Category: 2009

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2009 Abstracts Stage 3

The End of an Era? Modern Culture in an Age of Apathy

Project Aims: To investigate the evolution of apathy  and the changing attitudes toward it over time –  from the Stoics to modern culture. Has an era  ended? Was the era of positivity towards apathy  correct, or modernity’s negative opinion?  What  does it mean to be individual today? 

Object: Apathy 

Concepts: Politics, Social development, the Culture  Industry, the Last Man, the Other. 
 
Change/contrast:  historical contrast between  the Stoics, the Christian  theologians and modern society  

Thinkers: Adorno, Nietzsche, Levinas 
Adorno – the Culture Industry as a cause 
Nietzsche – overcoming the Last Man 
Levinas – Do we need to focus upon something ‘Other’ than  ourselves to overcome our apathetic age?  

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2009 Abstracts Stage 3

In Braveheart we see Men Willing to Die for Freedom: is Freedom more than just a Concept?

Territory: Braveheart the 1995 film by Mel Gibson. Focus: William Wallace: I *am* William Wallace! And I see a whole army of my countrymen, here in defiance of tyranny. You’ve come to fight as free men… and free men you are. What will you do with that freedom? Will you fight? Concept: Freedom / Free will. What I will do in this project: I intend to look at the concept of freedom and free will. In the film Braveheart we see William Wallace lead the Scottish people in an uprising against the rule of King Edward I. Edward took over Scotland when the Scottish king died without an heir giving Scottish lands to English lords: such behaviour led to an uprising in Scotland as lower class took on the English armies in a bid for freedom. Freedom is so important people will give their lives for it. I explore the Kantian notion of the transcendental self, he believed that our purpose was to be rational with intrinsic value because of our ability to reason. This ability to reason sets us apart from all other creatures. This ability to reason is only possible if we are autonomous, because how can we make rational decisions unless we have free will. I will then counterbalance this view with reference to Karl Marx. Marx believes our nature is shaped by a social structure that rests upon an economic base. This means we are therefore determined by economics, freedom is restricted by the means of production, and we can only have any semblance of freedom if we can afford freedom.

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2009 Abstracts Stage 3

‘Mountains of the Mind’. Leisure, Thrill and the Nature of Human Existence

Object/Territory: I chose to study the sport of mountaineering with reference to the historical development and change in attitude towards it. I essentially wanted to provide a philosophical explanation behind the reason people take part in such a high risk sport.

Philosophers and Concepts: Immanuel Kant and Burke- The Theory of the Sublime Jean- Paul Sartre- Existential Freedom and Authentic Existence. Vertigo Theory. Martin Heidegger- Dasein, Being-towards-death.

By using the above philosophical concepts I intend to explain what makes mountaineering so appealing to the human mind and how these attitudes have changed over the course of time. I will take into account the history of the sport and the changing attitudes that have resulted in the change from a leisure activity to one that seeks a deeper, more satisfying thrill factor concerning human endurance. Ultimately I want to demonstrate that mountaineering provides fundamental experiences that are vital to the human condition and to our sense of self-understanding.

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2009 Abstracts Stage 3

Exploring the Philosophy of Heidegger through the Work of Samuel Beckett

In my project, I will use Beckett’s work, including novels, short prose, drama and critical essays, to explore and challenge the work of Heidegger. I will explore Heidegger’s philosophy, in terms of his views on the way people exist in the world, their perspectives and the nature of truth and knowledge, with a particular focus on his ideas about art. I will use the style, mediums and characters of Beckett to explore how valid these ideas are for the modern world, particularly after the atrocities of the Second World War. I will focus particularly on Heidegger’s condemnation of art in the modern world, exploring its validity. I hope to show that Heidegger’s ideas, though often persuasive and enlightening, are inapplicable to a modern world in which subjects and communities are simply not the coherent and well-integrated wholes he hoped for. Following Beckett, I will explore the precarious, impotent, tragic and confused nature of existence, resolvable, perhaps, in death.

