Objectives. It is my intention to demonstrate in my essay that colonialism still takes place across the world today, and that it finds its foundations entrenched firmly within the same prejudices which were used to justify the type of colonialism typical of 19th century Europe. For this purpose I will concentrate my investigation upon the most notorious and long-running of available examples; namely, the Israeli-Arab conflict and the Israeli occupation of Palestinian territories and the Palestinian people. As well as showing Israel to be a Western colony of the oldest and most classical type, Israel can be seen as a colony not just for its own sake, but as part of a wider Western “project” and belief system. Concepts. All of the above investigations will be conducted after an introduction to Foucault’s conceptions of Discourse and Power, which will themselves be applied to the investigation, as I believe they aptly provide an explanation for everything that has taken place regarding Palestine since the 19th century. I will also be depicting this narrative as part of a larger, even global Discourse. Sources. I will use Edward Said’s book Orientalism to explain how, in Foucaultian terms, a contrasting image of the East as opposed to the enlightened West was created over centuries until it has reached its current form which allows the West to justify the colonization of the Arab world, several books by Foucault, including Madness and Civilization and Discipline and Punish. This will be accompanied by a scrapbook containing translated Israeli newspaper articles which will be referenced in the main body of work in order to support my claims regarding the workings of Israeli media discourse in perpetuating the above beliefs. Articles will refer not only to political events reflecting the reality of Israeli society’s perception of itself and its Arab population; they will also be used to illustrate the way in which the media in Israel contributes to Israeli colonialism through its irresponsible (and at time perhaps deliberate) use of everyday words and concepts.
Category: Stage 3
Aims and Objectives • To being by establishing and exploring the shift towards Capitalism and more importantly, how and why it came about. • To show, through the work of Deleuze and Guattari, how MySpace is a product of Capitalism. • To illustrate how and why society has changed with the production of MySpace. Overview of Territory: MySpace is a social networking website which consists primarily of an interactive, user-submitted network of friends. The site consists of personal profiles with photos, music, videos, and blogs, attracting a billion page views every day. The company consists of over 106 million accounts and gains over 230,000 new registrations a day. MySpace is currently the fifth most popular English speaking website in the world, while 82% of online visits to social networking websites are made to MySpace. Key Change: The redistribution of labour with the move to the city saw a new emerging middle class with the bourgeois controlling the factories and their profit. The old hierarchy and values of the feudal system are replaced by money which operates as the universal source and bearer of all value. The emerging economic system of a world where money is the centre of social organisation is Capitalism. Capitalism creates desire in a fundamentally unpredictable way in a society where fortunes are made and lost. Through the use of marketing and advertising, Capitalism is able to unleash desire and channel it towards our fixation with money itself in a society structured around the capacity to earn. Philosophical Concepts To Be Explored • MySpace as a rhizome • Pre-personal desires • The processes of deterritorialization and reterritorialization • The major and minor movements • Identity. Sources: The Key source for my investigation will be Deleuze and Guattari’s A Thousand Plateaus. In addition to this, I will refer to Capitalism and Schizophrenia.
Aim: To analyse whether or not the internet can be said to form a functional rhizomatic system and from this analysis to discuss what this implies for the future management or control of the structures that exist therein. Sources: Deleuze and Guattari – A Thousand Plateaus and Anti-Oedipus, Manuel Castells – The Internet Galaxy
The main focus for this project will be on the work of Michel Foucault (see photo), looking at sexuality in terms of the discourse and power structures which have created and moulded it. Ultimately, I wish to use sexuality as an example of discourse which permeates our deepest pleasures and desires. These desires in turn are what create our identities and govern our relationship with the world. There is therefore a need to differentiate between animal (or biological) desire and social (or discursive) desire, the former being the framework within which the latter exists. Foucault’s work stresses the importance of our awareness of discourse and the violence through which it is enforced and subsequently the need to live with a critical attitude which he calls ‘the art of not being governed.’ Bibliography: Michel Foucault – The History of Sexuality: 1, Didier Eribon – Insult; the Making of the Gay Self, Georges Bataille – Story of the Eye, Deleuze and Guattari – Anti-Oedipus, Destricted (DVD)
