Category: Stage 2

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2010 Abstracts Stage 2

Entertainment and Education. Audrey Hepburn and Friedrich Schiller: Artists and Teachers

Audrey Hepburn is synonymous with the glamour, style and beauty of a bygone age. Her films have a lasting appeal and are as popular today as they were when they were released in the late 1950s and early 1960s. They gave hope to a world which was recovering from the Second World War and offered an escape to a generation.

Escapism into art, be it music, fine art or cinema is something which is done by all at certain times in life. There is something about the arts, in particular films, which invites us to lose ourselves in the moment and forget our reality.

The concept of the betterment of man from art is not new, dating back to the writings of Romantic poet and thinker Friedrich Schiller, who believed that society’s ills could be remedied through the arts.

Through the writings of Schiller, I intend to study the ways in which these films, as an example of art, can help and improve man. The films which I employ are amongst my favourite and are studied in terms of their plots, script, costume and locations to highlight the notion of aesthetic education.

The personal connection these films have with individuals is key and so my recollections and those of others will be studied in order to show that these films, and indeed art in general, have a greater purpose than mere entertainment.

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2010 Abstracts Stage 2

Absurdity and the Apocalypse. Meaningful Existence in a Dying World

Mankind has long held a kind of morbid fascination in the prospect of its own demise, and with that of the world as a whole. The apocalypse – the cataclysmic end of all life on Earth – has frequently been a subject of film, art and literature. In my project, I intend to investigate one such literary instantiation of a world subject to just such a cataclysm – the bleak and ruined existence described in Cormac McCarthy’s ‘The Road’ – with regard to the philosophy of the absurd, as found specifically in the works of Søren Kierkegaard and Albert Camus.

When faced with the absurdity and meaninglessness of our existence – by the tension between our intuitive feeling that our lives have meaning, and our inevitable failure to find it in the world – we are plunged into nihilism.

The absurd man has recourse to three possibilities upon his experience of nihilistic feeling; faith, defiance, and suicide.

Through an investigation into the absurdist thought of Kierkegaard and Camus, and with reference to the world imagined in The Road, I intend to show existence in the post-apocalyptic world to be the ultimate embodiment of the absurdity of human life; that in this Godless world, where death is an experience one cannot stop living, and where nihilism is substantiated, inescapably, by existence itself, we find the true essence of our being, and the true nature of our attempt to give a point to our lives.

I intend to argue two things; one, that our world and the post-apocalyptic one are, in terms of human meaning, identical. And secondly, that despite the absurd nature at the core of human existence, our lives can still be worth living.

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2010 Abstracts Stage 2

Falling Asleep Consciously – a Quest for the Truth

The subconscious mind stores vast amounts of information on what we have experienced in our lives. When in a lucid state, a dreamer becomes aware that he is dreaming. In this state he has greater access to his subconscious. Is it possible to understand our waking reality more clearly, by harnessing our subconscious memories?

To explore this idea, I am, primarily, going to be focusing my discussion around the philosophy of Immanuel Kant, namely his works on knowledge and reality, with the psychology of Stephan La Berge, including his work on lucid dreaming.

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2010 Abstracts Stage 2

Commodification: Has It Tarnished the Beautiful Game?

• Historically, sports existed ‘to promote aretê or human excellence which could be applied to almost any endeavour in life’.
• Contemporarily, the market forces of Capitalism have taken over and money has become the primary objective – football is the greatest example of this transition from a character building activity to a mass-market business.
• What, though, does this process of Commodification involve? George Bataille and Guy Debord will be used to cast enlightenment on this within the context of the Surrealist and Situationist Parties.
• Furthermore, has the footballer become tarnished by this process of Commodification? In assessing the effects this has on the professional footballer’s character, I shall be drawing on Schiller’s Aesthetic Education and its arguments regarding modern society’s obsession with specialists.
• Alistaire MacIntyre’s views on how man’s virtues should be able to be summoned and used in all situations will also be made relevant

Schiller: ‘‘[contemporary society encourages the footballer to be] nothing more than the living impression of the craft to which he devotes himself’’

MacIntyre: ‘‘someone who genuinely possesses a virtue can be expected to manifest it in very different types of situation’’.

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2010 Abstracts Stage 2

Depression on the Increase in Britain! Is “Affluenza” a Contributor?