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2009 Abstracts Stage 3

Leaders or Victims, a Fickle World of Fashion

Karl Marx: Here, fashion is nothing but ideological apparatus utilised by the capitalist system in order to manipulate the working class. I have linked these ideas with the collapse of the designer brand ‘Thomas Burberry’ whereby the infamous pattern was adopted by the lower class ‘chav’ and a decline in stature equated with a decline in sales. Deleuze and Guattari: I have drawn on the notion of ‘minor politics’ and art as a ‘becoming’. In a more positive sense, the punk sensation of designer Vivienne Westwood has, as an art form, generated a revolutionary community culture. There exists an issue that fashion is a trivial subject. I intend to challenge this misconception and show how this phenomenon can directly affect our society. I have further deconstructed the ideas of these thinkers and introduced the work of Hans-georg Gadamer, as offering an alternative approach and a distinction between fashion and taste.

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2009 Abstracts Stage 2

A Case for Humanism – what would be the more moral world to live in? One that adhered to the ideals of Humanism, or one that followed organized religion?

In my project I shall explore whether Humanism would set out a better form of morality for the world. I shall examine this with reference to Pico Della Mirandola, who founded renaissance Humanism and who firmly believed that Humanism and Religion could live side by side, and Bertrand Russell, whose philosophy emphasises the importance of scientific empiricism. Humanism is a branch of ethical philosophy that aims to emphasise the importance of human beings being able to determine their own ends. Humanisms rejects the need for belief in religion, and prescribes the worth and dignity of all human beings. Humanists believe that beliefs come from our values, which are determined by our life experience. This life experience can be drawn upon and used to create morals that bring about the dignity of human being’s, and the use of empirical investigation to discover facts about the world around us. I will explore whether religion is to blame for religious hatred and wars. For my case study, I shall examine the religious war in Palestine, between the Palestinians and The Israelis, for occupation of the ‘Holy Land’. I shall explore whether this is a ‘just’ war and whether Humanists would call accuse this war of being unfounded and unjust. Furthermore I shall investigate how Humanism defines spirituality and morality without religious doctrine and whether following Humanism can be spiritual rewarding. I shall also explore: • The History Of Humanism • Life without God • Life without Religion • The Problem of Religion • Morality and ethics of Humanism

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2009 Abstracts Stage 2

Is Art a Result of the Effects of Culture or is it Entirely Free Expression?

Do events in society affect artists in such a way that it is clearly reflected in their work, or is their work completely individual? In my project I look at the Abstract Expressionist movement, in particular Jackson Pollock. My main focus is the effect WW2 had on Artists in America and how Abstract Expressionism emerged as a result of it. I look into the government funding behind the movement and the postwar mood of society. Jackson Pollock is an interesting focus point because not only was he an alcoholic who suffered from depression but his art works, particularly his drip‐paintings, were extremely emotional and well documented. I centre my attention on the drip‐painting era because they demonstrate his connection with his art, his technique was controversial and the result seemed thoughtless and chaotic to some critics. To establish what is to be considered aesthetically pleasing, I will be looking at Kant, this covers how we perceive things as human beings and how our desires and preferences affect what we consider to be beautiful. To explore this idea I am going to focus on Kant’s concept of beauty, where he believes what we perceive as beauty, can be nothing other than subjective because it is the individual’s taste. In essence my project analyses art aesthetically, from both the artist and the people’s point of view. The influences surrounding artists at the time shows how art can be an inevitable result of mass emotion and therefore its popularity does not relate to how aesthetically pleasing it is.

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2009 Abstracts Stage 3

Nursing Ethics: the Changing Role of the Nurse

Territory: Nursing. Object: The role of the nurse. Concepts: Informed Consent, Paternalism, Autonomy Change: The role of the nurse over time. Thinkers: Kant, Mill, O’Neill, Foucault, Gadamer. Questions I am going to Consider: Does the paternalistic role doctors and other medical professionals used to take have any ethical basis? Is the more recent move towards advocacy and partnership more ethical? Should informed consent be compulsory in every situation? Which is more important: autonomy or welfare? Sources: Mill, J.S., On Liberty, 1903, London: Longmans, Green and Co.; Gadamer, H-G., Truth and Method, 1975, London: Continuum; Gillon, R., Philosophical Medical Ethics, 1985, Chichester: Wiley; Fairbairn, G. and S. (ed.), Ethical Issues in Caring, 1988, Aldershot: Gower Publishing Company Ltd.

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2009 Abstracts Stage 2

Can the Practical Application of Reason Generate a Utopia?

