An application of Nietzschean and Bataillean philosophy to the music of Lana del Rey and The Stooges, in order to investigate whether music has the capacity to be transgressive. Specific use of Nietzsche’s concepts of the Apolline and Dionysiac with Bataille’s philosophy of transgression which includes erotism and expenditure.
Category: Abstracts
This research paper seeks to answer the research question of “what are the implications of actors playing roles with a different sexual orientation to their own?”. To do this the objects of Armie Hammer’s performance as Oliver in Call Me By Your Name, and Rupert Everett’s Performance as Sir Arthur Goring in An Ideal Husband are applied to Sartre’s notion of authenticity and Butler theory of performativity. Sartre’s notion of authenticity is used to assess the implications to the authenticity of an actor’s performance when playing a character with a different sexual orientation to their own. Butler’s theory of performativity is used to assess the implications that performativity has on performances, specifically performances where actors play roles where their sexual orientation is different from the character they play.
Should one exercise their right to freedom or remain within an authoritative state to maintain security? Through exploring the notions of positive and negative freedom in relation to protagonist Eren Jaeger within Attack on Titan, it was found that his use of positive freedom was manipulated into fuelling his own agenda for freedom. Ultimately, one should exercise their right to liberty as long as it does not undermine the freedom of others.
This project aims to explore the nature of offensive humour, using readings of W.E.B Du Bois’ theory of ‘double consciousness’ (a duel perspective originally felt by black Americans) as well as the three laughter theories (as told by Hobbes, Kant and Freud) as a framework for presenting the main arguments regarding taboo topics within the comedic realm, these being 1.) in support of censorship within humour, with the exception of oppositional satire from the oppressed, and 2.) in support of a freedom within laughter and comedy, as per their supposed nature. I aim to ultimately offer a new perspective regarding this argument, expanding on ideas seen within my chosen concepts.
OBJECT: Offensive Humour and laughter as a response, and how this may link to censorship/freedom of speech
TERRITORY: Ethics. (Analysing whether offensive humour is ‘right’ to use)
CONCEPTS: Interpretations of DuBoisian ‘Double Consciousness’, laughter theories (as stated by Hobbes, Kant, Freud)
• This project will place the film ‘Sorry We Missed You’ (2019) within the territory of biopolitics, in order to understand the relationship between the worker and their employer.
• ‘Sorry We Missed You’ is a film set in Newcastle-Upon-Tyne, following the Turner family where parents, Abby and Ricky, work within the gig economy.
o Abby works as an outsourced, in-home care worker.
o Ricky is a delivery driver, mockingly referred to by his son as a “white van man”.
As a contemporary film, this project shall be contextualised against the backdrop of ‘Capitalist Realism’: the pervading atmosphere that capitalism is the only possible economic system.
• Workers that are self-employed or are on zero-hour contracts are referred to as ‘precarious workers’.
o Precarity is anxiety that lacks a definite object.
• Paolo Virno empirically observes these workers to contain the qualities of opportunism, fear and cynicism.
o These qualities alienate workers from their social ties as their morals are uprooted and knowledge is fixed to capital, creating ambivalence.
• Ivor Southwood’s first-hand account of this sector echoes Virno arguing that workers suffer from inertia as they can no longer separate work from their private life.
• The relationship is biopolitical as the relation between worker and employer is constituted by the originary bond of sovereignty to bare life.
• Over the course of the film, the bare life of the worker is demonstrated by the violence and exploitation exerted towards Abby and Ricky, for the goal of maximising their bodies potentiality to gain capital for their sovereign employer.
This essay explores the possibility of fusion, of becoming one with Siva, as it is expressed in the Vacanas (poems) of a 12th Century Siva devotee: Mahadevi. Considering the writings of Emmanuel Levinas and Jacques Lacan we can ask what it means to be liberated and to fulfil one’s desires in this way. Critically, we begin this essay with Levinas and discuss his conception of the self; how this self comes to be in relation to the other, and how freedom is to be understood. Following Levinas we investigate the notion of desire for Lacan, which requires a look into the Oedipus complex and the object petit a. In the final section of this essay, we attempt to find the position of Siva in relation to the subject and question whether fusion is finally possible. This will respond to what has been so far discussed in the hope of showing that Siva is not a being but is representative of the subject of my subjectivity – Levinas’ infinitely other – which is only attainable by being a self for the Other.
For my project I’m going to be exploring the concept of taxation with reference to the philosophies of John Rawls and Robert Nozick.
– I’ll analyse Rawls and Nozick’s conceptions of justice and how these apply within a state.
– I’ll apply Rawl’s principles of justice to the current tax system to argue that reform is necessary.
