Category: Abstracts

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2010 Abstracts Stage 2

Depression on the Increase in Britain! Is “Affluenza” a Contributor?

We are truly in a bad way emotionally …Selfish Capitalism is not a good way to run things, if you care about people’s emotional well-being. [Affluenza, 2007]

These are the words spoken by Oliver James in his book Affluenza. In his book James suggests that the virus he names Affluenzais a set of standards which boost our defencelessness against psychological distress: we are now placing a high value on needing money and possessions, we want to look good in front of our fellow man and are coveting fame. James suggests that the studies he has made in his book show not only is the epidemic at pandemic proportions but is also on the increase.

My aim within this project is too show that depression has risen in Britain since the 1970’s. My hypothesis’ will be that because of the “Affluenza”, we are ignoring our natural instincts and desires, we are constantly feeding our ‘Id’ and because we cannot always feed our ‘Id’ we become dissatisfied and depressed.

In 1905 Freud published three essays on the theory of sexuality; these essays were where Freud developed his sexuality theories and also where he put forth his psychosexual development theory. It is important that we understand these theories as we will have a clearer view of how when we are not allowed to develop as Freud said was necessary, that we lose ourpersonal identity and also our social evolution as individuals.If this is correct then the problem is greater than just a rise in depression since the 70’s it also shows us that the future will be very bleak for our future generations as if we now are wrapped up in ‘selfish capitalism’and susceptible to Affluenza, how will we help our future generations to develop?, when we ourselves have been stunted

When James talks of people in his book we notice that these people have many of the above habits which can eventually lead to depression, but the correlation between Freud and Olive’s Affluenzais that by wanting to satisfy our ‘id’constantly because of such things as consumerism we are indeed destroying our personalities and our mental health. We are not meant to constantly satisfy our ‘id’ the ‘id’ works in conjuncture with the ‘ego’ and ‘super id’ according to Freud.

I will Be using Freud, and looking at his psychosexual development theory, to show how when we can become warped as humans if we do not satisfy our needs and are well rounded. I will be using Freud in conjunction with the writer Oliver James and will be referring to the problem named in his book as “Affluenza”. In my Project I will include statistical data to show that depression has risen in Britain. I will also be talking about the impact that “Affluenza” will have on our future generations. We must satisfy our needs and self-reflect, replacing our intrinsic needs with possessions will ultimately lead to our downfall!

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2010 Abstracts Stage 3

Anxiety: Disorder or Not?

Is anxiety a disorder to be eradicated, or a mood beneficial to human life? The aim of this essay is to establish whether or not there is a correlation between Heidegger’s concept of anxiety in relation to the Nothing, and Gadamer’s concept of anxiety as a legitimate, and often misunderstood, mode of knowledge.

Heidegger claimed that anxiety was the gateway to the Nothing and therefore could be used as a path to the answer to the question of being.

Gadamer claimed that mental illness, including anxiety, whilst seemingly treated to the best of a particular period’s abilities, is cast aside as being irrational. In fact, Gadamer claims that the way in which the mentally ill think is to be taken seriously and one must therefore enter into it.

The territory for this essay will be mental illness in our own modern society, as shown by the York Retreat below. I will attempt to show which mental illnesses to do with anxiety are prevalent in our society compared to societies in the past. I will also attempt to show if there are, in general, more cases of anxiety based mental illness in modern society than ever before, for example in the U.S.A. 13.3% of the adult population suffer from one or several forms of anxiety disorders (www.healthyplace.com).

For Heidegger, anxiety is a crucial “original” mood which cannot be entered willingly. He called such experiences “erfahrung”, meaning an experience which is undergone, not chosen. Such experiences are extremely powerful and although not directly life changing, do have an effect on one’s attitude to one’s life.

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2010 Abstracts Stage 3

To What Extent Is Advertising Used to Support the Capitalist Society? In Relation to the Works of Karl Marx, Guy Debord and Jean Baudrillard

Aim: The aim of the project is to assess whether advertising is a central tool to deceive and manipulate the capitalist society.

