Territory: This project will focus on the development of surfing from its roots in Hawaiian culture to the position we find it in today. The key points in this progression will provide indications of the motivating factors behind the world’s top surfers. Object: • Kelly Slater – 8 Time world champion and arguably the greatest competitive surfer of all time • Laird Hamilton – Big wave pioneer who helped develop tow-in surfing Philosophy: The work of Hobbes and Hegel will form the foundation of the philosophical content. Hobbes’ social theory will help to place surfing in context with the ever changing situations that are a result of the cultures we experience. However, his concept of the state of nature in which we find humans stripped down to their most primitive form provides a strong argument to suggest extreme sports such as surfing are irrational and unnecessarily dangerous. The analysis of Hegel’s Phenomenology of Spirit will provide an alternative approach to nature of risk taking.
Month: January 2007
To explore noise and its theoretical underpinnings. Drawing on the work of Deleuze and Guattari, I wish to argue that noise appears as a perpetual deterritorialization of music. Over the course of the twentieth century there arose an increased difficulty to distinguish music from its counterparts of silence and noise. It was not until Luigi Russolo’s 1913 essay The Art of Noises that noise was encouraged to be used in musical composition, consequently liberating musicians from the antiquity of harmony and rhythm which dominated musical discourse for centuries. Noise today can be found permeating numerous musical acts. However, my intention was to examine those artists whom present noise with no melodic retrieval, who remain with noise as noise. My main referral was the work and philosophies of Masami Akita (Merzbow) a quintessential figure within noise music. Attali suggested that music, the codification of noise and silence “prefigures new social relations.” Likewise, I wanted to examine noise as a possible marker of temporal and cultural difference. Territories and Change: Drawing on the work of Deleuze and Guattari, I argued that noise is a perpetual deterritorialization of music. Capitalism brings with it both restrictions but also the possibility to escape such restrictions. Just as the human is encouraged to live creatively within capitalism, noise artists likewise attempt to exist creatively within music, challenging conceptions of how music is to be defined and created. That is, noise artists such as Merzbow trace lines of flight in an attempt to resist stratification. In this sense I also examined noise as an example of a smooth space and a rhizome. Noise however cannot escape musical strata entirely; rather it remains within music, forever on its periphery challenging what it is we define as music. It thus seems that the ethos or idiom of noise is dependent upon musical strata. Noise therefore must remain within music as extra-idiomatic, that is, a sense from within music that it is uncontainable. In examining noise as a perpetual deterritorialization of music, I was examining a change in musical conceptions as they have been hitherto and as they may come in the wake of the possibilities opened up by noise.
CONCEPT: We live in uncertain and chaotic times. As globalisation propels us forward, it is undoubtedly provoking a unique identity crisis, at the level of both the individual and the society. The vast displacements of persons during the twentieth century has demographically revolutionised the Western nation-state; multiculturalism and diversity have already been engrained into the social fabric. Concurrently, technology is creating the framework for a new culture, firmly rooted in aesthetic ideals, quickly dismantling traditional borders while subtly performing an institutionalisation of the individual. Marcuse’s “One-Dimensional Man” has come about. METHOD: The project aims to investigate such factors as the erosion of the nation-state, the “deterritorialization of culture” and the technologies of alienation in order to demonstrate how an extreme individualism, bred in Nietzsche’s shadow, is engulfing our society into new degrees of superficiality. MAIN TEXTS: Various works of Friedrich Nietzsche, Culture and Imperialism, by Edward Said, Civilisation and its Discontents, by Sigmund Freud, Culture, Globalisation and the World-System, edited by Anthony King, and One-Dimensional Man, by Herbert Marcuse.
