Tag: Freud

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2009 Abstracts Stage 3

The Threat of 21st Century Global Terror: are Terrorist Organisations Psychotic [Freud]?

Territory: Terror and the Suicide Bomber.
Terrorism is not a new weapon but in the 21st Century we have seen it used to devastating effect. A 21st Century phenomenon is the suicide bomber, the human bomb willing to sacrifice their own life for terrors cause. The suicide bomber is an utterly baffling weapon 9 times out of 10 it is unable to be defused and its explosive force can cause widespread damage to infrastructure, troops and civilians. For counter terror organisations around the world the suicide bomber presents the ultimate nightmare and risk to the civilian population. It is a bomb combined with human thought and human emotion, a bomb that shouldn’t exist.

Concept: Freudian Psychosis.
The aim of my project is to engage with the terrorist’s mind-set, in particular the suicide bombers with respect to Freudian psychology. The simple answer is to declare terrorism and its follower’s psychotic thought, but could this assumption merely be just a Western attitude?

Secondary Concept: Levinas’s Autrui.
For further discussion I will also engage the terrorist with Autrui [the Other] to discuss if the suicide bomber truly understands the people it destroys as Autrui.

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2009 Abstracts Stage 2

Acting-analysis: “Emotional Memory” as a Theatrical Interpretation of Psychoanalysis

In my project, I will examine the process of acting, and the emotional experience of becoming a character. Physically looking the part is very different to mentally becoming the part. Stanislavski’s ‘Emotional Memory’ encourages an actor to recall their own memories in order to create a realistic interpretation of a role. Therefore, one must remove themselves from their ‘true self’ in order to create a ‘new self’. From this, I believe an actor must consciously explore their subconscious. Therefore, this concept can be associated with Freud’s examination of the human psyche. Thus, I will compare Emotional Memory with Psychoanalysis. Like actors, Freud’s patients must explore their unconscious. I will examine Psychoanalysis, whereby the relationship between the patient and analyst is crucial for an effective treatment. From this, I will examine ‘free association’ and ‘unconscious formations’: both central features of this Freudian system, aiding the patient on a laborious journey of recovery. Whether in theatre or film, I believe there is a danger in acting. One must be extremely careful in adapting their mentality when becoming a character, in order to remain secure in their ‘true self’. Occasionally, an actor’s addiction to his role can become detrimental, as seen through Heath Ledger’s tragic death in 2008. It is argued that the extreme depth of his role of The Joker in The Dark Knight, combined with his perfect interpretation, led him towards self-destruction. Through acting, one must Psychoanalyse your ‘own self’, when creating a ‘new self’. However, one must be consciously aware of the complexity of the process, and thus intentionally maintain your own mentality.

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2008 Abstracts Stage 3

Corporate Logos: Mind control?

Territory: Subliminal persuasion as seen in the corporate logo and advertising of the “Coca Cola” company has created a new type of ‘sacred’ icon. Object: “Coca Cola” advert from 1980’s with sexual subliminal message. Aim: The aim of my personal investigation is to show how attitudes towards sacred icons have changed with the rise of the corporate identity in a capitalist society. I have decided to show this through the marketing of “Coca Cola” as “Coca Cola” is one of the world’s most famous corporate logos. I have also investigated theories of false consciousness as well as Freudian ideas on sex, with regards to the question as to why subliminal sexual arousal would help to sell a non-sexual product.

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2008 Abstracts Stage 2

Dream or Reality?

After experiencing a dream so real to me I could not believe I was dreaming I have come to question what I believe to be real around me. In this project I have investigated the present and past key concepts, thoughts and theories behind dreaming and lucid dreaming, it became clear to me quickly much of my thoughts are that of a skeptic I quite literally began to doubt everything around me. Descartes is famous for his dream argument so his meditations are a key feature within my project as he has influenced the works of Freud who also came up with some key theories to dreaming and why we dream. I introduce the idea of the Truman show and the matrix as recent examples of people’s thoughts about reality, technology today allows for these science fiction films to be made and they are made in such a way where you sit back and think well why not? Why can’t that be real? What is the point to all of this? My intentions were to evaluate whether or not the “truth” is worth pursuing…or is ignorance quite literally bliss? Are dreams an escape to a realm that is perhaps more real to us than the life we consider to be real while we are awake, or is it quite literally what you see is what you get. Do we create our own realities and if we do then does this mean millions of different realities exist as we can never know for sure we all perceive things in exactly the same way as the person next to us.