Territory: In the Modern World the importance of advertising is steadily on the increase, my Stage Three Project evaluates the problems which arise from Advertising within a Capitalist Society. This study shall attempt to analyse the role advertising plays in dictating the masses and its relation to the consumerist capitalist society. I will discuss false advertising and how it targets particular groups of individual, for example young girls in the fashion and beauty industry

A capitalist society was shaped during the 20th century when there was a certain transformation within the system of production. It changed form a society of small decentralised units to one of leviathan International Corporation; this is partly due to increase in advertising as there was a demand from a vaster quantity of consumables. In a capitalist state the political system controls the economy much more forcefully than in the 19th century, I shall be analysing the change Capitalism has had upon the advertising industry.

Philosophical Thinkers

Karl Marx – Critique of Capitalism and his ideas of Commodity Fetishism. Marx’s work refers to the consumer culture characterised by omnipresent adverting and the diffusion of techniques of advertising into all realms of life.

Guy Debord – The Situationist thoughts within his works ‘Society of the Spectacle’, he expresses his central ideas on the spectacle and how to escape the reality of a Capitalist society, which has influenced an increase in Advertising.

Jean Baudrillard – Jean Baudrillard was one of the, combined his work with philosophy and social theory. Being a foremost thinker to critique contemporary societies, culture and thought he has written several works relevant to consumerism and advertising.

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2010 Abstracts Stage 2

Alienation. A Catalyst for Two Great Men

The picture that…….. …….changed a life

The Brechtian Theatre presents;
The Political Ideology of Karl Marx
Starring: Karl Marx and full supporting cast including Hegel & Kant, Engels, Sartre and Marcuse

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2010 Abstracts Stage 3

Do Social Interactions Demand the Abandonment of an Authentic Identity?

During encounters with the Other, one is prone to personality adaptations. Through this inquiry I will be looking at how one can be considered to have one identity as people adopt various personas, in addition to which, my non-philosophical territory will be exploring psychological insights into why these roles seem necessary.

In considering R.D. Laing, it seems that one creates a false self in order to survive in society, and it is distinct from an inner self. Lyotard and Taylor propose that discussions are essential in order to find a sense of self; something to distinguish the self from others, however if one creates a false self to engage with others, what is expressed may not always be a reflection of genuine personal beliefs, as such the authentic self is being ignored in the pursuit to ‘fit in’.

Sartre’s account offers an existentialist approach, and by simply being perceived by the Other one is being given an identity which will differ from person to person due to changes in roles. In which case we have further reason to believe that there is no one identity one can appeal to for an understanding of the self.

To solve this dilemma, I aim to explore Levinas’ notion of the Same as the economy of the Same may be adapted to include social adaptations necessary to relate to the world and others.

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2010 Abstracts Stage 3

Director’s Role of ‘Delivering’ a Play with Heidegger’s Philosophy of Art and Truth

Art enables us to interpret the world around us; just as Philosophy encourages us to understand our being in-existence. This project aims to discuss the way in which the art of theatre encourages us to reflect upon the world through a director’s recreation of reality upon a stage.

Heidegger’s notion of ‘being-in-the world’ and language in his work Being and Time, encourages us as beings to come to terms with the idea of Being, otherwise known as Dasein. From this, we are able to grasp the true nature of our existence.

I aim to pay close attention to the Artistic Director Sam Walters of the theatre in-the-round: The Orange Tree Theatre. Being-in-the-theatre is a process of entertainment, whereby as an audience we are faced with characters and scenarios that touch upon aspects of our own lives. Hence, there exists a fine line between forms of real life and the features of ‘make-believe’.

In order to connect the art of theatre with Heidegger’s philosophy, I aim to explore the concept of Being and art in his work The Origin of the Work of Art and Julian Young’s Heidegger’s Philosophy of Art, both of which consider and examine:
– The ‘origin’ of an art-work.
– The unconcealment of a ‘world’ via the metaphysical relationship between ‘earth and world’; shown through the Greek Temple.
– The notion of truth [Wahrheit] revealed through an art-work.

In order to test Heidegger’s thought on language, art and Being, I aim to discuss Alan Ayckbourn’s farcical creation of Taking Steps; a play that explores modern-day issues such as marriage and alcohol. As an audience, we recognise aspects of a ‘taboo’ subject-matter, but preserve our comfort-zone through laughter.

I aim to conclude, that through ‘being-in-the-theatre’ with Heidegger’s Philosophy, we essentially examine our world; and thus come to terms with the truth of our ‘being-in-the-world’.