Chomsky maintains that children acquire language due to the principle of Universal Grammar. The child responds to the evidence in his or her environment and creates a core grammar. Children are open to acquiring any human language but ends up acquiring one in particular. Chomsky’s Projection Principle, Binding and Government principles are innate structures within the language faculty in the child’s mind. These principles are reinforced with what the child hears in his or her environment and are present from the beginning of their life. Rather than the child going through a learning process to possess these principles, it is more the case that they are applied; the child’s grammatical competence automatically incorporates them. By contrast, Foucault maintains that discourse is a regulated set of statements and refers to a set of unwritten laws and practices. Foucault distinguishes between discourse and reality—’discourse’ is a system through which we perceive reality; the term can by no means be substituted for the term ‘language.’ I have divided my project loosely into the following chapters: Background, aims and evaluation of the National Literacy Strategy — has the NLS changed in the period 1996-2006? Has it achieved its aims? How is the NLS implemented at Key Stage 1? Is it effective for children with S.E.N? Chomsky’s language acquisition and his idea of Universal Grammar, versus theories that language is acquired through social interaction — which is more convincing? Are Chomsky’s ideas of Universal Grammar relevant today? What would he say about the NLS as it is used today? Is Foucault’s discourse consistent with Chomsky’s ideas? Is Foucault useful when dis- Some primary literature I have used: Chomsky, N. Reflections on Language (1976) Pantheon Books: Great Britain; Chomsky, N. and Foucault, M. The Chomsky-Foucault Debate on Human Nature (2006) The New Press: New York; Chomsky, N. (Ed. N. Anshen) Knowledge of Language: Its Nature, Origin and Use (1986) Praeger Publishers: New York; DfEE The Implementation of the National Literacy Strategy (1997) Government Publishing; DfEE National Literacy Strategy: Review of Research and other Related Evidence; Hardman, F., Smith, F., and Wall K. An Investigation into the Impact of the National Literacy Strategy on the Literacy Learning of Pupils with Special Educational Needs in Mainstream Primary Schools University of Newcastle Upon Tyne
Modern art is generally understood to be any art created between the late 19th century and the 1970s. Following the emergence of photography, art was no longer needed as direct representation so artists turned to abstraction and experimentation. Modern art is a blanket term for all artistic movements in this period, as well as the avant-garde. Postmodern art is generally believed to be in some way opposed to an aspect of modern art, experimenting with genres, cultures and mediums not previously considered. It is art following modern art, and some areas of contemporary art. It accepts past styles and traditions, unlike modern art, as well as embracing new media. Lyotard did not distinguish modern art and postmodern art in the traditional way described above, he believed that postmodern art was always at work within modern art; it is the avant-garde in all its forms, it is whatever is new and progressive about modern art, forcing it into new territory. He therefore said that something must be postmodern (new and disruptive) before it can become modern (acceptable). Although the postmodern eventually becomes the modern, it never entirely loses its ability to shock and disturb. He believed that modern art showed us that the unpresentable exists, while postmodern art attempted to present it. This paradoxical task leaves in the viewer a mixture of pleasure and pain, known as Kantian sublime. Lyotard thought the ultimate task of art to be presenting the unpresentable, which is fulfilled by the avant-garde, in which matters of taste and public opinion simply aren’t important. The sublime is the feeling when the imagination is pushed to the limit, causing pain as the individual is faced with something beyond them, which they have no control over and are faced with their true position in the world. Pleasure follows this as our reason reasserts itself and we become aware of the superiority of human reason over perception. The mathematical sublime is when we are confronted with an object unbelievably large, so we cannot see and comprehend it as a whole. The dynamical sublime refers to our confrontation with something far more powerful than us, in which case we are aware of our own mortality and insignificance. Having looked at Lyotard’s postmodernism and postmodern art in detail, with both Lyotard’s examples and my own, I will conclude with a brief examination of the works of Anderson and Jameson, as they provide arguments both for and against Lyotard’s work, taking their own examples to illustrate points made.
Objectives: The main objectives for this project are to address the nature of children’s rights and whether anyone has rights over children. This shall be done by looking at different types of family structures, particularly those involving adoption and in-vitro fertilisation. The initial territory for this project is the Novel My Sister’s Keeper by Jodi Picoult (picture to the left). In which the main character Anna was genetically created in order to keep her sister, whom has leukaemia, alive. It follows the ongoing struggle Anna has with her parents and her conscience as she files for medical emancipation from her sister, which will allow her to be free of ever having to donate to her sister again. Concepts: I shall be looking at the ethical implications of adoption and IVF for children, the notion of children as property which extends to the exchange of children as commodities and finally whether children can or do actually belong to anyone. Sources: • Jones, P. (1994) Rights THE MACMILLAN PRESS LTD. • Locke, J. (1976) The Second Treatise of Government. Fletcher & Son Ltd. • Knox (1952) Hegel’s Philosophy Of Right. Oxford University Press. • Winston, R. (2006) A Child Against All Odds. Transworld Publishers.
