The aim of this project is to look at consumerism, specifically consumer behaviour during the coronavirus pandemic and how it has evolved. The project will also explore how big tech companies such as Microsoft and Google are planning on using this for their own profit and power gain, whilst finally looking at some of the social and critical philosophy of Theodor Adorno and Max Horkheimer to highlight how this might be problematic and the potential implications it holds for society as a whole.

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2021 Abstracts Stage 2

To establish whether or not news companies have a responsibility to adhere to impartiality when reporting on political issues?

In my project I will be exploring and researching the concept of media impartiality, specifically in regard to political news stories, and whether news companies have a responsibility to produce impartial reports, or whether they have a right to express their opinion on their platform.

I analyse data and surveys conducted around the world in order to emphasise how present news media impartiality is in this day and age, and how detectable it is by the readers of the newspapers. This is an incredibly important subject as the news is more accessible now more than ever hence, it is more influential.

It will then be brought to light now influential the news is in the political world, seen in the images above, the Sun and Fox News, both owned by Rupert Murdoch. The Sun’s article claims responsibility for the 1997 United Kingdom election results, Fox news’ article states that the Unites States election of 2020 was rigged for Democrat Joe Biden. Both of these claims, made by the top newspapers in the country, sent tremors around the country causing backlash and violence, and ultimately mistrust in the media.

My approach in my essay is to cover the topic of media impartiality with reference to both 21st century philosophers and 17th/18th century philosophers.

I have chosen to do this, so the subject is widely covered by philosophers who address media impartiality directly; Diana Mutz and Joseph Mazor, and those who I apply their philosophical theorems to media impartiality; Immanuel Kant, Jeremy Bentham and John Stuart Mill.

‘Journalism is the first draft of History’

I will conclude that partisan news companies do not need to adhere to as strict impartiality as non-partisan news companies as their reputation should reflect the view point the journalists will be taking when reporting on political issues. Whereas news companies who claim to be impartial must strictly follow this claim as people will rely on them for an even-handed report on political issues.

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2021 Abstracts Stage 2

What is the most morally acceptable and workable solution, regarding the method of imprisonment as a means of punishment?

What is the most morally acceptable and workable solution, regarding the method of imprisonment as a means of punishment?

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2021 Abstracts Stage 2

How Free Am I to Shape an Identity Through Consumerism?

I will be exploring the relationship between consumerism and identity. I will ask if people are free to create an identity and control the way in which they express themselves under the social order of consumerism. I will argue that rather than being emancipatory, consumerism instead imposes restrictions on people in ways that will be explored in this essay. The main philosophical ideas used to engage with this thesis will be drawn from works of Jean Baudrillard. I will primarily be drawing from Baudrillard’s The Consumer Society and will later incorporate some ideas from his Simulacra and Simulation. Baudrillard’s philosophical analysis of consumerism provokes much thought about identity, and the freedom that we possess to manipulate this identity. These ideas will be fundamental to my argument.

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2021 Abstracts Stage 2

#BlackLivesMatter

Aim: The aim of my project is to address why racism is still prevalent within society today. I will do this by interpreting philosophical approaches towards racism as well as addressing the recent event of George Floyd. Towards the end of my project, I will explore key actions that we are currently doing and can take as a society to help diminish racism.

Key philosophical thinkers: Frantz Fanon, Lewis Gordon, Angela Y.Davis

Methodology: Historical approach, axiological approach, interpretive approach

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2021 Abstracts Stage 2

Why the vast majority of schools today are outdated and ineffective

Social and emotional skills are situated at the heart of human lives. We are social beings that depend on collaborative behaviour to thrive in any given society, yet historically and traditionally speaking our society promotes competitive behaviours that have damaging effects on our emotional and social well-being. Over the recent years mental health awareness has been growing rapidly and more people are waking up to the fact that our emotional intelligence is just as important, if not more, than our intelligence quotient. This notion has stimulated an explosion of exploration into the educational process and this essay will explore why the vast majority of schools today still possess the old factory based model for education.