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2010 Abstracts Stage 3

Ignoring the Other: an Enquiry into Levinasian Ethics and Child Abuse

For Levinas, the human being undergoes an ethical epiphany when it encounters the human Other. The subject, when faced by the Other, is commanded to respect it and care over it. A parent, when faced with the ethical presence of their newborn child, is called to rise to the responsibility and autonomy this human life demands…

16% of children experience serious maltreatment at the hands of their parents

The aim of this project is to explore ethical irresponsibility and the effects of abusive parenting. It shall argue that the experience of abuse distorts a child’s very structure of being. As such, the abuse victim’s understanding of themselves, their place in the world, and their relation to the Other is corrupted. This corruption can lead to difficulties in placing abuse within the construct of a coherent narrative identity. Similarly, it can effect a victim’s ability to appropriately relate to others as Other in later life.

It shall draw on texts from both Levinas’ philosophical discourse and cognitive research. To bring certain abstract concepts to life it shall introduce case studies of abuse victims.

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2010 Abstracts Stage 3

Art as Free Expression under Capitalism

My overall aim: To determine whether art can be free expression or whether it is always constrained by capitalism’s effects.

My objects: The works of; Antonin Artaud, Bertolt Brecht and the film Fight Club.

Philosophy: Heidegger, Vattimo and Adorno.

The concepts I wish to explore include…

Alienation – Does a film that can be bought and sold provoke, as a result, alienation from its message?

Truth – Can a work under a capitalist agenda still give us the semblance of truth? I will contrast Adorno with Heidegger and Vattimo in addressing this.

Is it necessary to adopt Artaud’s methods of enveloping an audience as described in The Theatre of Cruelty in order to freely express under capitalism? And is this compatible with Adorno’s critique of culture?

By the end of the work I will answer the question of the possibility of resistance of capitalism by art. I will have taken into account the postmodern views of Heidegger and Vattimo and contrasted them with the philosophy of Adorno. At the end I will have determined whether any of the artists mentioned have produced any works of originality or if, under capitalism, this is merely an illusion. I will also determine whether a film like Fight Club can be seen as original in its criticism of capitalism.

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2010 Abstracts Stage 2

Unmasking the Hero: Re-Evaluating Heroic Morality with Reference to the Graphic Novel Watchmen

The object concerning my project is the comic book character The Comedian. In my project I want to investigate how The Comedian can be considered to be evil by conventional morality and yet referred to as a hero. The main objective of my project will be to argue that although the Comedian acts beyond conventional morality, his label as a Hero is very much deserved. He is the epitome of what a Hero should be and so beyond normal considerations.

In my project two other characters from the comic book will also be discussed, Rorschach and Ozymandias, both of which illustrate two alternative moral systems. Rorschach takes on Kant’s Deontological value system that argues for universal morality known as the categorical imperative. It is obvious in the end that due to Rorschach’s moral inclinations he is not able to function as person let alone a hero. Ozymandias on the other hand illustrates Mill’s concept of Utilitarianism. Ozymandias justifies his actions in killing millions of people by arguing that it is for the greater good. Is the sacrifice too great? If it is ever discovered what he did would he still be considered a hero? Both these moral systems are considered to be socially accepted conventions. However I will argue that although they may be acceptable for general society, it is inadequate for a Hero to use either of these moral systems.

Unlike the other “Heroes” Rorschach and Ozymandias, the Comedian’s value system is over and above conventional social morality, he is the creator of his own values. The Comedian accepts that life is absurd and that society is not as civilised as we think it is and so he acts accordingly as the hero we need rather than the kind of hero we want. The Comedian utilises Hegel’s concept of the right of heroes to be the lawgivers in an uncivilised time. They are granted the right to do whatever is necessary to establish a civilised society.

The Philosophers and concepts
Machiavelli – The Prince
Nietzsche – The Overman
Hegel – World Historical individuals
Kant – categorical imperative
Mill – Utilitarianism
– The Eternal Return
– The Rights of Heroes

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2009 Abstracts Stage 3

The End of an Era? Modern Culture in an Age of Apathy

Project Aims: To investigate the evolution of apathy  and the changing attitudes toward it over time –  from the Stoics to modern culture. Has an era  ended? Was the era of positivity towards apathy  correct, or modernity’s negative opinion?  What  does it mean to be individual today? 

Object: Apathy 

Concepts: Politics, Social development, the Culture  Industry, the Last Man, the Other. 
 