Territory: The Collapse of the Soviet Union. Theorists: Kant, Hegel and Fukuyama. Philosophical Concepts: Universal History, End of History and Progress. Within this project I have discussed the idea that the collapse of the Soviet Union has brought an end to history. This was the theory put forward by Francis Fukuyama in his 1989 Article ‘The End of History.’ This idea is rooted in the idea of a universal history, it does not suggest that there is an end of events, it suggests that the development or evolution of society has reached its final phase with the Capitalist Liberal Democracy. Fukuyama relies on Hegel for much of his inspiration, the evolution of society follows Hegelian Dialectics, essentially a thesis being overturned by an antithesis, then a synthesised thesis is produced until another antithesis is created. For Kant history is bounded in morality, progressing from a state of nature towards a universal cosmopolitan state. Kant believes that man’s asocial sociability forces the individual to develop towards civilised society, ultimately allowing freedom under external laws within a republican constitution. I have looked at this idea of Kantian Progress in relation to Gorbachev’s restructuring (Perestroika) of the Soviet Union. Progress can also be seen looking at the development of political systems, towards a system which values the autonomous individual, and believes in representative rule of the people.
Since the beginning of man, the question of what happens to us when we die has been one of the fundamental questions of ‘life’. It seems to be up to the individual as to what one believes the answer to the question is, and these beliefs vary widely. From those who believe in a definite happening after we die, to those who believe nothing happens, from those who believe we can’t possibly know, to those who believe we could find out before we get there. In this project I will look at different beliefs in the afterlife, whether religious, atheistic, or agnostic and try to see how possible it is to know what happens to us when we die, and whether people’s beliefs are based on fact, fantasy or faith. I will discuss a number of different views of the afterlife, outlining the fundamental attributes of each belief, and evidence for holding such beliefs. I will also discuss the ritual surrounding people’s death and how important these are to the loved ones of the deceased and how they vary depending on what one believes happens after death. I will also examine why people hold these views of the afterlife and how strong these views are and how they affect the lives and deaths of the believers.
My Aims: • To research the advertising sector in relation to its effects upon the public and their perception of themselves. • To study and investigate certain philosophical concepts, both obvious and obscure, which can be connected with such research. • To contact individual advertising companies, both profit and not-for-profit, in order to ascertain any differences in their agendas. • To briefly survey the public as to their thoughts on the subject, a questionnaire was circulated among different groups of society. • Through study of philosophical concepts I hope to be able to develop my argument. • To briefly investigate whether we do indeed live in a culture of consumerism and its connections with advertising. • I hope to be able to conclude that advertising and the new consumerism leaves the individual in a state of confusion and identity uncertainty, with a particular focus on youth. Sources: I shall be focusing on one key thinker; Charles Taylor and his work: “Philosophical Arguments and Papers”. However, I shall also be focusing in a more general sense upon other individual works; • David Wiggins; “Sameness and Substance”. • Richard Sennett; “The Culture of the New Capitalism” and “The Corrosion of Character”. • Anthony Giddens; “Modernity and Self-Identity”. I shall also be using internet resources, research data, and contact with advertising companies and questionnaires to aid my project conclusion.
Topic: In this project I am going to be looking at what triggers people to get to the stage where they feel the only way out is to put an end to their life. Aims: The aim of this project is to get a balanced view of how and why people reach the point where they believe that the only way forward is to bring about their own death. I shall attempt to do this by looking a very diverse set of sources in order to show that there can never be a reason that can be applied to all cases. I have chosen to look at the work of Peter Singer, Jonathon Glover and the Christian perspective on the value of life in order to discuss whether it can ever be morally acceptable to bring about your own death. I am also going to look at a range of plays mostly Greek tragedy in order to see how this topic is dealt with. Questions I shall address: Can putting an end to your own life ever be morally acceptable? Are there situations where this could be regarded as acceptable and situations where it certainly could not? Do we have an obligation to preserve life? How do people continue with their life after a failed suicide attempt? Will you always be affected by the decision you made to try and take your life? Key Sources: Peter Singer ‘Practical Ethics’, David. H.Rosen ‘A follow up study of persons who survived jumping from the Golden Gate and San Francisco- Oakland Bay Bridges’, Sophocles ‘Oedipus’ ‘Antigone’, Euripides ‘Electra’, Hunter S. Thompson’s ‘Football Season is over’ (Suicide Note), Henrik Ibsen ‘Hedda Gabler’
TERRITORY: The history of popular music in the 20th century. Looking at: growth in access, development of technology, social and cultural changes through the decades. OBJECTS: Arnold Schoenberg & The Rolling Stones. I will be using each as a case study, pre and post war, to show changes in ideologies in the music, change in their status as musicians, how has the music industry changed them. SOCIAL CHANGE: Exploring the social political and cultural changes that have directly influenced music culture, music industry, music ideologies. Also looking the influence of the media through the decades with the development in T.V. radio and internet. What role has capitalism played in music culture? CONCEPTS: Primarily Artistic Value using Theodor Adorno and Simon Frith as my core texts. Also more briefly looking at Hegel on aesthetics and Marx on capitalism and the role they play in popular music.