We are truly in a bad way emotionally …Selfish Capitalism is not a good way to run things, if you care about people’s emotional well-being. [Affluenza, 2007]

These are the words spoken by Oliver James in his book Affluenza. In his book James suggests that the virus he names Affluenzais a set of standards which boost our defencelessness against psychological distress: we are now placing a high value on needing money and possessions, we want to look good in front of our fellow man and are coveting fame. James suggests that the studies he has made in his book show not only is the epidemic at pandemic proportions but is also on the increase.

My aim within this project is too show that depression has risen in Britain since the 1970’s. My hypothesis’ will be that because of the “Affluenza”, we are ignoring our natural instincts and desires, we are constantly feeding our ‘Id’ and because we cannot always feed our ‘Id’ we become dissatisfied and depressed.

In 1905 Freud published three essays on the theory of sexuality; these essays were where Freud developed his sexuality theories and also where he put forth his psychosexual development theory. It is important that we understand these theories as we will have a clearer view of how when we are not allowed to develop as Freud said was necessary, that we lose ourpersonal identity and also our social evolution as individuals.If this is correct then the problem is greater than just a rise in depression since the 70’s it also shows us that the future will be very bleak for our future generations as if we now are wrapped up in ‘selfish capitalism’and susceptible to Affluenza, how will we help our future generations to develop?, when we ourselves have been stunted

When James talks of people in his book we notice that these people have many of the above habits which can eventually lead to depression, but the correlation between Freud and Olive’s Affluenzais that by wanting to satisfy our ‘id’constantly because of such things as consumerism we are indeed destroying our personalities and our mental health. We are not meant to constantly satisfy our ‘id’ the ‘id’ works in conjuncture with the ‘ego’ and ‘super id’ according to Freud.

I will Be using Freud, and looking at his psychosexual development theory, to show how when we can become warped as humans if we do not satisfy our needs and are well rounded. I will be using Freud in conjunction with the writer Oliver James and will be referring to the problem named in his book as “Affluenza”. In my Project I will include statistical data to show that depression has risen in Britain. I will also be talking about the impact that “Affluenza” will have on our future generations. We must satisfy our needs and self-reflect, replacing our intrinsic needs with possessions will ultimately lead to our downfall!

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2010 Abstracts Stage 2

Glastonbury Festival and the Festivals of the Cherokee Tribe of Indian America

Aim: I intend to explore, in depth, both the Glastonbury festival and the festivals of the Cherokee Indian American tribe. I will compare and contrast their methods of celebration and their traditional customs.

Territory: I will be looking through the history of Glastonbury festival; how it has changed and developed through its forty-year span, including its transformation through commerce, charity and attendees. Conversely, I will focus on the Cherokee festivals through their very broad historical traditions; establishing the reasons behind their elaborate celebrations and the methods used to do so.

Philosophers and Concepts: I will mainly focus on Bataille’s philosophy, with particular reference to The Accursed Share and amongst his other writings; looking at his notions of unproductive expenditure, potlatch and the sacred. In addition, I will use a variety of resources, such as film, literature and internet sites to illustrate these notions and apply them to my aim.

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2010 Abstracts Stage 2

Alienation. A Catalyst for Two Great Men

The picture that…….. …….changed a life

The Brechtian Theatre presents;
The Political Ideology of Karl Marx
Starring: Karl Marx and full supporting cast including Hegel & Kant, Engels, Sartre and Marcuse

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2010 Abstracts Stage 2

Protecting the Wealth of the Nation. A Study of the Ideological Structures of Radical Capitalism

As anyone may notice there is an obvious assumption in my title which I should first work to explain, namely my assertion that current, late capitalist power structures are radical. I use this term in its meaning of ‘extreme’. As I will seek to show, while the values of the majority of people, across most societies of the world, are those, broadly speaking, of freedom, democracy, choice and fairness, and of respect for the dignity of human life, these are not values that are followed through in the operating of modern states or the capitalist system.

In my project I intend to explore how this radical state manages, through its prevailing Ideology, to continually reproduce the conditions of production, and so continually assert itself over the rights of the majority of the people.

In order to do this, I shall use Guy Debord’s concept of the visible manifestation of ideology – the spectacle – in order to show the spectacle/reality distinction in several examples, centred in the last ten years of Neo-Liberal Capitalism.