Change/contrast:  historical contrast between  the Stoics, the Christian  theologians and modern society  

Thinkers: Adorno, Nietzsche, Levinas 
Adorno – the Culture Industry as a cause 
Nietzsche – overcoming the Last Man 
Levinas – Do we need to focus upon something ‘Other’ than  ourselves to overcome our apathetic age?  

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2009 Abstracts Stage 3

In Braveheart we see Men Willing to Die for Freedom: is Freedom more than just a Concept?

Territory: Braveheart the 1995 film by Mel Gibson. Focus: William Wallace: I *am* William Wallace! And I see a whole army of my countrymen, here in defiance of tyranny. You’ve come to fight as free men… and free men you are. What will you do with that freedom? Will you fight? Concept: Freedom / Free will. What I will do in this project: I intend to look at the concept of freedom and free will. In the film Braveheart we see William Wallace lead the Scottish people in an uprising against the rule of King Edward I. Edward took over Scotland when the Scottish king died without an heir giving Scottish lands to English lords: such behaviour led to an uprising in Scotland as lower class took on the English armies in a bid for freedom. Freedom is so important people will give their lives for it. I explore the Kantian notion of the transcendental self, he believed that our purpose was to be rational with intrinsic value because of our ability to reason. This ability to reason sets us apart from all other creatures. This ability to reason is only possible if we are autonomous, because how can we make rational decisions unless we have free will. I will then counterbalance this view with reference to Karl Marx. Marx believes our nature is shaped by a social structure that rests upon an economic base. This means we are therefore determined by economics, freedom is restricted by the means of production, and we can only have any semblance of freedom if we can afford freedom.

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2009 Abstracts Stage 3

‘Mountains of the Mind’. Leisure, Thrill and the Nature of Human Existence

Object/Territory: I chose to study the sport of mountaineering with reference to the historical development and change in attitude towards it. I essentially wanted to provide a philosophical explanation behind the reason people take part in such a high risk sport.

Philosophers and Concepts: Immanuel Kant and Burke- The Theory of the Sublime Jean- Paul Sartre- Existential Freedom and Authentic Existence. Vertigo Theory. Martin Heidegger- Dasein, Being-towards-death.

By using the above philosophical concepts I intend to explain what makes mountaineering so appealing to the human mind and how these attitudes have changed over the course of time. I will take into account the history of the sport and the changing attitudes that have resulted in the change from a leisure activity to one that seeks a deeper, more satisfying thrill factor concerning human endurance. Ultimately I want to demonstrate that mountaineering provides fundamental experiences that are vital to the human condition and to our sense of self-understanding.

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2009 Abstracts Stage 3

Exploring the Philosophy of Heidegger through the Work of Samuel Beckett

In my project, I will use Beckett’s work, including novels, short prose, drama and critical essays, to explore and challenge the work of Heidegger. I will explore Heidegger’s philosophy, in terms of his views on the way people exist in the world, their perspectives and the nature of truth and knowledge, with a particular focus on his ideas about art. I will use the style, mediums and characters of Beckett to explore how valid these ideas are for the modern world, particularly after the atrocities of the Second World War. I will focus particularly on Heidegger’s condemnation of art in the modern world, exploring its validity. I hope to show that Heidegger’s ideas, though often persuasive and enlightening, are inapplicable to a modern world in which subjects and communities are simply not the coherent and well-integrated wholes he hoped for. Following Beckett, I will explore the precarious, impotent, tragic and confused nature of existence, resolvable, perhaps, in death.

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2009 Abstracts Stage 3

Leaders or Victims, a Fickle World of Fashion

Karl Marx: Here, fashion is nothing but ideological apparatus utilised by the capitalist system in order to manipulate the working class. I have linked these ideas with the collapse of the designer brand ‘Thomas Burberry’ whereby the infamous pattern was adopted by the lower class ‘chav’ and a decline in stature equated with a decline in sales. Deleuze and Guattari: I have drawn on the notion of ‘minor politics’ and art as a ‘becoming’. In a more positive sense, the punk sensation of designer Vivienne Westwood has, as an art form, generated a revolutionary community culture. There exists an issue that fashion is a trivial subject. I intend to challenge this misconception and show how this phenomenon can directly affect our society. I have further deconstructed the ideas of these thinkers and introduced the work of Hans-georg Gadamer, as offering an alternative approach and a distinction between fashion and taste.