– Further I will attempt to dismantle Nozick’s conception of justice and taxation to show it does not go far enough.
– I’ll consider the specific reforms to income and inheritance tax that can be made to move the UK closer to a Rawlsian just state.
– The current taxation system in the UK will be central to my argument, but reference will be made to the tax system post WW2.
Simone de Beauvoir (1908-1986) was a French existentialist philosopher and a leading figure in the second-wave feminism movement. Beauvoir’s seminal book The Second Sex (1949) is widely considered as the first major study of women’s oppression in contemporary western feminist theory. The aim of my project is to examine Beauvoir’s central ideas in The Second Sex and subsequently demonstrate the topicality of Beauvoir’s manifesto on the feminist movement today.
Life in La Esfera Doméstica: A Philosophical Exploration into the Role of Women in Spain During and After The Francoist Dictatorship.
Is rewilding compatible with veganism? Rewilding is a conservation effort which can contribute to the efforts of solving climate change. Due to the use of animals in rewilding, it raises questions for ethical vegans and so my territory is animal ethics. Through axiological critique, I intend to consider veganism from a deontological, consequentialist and virtue ethicist point of view and determine which is the best approach for practical matters, using rewilding as my object.
My project is an investigation into the ways in which the representation of women in politics by the media objectifies them and poses barriers to their success, this is explored through my key philosophers of Martha Nussbaum, Rae Langton and Kant who each propose a variety of forms of objectification. The way in which these notions of objectification impact the success of female politicians is demonstrated through empirical evidence of key political figures such as Jacinda Ardern and Angela Merkel. Through this investigation I reach the conclusion that the institutions of the government and the media are based on a patriarchal power imbalance and need to be reformed in order for women in politics to succeed without the harm of objectification.
This project will endeavour to explore the corrosive social effects of greed and capitalism. The territory is the subject of capitalism as a political and economic system as presented throughout history and also currently. The 2007 film There Will Be Blood (directed by Paul Thomas Anderson) is my object through which I shall spring the discussion of my project from, exploring the questions throughout and what they mean for us. I am using the works of John Locke (primarily his Second Treatise of Government) and Karl Marx (primarily his Philosophic and Economic Manuscripts of 1844). Locke explores the human right of private property and how one rightly comes to have ownership, and Marx explores the disproportionate and devastating relationship between capitalist and labourer and how such a relationship and work brings about alienation and estrangement from labour for the labourer. I shall compare the two philosophic ideas of Locke and Marx with reference to There Will Be Blood.
An investigation into the relationship between internet surveillance and panopticism, and how this impacts the identities of internet users.
Case Study – The Golden Shield Project: An in-depth look into China’s strict surveillance system and how it’s panoptic nature impacts Chinese citizens.
Key Theorists
Michel Foucault: Foucault provides a theory of surveillance that explains panopticism and demonstrates how constant surveillance, such as that seen on the internet, can be used as a tool for political power and oppression.
Discipline and Punish: The Birth of the Prison (1975)
Zygmunt Bauman: Bauman explains why identity has become such a large issue in late modernity and why an identity is difficult to cultivate in the digital age, relating to internet surveillance and censorship online.
Identity (2004)
The issue of whether we can, and should, separate art from the artist is perennial. This project considers the question of separating art from the artist and assess the effects of commodification of art in respect to it. Looking at competing ideas of artistic interpretation and focussing on the approach of historical materialism, this project presents a Marxist view of art and places commodification at the centre of the issue. This project considers Adorno and Horkheimer’s contributions to the subject in the form of their theory of the Culture Industry.
This project found that the effect of the commodification of art was the separation and alienation of the artist from their art. It suggests that this separation and alienation is a necessary feature of production in capitalist societies. The concept of autonomous art is presented as a potential solution to this problem, being defined by its functionlessness and the idea that it cannot or is not commodified.
• My project shows the fundamental racism in the American judicial system that mirrors the attitudes of colonial times.
• Primarily using philosopher and psychiatrist Frantz Fanon and his book, The Wretched of the Earth, I show the link between colonial and judicial racism and how prejudice from the past is still alive today, and how this could have happened.
• The wrongful conviction of the ‘Central Park Five’ is my key case study as it reflects the broken system that colonialism upheld.
• I also address other matters of judicial racism in different countries as it is a worldwide problem, with reference to some other philosophical views and relations to Fanon.
• In exposing the issue, I address the changes, Movements, and positive progression that continues to eliminate racism from the world.
• However, I also highlight the remaining systemic and societal racism and how much more needs to be done to cure the sickness that it is.
