My object is video games and my territory is philosophical aestheticism. The methodology I used was close textual analysis of primary and secondary texts across a wide range of mediums. I wanted to examine the parallels between contemporary games and early-to-mid 20th century avant-garde movements and analyse how gaming’s dynamic attributes could help them become more fully realised. To begin, I analysed the immersive sim genre to explore how consumers could become producers, and how this shift fits with Paris and Munich Dada’s goal of reducing egotism in art (as conceived by Jean Arp and Hans Richter). Then, I looked at how technological advancements and limitations could aid in the creation of both unpredictable realities and imaginative surrealities, respectively, as conceived by Yves Bonnefoy, John Cage, and Andre Breton. Finally, I touched on how experimentation within the medium subverted audience expectations and genre conventions to create a transgressive experience that breaks down the player’s self-contained character, as proposed by Georges Bataille and Paul Hegarty. I concluded by reaffirming the incredible potential within gaming to transform the nature of art through its unique toolset in a manner hitherto unimagined, owing to their symbiotic relationship with environmental factors such as technology and player input.
Category: 2022
SURROGACY – THE PROBLEM OF WOMEN’S SELF-OBJECTIFICATION
This essay looks at philosophical principles that re-conceive spatial orientation. This is done in response to urban spaces and architecture in modern capitalist society, and the many ways in which these spaces are conceived negatively and have been appropriated without respect for natural surroundings and the effect these spaces have on our self-identity. This essay will look at the works of Martin Heidegger and Gilles Deleuze. These philosophers were chosen as they offer differing alternative views of our relationship to our environment. Both philosophers, however, are similarly critical of modern capitalist societies and the effects these societies have had on our relationship to space. Specific interest is shown to the concepts of ‘dwelling’ and ‘nomadism’, and actual examples of each concept, and their effect on their environment, are presented and explained.
This project intends to investigate moral responsibility in war especially particularly war crimes and actions of violence. It takes inspiration from the work of Hannah Arendt and her report on the banality of evil. It also looks at the Military Philosophy of Carl Von Clausewitz to understand the influence of military doctrine and the establishment on moral thinking. Finally it will discuss the Phenomenon of Dirty hands and the implications it has for how actions of state impact societies ethics and the burden of personal guilt to provide an interesting take on western military culture and liability.
Anti-natalism is a world-ending set of beliefs. It calls for the extinction of humankind and suggests we no longer procreate via appeals to morality and ethics. The absolutist subject matter evokes a guttaral counterreaction from society so strong that the theory is shunned – why, then, are feminists not more in favour of it?
Feminism is a philosophical theory developed to critique and be active in its opposition to the marginalisation of women. Focusing on oppresions committed by the patriarchy, a social system wherein men are oppressors and women the oppressed, it is innately counter-cultural: today’s ‘mainstream’ is synonymous with ‘whims of the patriarchy’. As the patriarchy is a self-sustaining institution created by birth and life, and most feminists recognise that its indoctrination is inescapable, it draws into question why more feminist theorists do not advocate for anti-natalism. Bringing into existence new vehicles for male supremacy to brainwash should be the first thing feminists oppose – it is not enough just to make female existence bearable and content with oppression.
An investigation into feminist anti-natalism requires a close look into both feminist theory and the traditional bioethics of anti-natalism. Case studies and statistical analysis have been applied to the object of anti-natalism in order to create a holistic, fair exploration of the concepts used to review it.
This project centres around critiquing the preservation and revival of human life through cryonic procedures. Through looking at the object of cryonics within the territory of death and technological revival, this project explores ethical, transhumanist, existentialist and religious issues within cryonics. As a contemporary topic that may become more prevalent in life as science progresses, this project does not aim to dissuade individuals away from a subjective choice of life, rather, offers divergent critiques of cryonics. Through looking at the work of Martin Heidegger, this project discusses how death is an essential predicate of life that ultimately characterises the way that humans live. His existentialism is used to accuse cryonic procedures of diminishing an authentic life. This project then turns to the theologically centred work of John Hick to highlight the importance of life beyond death. Through investigating the conception of a resurrection alongside soul-making, one uses Hick’s theology to deem cryonics as unethical procedure that ultimately dismisses faith. This project offers plausible critiques of cryonics to discuss the limitations of modern science. Although critiques can be interpreted in different ways depending on religious outlook or scientific optimism, this project discusses critiques that are detrimental to the desirability of cryonics.
