Category: 2022

Should Humans Continue to Procreate?

Post author By Glen
Post date 12 January 2022
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Anti-natalism and value creation: should humans continue to procreate?

It is not worth being brought into existence if one can potentially experience
any form of suffering. The philosopher David Benatar argues that whilst life can
consist of pleasures it also always consists of some form of suffering (making
living harmful for people and the world). “while existence brings pains as well
as pleasures, non-existence is a lack of pains and pleasures. While pain is bad,
absence of pain and pleasure is not bad, so it is always worse to be than not to
be” (Brake and Millum, 2021). It means that even if life consists of 99%
pleasure and 1% suffering then it still would have been better to have never
been.
As controversial and counterintuitive it may seem to desire to stop humanity
from bringing more people into the world, it also does not violate the moral
law to live. Kant conveys strong beliefs surrounding the idea of suicide but
never conveys it in a way that would take future generations into
consideration. Implying that as long as the individual had not yet come into
existence then one does not go against basic moral rights. It is not our duty to
consider the life of potential future generations, but it is our duty to live our
lives once we have been born (Philosophynow.org, 2019).
The arguments put forward by anti-natalists challenges common beliefs in
relation to procreation and examines the roots of where various normative
views stem from and whether they are adequate justifications for procreation.

Benatar, D. (2013). Better never to have been : the harm of coming into existence. Oxford, England:
Clarendon Press
Philosophynow.org. (2019). Philosophy Now. [online] Available at:
https://philosophynow.org/issues/61/Kant_On_Suicide.

Tags Benatar, existence, suffering

2022 Abstracts Stage 2

Women, the Muse and the Surrealists: how the Surrealist movement systematically compelled women to assume the role of the muse

Post author By Glen
Post date 12 January 2022
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This project explores the object of the muse through the territory of feminist philosophy and the context of the Surrealist movement and its founder André Breton. I explore how the movement worked systematically to exclude women from the role of artist, allowing them only to be part of the movement only as muses, which are characterised by Breton as child-like and hysterical. I use the works of Catherine Malabou and Luce Irigaray to explore how this erasure can be looked at from a feminist philosophical point of view and later use the work of Simone de Beauvoir to suggest how women could possibly escape this erasure through transcendence. Leonora Carrington is used as emblematic of this escape in her autobiographical Surrealist novel The House of Fear: Notes from Down Below (1989) and I suggest that the only possible way for the female Surrealists to be seen as artists and not muses by the movement is by partaking in this journey Down Below and becoming new in this journey. Despite any progression in feminism since the Surrealist movement I argue that the place of women as muse remains largely unchanged and the systematic erasure and discrediting of women from art only continues as it had in the Surrealist movement.

Tags Breton, De Beauvoir, feminism

2022 Abstracts Stage 3

LIBERALISM AND NEUTRALITY

Post author By Glen
Post date 12 January 2022
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Modern liberal democracies are often assumed to operate in accordance with an unobjectionable neutrality with respect to the various worldviews of their citizens. By examining the work of Locke and Rawls, I demonstrate that even the most sophisticated conceptions of society and secularity rely on value-judgements that are asserted by the state on behalf of its citizens. The aspirational target of value-neutrality held by the liberal democracy is thus shown to be unattainable.

Tags liberalism, Locke, Rawls

2022 Abstracts Stage 2

Desire and Consumption: an Investigation of Consumerism via Pasolini, Tiqqun, Deleuze, and Guattari

Post author By Glen
Post date 12 January 2022
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We’ve had Athenian civilisation, we’ve had the Renaissance, and now our civilisation centres round the arse.
-Jean-Luc Godard, Pierrot le Fou

Since World War II, capitalist society has experienced a proliferation of consumer goods and items so vast that, according to Jean Baudrillard, they have come to take on the nature of flora and fauna. Our streets are lined with shops and restaurants, while our houses are filled with various nonessential items. For some, almost every moment in waking existence is related to consumption. For others, consumption is a type of leisure, a break from a life spent in an office doing paperwork. But how did we end up in this endless cycle of consumption? Why is consumption a lifestyle for so many people? How could such a large societal change be enacted in such a short space of time?

Judging by how quickly capitalist society has accepted and embraced consumerism, it would seem as though humans have an endless capacity to consume, and that consumer capitalism frees us to pursue this natural end. However, I will argue in this essay that consumerism is an oppressive identity and force that makes us desire its oppression. I will do so by opening the discussion of a consumer identity through Jean-Luc Godard’s 1965 film Pierrot le Fou. Following this opening, I will use Pier Paolo Pasolini’s critique of consumerism to show how consumerism acts as a force of social homogenisation, and also apply this critique to Pierrot le Fou. Then I will use the concept of the Young-Girl from Tiqqun’s book Preliminary Materials for a Theory of the Young-Girl to show how the consumerism as a form of social control has developed from the 1960s, and how it has created an identity that engenders more consumption, and therefore a degree of self-oppression. Finally, I will use Gilles Deleuze and Felix Guattari’s book Anti-Oedipus to show how the social and the political directly produce subjects and how desire comes to desire consumption, even if this leads to its own oppression.

Tags Baudrillard, consumerism, Deleuze

2022 Abstracts Stage 3

A philosophical investigation into the enforcement of the veil in The Islamic Republic of Iran.