Territory: The territory of my choice is Newcastle University. In the perspective in which I will be looking at University, it will be easy to consider all universities the same, as the aim of this project it to illustrate the dramatic change that has happened in the educational body of this country. Therefore, though I will be dwelling on the change that Newcastle has undergone, it will be representative of University as a whole in the United Kingdom. My aim: My aim in this project is to illustrate the change in university, both in its purpose and how it has become run. In this project is to show that University has changed from a place of excellence in learning, to a place that prepares one for the world of work. Therefore the emphasis on money making is not only in the minds of the applicant but also of the University. It will be important for me to draw upon the ideas of Marx and Lucaks for the idea of the ‘commodification of education’ which will be corroborated with several other sources from modern writers.
Climate change has become the issue that defines our age. It makes man’s detrimental relationship with his environment undeniable. The planet is warming up and is becoming uninhabitable for large parts of its population, and assuming that the science is correct, our activities are to blame. Territory: Climate change. Thinkers: Kant, Heidegger, Adorno. Aim: The aim of my project was to try and understand the development of man’s relation to nature, from mystical nature through to instrumental nature, in the hope of figuring out where we might have gone wrong, and what we can do about it.
The Cyborg Concept: The first section of my project sets out a definition of the cyborg as a cybernetic organism: the symbiotic combination of human and machine. From this definition I explore the idea that we now live in a cyborg society where the combination of human and machine has become the norm. The Cyborg Concept in Science Fiction: The second section of my project involves a discussion of the depiction of cyborgs in science fiction and the fears/hopes involved in the narratives. Since Haraway and Baudrillard have agreed that the line between science fiction and reality is illusory it is apparent that these issues are important today. Cyborg Acceptance/Cyborg Resistance: The third section of my project explores arguments for dissolving the boundaries between human and machine and for protecting these boundaries. The main sources of reference are Donna Haraway’s ‘A Cyborg Manifesto’ and Jean-Francois Lyotard’s ‘The Inhuman’. Heidegger and Technology: In the final section I discuss Heidegger’s claim in ‘The Question Concerning Technology’ that technology is so imbedded in our time that we cannot accept or resist it. We use technology but technology uses us too: it is our way of seeing the world yet it determines us. Vattimo says that the subject is weakened by technology and a weak subject is essential if we are to deny metaphysics.
Territory: The ‘Byker Wall (1973-1978). Constructed by Ralph Erskine in the 1970’s this remarkable As an example of social housing, does not only highlight innovation of modern urban design but was the first in the UK to be a joint project between architecture and the people of the community, and has often be hailed as Newcastle’s best kept secret. The harshness of the exterior is purposely so to protect the flats and houses from the north wind and the noise of traffic. The uniqueness of the design is that the wall actually ‘turns’ in on itself with the interior being the all important feature. Object: In 1953 Byker had 1,200 dwelling unfit for human habitation, meaning a clearance of the area and a planned re-development. What is off significant is that 80% of the residents wanted to stay. Why? There were high crime rates, poor housing and a high density of population. What the residents did value was the community spirit of Byker, the working-class community with its social bonds, shared value and family ties. Along with Newcastle city council it became important for that to be retained. This was the first time that community had been recognised as something intrinsically valued within itself, this led to the appointment of architect Ralph Erskine known for his humane and climate conscious urban designs, together they created a Byker for Byker people. Objectives: – To investigate through the philosophical discourse of Alasdair MacIntyre (After Virtue) how we value the traditional concept of community within our contemporary society. – Does community shape our identity? – Are we being deceived by modern morality and virtues? – If so, how is it possible to extradite ourselves from that? – Universalism vs. Particularism – Is the liberal democratic method of the industrialised west our only option? – Will individualism finally result in our own isolation?