• I found Fanon’s philosophy truly engaging, the more informed about the horrors and persecution of colonialism I became, the more my interest in its history grew as I still wonder how humanity can be so inhumane.
This project will be looking into the representations and models of beauty with a view of understanding whether they are inherently oppressive or liberating. The beauty industry along with the media industry have advanced in such a way that we see a correlation with the rise of beauty standards and a decline in mental health in women (and sometimes men) in society today. Furthermore, it will be Investigating as well as arguing whether the beauty industry is truly corrupting the minds of the younger generations or whether they are aiding the younger generations in finding their liberation. The findings showed that mental health is suffering greatly amongst the youth and there are numerous statistics to show links to social media platforms, especially those promoting vanity. Even conservative countries like Saudi Arabia give crucial priority to the western industrialised culture and hence embark on the westernised criteria of beauty standards. The philosophers touched upon in the project including Georg Hegel, David Hume, as well as influential feminist thinkers like Kathy Davis and Kathryn Morgan have demonstrated that the underlying deeper motive for women’s bodies undergoing so much exploitation is all a consequence of wanting the approval of the male species.
My project seeks to chart out an account of Dewey’s philosophy of education, relating to its practical application in the work of Lipman. I then present various current trends in the way that learning environments have changed both over the past few decades with reference to technological development, and in the last year with reference to the coronavirus pandemic. Ultimately, I argue that the main thing preventing a realization of Dewey’s democratic ideal is ‘datafication’, the phenomenon of reducing educational efficacy to quantifiable metrics and abstract information. Due to the insistence of Dewey and Lipman on education as a facilitation of meaningful experience, I hold, datafication makes the manifestation of any true practice of Deweyan pedagogy impossible.
The object of this dissertation is artificial intelligence (AI), and in particular it concerns AI risk or AI safety. I argue for the veracity of Bostrom’s orthogonality thesis (2012) – contextualised with reference to Hume’s (2007) is-ought distinction – and instrumental convergence thesis (developed initially by Omohundro (2008) in terms of the “Basic AI Drives”). In combination, what these theses show is that the default outcome of advanced AI (AGI and ASI) is existential catastrophe, and thereby the importance of ensuring that the value systems of advanced artificial agents are human compatible. I consider two main approaches to the value alignment problem – direct specification and value learning – and point out the flaws in each. While this project does not offer its own approach value alignment, the central concern of AI safety, it does emphasise the necessity for AI research to undergo a perspectival shift and focus on the search for one. The AI community should, that is, be concerned foremost with AI safety rather than AI capability.
This project aims to establish if cryptocurrencies are liberating, offering more political freedom. It will also consider if they’re a positive development for society. To do this it will answer several questions. Firstly, it will define what cryptocurrencies are and introduce key examples. Then it will consider if cryptocurrencies can be understood as money. By presenting a genealogy of money and following how money has evolved it will demonstrate how our intuitive understanding of money is flawed. Money is a social institution, used to represent credit as Henry Macleod suggests. It will discuss the social ontology of money further, introducing the works of John Austin and John Searle. This will demonstrate that money isn’t something inherently valuable, rather it’s an object with an assigned function that society holds a set of beliefs about. Therefore, digital tokens or cryptocurrencies could function of money. However, they’re lacking the trust money requires to be credible. This project will then question why we don’t trust cryptocurrencies. It will consider why we trust the currencies we use today. Ultimately, governments establish this trust, and they are put in a position to do this via the social contract. Cryptocurrencies have no links to governments and therefore lack this. However, by discussing monetary policy this project will demonstrate how governments take their power and control further, manipulating our spending to reach their own targets. This project will question if this could be the reason why governments vilify cryptocurrencies, are they doing this to maintain their own power? This brings us to our last question; can cryptocurrencies liberate us from this control? It will consider the possibility of establishing a techno-Leviathan. Could placing an automated self-sustaining system as sovereign grant us more freedom. Ultimately, this project will conclude that this would be politically liberating. Cryptocurrencies remove third parties from monetary exchange, limiting their control and granting an individual more freedom.
The study of death has been looked into in both scientific and theological terms. Something I wish to delve into is the philosophical discussion regarding death as the reason for human significance.
By using the works of thinkers such as Martin Heidegger, Karl Löwith, and Karl Marx, I aim to discuss and compare the variety of ways in which death derives or disproves humanity’s ’innate’ purpose.
Death is presented to do this in Heidegger’s ahistorical argument through the death of nature– i.e. the death of our external world and the individual– in comparison to Löwith’s historical argument regarding secularised eschatology.
Marxist ideology and literature is considered throughout as this best relates to modernity.