Post author By Glen
Post date 12 January 2022
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On September 16, 2022, 22 year old Iranian woman Mahsa Amini died in police custody in Tehran, Iran’s capital, following her arrest for wearing her veil incorrectly. She died as a result of the strict enforcement of the veil in The Islamic Republic of Iran, a law which has been in effect since 1983. In this dissertation I conduct a genealogy of the veil in order to understand its development as a moral phenomenon, following the genealogical methodology employed by Friedrich Nietzsche in On the Genealogy of Morality. I examine the relationship between modesty, hair and sexuality in order to determine why the veil is so highly valued in Iran. I adopt Nietzsche’s theory of perspectivism in order to overcome the Western misconception that the veil is necessarily oppressive, and instead argue that it is the Iranian veiling laws which are oppressive. I then analyse Edward Said’s Orientalism, focusing on the ways in which the West has represented the East according to Said, and the implications of Orientalism for Western perceptions of the veil. I suggest the adoption of a postcolonial feminist attitude in order to redefine the problem in Iran as a feminist problem, not a religious one.

Tags Islam, nietzsche, theology

2022 Abstracts Stage 3

What kind of prison do people deserve?

Post author By Glen
Post date 12 January 2022
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Analysing the UK’s contemporary penal system using Marx and Foucault.

Tags Foucault, Marx, prison

2022 Abstracts Stage 3

Predictive Policing in a Society of Control: A Feminist Critique

Post author By Glen
Post date 12 January 2022
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Since the late 20th century, Artificial Intelligence (AI) has been an exciting yet daunting topic of discussion for many disciplines, and within the last ten years, we have seen exponential growth in algorithmic use. In the UK specifically, since 2015, police departments nationwide have begun testing and introducing algorithmic-led predictive policing which uses historical data to recognise trends to predict crimes. Academics across many disciplines have widely acknowledged the potential for these systems to reinforce existing social bias. However, one critical issue has remained largely unexamined by such academics: the ominous implications of predictive policing algorithms for the victims of sexual violence within a rape culture.

This project offers an alternative criticism through a feminist lens of predictive policing algorithms, and delves into the power dynamics exercised in such a society along with the structure of oppression that may come from it. This project further shows that to solve the issue of rape culture, reform of individual beliefs and systemic power structures is needed instead of focusing on predicting the outcomes. Using Foucault’s disciplinary power, Deleuze’s Societies of Control, and Iris Youngs phenomenological and political philosophy, this project concludes that understanding the lived experience of women is the most effective way to combat rape culture and sexually violent crimes, not predictive policing. The relationship between cultural structures and physical embodiment shows that it is only on the individual level that we can deconstruct structures of power that permeate a culture, not through institutions.

Tags artificial intelligence, Deleuze, feminism

2022 Abstracts Stage 2

A Discussion of the Representation of Women in Horror

Post author By Glen
Post date 12 January 2022
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This project seeks to explore the film genre of horror, and within that, its representation of women. With a territory surroudning the representation of women in horror, the objects of this project consist of a selection of horror films, most notably slashers from the 1970’s and 80’s. These include The Texas Chainsaw Massacre I & II, Halloween, Aliens, and the non-slasher Videodrome. The overall aim of the projects was to discover how a genre so fixated on producing an atmosphere of fear from the physical mutilation and sexual assault of women could be anything but negative representation. However, through the researching and writing of the project, it was discovered that, through the exploitation of cultural taboos, the horror provides space for concepts of female agency, inverted male-female dynamic, and critiques of existing gendered issues of domestic violence and the sexual exploitation industry, to be explored in ways which other film genres do not allow. Moreover, horror has always existed as a medium for representation, specifically for women, compared to more commercially and critically successful films have not.
Through utilizing Freudian psychoanalysis, and screen theory, this project dives into the aforementioned films, as to derive how female characters within the films are represented, through their costuming, framing, and overall qualities. In addition, Simone De Beauvoir’s The Second Sex allows an application of feminist philosophy to the project, providing depth to the politically/culturally systemic nature to the representation of women in the broader sense. Furthermore, her reference to the Hegelian Slave-Master dialectic assisted in the analysis of the discussed films.
Other texts used within the project include Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’, Coral J. Clover’s Men, Women and Chainsaws, and Erin Harrington’s ‘Gyneohorror: Women, Monstrosity & Horror Film’.

Tags cinema, Freud, gender

2022 Abstracts Stage 3

Colston and Churchill: A Philosophical Investigation into Civil Disobedience

Post author By Glen
Post date 12 January 2022
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On the back of Britain’s anti-racism movement, arguably civil disobedience is becoming an ever more prominent feature in the protester’s arsenal for raising awareness regarding their social and political agendas. Naturally the project concerns itself with understanding and assessing whether civil disobedience is a necessary attribute in bringing about governance and increasing the potential for change. The project will focus upon the subsequent acts of civil disobedience associated with the Black Lives Matter movement (‘BLM’); the vandalism and the tearing down of the Edward Colston statue (Bristol) and the vandalism of the Sir Winston Churchill statue (Westminster). However, the significance of the project’s enquiry lies within questioning the treatment of these statues and thus the nuances of the discussion are embedded within the statues themselves. These will be analysed through conceptual exploration of property, representation, and jurisprudence.
Whilst recognising that there are some points of comparison between the statues and their treatment, much of the project will target their differences and aim to reach an understanding through wider analysis of civil disobedience itself. Arguably, culminating in an analysis of Colston’s role within the Bristol community versus the role of Churchill within the national community. Consequently, the project will recognise that it is not a simple task of addressing whether the man set in stone was ‘bad’ or ‘good,’ but much rather a more complex exploration of memorialisation and representation.