TERRITORY: Banksy is an infamous stencil graffiti artist, using the urban scenery for his canvas, painting on everything from walls, over the top of other art and even animals. Banksy’s work, from the walls of London Zoo to the Segregation Wall of Palestine, evokes strong reactions in the minds of those who look upon it. This is arguably one of his many aims, evoking reaction and controversy, awakening the often numb souls of the urban jungle. The city streets of the world can be transformed, his work acting as a catalyst within the minds of creativity; attempting to corrupt the already corrupted world of corporation, government, advertising and capitalism. Deleuze and Guattari, the War Machine. In this study, I will evoke what the a war machine essentially is, and what it actually encompasses with a close reading of A Thousand Plateaus, which I will use as my primary reading source. I will consider Banksy as a war machine, and throughout the study will relate the characteristics of the war machine to Banksy’s thought and art. In developing this I will explore what I believe the war machine has created, and whether these movements are useful, or perhaps more appropriately whether they are beneficial, to modern society. Furthermore, I will also argue as to whether one, or whether the war machine, can maintain a level of creativity within our society, which as it evolves appears to be suffocating the creative flows with the engulfing arms of capitalism, systems of government, and society itself. One question that I believe is crucial to ask is can a war machine truly exist? Are all attempts at creativity inevitably condemned to fail and become part of the system that they originally rejected? It is these, amongst other questions that will form the structure of Weapons of Mass Creation.
Territory: ∗ For my Project territory I chose to look at the work of Derren Brown, I chose this territory because I was interested in exploring the idea of free will, and the influence of others over our free will. I considered that Derren Brown is a perfect example of another human being having a strong influence over someone else’s actions. Concepts: ∗ The concepts I chose to explore were the influence of other people on our free will and consequently how much freedom do we actually have? Philosophical ideas and Objectives: ∗ My exploration of the concept of freedom lead me to examine the work of various philosophers including Kant, using in particular the ‘Categorical Imperative’ taken from his Groundwork of the Metaphysic of Morals. ∗ After this examination I hope to be able to conclude whether or not we free and consequently responsible for our actions.
A friend once told me visiting Cuba is like “the closest thing to time travel”. To understand exactly what they meant I did no less than visit the place myself. When I arrived the immediate visual images I saw confirmed this. Foremost I noticed the appearance of the buildings and transport; many still used horse and cart, and there was an abundance of 1950’s cars and likewise Soviet cars from the 1970’s. But even more strikingly there was a lack of imagery that one takes for granted in a capitalist society. Instead of seeing a huge Coca-Cola signs leering at me as I drove down the road I would see a huge monument of Che Guevara eyes staring down at me. In place of brand-name slogans are sentiments of an anti-bush propaganda. Does this country really exist? It of course got me to thinking about how this country has come to exist amids such an advanced capitalist and technological world? What has inspired this country so strongly that it has not only sustained itself without support from the western world but has managed to resist attack from it? To understand this country as it is today, first must be understood the movement which inspired such a revolution as Che Guevara’s and Fidel Castro’s. Che Guevara was inspired by Marx and the revolution can be seen as an honest attempt to put implement the theory of Marx’s science. I will explore Marx, in particular reference to Hegel and further explore what relevance the concepts of such a movement have today. Having explored the past of Cuba and what has led it to become the place that it is today, I will then ask what future can not only Cuba as a place have but what future there are for all the ideologies that surround it. Is Cuba only the shadow of an old History? Or will the direction the Globalised world takes revert back to some of these ideologies?