How has the representation of women in art changed since modern times? In what ways is Lucas’ art demonstrative of wider changes regarding the role of gender in identity and the position of women in society? – the shift from ‘natural’ to prescribed gender roles – Lucas subverting traditional roles / images of women – comparison with Goya’s ‘Maja’ paintings (from early modernity) – Beck’s theory of self identity in the postmodern age – Gidden’s writings on gender identity in late modernity – Harvey’s description of postmodern art (is art the best medium in which to initiate change in attitudes or is it merely reflective of this?)
Aim: Explore how the issue of abortion has relation to free will and how in turn, society relates to this ethical issue. I want to analyse how an ethical situation can affect the relations between families and society with relation to the novel, ‘The Abortionist’s Daughter’. Territory: The compelling novel, ‘The Abortionist’s Daughter.’ Within which the ethical position of abortion is key. Philosophy: Freud- Unfreedom and unhappiness within society. I will see how people can feel like their freedom as an individual is corrupted through society and its rules and regulation and set values and morals. Mill- Utilitarian view of abortion with relation to the effect on the individual within society. Hobbes- Murder and the social contract will be included to understand how society and the women within it could be restrained by this view. Christian philosophy Augustine- This will highlight how there has been a change in attitude since the time of Augustine and this may be through the fact that religion is now not as paramount to people’s lives within Christianity therefore people may not have such a strong belief on abortion either way. Key Concepts • Freedom/ freewill • Society and its rule over your choice • The nature of personhood/ right to life • The question of religion and ethical questions • Moral and legal policy
Territory: Current debate about religion in modern British society regarding the rise in faith schools (a third of all new ‘City Academies’ will be in the control of Evangelical Christians or Christian organisations) and what this means in regards to curriculum, equal opportunities and tolerance towards those of other faiths or none. I wish to examine what form religion should take in a British child’s education. Thinkers: Richard Dawkins in chapter 8 ‘What’s wrong with religion? Why be so hostile?’ and chapter 9 ‘Childhood, abuse and the escape from religion’ from his highly controversial book ‘The God Delusion’. Andrew Wright in ‘Religious Education in the Secondary School’. Also secular, religious and government reports and media. Central Themes: – Are Faith Schools ‘fair’? Is it right to discriminate against a child by refusing them entry to a local school on what is essentially the basis of their parents religion? – Do Faith Schools provide an ethos of tolerance and understanding or do they exaggerate current cultural and religious divides? – Should religious theories be taught in schools alongside science, e.g. Intelligent Design and Evolution? – Should religion be ‘public’ or ‘private’? – Does it matter? A study showed that only 12% of school leavers from a Catholic school saw themselves as being Catholic and many rejected most of the doctrinal teachings. – Where is the state/religion divide in our society?
I will be investigating the anti-globalisation movement in America known as the Patriots, looking more specifically at their aggressive militia groups. These libertarians seek to build communities that are not governed by the ‘corrupt Federal Government’, communities which promote the Constitution’s Second Amendment right to bear arms so that one day they may fight the “Jewish gangsters’ New World Order” and it’s United Nations’ police force. In response to this I will be look at Derrida’s idea of ‘Community’, of ‘Hospitality’ and ‘Democracy’. Idea’s which revolve around a respect for the ‘Other,’ not aggression and hate. In addition to this I will look towards Žižek’s notion of racism as fantasy, as a respect for the ‘Other.’ For Žižek the state is the only buffer between a conflict of fantasies and must be in place to stop an all out war from happening between different ‘ethnic others.’
