Claim: Countries which permit conscientious objection are morally superior to those which do not
Aim: to establish if the needs of the of the state should ever outweigh citizens rights
Case Study: I will examine the case of Desmond Doss, a conscientious objector in the second world war, and apply him to the philosophies of Kant, Hegel, Rawls and Lukes.
Philosophers: Kant, Hegel, Rawls, Lukes
This project is centered around the idea of toxic masculinity, and attempting to understand the prevalence of it in young males with reference to the philosophical and psychoanalytical ideas of Hobbes and Lacan.
-Toxic masculinity is the exhibition of certain antisocial behavioural tendencies predominantly performed by young males, including, homophobia, misogyny and violent physical or verbal behavior to one another. This behavior is rampant throughout society, with the behaviour of young males being especially indicative of this toxic way of acting. Lad culture has become simply sexism with and alibi. To show the existence of toxic masculinity within young males I researched different journal and website articles detailing examples, as well as conducting an interview with a female Newcstle university student. I will also be looking through the primary texts and identifying at what points their ideas contribute to the discussion. These texts are Hobbes Leviathan and Lacan’s Ecrits.
Territory: Music, Culture
Object:
Dance music, in its authentic form, with Disco as it’s predecessor — authenticity established by a continuum from Disco to electronic dance music, cultivating ideological resistance, sonic variation and club cultural context.
Methodology:
Unlike most art forms, dance music achieves its ultimate potential in only a moment of euphoria shared by the cumulative joy of a crowd of people. I aim to prove that in these moments, all aspects of authentic dance music come together to form a unique autonomy in the context of the culture industry. I will do this by identifying, using critical analysis, weaknesses in the theories that will be discussed and presenting dance music’s unique ability to exploit these.
Theory:
The Social Theories of Theodor Adorno in The Dialectic of Enlightenment and G.W.F Hegel in The Philosophy of Right and Philosophy of Mind. Hegel’s theory reinforces the concept of an artistic freedom restricted by the Culture Industry.
Application:
Adorno engages in the idea of ‘autonomous art’ against the culture industry. To an extent, this will remain the position of authentic ‘dance music’;ideologically resistant to the culture industry in the way that Adorno idealises. However, a study into Adorno’s own perception of authentic art, a result of his complex, often pretentious Aesthetic Theory, demonstrates why he doesn’t actually believe autonomy can be anything other than illusory in relation to its social context — Adorno is too negative.
Conclusion:
I have thus presented ‘dance’ music’s authentic features as holding the potential to actualise Adorno’s illusory ideal. Whilst I also understand this cannot be maintained, in brief moments, dance music is at least the perfect representation of Hegel’s utopian union of the subjective and objective, yet also, can achieve an independent utopia.
An investigation into how ideologies within Ancient Greek philosophy may pre-empt the impact of negative influences within free online pornography on the large number of under eighteens who regularly consume it.
The aim in engaging with the material I have chosen it two fold. Firstly, I intended to further my understanding of pornography within my society and not only that but to further expand upon my own understanding of the philosophies proposed by Plato and Aristotle. Secondly, I intended to better my ability in applying philosophical concepts and attempting to find solutions to real world issues.
The object of this project is free online pornography and the messages and attitudes that are resembled within in. The issues raised by pornography is the masculine ideology portrayed in the videos that the younger consumers are likely to adopt themselves. I will be looking for solutions to this problem within Plato’s idea of a good education and Aristotle’s idea of virtue.
I will make direct references to Plato’s The Republic, Aristotle’s The Nicomachean Ethics, and finally, Robert Jenson’s Getting Off: pornography and the end of masculinity.
The first part of my project was to prove that accepting a scientific and medical approach to mental illness was wrong. I used Jean-Paul Sartre’s account of bad faith, in which the human being freely gives up their freedom. I then applied this behaviour to the person who accepts the scientific explanation for the dark thoughts and emotions we experience when suffering from illnesses such as depression and anxiety.
In the second part, I introduced Heidegger’s lecture on the origin of the work of art, and how poetry uncovers truths about the world through its use of
language. Music is also a form of poetry so in contemporary times I believe that accepting the truths presented to us about mental illness by musicians is acting in good faith. I supported this argument with the examples of Kurt Cobain, Amy Winehouse, and Kendrick Lamar. Additionally I analysed a select few examples of medical accounts of mental illness in order to prove that they were an insufficient approach to mental health.
‘If we knew nothing about where we’d end up what sort of society would it feel safe to enter?’
Aims:
How does secularisation affect the religion?
Why Britain become more secular?
How does the rise of terror by Islamic extremists affect the Islamic community?
What is the purpose of the EDL and why is it so against the Muslim community?
How has the role of the woman changed throughout modernity?
Why do measures still exist that prevent women from achieving equality?