EXAMPLES INCLUDING: The Illusion of Democracy Capitalist Realism and The Myth of the West’s Civilizing Force

I shall expand on these examples with comparison to Orwell’s Nineteen Eighty-four as a paradigm for a radically oppressive ideological system, as well as theory and analysis from Slavoj Žižek, a prolific writer on the functioning of ideology, Noam Chomsky, an outspoken critic of modern state manipulation and the manufacturing of consent, Louis Althusser’s theory of Ideological State Apparatuses and Mark Fisher’s book Capitalist Realism. In this way I intend to show how Ideology dictates what is thinkable in life, how our free market Neo-Liberal system, is really just a system for funnelling rights and capital into the hands of the incredibly wealthy, and how our free and fair democracy is in fact a cynical sham, in which policy is dictated by corporate leaders.

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2010 Abstracts Stage 2

Is Cooking an Art According to Kant’s Aesthetic?

My project is an investigation into gastronomy. My aim is to investigate whether cooking is regarded as an art or a craft or even maybe both. My territory is looking at two famous British chef’s Heston Blumenthal and Jamie Oliver. My philosophical concept is going to be using Kant’s aesthetic judgement from his third critique.

According to Kant art cannot be part of an aesthetic judgement, however there is a sense of ambiguity when it comes to the ideas behind Blumenthal’s molecular gastronomy. What is the difference between the two chefs? Why can one make it more acceptable for gastronomy to become close to an aesthetic experience?

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2010 Abstracts Stage 2

The Rise of the Posthuman: the Redefinition of the Human

The aim of my project is to demonstrate that a redefinition of the Human has taken place in contemporary culture.

Here is basic outline of my investigation

• I will explain, firstly, what Ontology is, due to the fact that it is this branch of philosophy that has been traditionally occupied with defining things, including ourselves, in order to categorise the universe

• Secondly, I will reveal that this system of ontology is obsolete in a postmodern landscape, as we see the crumbling of these categories.

• The questions we are left are, why has this crumbling of categories occurred and how does it affect our understanding of ourselves and of that which surrounds us differently?

• The answer lies simultaneously with an increasingly technocratic and cybernetic culture and the realisation that Man is not a categorical some priori but a historical one. In other words, the Human is an epistemological concept which is grounded within a particular epoch that is inevitably going to change when that knowledge finds a new form.

• Michel Foucault attributes our particular epoch’s understanding of the human to Immanuel Kant, since he was the first to recognise the epistemological consciousness of man as such.

• Therefore, I will investigate Kant’s understanding of the human and determine whether it has already found new form.

• By studying the notions of the philosophers, and in the developments in science and technology, that followed Kant, I will reveal that the Human has found a new form of knowledge.

• I will also demonstrate that certain art forms, such as literature and cinema, particularly that of the Science Fiction genre, reveal this by applying the aforementioned philosophical, scientific and technology developments to certain texts. Since art is generally seen as representation of truth, this method is perfectly valid.

• Finally, I will expose the result of this redefinition, The Posthuman.

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2010 Abstracts Stage 2

Free Will in Relation to Advertising in the Modern Society.

In my project I hope to achieve an understanding of the free will problem and through this explore how various elements of society may subconsciously coerce us into action that we do not want to take.

I will look into elements of;
• Causal determinism
• Libertarianism
• Compatibilism
• Self determination
• Coercion
• Desires

I will also be looking at Hobbes and Kant to compare and contrast their views on freedom and then look at the modern society and explore how the concept of freedom can change and also how it is relative to the self. I will then look at political coercion and various forms of advertising to show how we can be controlled and our freedom can be easily threatened, I will then ask if we even truly have freedom for it to be threatened or is this coercion essential to society and is it even important that we have a totally free will.

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2010 Abstracts Stage 2

The Strange Case of Dr Ego and Mr Shadow

For this project I’m investigating views on the unconscious. I think that it is important to learn as much as we can about ourselves in order to better ourselves and the society in which we live. Philosophers who I have looked at are Freud and Jung. I have used Robert Louis Stevenson’s novel, ‘The Strange Case of Dr Jekyll and Mr Hyde’ to parallel with the idea of hidden aspects of our personality in our unconscious. The novel also reflects upon the notion of drugs unlocking these hidden, repressed aspects of self; a topic in which I am also interested.