My project will focus on the impact of capitalism on education in modern society focusing mainly on the work of Jean-Francois Lyotard. Through his work I look at Lyotard’s attempt to describe the state of knowledge and the problem of its legitimation in developed western societies. • Over the last few hundred year’s education has changed dramatically, especially within the developed world. Gone is the idea that reason alone is a sufficient guide to action. In fact the idea that rational thinking provides us with a universal guide has become increasingly problematic during post-modernity. • With the rise of capitalism as the dominant socio-economic force within the modern world, knowledge has become a commodity which can be bought and sold. For Lyotard, knowledge is now the principal force of production. This commercialisation of knowledge, according to Lyotard could raise serious questions about the nature of ethics and the very relationship between governments and large multinational companies. • My essay will judge the role of what Lyotard calls ‘performativity’ in education and the capitalist system that requires constant re-evaluation in order to generate optimal output. • Using up-to-date education statistics and recent newspaper and TV articles I will attempt to show how education is not simply about educating people. It is instead a means to produce a workforce to meet the demands of capitalism. However that very capitalist system has now infiltrated schools, with the rise of privately funded academies, and new emphasis on league tables and performance related pay. I will discuss how this has impacted on education, positively or negatively? • What impact has this also had on the individual freedom, happiness and identity? Is our culture of working exhaustive hours in order to consume and the desire to consume installed in us through education? Main Sources: Jean Francois Lyotard – The Postmodern Condition: A report on Knowledge and Just Education, Jacques Derrida – Derrida and Education, Jurgen Habermas – The Legitimation Crisis
Territory – Relationships, marriage and the family unit. Empirical Research – Government stats, art and literature. Philosophers – Kant, Hegel, Giddens. Concepts – Kant saw marriage a sexual contract, Hegel as an amalgamation of love and law, Giddens as unnecessary in the postmodern. My argument – Many see the emancipation of women and the sexual liberation of the sixties as causing chaos and the breakdown of the family. I will argue that harking back to nostalgic phantasms is a poor reflection of true reality and that one must ride with the times and embrace the pure relationship based on choice, freedom and intimacy.
TERRITORY: Banksy is an infamous stencil graffiti artist, using the urban scenery for his canvas, painting on everything from walls, over the top of other art and even animals. Banksy’s work, from the walls of London Zoo to the Segregation Wall of Palestine, evokes strong reactions in the minds of those who look upon it. This is arguably one of his many aims, evoking reaction and controversy, awakening the often numb souls of the urban jungle. The city streets of the world can be transformed, his work acting as a catalyst within the minds of creativity; attempting to corrupt the already corrupted world of corporation, government, advertising and capitalism. Deleuze and Guattari, the War Machine. In this study, I will evoke what the a war machine essentially is, and what it actually encompasses with a close reading of A Thousand Plateaus, which I will use as my primary reading source. I will consider Banksy as a war machine, and throughout the study will relate the characteristics of the war machine to Banksy’s thought and art. In developing this I will explore what I believe the war machine has created, and whether these movements are useful, or perhaps more appropriately whether they are beneficial, to modern society. Furthermore, I will also argue as to whether one, or whether the war machine, can maintain a level of creativity within our society, which as it evolves appears to be suffocating the creative flows with the engulfing arms of capitalism, systems of government, and society itself. One question that I believe is crucial to ask is can a war machine truly exist? Are all attempts at creativity inevitably condemned to fail and become part of the system that they originally rejected? It is these, amongst other questions that will form the structure of Weapons of Mass Creation.
How is nature represented and how is this important to our attitudes towards it? My project aims to explore this question in the hope that one reading it will be able to assess each representation and its implications and in turn assess the way nature is represented today. It is clear that attitudes have a long way to go even in our current climate but why and how are they to change? This project will look at different representations to assess this. From the Romantics with Kant and Coleridge’s notion of nature as the sublime, to the postmodern viewpoint of Heidegger and his theory of technology, to the current attitude we find ourselves today with contemporary philosophers such as Michele Serres. Hopefully attitudes will change to ensure a secure future for nature and this project aims to assess what this attitude may be.
The Cyborg Concept: The first section of my project sets out a definition of the cyborg as a cybernetic organism: the symbiotic combination of human and machine. From this definition I explore the idea that we now live in a cyborg society where the combination of human and machine has become the norm. The Cyborg Concept in Science Fiction: The second section of my project involves a discussion of the depiction of cyborgs in science fiction and the fears/hopes involved in the narratives. Since Haraway and Baudrillard have agreed that the line between science fiction and reality is illusory it is apparent that these issues are important today. Cyborg Acceptance/Cyborg Resistance: The third section of my project explores arguments for dissolving the boundaries between human and machine and for protecting these boundaries. The main sources of reference are Donna Haraway’s ‘A Cyborg Manifesto’ and Jean-Francois Lyotard’s ‘The Inhuman’. Heidegger and Technology: In the final section I discuss Heidegger’s claim in ‘The Question Concerning Technology’ that technology is so imbedded in our time that we cannot accept or resist it. We use technology but technology uses us too: it is our way of seeing the world yet it determines us. Vattimo says that the subject is weakened by technology and a weak subject is essential if we are to deny metaphysics.