Methods:
I intend to explore Rawls’ view of tolerance by using various approaches; these include: a Historical Approach and an Axiological Approach. The Historical Approach has been chosen as a means of depicting to the reader the changes and transformations in both the role of the woman in society, as well as the role religion plays in a seemingly secular society. As a result, I will trace the historical, social and political changes affecting both issues at hand. Furthermore, an Axiological Approach will be used to assess whether there are challenges that both religion and women have faced is just throughout contemporary society.
Michel Foucault, Madness and Civilization- the concept of madness and how it has developed over time. Foucault argues there was a specific moment in history when madness was labelled as a mental illness.
Friedrich Nietzsche, The Birth of Tragedy- life is subject to extreme bouts of suffering. Artistic production can contribute towards overcoming the pain we encounter in life. What implications does this have on the link between madness and creativity?
Are creative spirits more likely to be mentally ill? Ultimately the aim of this project is to reflect upon the complex relationship between insanity and creativity, to decide whether there is a correlation between individuals who suffer from psychological disorders, such as schizophrenia, and those who are highly artistic. It is arguable that there is a link, as mental illness and creativity often co-occur. However, this project will also reflect upon the idea that a correlation is simply a romanticised outlook with dangerous implications, and that mental illness does not need to be present for creativity to exist.
The subject matter will be considered via the philosophical thoughts of Foucault, Nietzsche and Schopenhauer, but also with reference to the psychoanalysis work of Freud drawing upon examples such as Daniel Paul Schreber, a famous German judge who was a diagnosed schizophrenic, whom Freud interpreted. The evident Freudian influence expressed by Andre Breton within his novel Nadja will also be addressed. Breton believed insane people were simply victims of their imagination.
‘Madness need not be all breakdown. It may also be break through. It is potential liberation and renewal’
Given the rapid rise of drag performance in pop culture, it is now one of the most popular and varied forms of entertainment. But isn’t seeing drag performance and culture as nothing more than a source of amusement, to obfuscate swathes of its political, emotional and metaphysical potential? How might we do drag justice? How might we unlock this potential? The answer lies in the work of Friedrich Nietzsche, an engagement with whom, will help us see the potential drag offers.Early Nietzsche: The Birth of Tragedy helps us understand drag’s potential in revealing a harsh reality, and in making it possible to bear by transfiguring suffering into beauty. Middle-period Nietzsche: Nietzsche sews the seeds for the ideas which develop in his mature work. Mature Nietzsche: Nietzsche’s critique of the Kantian subject helps us understand how drag pulls us towards a less anxious, less restricted and more emancipated subjectivity. Thus Nietzsche helps us appreciate drag as more than a piece of entertainment, as offering us a more tolerable and healthier way of being in the world.
Object/Territory: How should we understand the concept of ‘psychopathy’ in relation to political theory and how we should we ought to treat other individuals?
Sources: Thomas Hobbes, Adam Smith, Sigmund Freud and Georg Hegel provide powerful theories that can be applied to the idea of psychopathic individuals.
Project outline: The distinction of ‘criminal psychopath’ and ‘white-collar psychopath’ is crucial for my investigation because the contrast between the two opens up a kaleidoscope of questions about psychopathy. The violent explicit nature of criminal psychopaths and the charming and charismatic character of white-collar psychopaths highlight the disparity of individuals that can be considered psychopaths. Hobbes’ egotistical humanity and Smith’s doctrine of altruism provide interesting material to apply to the elusive behaviour of psychopaths.
The Alternative light in this context, is specifically that of, ‘Anti-Social Justice’ YouTube channels.
In my project I set out to understand three main things:
How these anonymous, internet based, political movements come about. About other real-world movements such as Occupy wall street
Is there any Philosophical foundation, or key figures, in founding this movement? (I define it as a movement due to its large growth both in viewership, and online political presence). And how does this compare to the foundations of other more extreme movements.
In the case where there is no foundation of these kinds, how does the world view remain so homogenous, and are there any issues in the foundation of everyone’s belief system?
Along the way I employed primarily the Philosophy of Nick Land, as he is most heavily associated with the movement, and helped in highlighting the significance of analyzing the alt-light specifically. I mapped the progression of these channels from their atheistic, anti-creationist origins, and using the philosophy’s, including that of Land and Nietzsche, showed the significance of this genesis, in the progression of the movement.
Territory- ecofeminism is a branch of political philosophy which suggests that the oppression of women and animals is intrinsically linked, to the extent that women shall never be free until animals are also freed of oppression. This study focuses on a text by ecofeminist philosopher Andrée Collard called Rape of the Wild in order to conduct an axiological critique of the views widely held today in regard to the topics of feminism and speciesism. The territory of ecofeminism is hugely significant to modern day Earth as many issues surrounding both the treatment of women and animals are evident within the 21st century.
