Category: Stage 2

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2010 Abstracts Stage 2

When Is Excess Too Great?

When is excess too great?

Due to anthropocentric approach to nature, a false conception of “progress” has been implemented which continues to push the boundaries of sustainability. With an unessential form of expenditure taking hold, a Society of the Spectacle is formed, in which essentials are abused to produce the unessential. If there is to be a change against unessential excess, is a reduction in population necessary?

Mill argues that a child should only be conceived if sufficient means can be provided.

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2010 Abstracts Stage 2

In an Age Reliant upon Technology and Machines, Is Artificial Intelligence Currently Possible?

The Aim:
The aim of this project is to discuss the likelihood that machines are, by the standards of the Turing test already intelligent, or indeed are ever likely to be able to be described as being intelligent. Is it a problem with the Turing test if they cannot be described as intelligent? Or just something that machines lack?

Territory:
The territory is the realm of artificial intelligence and computers.

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2010 Abstracts Stage 2

Men Have Pumpkins for Heads … or Are Made of Glass. Autism: How Does It Fit into Our Society?

Objective/ territory: To analyse how autism fits into our society and deconstruct our self- constructed ‘social norms.’ People have wrong conceptions based in historical comprehension.

Sources: Michael Foucault (Madness and Civilisation), Jacques Derrida (Writing and Difference), Descartes (The First Meditations).

Project outline: I aim to provide an understanding that autism does not necessarily fit into either category of reason or non- reason. Through analysing the philosophers named above, I will investigate the truth or validity behind our self-constructed ‘social norms’, and whether or not we hold a true account of what is considered to be reason and non-reason. Questions will be addressed such as where do we draw the line of separation between reason and non- reason? Is there such a thing as reason and non-reason? Where has our idea of normality been derived from? And who has the right to decide what is normal?

Through a method of deconstruction, I aim to scrap the system and prove that society should be constructed in such a way that rejects any notion of social hierarchies.

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2010 Abstracts Stage 2

From Viral Advertising to Corporate Personhood: Does the Corporation Walk Among Us?

The object upon which my project will be based is the corporation.

The context in which I will explore the corporation is viewing corporations with the framing of an individual.

Although corporations are what the name implies, a group of individuals working together towards the production of profit; corporations share many attributes that an individual holds, including corporations being seen as ‘legal persons’ in legislation.

Therefore, to what extent is an individual human and a corporation the same as one another or different?

To explore this idea, I will use topics such as;
• Aristotelian virtue ethics – can corporations have traits and characteristics which deem them to be virtuous?
• Hegelian social ethics – how can corporations function ethically within a social whole and guarantee ‘recognition’ to stakeholders and employees?
• Social contact theories – taking Hobbesian social contact theory and applying it to the corporation
• Prevailing thoughts in the newly developing field of business ethics

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2010 Abstracts Stage 2

Sex for Sale: an Investigation into the Ethics of Prostitution

Known as the world’s oldest profession, prostitution has always been present in society. However, the moral viewpoint regarding prostitution is not so consistent, the act being legal and regularised within some countries and punishable by death in others.

The aim of my project is to therefore attempt to find an answer to the ambiguity which surrounds the morality of prostitution. Looking only at a case of prostitution between two consensual agents – as any other example would clearly involve an inherently wrong violation of freedom – I will examine prostitution in the light of three prominent moral philosophical theories:

• Utilitarianism
• Kantian Ethics
• Hegelian Ethics

The choice of these particular theories is not only because they are notable moral arguments but also because they are very diverse theories.

This diversity consequently allows a balanced and thorough investigation into the morality of prostitution.
With regards to Utilitarianism, I will study Bentham’s ‘hedonistic calculus’ and Mill’s ‘greatest happiness’ and ‘harm principle’.

The application of Kant’s ethics means a study of prostitution under the categorical imperative.

Finally, prostitution in relation to Hegelian ethics involves an exploration into freedom and the societal values which can uphold this freedom.

Ultimately, I hope to reach a credible conclusion as to the morality of prostitution answering pertinent questions such as, does sex have an inherent special quality which should disallow it to be used as a commodity? And can the legalisation of prostitution ever be considered worthwhile for society?