This essay explores the way in which humanity is ethically and politically responsible for anthropogenic carbon dioxide emissions. After concluding that traditional ethics is no longer sufficient for dealing with environmental and technological ethical issues, Hans Jonas’ proposes a new ethics for this technological age is in his book The Imperative of Responsibility. He argues that the most important ethical rule humanity must follow is to act so that the effects of our actions are compatible with the permanence of life in order to ensure the future of mankind. I use Jonas’ ethics to argue that humanity’s climate responsibility is inescapable; once this responsibility is established I use Giddens’ book The Politics of Climate Change to suggest that harnessing the power of politics and policy is vital for sufficiently meeting the demands that this climate responsibility places on individuals. This essay concludes that, while individuals are the primary drivers of anthropogenic carbon dioxide emissions, a top-down approach whereby the largest organisations and emitters are targeted through policy to reduce emissions may be the most efficient and impactful way of mitigating climate change and ensuring the future of mankind.
This essay explores the genealogy of the penal system as a paradigm for understanding power dynamics within educational institutions, drawing from the philosophical works of Michel Foucault and Friedrich Nietzsche. Building on Foucault’s theoretical framework, this investigation delves into the structures of power and discipline, including hierarchical observation and normalising judgement, and their pervasive presence within contemporary educational environments. Nietzsche’s insights from ‘On the Uses and Abuses of History for Life’ and ‘On the Genealogy of Morality’ offer an additional lens to critically appraise the formation and enforcement of norms in these settings. Cinematic representations of these concepts, primarily found in Lindsay Anderson’s ‘If….’ and Peter Weir’s ‘Dead Poets Society’, are analysed to provide tangible illustrations of Foucault’s and Nietzsche’s theories within institutionalised education. The essay demonstrates how, akin to the penal system, educational institutions exercise power, regulate behaviour, and manage deviation, resulting in a profound influence on individual formation and societal coherence. By juxtaposing the penal and educational systems, this analysis highlights the urgency of addressing the inherent power imbalances and restrictive norms within educational institutions to promote more equitable learning environments.
Public health is widely regarded as one of the most important societal and medical objectives, yet what constitutes health? While on the surface this may appear to be a simple question with a straightforward response, there is no universal consensus. Considering there is no universal accepted definition of health, how does health manifest itself in reality?
Recent years have seen an increase of awareness being paid to mental health, and it appears reasonable to conclude that this will result in positive outcomes. Although this may be true, this paper contends debates on mental health development are unlikely to produce solutions. This is due to the fact that most western societies adhere to a doctrine of morality known as emotivism.
As a first step, it is necessary to provide a brief overview of two definitions of health. Since there is no universal consensus on the definition of health, this becomes problematic in the mental health debate. Referencing MacIntyre, the second section of this paper will argue that the existing moral language has been fragmented and essentially lost, thereby rendering moral claims arbitrary in nature. The notion of human flourishing will be discussed in the middle of the paper in order to develop, not only debates on mental health but, the mental health of the collective. Next, it will challenge thinkers like Kant, Hume, and Pascal who reject the teleological aspect of human nature. Additionally, this paper presents MacIntyre’s reformulation of Aristotle’s notion of human flourishing in modern terms, introducing three aspects, namely, the concept of practice, the narrative unity of human life, and a living tradition.
An insight into the key questions and thinking that surround the philosophy of music; An outline of the relationship between sound, noise, and music; and the changes that have occurred for music and the philosophy of music over recorded history.
The societies we consider free also appear unable to resolve the free speech question. I attempt, in this project, to examine the type of speech we consider valuable, and our motives for doing so; whilst also hoping to point out a number of institutions that, for their very telos, heavily restrict the expression of individuals. I discuss the nature of the truth itself, and the value in it, whilst also arguing latterly against the Platonic ‘logos’, in favour of a Nietzschean perspectivism. The project hopes, too, to highlight and add to the discourse around ideological conformity in the 21st century.
Samuel Beckett’s Nineteen-Sixty-One play Happy Days is best understood as a parody of the human condition. Beckett seeks to reflect the experience of what it means to be human in stage directions, set design, and language. His methods of confinement and parody also allow for a vivid portrayal of existence. A philosopher who also wrote on the human condition was Martin Heidegger. For Heidegger, this experience is regulated entirely by his concept of “Dasein”. My essay centres around seeking to attribute an overlap between Heidegger’s and Beckett’s human condition through its possible representation on the stage of Happy Days. Although Beckett is notoriously difficult to analyse and attribute a specific philosophical framework, I have uncovered evidence of possible Heideggerian influence and inherent similarities. The themes of Heidegger analysed include: world disclosure, anxiety, death, and authenticity. I have also highlighted Beckett’s use of optimism in the play as a potential counterpoint to the outwardly pessimistic philosophy of Heidegger. My aim is to show how the performance medium of theatre can be an effective tool in communicating philosophical ideas, as opposed to text on a page.