Concepts- in order to evaluate and examine the concepts held by Collard and the ecofeminist movement this study focused on ideas from other highly esteemed philosophers such as Kant, de Beauvoir and Aristotle. Concepts such as Aristotle’s Great Chain of Being and de Beauvoir’s idea of the ‘Other’ are useful when applied to the views held by Collard in order to determine how significant the link is between women and animals and how this relationship should be approached in terms of actions and beliefs held within modern day society.
Project Aims
To argue Foster Wallace’s popular talk This is Water highlights Mindfulness as an ideology.
How?
Foster Wallace highlights how Mindfulness key aspect of its thought believes in a Kantian autonomous/individualistic/ a-historical subject transcendental subject.
Implicates argument within the social context – Mindfulness is an antidote to stressful neo-liberal conditions
Economically and ideologically productive system of thought – 3.72 trillion dollar industry
Ideologically repressive – It blames you for your mental health problems!
Could Mindfulness be self destructive?
Plagiarism is wrong. Says who? Why should we obey this? Does Plagiarism stifle creativity? Is plagiarism a force of coercion and obedience?
Territory: Russian Late-Romantic Music
Object: Rachmaninoff’s Prelude in C-Sharp Minor
Method: Interpretative and Axiological
Aim: I will be using Frolova-Walker’s musicology and Adorno’s musical philsophy to dissect Rachmaninoff’s Prelude and discuss whether it can be understood as a piece of Russian nationalist music.
Michael Foucault
– The repressive hypothesis
– Changes in sexual practices over time
– Mode of power within society
Theodore Adorno
– Enlightenment
– Culture Industry
-Standardisation of sexual categories
Do sexual categories define individuals?
Has sexuality always existed?
How does sexuality function within society?
Aims:
My project will examine whether contemporary society’s attitude towards ‘Suicide’ have changed over time?
Are we living in the past?
Are we scared to talk about mental health?
Territory/Object:
My territory is ‘Student suicide’
My object is the BBC Three documentary ‘Student Suicide: Real Stories’.
The documentary looks at how three students took their lives at University; but from the perspective of their loved ones.
Many students do not tell anyone, as they feel “ashamed”.
Philosophers:
This project will focus on the philosophical concepts; Suicide and Morality.
Durkheim’s On Suicide investigates whether social factors affect suicide rates.
Hume’s essay ‘Of Suicide’ illustrates his views against the traditional viewpoint of suicide.
Kant’s The Groundwork of the Metaphysics of Morals dictates his views against suicide.
In this project I investigate why the present institutions and discourse of cosmopolitics frustrate rather than facilitate peace and resolution.
Through improperly structuring reasoning and creating subjectivity, the current cosmopolitic fails to provide the required conditions for the prevention of and intervention in genocide.
Through an examination of Kant’s cosmopolitanism and current cosmopolitical theories, demonstrated with the use of 3 case studies of Rwanda, Kosovo, and Myanmar I intend to highlight the fundamental contradiction at the heart of cosmopolitanism. Systems are either too universal and empty, ignoring important cultural fabric, or too particular and local, resulting in inaction.
As a result of these failures, intervention becomes an expression of ideology, not humanitarian interest.
Object: The art criticism of works in Louise Bourgeois’ Cells series
Territory: Contemporary art criticism
Concepts: Subjectivity, intention, Freudian psychoanalysis, the artist and their relation to works of art, authority of criticism
Philosophy: Nietzsche, Foucault, Wimsatt and Beardsley, Bal.
In my project, the work of Louise Bourgeois in her Cells series is utilised as a case study to explore wider issues in art criticism and how works of art are interpreted in relation to the artist. An examination of the reception of Louise Bourgeois’ work shows largely the same approach in psychoanalysing Louise Bourgeois and relating this back to her work and perceived intended meaning. Conversely, the position in the project argues that such a reading of her work, as well as that of other artists and authors, carries problems related to the importance of artistic intention, the public sphere of a work of art compared to the private sphere of the artist, as well as to what extent such readings are not only valid, but in the case of Louise Bourgeois count as genuine criticism rather than uncritically accepting her own statements.
Philosophy from the course included use of material from modules PHI2002 and PHI2006.
Between Emancipation and Control: A Critical Discussion of Social Media in Postmodern Society
Is social media the key to emancipation, or the handcuffs prohibiting liberation? This project started from the object of social media and the claim that, as society has become highly mechanised, it is a further perpetuation of control and the very medium, which keeps individual behaviour in accordance with what is deemed socially acceptable. This project aimed to investigate this claim, using the case of Cambridge Analytica, to reach a conclusion to the overriding question: CAN SOCIAL MEDIA EMANCIPATE?
Money + Love
Can artists make a statement about consumer culture without falling into it themselves?
Territory: Arcade Fire’s album Everything Now
Object: Consumer Culture
Philosophy: Adorno’s The Culture Industry