Key concepts: University education system, changes in teaching methods, the idea behind university, vocational elements to further education, course structure and the general university institution set up/structure. Object and territory: The object-Is represented by the student; the student represents the consumer of the territory and is essentially the most affected and involved aspect of the movements occurring within the university education system. Within my project I have looked to the student with regards to how they are affected by changing teaching methods, different forms of institution, funding issues, course structure changes, employability aspects and government incentives etc. The territory- Is Newcastle University; this institution gives me an example of a 19th century university which offers various types of degree. In order to use this university within my project I researched into the history and future of the institution in terms of the significant changes that were either planned or has already occurred. The university was essentially used as a representative for universities nationally, because my project homes in more generally to university systems as a whole rather than one specific university. This is possible because the issues and transformations that have occurred for Newcastle are typically apparent within all universities nationally. Research methods: In order to research my topic I used a variation of methods, most of my research coming from newspaper articles, radio broadcasts, books and experience of my course itself. I also looked to the ‘Idea of a university’ put forward by John Newman in order to gain some perspective on what originally made a university; this allowed me to compare the postmodern ideas of education to a previous account of what a university institution originally represented. Essentially I wanted my research to focus on the major changes that were occurring within university education and I wanted to highlight these for individuals in order for them to note the possible future that may exist within the university system. The change: Within my project in terms of research into the university I am looking to its origins in comparison with today’s situation. This is a broad time spectrum hence obviously within this time scale I will be focussing more on the modern and contrasting it back to make the changes apparent. I also want to bring in the postmodern and consider the future of university education which will tie in specifically with Lyotard and my considerations over the possibility of computerised learning. Philosophical concepts: Within my project I want to tie in 3 key thinkers with regards to the focus of my project. Initially I will bring in the more general thinkers, Kant and Mill. Kant who will emphasise the importance of learning essentially because we are rational beings and it can be seen as a benefit to educate because it allows man to become ‘man.’ We have a duty to be educated within the world and to use this to continue to act rationally and essentially make good actions to display goodness in society. Hence my ideas on Kant will tie in with the more traditional methods of teaching which emphasis moral training. Then I will bring in Mill that will focus on the utility principle and claim education is always correct and beneficial regardless of its methods, if it benefits society and this is clearly apparent when we consider the needs of the labour market and the emphasis on low unemployment. Finally I will bring Lyotard and his ideas on the inhuman and tie them in closely with the changing teaching methods of education specifically to computer learning or Open University degrees where everything is done via a computer. Personal change/ development: I feel I have through my project developed a wide variation of skills especially my organisation and research skills; this project has ensured that I work to deadlines and collect sufficient information to ensure I produce a good end product. I have been allowed to investigate something interesting to me that I otherwise would not have had the time to look to in depth. It has taught me about the institution of which I am part of and has given me insight into something particularly relevant to myself. I can use my findings in the future to explain myself and my degree in greater detail than before undergoing this project.
Project Outline: In our daily lives we experience a huge amount of artistic representation in the things we see and do. This art can take any form, be it adverts, architecture or sculptures; but on the whole it goes unnoticed by the observer. This project is looking to uncover hidden meanings behind these artworks to explain their origins and placement in the urban environment whilst focusing on the implications to the observer. Methods and Sources: Architecture, Advertisements, Film, Street Art, Photography, Sculptures,Television Etc. The Ideas: What is the purpose of art? – Modernity vs. Postmodernity; do they exist?; Why do people create art? – Existentialism in art and the principles of Sartre; What is good art? – Aesthetic qualities from Kant and Hegel.