How do Waldorf schools compare to other educational philosophies? – Hollie Donnithorne
This project is centred around multiple differing educational philosophies, and will analyse how they compare to that of Rudolf Steiner and his Waldorf schools in an attempt to see how these schools may affect wider society and the individual. By using Steiner’s texts such as Anthroposophical Leading Thoughts, Steiners approach to education will be dissected in order to properly understand the background to Steiner’s educational philosophy. As part of this, the project will seek to properly understand ‘anthroposophy’, Steiner’s spiritual philosophy, and how these beliefs effect his approach to education and its influence on the individual.
Once Steiner’s approach is fully understood, the aim of the project becomes understanding it in comparison to other schools of thought within the philosophy of education. By using primary texts such as John Dewey’s Democracy and Education, the project seeks to understand other dominant education philosophies of the 20th century not only to give context to Steiner’s ideas, but also to understand how Waldorf schools differ from other thinkers and how this is thought to affect the individual child and the wider society. As well as looking at other 20th century thinkers, the project will compare Steiner’s thoughts to that of philosophers such as Plato by looking at The Republic and seeing how Plato sets out a drastically different educational philosophy from that of Steiner. By looking at this, the project is able to weigh up both schools of thought and dive into how they individually may have an impact on the child and wider society.
The project also makes use of thinkers such as Karl Marx and his thoughts about how education currently works in line with capitalism in order to uphold class structures as well as maintain a lack of class consciousness. By analysing and applying Marx’s thoughts to Waldorf schools the project is better able to understand them within the context of capitalism. The project is then able to analyse Waldorf education in many different contexts and therefore better understand how they function as part of a larger society.
My project is set in the domain of existential fashion, particularly the rise of apocalyptic styling following the Covid-19 pandemic and its effects, both positive and negative. I have drawn philosophical concepts from the works of Jacques Derrida, including his ‘Of Grammatology’. Alongside this, I have referred to Ulrick Beck’s ‘Risk Society’, Risikogesellschaft (1986), in relation to people becoming increasingly preoccupied with a sense of impending doom that has been brought about by the pandemic: portrayed through recent fashion choices and explorations. To support my discussion further, I have incorporated the works of Marilynn H. Johnson in her Adorning Bodies (2022), in which she explores the philosophical implications of bodily adornment. Johnson notes that existential feelings and thoughts inspiring people’s fashion decisions, are not uncommon. As we have seen previously, different trends and popularity of statement pieces of clothing, rise following grand world events, such as in the 1960s in response to the Vietnam war and adjacent Civil Rights movement. The rise of apocalyptic fashion serves as proof of the determination and adaptability of human beings, along with our willingness to persevere through difficult situations, and it is this that I have delved into in this project.
The aim of my research was to provide a rounded explanation of the different forms that ‘love’ can be seen within. I explored my search for love into three perspectives; eros, philia, and agape. While looking at Eros, I provide a more detailed account of what romantic love is really considered to be, mainly defined by Plato in his Symposium. I then explored love within traditional monogamous relationships and the less traditional idea of ‘open relationships’ which two philosophers, Simone De Beaviour and Sartre were a part of. I then continued on to explore Philia. This outlines the love one feels within a friendship. While investigating the idea of friendship, I researched what Aristotles considers to be the three types of friendships, a friendship of utility, a friendship of pleasure and a perfect friendship. While doing this I looked at the similarities and differences between Eros and Philia. Finally, I spoke about Agape, which refers to the paternal love to and from God, as well as the love for humanity as a whole. This led me to question whether our ‘love’ for our religious leader is the same kind of love we experience in our physical relationships and friendships and whether Agape is something that we depend on more or less than a relationship or friendship.
I ask myself what links all three components? My hypothesis is that self love is what links all three. I argued that without self love, one would struggle to give and receive love from others. As mentioned by De Beavouir in relation to Ero’s, people are often brought together by “their weakness rather than in their strength”. From this, I take that they lack self love so look to those around them in order to feel loved. Within philia, it is said that “The wish to be friends can come about quickly, but friendship cannot”, meaning that we are quick to desire the love from a friend, sometimes before making a genuine friendship. I believe we would not be so quick to form meaningless friendships if we were content with our own company, content with the self love we have. Within Agape, the relationship is not measured by physical contact or quality time but through the belief that God’s love transcends anything physical. This draws a parallel with self love, as again it is, for lack of a better word, an “intangible” relationship but still remains very important. I believe one who has a strong sense of self love, would find it easier to give love as passionately and as selflessly as God does, to forgive and love those that have wronged them.