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2009 Abstracts Stage 2

The Student Search for the Sacred: a Study into Bataillean Transgression and Time-Wasting Amongst Newcastle Undergraduates

For George Bataille, human beings have a natural desire to both create and destroy. This dualism can be considered a balance of time spent productively and time wasted. Modern Capitalist culture gives less room than ever for destruction and time‐wasting. As a result of this, the modern human being finds strange new ways to accommodate his desire to transgress the social dogma of spending time usefully. Could binge drinking and drug abuse be examples of such transgression? The Newcastle undergraduate, newly expected to manage his time effectively, is a fascinating example to study under the Bataillean spotlight. My Stage 2 Project shall take the concepts of radical French thinker George Bataille, and assess to what extent his theory can account for alcohol and drug abuse within Newcastle University students. This aspect of student behaviour will be examined under the Bataillean spotlight of transgression and taboos.

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2009 Abstracts Stage 2

If we Possess Free-Will, how was the Holocaust Allowed to Happen?

In this project I hope to discuss the problem of evil – namely how God can exist as evil does. By examining the Holocaust in regards to this I hope to be able to shed some new light on this infamous example of evil and suffering beyond comprehension. Did the German people knowingly allow the Holocaust to happen and if so what were the reasons behind this? By reading Rudolf Hoess’ autobiography I hope to be able to discover whether following orders removes all moral responsibility. Ultimately, could it happen again?

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2009 Abstracts Stage 2

Can the Practical Application of Reason Generate a Utopia?

Inspired by the 1980’s setting of Alan Moore’s epic superhero tale, Watchmen, we consider reason and its practical application for the purposes of generating an ideal society. How ideal do we find such a setting? Has utopia been achieved? And if not, what hinders such progress? We centre on Kant’s philosophy which considers the realisation of Utopic conditions via applied rational thought, contrasted to Hobbes who considers the nature of man before rational application. Furthermore, if utopia is desirable, what would be the means to achieve such? To consider such we turn to the Utilitarian actions of Ozymandias!

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2009 Abstracts Stage 2

Advertising. A Study into the Causes and Consequences of Advertising with Reference to Bataille and Schopenhauer

Advertising and consumerism is undeniably significant in modern society and this study takes an alternative philosophical approach towards the issue as well as considering modern thinkers that have discussed the medium previously.
Schopenhauer argued that an individual is controlled by their will and this leads them to live a life of dissatisfaction and suffering. This study shows that advertising does not produce this suffering but intensifies negative feelings because it forces desires on individuals. Schopenhauer argues that to discover metaphysical truth is a temporary release from this cycle and so this study also considers its applicability to contemporary society. The texts used will be ‘The World as Will and Representation volume I and II’.
Bataille considers how a homogenous society seeks to remove unproductive elements from this sphere but I argue that because modern society is dominated by capitalism and homogeneity, it seeks to remove unproductive behaviour from all of society. This study then examines how advertising could be used as a tool to remove unproductive or heterogeneous behaviour by shaping our desires. The negative consequence is that heterogeneous behaviour is inseparable from productive behaviour. This insight is taken from a collection of essays by Bataille.

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2009 Abstracts Stage 2

The “Punk” Trend by Vivienne Westwood and the Philosophy of Bataille

My key point is to look into the fashion trends of Vivienne Westwood, I shall concentrate on the era of ‘Punk’ where Vivienne Westwood and Malcolm McLaren played a vital role. I shall compare this with the Philosophy of Georges Bataille who had an obsession with obscene things such as Human Sacrifice. Concentrating mainly on his Base Materialism and his writing’s Eroticism and Story of the Eye. Punk……. • Punk first emerged in the mid 1970s in London as an anarchic and aggressive movement. About 200 young people defined themselves as an anti-fashion urban youth street culture. Vivienne Westwood is often cited as punk’s creator, but the complex genesis of punk is also found in England’s depressed economic and socio-political conditions of the mid-1970s. Punk was as much a youthful reaction against older generations, considered oppressive and outdated, as a product of the newly recognized and influential youth culture. Creative and entrepreneurial people, such as Westwood, often contribute to an aesthetic that brings a sub cultural style to the forefront of fashion. Bataille…. This image of a torture victim from Taiwan fascinated Georges Bataille. He thought that “the expression on the man’s face is the ecstasy of sexual pleasure”. Georges Bataille believed, as Hegel did, that ‘history is dead’ that we need to come up with new and exciting ways to take society forward to a new way of living because as it is now it is boring. He believed that the key to this was through art, shocking people into change.