My project will focus on the impact of capitalism on education in modern society focusing mainly on the work of Jean-Francois Lyotard. Through his work I look at Lyotard’s attempt to describe the state of knowledge and the problem of its legitimation in developed western societies. • Over the last few hundred year’s education has changed dramatically, especially within the developed world. Gone is the idea that reason alone is a sufficient guide to action. In fact the idea that rational thinking provides us with a universal guide has become increasingly problematic during post-modernity. • With the rise of capitalism as the dominant socio-economic force within the modern world, knowledge has become a commodity which can be bought and sold. For Lyotard, knowledge is now the principal force of production. This commercialisation of knowledge, according to Lyotard could raise serious questions about the nature of ethics and the very relationship between governments and large multinational companies. • My essay will judge the role of what Lyotard calls ‘performativity’ in education and the capitalist system that requires constant re-evaluation in order to generate optimal output. • Using up-to-date education statistics and recent newspaper and TV articles I will attempt to show how education is not simply about educating people. It is instead a means to produce a workforce to meet the demands of capitalism. However that very capitalist system has now infiltrated schools, with the rise of privately funded academies, and new emphasis on league tables and performance related pay. I will discuss how this has impacted on education, positively or negatively? • What impact has this also had on the individual freedom, happiness and identity? Is our culture of working exhaustive hours in order to consume and the desire to consume installed in us through education? Main Sources: Jean Francois Lyotard – The Postmodern Condition: A report on Knowledge and Just Education, Jacques Derrida – Derrida and Education, Jurgen Habermas – The Legitimation Crisis
Territory: Current debate about religion in modern British society regarding the rise in faith schools (a third of all new ‘City Academies’ will be in the control of Evangelical Christians or Christian organisations) and what this means in regards to curriculum, equal opportunities and tolerance towards those of other faiths or none. I wish to examine what form religion should take in a British child’s education. Thinkers: Richard Dawkins in chapter 8 ‘What’s wrong with religion? Why be so hostile?’ and chapter 9 ‘Childhood, abuse and the escape from religion’ from his highly controversial book ‘The God Delusion’. Andrew Wright in ‘Religious Education in the Secondary School’. Also secular, religious and government reports and media. Central Themes: – Are Faith Schools ‘fair’? Is it right to discriminate against a child by refusing them entry to a local school on what is essentially the basis of their parents religion? – Do Faith Schools provide an ethos of tolerance and understanding or do they exaggerate current cultural and religious divides? – Should religious theories be taught in schools alongside science, e.g. Intelligent Design and Evolution? – Should religion be ‘public’ or ‘private’? – Does it matter? A study showed that only 12% of school leavers from a Catholic school saw themselves as being Catholic and many rejected most of the doctrinal teachings. – Where is the state/religion divide in our society?
I am beginning my personal project by studying the Harry Potter books by JK Rowling as my territory. More Specifically my territory is the first book by Rowling; Harry Potter and the Philosopher’s Stone. I will consider some of the facts within the novel such as its characters, the plotline and how both of these aspects of the novel fit into my main focus of the Harry Potter books i.e. the concept of good versus evil and indeed whether or not humans are free to choose to follow good or evil. As I mentioned my concept that I have chosen to study is are humans free to follow good or evil. As a philosophical framework for this concept I will compare the Christian theological position of St. Augustine and Pelagius with the work of the philosopher Friedrich Nietzsche. As far as St. Augustine and Pelagius are concerned I will explore aspects such as the human will, human nature, freedom, free will, original sin, predestination, and the grace of God. With the above issues I will consider where St. Augustine and Pelagius agree on these points and where they differ. From this position I will compare the Christian attitude to Nietzsche’s attitude to whether humans are free to follow good or evil. I will consider aspects of his philosophy such as God is dead, free will as an illusion, there being no such thing as morality and good versus evil, the significance of power defining how successful a person is, the will to power, and Nietzsche’s argument against authority. Having gone through my philosophical framework I will compare Harry Potter and the Philosopher’s Stone to a parallel territory. For this I have chosen Homer’s The Odyssey. I will compare how stories were told in ancient Greece to how stories are told now. I will also compare why the Stories were told in both territories and for what purpose the stories were told. I will ask how has story telling changes and why? What implications that has on the respective societies? Finally I will consider how the change to stories, their content and the way they are told affect us today in the way we live our lives.