‘Prostitution testifies to the amoral power struggle of sex…. Prostitutes, pornographers, and their patrons are marauders in the forest of archaic night.’ – Camille Paglia.

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2010 Abstracts Stage 2

How Deceived Are We by Our Own Mind?

The aim of my project is to explore the tricks (problems) the mind plays on us and how a technique can overcome that problem. I would use Freud to explain the problem of the mind and use a Derren Brown technique which could overcome that problem. I will also show how they both share some similar views in certain areas. So do you know how deceived you are by your own mind?

Here are a few areas I will explore.
• I will explain Freud’s theory on forgetting ‘Proper Names’. I will then suggest a technique by Derren Brown which could overcome this. In this case, a technique called ‘Remembering Names’.
• ‘Forgetting Names and Sequence of Words’ by Freud can be related to the ‘Linking System’ by Derren Brown. This technique allows you to move onto the next word without any worries.
• A view which Freud and Derren Brown share is on superstition and the supernatural. They both disapprove of it. Derren Brown’s controversial programme, the Séance showed his rejection of the supernatural through psychological experiments which shows the illusions of it.

I shall use Freud’s book Psychopathology of Everyday Life to explore the problems of the mind. For Derren Brown, I shall use his book, Tricks of the Mind, and include his programmes as well, such as Trick of the Mind, Trick or Treat, and the Séance.

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2010 Abstracts Stage 2

Entertainment and Education. Audrey Hepburn and Friedrich Schiller: Artists and Teachers

Audrey Hepburn is synonymous with the glamour, style and beauty of a bygone age. Her films have a lasting appeal and are as popular today as they were when they were released in the late 1950s and early 1960s. They gave hope to a world which was recovering from the Second World War and offered an escape to a generation.

Escapism into art, be it music, fine art or cinema is something which is done by all at certain times in life. There is something about the arts, in particular films, which invites us to lose ourselves in the moment and forget our reality.

The concept of the betterment of man from art is not new, dating back to the writings of Romantic poet and thinker Friedrich Schiller, who believed that society’s ills could be remedied through the arts.

Through the writings of Schiller, I intend to study the ways in which these films, as an example of art, can help and improve man. The films which I employ are amongst my favourite and are studied in terms of their plots, script, costume and locations to highlight the notion of aesthetic education.

The personal connection these films have with individuals is key and so my recollections and those of others will be studied in order to show that these films, and indeed art in general, have a greater purpose than mere entertainment.

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2010 Abstracts Stage 2

Absurdity and the Apocalypse. Meaningful Existence in a Dying World

Mankind has long held a kind of morbid fascination in the prospect of its own demise, and with that of the world as a whole. The apocalypse – the cataclysmic end of all life on Earth – has frequently been a subject of film, art and literature. In my project, I intend to investigate one such literary instantiation of a world subject to just such a cataclysm – the bleak and ruined existence described in Cormac McCarthy’s ‘The Road’ – with regard to the philosophy of the absurd, as found specifically in the works of Søren Kierkegaard and Albert Camus.

When faced with the absurdity and meaninglessness of our existence – by the tension between our intuitive feeling that our lives have meaning, and our inevitable failure to find it in the world – we are plunged into nihilism.

The absurd man has recourse to three possibilities upon his experience of nihilistic feeling; faith, defiance, and suicide.

Through an investigation into the absurdist thought of Kierkegaard and Camus, and with reference to the world imagined in The Road, I intend to show existence in the post-apocalyptic world to be the ultimate embodiment of the absurdity of human life; that in this Godless world, where death is an experience one cannot stop living, and where nihilism is substantiated, inescapably, by existence itself, we find the true essence of our being, and the true nature of our attempt to give a point to our lives.

I intend to argue two things; one, that our world and the post-apocalyptic one are, in terms of human meaning, identical. And secondly, that despite the absurd nature at the core of human existence, our lives can still be worth living.

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2010 Abstracts Stage 2

Falling Asleep Consciously – a Quest for the Truth

The subconscious mind stores vast amounts of information on what we have experienced in our lives. When in a lucid state, a dreamer becomes aware that he is dreaming. In this state he has greater access to his subconscious. Is it possible to understand our waking reality more clearly, by harnessing our subconscious memories?