Inspired by the 1980’s setting of Alan Moore’s epic superhero tale, Watchmen, we consider reason and its practical application for the purposes of generating an ideal society. How ideal do we find such a setting? Has utopia been achieved? And if not, what hinders such progress? We centre on Kant’s philosophy which considers the realisation of Utopic conditions via applied rational thought, contrasted to Hobbes who considers the nature of man before rational application. Furthermore, if utopia is desirable, what would be the means to achieve such? To consider such we turn to the Utilitarian actions of Ozymandias!

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2009 Abstracts Stage 2

How are Situationist Principles Portrayed in Modern Film?

The films ‘Pierot le Fou’ and ‘La Chinoise’, directed by Jean-Luc Godard, can be said to demonstrate ideas and principles associated with the situationists. These include the society of the spectacle, commodification, and an overall idea of spontaneity. The society of the spectacle is an idea that was developed by Guy Debord, the leader of the situationist movement. It means that our modern society (post-Second World War) governs the lives of its constituents. One can no longer live freely and directly, but is lived through by the mass media. This ties in with the idea of commodification, whereby everything we know has a monetary value set upon it. We cannot help but view everything in this way, and we constantly desire these commodities. The ideas of Guy Debord have origins in the ideas of Hegel and Marx. Firstly, Hegel’s idea of Mind had a particular impact on Debord, as it did on Marx. Hegel claimed our individual minds are connected to the universal Mind. His ‘Phenomenology of Mind’ traces the Mind from a state of consciousness (but unaware of its universal nature) to self-consciousness, or self-awareness. Similarly, when we come into the world, we have consciousness but not self-consciousness. We are given ideality for our consciousness to find meaning; we must “realise this ideality” in order to reach self consciousness (Hegel 1979).
Marx, and other Young Hegelians, converted Hegel’s universal and transcendental Mind to ‘Universal Mind’, meaning the collective of all human minds. Now the story of Mind becomes “path to human liberation” (Singer 1980). Marx also used Hegel’s critique of religion as alienation. The ideas of Feuerbach and his grounding of Hegel’s ideas also intrigued Marx. Feuerbach inverted Hegel’s philosophy, making the finite world the origin of philosophy, but keeping the idea of religion as a cause of alienation. Marx then applied the same inversion to Hegel’s political philosophy. In his publication ‘On the Jewish Question’ he states that it is not the fault of the Jews if they covet money, but of society. Society should be changed in order to eradicate such suffering. We now see the shift from religion to society and money as the chief causes of alienation. This had great impact on Debord and his idea of commodification. He claimed that only by living authentically, by taking one’s life back from the spectacle can one break the fetters of commodification and the alienation caused by money. These ideas are portrayed in Godard’s films, particularly Pierot le Fou, as Pierot and Marianne reject all material possessions such as clothing, cars and money, all things the spectacle seems to tell us we need on a regular basis. There is also spontaneity in the films, as the script does not flow as it would in a typically modern film, but changes between subjects and contexts, often making little sense at all. This is to awaken the audience to the idea that they do not have to adhere to conventions. By contrast, modern films such as ‘American Beauty’, directed by Sam Mendes, does adhere to such conventions, as it is a film that attempts to portray situationist ideas, but fails. It seems the ideas themselves have been made fashionable and swallowed by the spectacle.

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2009 Abstracts Stage 3

Dying in Denial: the Industrialisation of Death in Contemporary Society

For my stage three project I have decided to explore the industrialisation of death in our current society. My examination begins with a look at the gradual change in the perception of death, from the classical age to the modern day. By taking a genealogical approach to this historical change I am able to identify the specific reasons for these changes and reflect upon what significance these changes have on the perceived meaning of death. Beginning with the role in which death played in the Classical Age, I examined how death was once understood as a harsh reality of life to which everyone was made aware through events such as the bubonic plague and the limitations in medical knowledge. After which I explored the gradual development of anatomical pathology in the modern age and the effect that demography, pathology and sociology had and currently have on how death is now approached. In particular I looked at the importance that has been placed on defining death in terms of its physiological cause and the implication that this definition has on each of the specific areas of study I have mentioned. By understanding the changes that have occurred between these two points of history, I highlight the key issues that are involved in the industrialisation of death and what exactly this means in relation to our individual approach to death and our common understanding.