STAGE ONE. The primary stage of my project entailed research into the Baltic Art Factory and the Tate Modern Gallery. Comprising of multiple visits and enquiry into the intentions of the creators of both spaces. As well as research into the basic of museum and gallery theory. Bibliography includes: Smith, J. Alan, Baltic: The Art Factory. Gateshead: Baltic, 2002; Blazwick, Iwona and Wilson, Simon, Towards the Tate Modern. London: Tate Gallery Publishing, 2000 ;Hooper-Greenhill, Eilean, Museums and the Shaping of Knowledge. London; Routledge, 1992; Serota, Nicholas, Walter Neurath Memorial Lecture 1996: Experience or Interpretation: the Dilemma of Museums of Modern Art. London: Thames and Hudson, 1996. STAGE TWO. The secondary stage evolved from my findings in the first and led to research into personal experience when one encounters and reflects upon a sole work of modern art (that of Rothko). I also investigated the possibility of change in that experience from modern to postmodern society and the bearing of social and educational background on the experience of visual art. Including the theories of Pierre Bourdieu, David Harvey and Arthur C. Danto.
TERRITORY: MOTLEY CRUE. RESEARCH Research focused on reading autobiographies; The dirt (Motley Crue) and TommyLand (Tommy Lee, drummer of Motley Crue). Research also included interviews with local Newcastle based rock bands such as Firelight, Laconia and Fables Last Stand. DELEUZE & GUATTARI Early Motley Crue were minor, resisting and struggling against everything around them, including the present music scene and image. Later Motley Crue were major, as they grew successful and popularised a scene of sleazy hard glam rock. Motley Crue also exemplifies Deleuze & Guattari’s theory of desire as a productive force. FOUCAULT Foucault argued power and resistance were connected to immediacy and anti-authority struggles. Motley Crue were rebelling against everything present around them, with a strong attitude of anti-authority. Interestingly, as they got famous and successful they arguably became a source of authority for fans and inspired bands.
The initial reception of D&G’s C&S was coloured by the twin presences of its authors and the situational context of the ’68 riots. Until Lyotard’s Libidinal Economy in ’74 the political interpretation seemed to close around an orthodox reading of Deleuze and Guattari rather than a reading of C&S. LE puts into play the structuring processes of desire on the political economy at micro-economic level. Stand must be taken: to side with which aspects of C&S? * Marxist interpretation of a capital (hard left) * Psychoanalytic relation of schitzo/capital (soft left) * Micro-economies of desire (libertarian) * Pro-capital destruction of despot (neo-cons). Current battle plays itself out across intellectual topographies (journal, academic publishing) and also Capital rips up every stable political settlement, but where does it head next… CCRU track capital-war-machine path of flight: 1. 1500. Leviathan. Command core: Northern Mediterranean . Target area: Americas. Mode: Mercantile. Epidemic opportunism, selective intervention, colonial settlement. 2. 1756. Capital. Command core: Britain . Target areas: Americas-South Asia. Mode: Thermo-industrial. Imperialism control. 3. 1884. Spectacle. Command core: USA-Germany . Target areas: Africa-Russia-Nodal:periphery. Mode: Electrocorporate. Cultural overcoding / selective extermination. 4. 1948. Videodrome. Command core: USA / Target areas: Expanded:nodal:periphery. Mode: Info Satellitic-supercorporate. Cultural programming / general extermination. 5. 1980. Cyberspace, Command core: USA-Japan-Germany / Target areas: Totalized extra metropolitan space. Mode: AI-hyper corporate. Gross-neurocontrol / intermittent media-format exemplary extermination, virtual biocide. 6. 1996. Babylon. USA-EU:2-China (metalocal command centres) / Totalized planetary space. Photonic-Net Hypercapital Neo-Organic. Neuroprogramming / AI:Capital:Media:Military fusion, constant entertainment extermination process.
Territory: For my project is the life and literary works of Charles Bukowski, a German born American writer who lived from 1920-1994. Aims: In my project I intend to look at the motivation of Charles Bukowski when he wrote and to compare this with the motivation of those who have decided to adapt Bukowski’s work into film in the modern era. This is the change I intend to look at in my project, whether or not Bukowski’s work has become a commodity under the modern day culture industry that Adorno talks about. In order to do this I will look at the three adaptations into film: Tales of Ordinary Madness, Barfly, and Factotum