To explore this idea, I am, primarily, going to be focusing my discussion around the philosophy of Immanuel Kant, namely his works on knowledge and reality, with the psychology of Stephan La Berge, including his work on lucid dreaming.

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2010 Abstracts Stage 2

Commodification: Has It Tarnished the Beautiful Game?

• Historically, sports existed ‘to promote aretê or human excellence which could be applied to almost any endeavour in life’.
• Contemporarily, the market forces of Capitalism have taken over and money has become the primary objective – football is the greatest example of this transition from a character building activity to a mass-market business.
• What, though, does this process of Commodification involve? George Bataille and Guy Debord will be used to cast enlightenment on this within the context of the Surrealist and Situationist Parties.
• Furthermore, has the footballer become tarnished by this process of Commodification? In assessing the effects this has on the professional footballer’s character, I shall be drawing on Schiller’s Aesthetic Education and its arguments regarding modern society’s obsession with specialists.
• Alistaire MacIntyre’s views on how man’s virtues should be able to be summoned and used in all situations will also be made relevant

Schiller: ‘‘[contemporary society encourages the footballer to be] nothing more than the living impression of the craft to which he devotes himself’’

MacIntyre: ‘‘someone who genuinely possesses a virtue can be expected to manifest it in very different types of situation’’.

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2010 Abstracts Stage 2

Depression on the Increase in Britain! Is “Affluenza” a Contributor?

We are truly in a bad way emotionally …Selfish Capitalism is not a good way to run things, if you care about people’s emotional well-being. [Affluenza, 2007]

These are the words spoken by Oliver James in his book Affluenza. In his book James suggests that the virus he names Affluenzais a set of standards which boost our defencelessness against psychological distress: we are now placing a high value on needing money and possessions, we want to look good in front of our fellow man and are coveting fame. James suggests that the studies he has made in his book show not only is the epidemic at pandemic proportions but is also on the increase.

My aim within this project is too show that depression has risen in Britain since the 1970’s. My hypothesis’ will be that because of the “Affluenza”, we are ignoring our natural instincts and desires, we are constantly feeding our ‘Id’ and because we cannot always feed our ‘Id’ we become dissatisfied and depressed.

In 1905 Freud published three essays on the theory of sexuality; these essays were where Freud developed his sexuality theories and also where he put forth his psychosexual development theory. It is important that we understand these theories as we will have a clearer view of how when we are not allowed to develop as Freud said was necessary, that we lose ourpersonal identity and also our social evolution as individuals.If this is correct then the problem is greater than just a rise in depression since the 70’s it also shows us that the future will be very bleak for our future generations as if we now are wrapped up in ‘selfish capitalism’and susceptible to Affluenza, how will we help our future generations to develop?, when we ourselves have been stunted

When James talks of people in his book we notice that these people have many of the above habits which can eventually lead to depression, but the correlation between Freud and Olive’s Affluenzais that by wanting to satisfy our ‘id’constantly because of such things as consumerism we are indeed destroying our personalities and our mental health. We are not meant to constantly satisfy our ‘id’ the ‘id’ works in conjuncture with the ‘ego’ and ‘super id’ according to Freud.

I will Be using Freud, and looking at his psychosexual development theory, to show how when we can become warped as humans if we do not satisfy our needs and are well rounded. I will be using Freud in conjunction with the writer Oliver James and will be referring to the problem named in his book as “Affluenza”. In my Project I will include statistical data to show that depression has risen in Britain. I will also be talking about the impact that “Affluenza” will have on our future generations. We must satisfy our needs and self-reflect, replacing our intrinsic needs with possessions will ultimately lead to our downfall!

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2010 Abstracts Stage 2

Glastonbury Festival and the Festivals of the Cherokee Tribe of Indian America

Aim: I intend to explore, in depth, both the Glastonbury festival and the festivals of the Cherokee Indian American tribe. I will compare and contrast their methods of celebration and their traditional customs.

Territory: I will be looking through the history of Glastonbury festival; how it has changed and developed through its forty-year span, including its transformation through commerce, charity and attendees. Conversely, I will focus on the Cherokee festivals through their very broad historical traditions; establishing the reasons behind their elaborate celebrations and the methods used to do so.