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2009 Abstracts Stage 2

A Case for Humanism – what would be the more moral world to live in? One that adhered to the ideals of Humanism, or one that followed organized religion?

In my project I shall explore whether Humanism would set out a better form of morality for the world. I shall examine this with reference to Pico Della Mirandola, who founded renaissance Humanism and who firmly believed that Humanism and Religion could live side by side, and Bertrand Russell, whose philosophy emphasises the importance of scientific empiricism. Humanism is a branch of ethical philosophy that aims to emphasise the importance of human beings being able to determine their own ends. Humanisms rejects the need for belief in religion, and prescribes the worth and dignity of all human beings. Humanists believe that beliefs come from our values, which are determined by our life experience. This life experience can be drawn upon and used to create morals that bring about the dignity of human being’s, and the use of empirical investigation to discover facts about the world around us. I will explore whether religion is to blame for religious hatred and wars. For my case study, I shall examine the religious war in Palestine, between the Palestinians and The Israelis, for occupation of the ‘Holy Land’. I shall explore whether this is a ‘just’ war and whether Humanists would call accuse this war of being unfounded and unjust. Furthermore I shall investigate how Humanism defines spirituality and morality without religious doctrine and whether following Humanism can be spiritual rewarding. I shall also explore: • The History Of Humanism • Life without God • Life without Religion • The Problem of Religion • Morality and ethics of Humanism

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2009 Abstracts Stage 2

Is Art a Result of the Effects of Culture or is it Entirely Free Expression?

Do events in society affect artists in such a way that it is clearly reflected in their work, or is their work completely individual? In my project I look at the Abstract Expressionist movement, in particular Jackson Pollock. My main focus is the effect WW2 had on Artists in America and how Abstract Expressionism emerged as a result of it. I look into the government funding behind the movement and the postwar mood of society. Jackson Pollock is an interesting focus point because not only was he an alcoholic who suffered from depression but his art works, particularly his drip‐paintings, were extremely emotional and well documented. I centre my attention on the drip‐painting era because they demonstrate his connection with his art, his technique was controversial and the result seemed thoughtless and chaotic to some critics. To establish what is to be considered aesthetically pleasing, I will be looking at Kant, this covers how we perceive things as human beings and how our desires and preferences affect what we consider to be beautiful. To explore this idea I am going to focus on Kant’s concept of beauty, where he believes what we perceive as beauty, can be nothing other than subjective because it is the individual’s taste. In essence my project analyses art aesthetically, from both the artist and the people’s point of view. The influences surrounding artists at the time shows how art can be an inevitable result of mass emotion and therefore its popularity does not relate to how aesthetically pleasing it is.

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2009 Abstracts Stage 3

Nursing Ethics: the Changing Role of the Nurse

Territory: Nursing. Object: The role of the nurse. Concepts: Informed Consent, Paternalism, Autonomy Change: The role of the nurse over time. Thinkers: Kant, Mill, O’Neill, Foucault, Gadamer. Questions I am going to Consider: Does the paternalistic role doctors and other medical professionals used to take have any ethical basis? Is the more recent move towards advocacy and partnership more ethical? Should informed consent be compulsory in every situation? Which is more important: autonomy or welfare? Sources: Mill, J.S., On Liberty, 1903, London: Longmans, Green and Co.; Gadamer, H-G., Truth and Method, 1975, London: Continuum; Gillon, R., Philosophical Medical Ethics, 1985, Chichester: Wiley; Fairbairn, G. and S. (ed.), Ethical Issues in Caring, 1988, Aldershot: Gower Publishing Company Ltd.

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2009 Abstracts Stage 2

Can the Practical Application of Reason Generate a Utopia?

Inspired by the 1980’s setting of Alan Moore’s epic superhero tale, Watchmen, we consider reason and its practical application for the purposes of generating an ideal society. How ideal do we find such a setting? Has utopia been achieved? And if not, what hinders such progress? We centre on Kant’s philosophy which considers the realisation of Utopic conditions via applied rational thought, contrasted to Hobbes who considers the nature of man before rational application. Furthermore, if utopia is desirable, what would be the means to achieve such? To consider such we turn to the Utilitarian actions of Ozymandias!

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2009 Abstracts Stage 2

How are Situationist Principles Portrayed in Modern Film?