This project focuses on Celebrity power with respect to the sexual objectification of women in the fraternity of Bollywood. Using the likes of John Rawls, Rae Langton, Martha Nussbaum and Catherine Mackinnon, the project goes into an in depth analysis of the kinds of objectification women are subjected to both within movies as well as in the culture that surrounds the social institution of the Hindi film industry. The project finds many problematic instances of the portrayal of women as tools and commodities, victim to oppression with the power majorly in the hands of Men when it comes to male vs female gender dynamics in society. Langton and Nussbaum demonstrate various forms of objectification and assert that the problem is severely ingrained in culture. MacKinnon shows that the issue is with regards to Power where the state perceives women through the viewpoint of Men and discusses the idea of the projection of ones own desires onto women. Lastly, the project uses Rawls theory of Justice, more specifically, his theory of fair and equal opportunity and applies it to the concept of celebrity power and gender dynamics in Bollywood. The findings show that Bollywood has for centuries been a breeding ground for sexism and misogyny, which its movies have normalised greatly over the decades and contributes majorly (though not solely) to South Asian culture being highly plagued with the degradation and oppression of women.
For my object I have chosen the story of humanity’s fall from grace found in the third chapter of Genesis. I will be investigating my object in the territories of theological anthropology and Psychoanalysis. In Saint Paul (1997), Alain Badiou notes a conceptual similarity between the apostle Paul’s description of sin as found in the book of Romans and the psychoanalytic concept of the substantive unconscious. The apostle laments; ‘I do not do what I want, but I do the very thing I hate… so that it is no longer I who do it, but sin which dwells in me’ (Rom 7: 15-17). The subject or ‘I’ of the statement is decentred by ‘sin’ which now assumes the ‘seat of agency’ as kind of foreign object lodged in the heart of subjectivity (Badiou 1997, 79). ‘All kinds of covetousness’ (Rom 7:8) which once lay dead and inactive have become autonomous, occupying the place structurally appropriate to the living subject (who now lies in the place of the dead), giving rise to a new subjective configuration with respect to agency which can be called ‘sin’. With this structural understanding of sin, a topographic and economic picture of the Christian subject becomes possible, one subject to the demands and pressures of an impersonal primary process. However, it must be remembered that Badiou’s analysis concerns the book of Romans and not Genesis where the originality of the first sin would be at issue. A reading of sin as desire that is ‘revived’ and awoken into autonomy by the negative naming of the law (Badiou 1997, 80) lends itself easily enough to the story of Genesis where there is likewise a prohibition; ‘but of the tree of the knowledge of good and evil you shall not eat.’ (Gen 2.17) However, a purely psychological reading of Genesis would neglect the metaphysical aspect of the first original sin, which for Saint Augustine is essential to a faithful interpretation of Genesis. Therefore Badiou’s insights, while helpful, must be built upon. I now turn to discuss my objectives in the investigation of my object.
Philosophical discourse surrounding time travel traditionally engages with concepts such as the Grandfather Paradox, the possibility of time travel, issues surrounding causation, and the effects such concepts have on the nature of the metaphysics of time and change. However in this project, time travel will be assessed by its ethical consequences through contemporary pieces of popular culture, namely Christopher Nolan’s Interstellar. Philosophically, this project will engage with Jean Paul Sartre’s Being and Nothingness and his essay Existentialism is a Humanism in addition to Baron d’Holbach’s The System of Nature, as the two will be presented in direct opposition to one another as representatives of philosophies of free will and hard determinism. The objective of this project is to assess whether ethical judgements are justified or necessary in the depictions of time travel I will be referencing by evaluating whether characters are free to act responsibly or predetermined to act in ways in which they have no influence over. The object of this project will therefore be time travel, assessed through the philosophical concepts of Sartre and d’Holbach, in the context of ethics. The position this essay wishes to argue in favour for is that Sartre’s philosophy of freedom allows one to manifest one’s own moral character, and this moral character is the ultimate determinant in ethical dilemmas. There does however exist vast amounts of overlap in the two opposing philosophers’ theses however the difference lies in Sartre’s notion of bad faith which highlights d’Holbach’s refusal of his ability to choose as problematic. Therefore, the overarching argument of this project is that it is one’s own moral character that dictates their future decision making, and the formulation of such character is done through choice and freedom. Due to the philosophies of Sartre and d’Holbach hugely predating the idea of time travel, I will first give a brief description of the scientific underpinnings of the procedure of time travel, then discuss d’Holbach’s and Sartre’s philosophies, before finally applying the latter to the former.
Traditional forms of political protest have failed us so a new process of resistance against oppressive systems is needed and this project presents that this is literature.
State interaction is a variable that each governing authority has to examine and judge in relation to individual welfare. After examining a variety of political philosophers and their beliefs on state interaction, I propose this thesis. While there is an argument for minimal state interaction, the most optimal way to promote individual welfare is through the level of state interaction that John Rawls proposes in A Theory of Justice. More state interaction than this is detrimental to individual welfare as it infringes on individual rights, and less state interaction than this has the potential to create vast inequalities within communities.