Philosophers and Concepts: I will mainly focus on Bataille’s philosophy, with particular reference to The Accursed Share and amongst his other writings; looking at his notions of unproductive expenditure, potlatch and the sacred. In addition, I will use a variety of resources, such as film, literature and internet sites to illustrate these notions and apply them to my aim.

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2009 Abstracts Stage 2

Addiction in Society: Genetics, Society or the Individual

Since Sotheby’s auction house opened in 1744, the art market has grown and now sells pieces for millions of dollars every day. My project explores the societal and technological changes which have occurred throughout modernity to understand why paintings like The Scream were bought for over $119 million.

Commodity fetishism and the global art market
Using Marx’s exploration of capitalism I focused on what constitutes a commodity and how art has been fetishized. I then incorporated Vattimo’s use of telematics and globalised media to demonstrate capitalisms more recent developments; this enabled me to discuss the role paintings have played in a global billion dollar market. In contrast I also looked back to 15th century artists, to understand if art has become a commodity only with the advent of capitalism and technology.

Mechanical technology and mass production
I used Benjamin’s philosophy of mechanical reproducibility to highlight the importance of technological advancement, especially that of mass reproduction, in selling the image of a work enabling fame and exposure to a wider market.

I also looked to how these factors of the current market affected the minds and work of artists themselves using the philosophy of Andy Warhol, and the artwork of Damien Hurst, Warhol himself, and Julian Opie. All of these artists demonstrated the drive of a capitalist mind-set, have benefited from global exposure, and produce pieces using technology invented in a postmodern age such as laser printing and spinning. My goal was to ultimately demonstrate that the market has changed both the nature of the art which is produced and opened the art world up to everyone on a global scale.

Internally replicable model of the art market
Mass reproduction of famous classical/modern works (such as The Scream and No.1)
Original work becomes more valuable as its image and fame is spread over a global market (both sold for millions)

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2009 Abstracts Stage 2

The Silent Woman. A Philosophical Study into the Relative Equality Between Men and Women from the 18th Century to the Present Day

The traditional application of philosophy is intrinsically tied to a set of values, methods and self definitions which excluded women. Because philosophical works attributed to women have been devalued and therefore not included in recognized works, the traditional history of philosophy is a history of men’s ideas. Womanless history, however, is a distortion of the past which serves to justify the status quo, women philosophers are challenging mainstream philosophy to cease evaluating itself according to the standards set by men.

The aim of my investigation is to determine whether Feminism would ever have been necessary if the philosophical works of women were given any credit. I intend to look into the social theories of Rousseau, Locke and Hume. These thinkers preached the idea of equality, yet is there any correlation in the fact when writing of the collective they term it ‘man’? I intend to study the role of women and how if any Feminism has altered this view.

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2009 Abstracts Stage 2

Is Art a Result of the Effects of Culture or is it Entirely Free Expression?

Do events in society affect artists in such a way that it is clearly reflected in their work, or is their work completely individual? In my project I look at the Abstract Expressionist movement, in particular Jackson Pollock. My main focus is the effect WW2 had on Artists in America and how Abstract Expressionism emerged as a result of it. I look into the government funding behind the movement and the postwar mood of society. Jackson Pollock is an interesting focus point because not only was he an alcoholic who suffered from depression but his art works, particularly his drip‐paintings, were extremely emotional and well documented. I centre my attention on the drip‐painting era because they demonstrate his connection with his art, his technique was controversial and the result seemed thoughtless and chaotic to some critics. To establish what is to be considered aesthetically pleasing, I will be looking at Kant, this covers how we perceive things as human beings and how our desires and preferences affect what we consider to be beautiful. To explore this idea I am going to focus on Kant’s concept of beauty, where he believes what we perceive as beauty, can be nothing other than subjective because it is the individual’s taste. In essence my project analyses art aesthetically, from both the artist and the people’s point of view. The influences surrounding artists at the time shows how art can be an inevitable result of mass emotion and therefore its popularity does not relate to how aesthetically pleasing it is.