The films ‘Pierot le Fou’ and ‘La Chinoise’, directed by Jean-Luc Godard, can be said to demonstrate ideas and principles associated with the situationists. These include the society of the spectacle, commodification, and an overall idea of spontaneity. The society of the spectacle is an idea that was developed by Guy Debord, the leader of the situationist movement. It means that our modern society (post-Second World War) governs the lives of its constituents. One can no longer live freely and directly, but is lived through by the mass media. This ties in with the idea of commodification, whereby everything we know has a monetary value set upon it. We cannot help but view everything in this way, and we constantly desire these commodities. The ideas of Guy Debord have origins in the ideas of Hegel and Marx. Firstly, Hegel’s idea of Mind had a particular impact on Debord, as it did on Marx. Hegel claimed our individual minds are connected to the universal Mind. His ‘Phenomenology of Mind’ traces the Mind from a state of consciousness (but unaware of its universal nature) to self-consciousness, or self-awareness. Similarly, when we come into the world, we have consciousness but not self-consciousness. We are given ideality for our consciousness to find meaning; we must “realise this ideality” in order to reach self consciousness (Hegel 1979).
Marx, and other Young Hegelians, converted Hegel’s universal and transcendental Mind to ‘Universal Mind’, meaning the collective of all human minds. Now the story of Mind becomes “path to human liberation” (Singer 1980). Marx also used Hegel’s critique of religion as alienation. The ideas of Feuerbach and his grounding of Hegel’s ideas also intrigued Marx. Feuerbach inverted Hegel’s philosophy, making the finite world the origin of philosophy, but keeping the idea of religion as a cause of alienation. Marx then applied the same inversion to Hegel’s political philosophy. In his publication ‘On the Jewish Question’ he states that it is not the fault of the Jews if they covet money, but of society. Society should be changed in order to eradicate such suffering. We now see the shift from religion to society and money as the chief causes of alienation. This had great impact on Debord and his idea of commodification. He claimed that only by living authentically, by taking one’s life back from the spectacle can one break the fetters of commodification and the alienation caused by money. These ideas are portrayed in Godard’s films, particularly Pierot le Fou, as Pierot and Marianne reject all material possessions such as clothing, cars and money, all things the spectacle seems to tell us we need on a regular basis. There is also spontaneity in the films, as the script does not flow as it would in a typically modern film, but changes between subjects and contexts, often making little sense at all. This is to awaken the audience to the idea that they do not have to adhere to conventions. By contrast, modern films such as ‘American Beauty’, directed by Sam Mendes, does adhere to such conventions, as it is a film that attempts to portray situationist ideas, but fails. It seems the ideas themselves have been made fashionable and swallowed by the spectacle.

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2009 Abstracts Stage 3

Dying in Denial: the Industrialisation of Death in Contemporary Society

For my stage three project I have decided to explore the industrialisation of death in our current society. My examination begins with a look at the gradual change in the perception of death, from the classical age to the modern day. By taking a genealogical approach to this historical change I am able to identify the specific reasons for these changes and reflect upon what significance these changes have on the perceived meaning of death. Beginning with the role in which death played in the Classical Age, I examined how death was once understood as a harsh reality of life to which everyone was made aware through events such as the bubonic plague and the limitations in medical knowledge. After which I explored the gradual development of anatomical pathology in the modern age and the effect that demography, pathology and sociology had and currently have on how death is now approached. In particular I looked at the importance that has been placed on defining death in terms of its physiological cause and the implication that this definition has on each of the specific areas of study I have mentioned. By understanding the changes that have occurred between these two points of history, I highlight the key issues that are involved in the industrialisation of death and what exactly this means in relation to our individual approach to death and our common understanding.

Following this I introduced the philosophical theory of Martin Heidegger and his explanation of death in relation to his phenomenological task to uncover true meaning in ‘Being and Time’. By setting out a brief explanation of how Heidegger attempts to understand the meaning of being in general through human experience, I examine the significance that death has in making possible the discovery of true meaning. From this I moved onto Heidegger’s later work, ‘The Question Concerning Technology’ and his thought on the role of technology in the pursuit of understanding being and the distinction he makes between authentic and inauthentic perception. It is at this point where I applied the issues I raised, in the study of my concept, to Heideggerian theory and translate what effect the industrialisation of death has had on the authenticity of understanding the true meaning of death in the modern day. In conclusion I offered a personal insight to my opinion on the impact that contemporary society has had on our perceived meaning of death and what significance this has to our eventual confrontation with death.