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2009 Abstracts Stage 2

Acceptable or Unacceptable? An Investigation into the Treatment of Mentally and Physically Disabled Individuals Detained in Institutions in Contemporary Society

The questions I will investigate are the following: • Is the way disabled individuals treated morally right? • Should the countries which allow such abusive treatment be allowed to join the European Union? • Why is torment rather than treatment continuing? • Do disabled people have human rights? The aim of this project is to investigate into the treatment of those with mental and physical disabilities, the way in which individuals are often from birth put into institutions and never endure a real life out of the walls of confinement. This project is a discussion into the inhuman and abusive treatment of many children, orphans in many cases and adults throughout the world’s institutions, and why this treatment occurs or if it there are plans to change it. Territory: Disability and Segregation. Object: The treatment of disabled people within institution in contemporary society. Concepts: Segregation and violation of human rights. Change: The treatment of mentally and physically disabled people changed over time from the ‘houses of confinement’ and the ‘birth of the asylum’. Thinkers: Michael Foucault- The history of madness, John Locke – Human rights and equality, Peter Singer – Equality and discrimination

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2009 Abstracts Stage 2

Sacrifice, Martyrdom and the Sacred

In my project, I wanted to explore the notion of sacrifice in relation to Christianity, specifically looking at the idea of martyrdom. I wanted to contrast this with Bataille’s ideas on religious sacrifices and his notions of the sacred. My aim for my project was so that I could understand the reason as to why people are willing to sacrifice their lives for their beliefs. To understand martyrdom in Christianity, I decided to look at their beliefs and values that they uphold and teach. I then looked at the meaning of martyrdom, and how it has changed from meaning martus, ‘to witness’ to die for a purpose or a cause.
To illustrate this point, I looked at Simone Weil as an example. She starved herself to death as a protest to the treatment of French citizens under Nazi-Germany. I wanted to explore her biography and her philosophy so I could understand her values and her beliefs. I then wanted to contrast Christian thoughts, with Bataille. He argued that sacrifice is religion portraying the heterogeneous. It breaks the means-end lifestyle for those who witness it, however, for the person martyring their self, he argued that they want to do it to break away from ‘things’. After looking at Bataille, I wanted to finally look at Yukio Mishima. I wanted to see whether his death was for a greater ‘good’ or belief he supported, or whether it was an attraction to the heterogeneous.

Key Books for my Project
Christian Beliefs and Martyrdom— “Christian Beliefs and Modern Questions” by O.Quick-Chase and “Martyrdom—The Psychology, Theology, and Politics of Self-sacrifice” by R.M Fields.
Simone Weil—”Simone Weil” by S. Pétrement and “Gravity and Grace” by S. Weil
Bataille—”Theory of Religion” by G. Bataille and “After Bataille – Sacrifice, Exposure, Community” by P. Ffrench
Mishima— “Life and Death of Yukio Mishima” by H. ScottStokes and “The Sea of Fertility” by Y. Mishima

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2009 Abstracts Stage 2

Acting-analysis: “Emotional Memory” as a Theatrical Interpretation of Psychoanalysis

In my project, I will examine the process of acting, and the emotional experience of becoming a character. Physically looking the part is very different to mentally becoming the part. Stanislavski’s ‘Emotional Memory’ encourages an actor to recall their own memories in order to create a realistic interpretation of a role. Therefore, one must remove themselves from their ‘true self’ in order to create a ‘new self’. From this, I believe an actor must consciously explore their subconscious. Therefore, this concept can be associated with Freud’s examination of the human psyche. Thus, I will compare Emotional Memory with Psychoanalysis. Like actors, Freud’s patients must explore their unconscious. I will examine Psychoanalysis, whereby the relationship between the patient and analyst is crucial for an effective treatment. From this, I will examine ‘free association’ and ‘unconscious formations’: both central features of this Freudian system, aiding the patient on a laborious journey of recovery. Whether in theatre or film, I believe there is a danger in acting. One must be extremely careful in adapting their mentality when becoming a character, in order to remain secure in their ‘true self’. Occasionally, an actor’s addiction to his role can become detrimental, as seen through Heath Ledger’s tragic death in 2008. It is argued that the extreme depth of his role of The Joker in The Dark Knight, combined with his perfect interpretation, led him towards self-destruction. Through acting, one must Psychoanalyse your ‘own self’, when creating a ‘new self’. However, one must be consciously aware of the complexity of the process, and thus intentionally maintain your own mentality.