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2009 Abstracts Stage 2

The Student Search for the Sacred: a Study into Bataillean Transgression and Time-Wasting Amongst Newcastle Undergraduates

For George Bataille, human beings have a natural desire to both create and destroy. This dualism can be considered a balance of time spent productively and time wasted. Modern Capitalist culture gives less room than ever for destruction and time‐wasting. As a result of this, the modern human being finds strange new ways to accommodate his desire to transgress the social dogma of spending time usefully. Could binge drinking and drug abuse be examples of such transgression? The Newcastle undergraduate, newly expected to manage his time effectively, is a fascinating example to study under the Bataillean spotlight. My Stage 2 Project shall take the concepts of radical French thinker George Bataille, and assess to what extent his theory can account for alcohol and drug abuse within Newcastle University students. This aspect of student behaviour will be examined under the Bataillean spotlight of transgression and taboos.

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2009 Abstracts Stage 2

If we Possess Free-Will, how was the Holocaust Allowed to Happen?

In this project I hope to discuss the problem of evil – namely how God can exist as evil does. By examining the Holocaust in regards to this I hope to be able to shed some new light on this infamous example of evil and suffering beyond comprehension. Did the German people knowingly allow the Holocaust to happen and if so what were the reasons behind this? By reading Rudolf Hoess’ autobiography I hope to be able to discover whether following orders removes all moral responsibility. Ultimately, could it happen again?

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2009 Abstracts Stage 2

Can the Practical Application of Reason Generate a Utopia?

Inspired by the 1980’s setting of Alan Moore’s epic superhero tale, Watchmen, we consider reason and its practical application for the purposes of generating an ideal society. How ideal do we find such a setting? Has utopia been achieved? And if not, what hinders such progress? We centre on Kant’s philosophy which considers the realisation of Utopic conditions via applied rational thought, contrasted to Hobbes who considers the nature of man before rational application. Furthermore, if utopia is desirable, what would be the means to achieve such? To consider such we turn to the Utilitarian actions of Ozymandias!

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2009 Abstracts Stage 2

Advertising. A Study into the Causes and Consequences of Advertising with Reference to Bataille and Schopenhauer

Advertising and consumerism is undeniably significant in modern society and this study takes an alternative philosophical approach towards the issue as well as considering modern thinkers that have discussed the medium previously.
Schopenhauer argued that an individual is controlled by their will and this leads them to live a life of dissatisfaction and suffering. This study shows that advertising does not produce this suffering but intensifies negative feelings because it forces desires on individuals. Schopenhauer argues that to discover metaphysical truth is a temporary release from this cycle and so this study also considers its applicability to contemporary society. The texts used will be ‘The World as Will and Representation volume I and II’.
Bataille considers how a homogenous society seeks to remove unproductive elements from this sphere but I argue that because modern society is dominated by capitalism and homogeneity, it seeks to remove unproductive behaviour from all of society. This study then examines how advertising could be used as a tool to remove unproductive or heterogeneous behaviour by shaping our desires. The negative consequence is that heterogeneous behaviour is inseparable from productive behaviour. This insight is taken from a collection of essays by Bataille.

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2009 Abstracts Stage 2

The “Punk” Trend by Vivienne Westwood and the Philosophy of Bataille

My key point is to look into the fashion trends of Vivienne Westwood, I shall concentrate on the era of ‘Punk’ where Vivienne Westwood and Malcolm McLaren played a vital role. I shall compare this with the Philosophy of Georges Bataille who had an obsession with obscene things such as Human Sacrifice. Concentrating mainly on his Base Materialism and his writing’s Eroticism and Story of the Eye. Punk……. • Punk first emerged in the mid 1970s in London as an anarchic and aggressive movement. About 200 young people defined themselves as an anti-fashion urban youth street culture. Vivienne Westwood is often cited as punk’s creator, but the complex genesis of punk is also found in England’s depressed economic and socio-political conditions of the mid-1970s. Punk was as much a youthful reaction against older generations, considered oppressive and outdated, as a product of the newly recognized and influential youth culture. Creative and entrepreneurial people, such as Westwood, often contribute to an aesthetic that brings a sub cultural style to the forefront of fashion. Bataille…. This image of a torture victim from Taiwan fascinated Georges Bataille. He thought that “the expression on the man’s face is the ecstasy of sexual pleasure”. Georges Bataille believed, as Hegel did, that ‘history is dead’ that we need to come up with new and exciting ways to take society forward to a new way of living because as it is now it is boring. He believed that the key to this was through art, shocking people into change.