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2006 Abstracts Stage 2

Glastonbury: a Religious Refuge?

In this project I plan to look at the inter-faith town of Glastonbury and the varying beliefs and religions which make it into the new-age subculture it is today. Then I will look into various challenges to beliefs and religions in general looking at such scholars as Freud and Marx and how religion may merely act as a comforting device . Finally I will investigate in what respects such views of religious belief can be applied to these new-age religions which are strife in and around Glastonbury and how they may simply be acting as a refuge. I will also look at arguments and so-called ‘proof’ as to how this may not be the case, e.g. miracles, healing etc. Glastonbury has been a site of pilgrimage for hundreds of years with people claiming a magnetic pull which draws creative and spiritual people to the area. It has become an inter-faith town with many incomers settling of various faiths and beliefs, making Glastonbury one of the most spiritually diverse places in the country.During the last fifty years there has been an increased interest in new ways of finding a meaning in life other than that of following established religions. This new way of thinking involves many different paths and each one is seen as having its own unique value and truth. All of these paths have a common awareness of the divine, although this is expressed in different ways. It involves going about everyday life whilst incorporating spirituality into it as not to get wound up in the material things in life. People who want to live this way find themselves drawn to Glastonbury; perhaps because of the many myths and legends, perhaps because it is where you can find like-minded people, and many different channels of which to express your spirituality. Religion as comfort. Do humans follow religious beliefs because they want protection from the world which scares them? maybe because it gives their lives meaning and purpose and stops death being the end? Also it may give people faith that someone or something cares for them and that their life and the world has importance. Freud:” what the common man understands by his religion – with the system of doctrines and promises which on the one h and explains to him the riddles of this world with enviable completeness, and, on the other, assures him that a careful Providence will watch over his life and will compensate him in a future existence for any frustrations he suffers here.” Marx : For Marx, religion was an illusion. It dulls the pain of oppression for the proletariat but at the same time it blinds them from their true reality. Thus, it stops them from seeing what needs to be done to end their exploitation. Religion is a form of social control keeping the rich rich and the poor poor.“Religion is the sigh of the oppressed culture, the sentiment of a heartless world and the soul of soulless conditions. It is the opium of the people.”

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2004 Abstracts Stage 2

Dreams, Sleeping and Paralogy: whose dream are we in?

Part One – Knowledge of the Unconscious In what way is the unconscious knowable, an object available to knowledge? A look at the analogies Freud uses to describe psychoanalysis as a method capable of producing knowledge, and analysis as cure through knowledge. In what ways does the notion of the unconscious make ideas about a monogamous knowledge of (and authority on) itself problematical? Do I know, or am I paranoid? (Sources: Freud, Kant) Part Two – Lyotard, Knowledge, and Paralogy Drawing on the work of Lyotard we can sketch out an account of the unconscious as an effect of phrases. The human as a node, or knot, in a complex of relations that pre-exist her – as embedded. What is the place of the affect in the work of Lyotard, and where does he place it? The move to psychoanalysis as flirtation – the promiscuous movement among beds. (Sources: The Postmodern Condition, The Differend, The Inhuman) Part Three – Practise in Paralogy, Paralogy in Practise Using the findings of part two we can offer an account of why Adam Phillips writes the way he writes that turns around the work of Lyotard. Is Phillips the last psychoanalytic writer (is he a psychoanalytic writer?)? Has promiscuity brought about the end of the psychoanalytic relationship? The replacement of psychoanalysis as epistemology by psychoanalysis as ethos. (Sources: Lyotard, Adam Phillips, Jacqueline Rose, D.W.Winnicott)