Following this I introduced the philosophical theory of Martin Heidegger and his explanation of death in relation to his phenomenological task to uncover true meaning in ‘Being and Time’. By setting out a brief explanation of how Heidegger attempts to understand the meaning of being in general through human experience, I examine the significance that death has in making possible the discovery of true meaning. From this I moved onto Heidegger’s later work, ‘The Question Concerning Technology’ and his thought on the role of technology in the pursuit of understanding being and the distinction he makes between authentic and inauthentic perception. It is at this point where I applied the issues I raised, in the study of my concept, to Heideggerian theory and translate what effect the industrialisation of death has had on the authenticity of understanding the true meaning of death in the modern day. In conclusion I offered a personal insight to my opinion on the impact that contemporary society has had on our perceived meaning of death and what significance this has to our eventual confrontation with death.

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2009 Abstracts Stage 3

Is Popular Music a Means to an End, or a Good in Itself?

Object – Popular music. • I shall study Schopenhauer in order to establish how ideas concerning music have changed over time. • For Schopenhauer music is a good, an end in itself. • Music is set aside from all the other art forms, it does not simply manifest the ideas of the will but is a direct expression of the will. • Music is the key to suspending will for a moment through an aesthetic break from everyday pain. Adorno. • Popular music is an instrument for another good instead of an end in itself. • The function of the culture industry is ultimately to organise leisure time in the same way as industrialisation has organised work time. • Customers of musical entertainment are themselves objects of the same mechanisms which determine the production of popular music. Their spare time serves only to reproduce their working capacity. • Work leads to mass culture and mass culture leads back to work. Popular music is standardized, and in order to conceal this standardization, the music industry engages in pseudo individualisation. Thus listeners are kept inline by making them forget that what they listen to is already pre digested. Problems with Adorno. Popular music has changed a lot since Adorno who was writing in 1941. Is it still as monolithic as he would have us believe? Does pseudo individualisation really explain things like the advent of rock and roll in 1956, the emergence of The Beatles in 1962 or punk rock in 1976? Popular music from Adorno onwards. Rock and roll as religion – a good in itself. Robert Pielke suggests that rock and roll is most properly understood as a religion that has created a transformation in culture. He compares the 6 characteristics of a religious experience presented by Rudolf Otto with feelings generated from listening to rock and roll or attending a concert. Charles Pressler and Derrida’s outline of ‘The Colossal’ The awe-inspiring concept that rock and roll presents is ‘the colossal’. The presentation of ‘the colossal’ is like an enabling energy that allows a new set of values to be taken onboard by the rock and roll audience.

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2009 Abstracts Stage 2

The “Punk” Trend by Vivienne Westwood and the Philosophy of Bataille

My key point is to look into the fashion trends of Vivienne Westwood, I shall concentrate on the era of ‘Punk’ where Vivienne Westwood and Malcolm McLaren played a vital role. I shall compare this with the Philosophy of Georges Bataille who had an obsession with obscene things such as Human Sacrifice. Concentrating mainly on his Base Materialism and his writing’s Eroticism and Story of the Eye. Punk……. • Punk first emerged in the mid 1970s in London as an anarchic and aggressive movement. About 200 young people defined themselves as an anti-fashion urban youth street culture. Vivienne Westwood is often cited as punk’s creator, but the complex genesis of punk is also found in England’s depressed economic and socio-political conditions of the mid-1970s. Punk was as much a youthful reaction against older generations, considered oppressive and outdated, as a product of the newly recognized and influential youth culture. Creative and entrepreneurial people, such as Westwood, often contribute to an aesthetic that brings a sub cultural style to the forefront of fashion. Bataille…. This image of a torture victim from Taiwan fascinated Georges Bataille. He thought that “the expression on the man’s face is the ecstasy of sexual pleasure”. Georges Bataille believed, as Hegel did, that ‘history is dead’ that we need to come up with new and exciting ways to take society forward to a new way of living because as it is now it is boring. He believed that the key to this was through art, shocking people into change.

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2009 Abstracts Stage 2

Buying the Time: a Philosophical Study into the Ethics of Increased Longevity

Territory: I chose to consider the use of nanotechnology and drugs when applied to living organisms, more specifically humans, to increase the average life time and explore the ethical implications that may be associated with it. Aim: I intend to explore the socio‐economic effects of a society in which all individuals or a select group have an extended life span, from anything between an additional 50 years of life up to, theoretically, several hundred or even thousands! At the end of my study I intend to consider if such technology can be applied, if it should be applied and in what capacity. Concepts: I shall be considering the philosophical dilemmas presented by specialist scholars in the field of my study as well as deliberating issues I have considered myself. To help me consider these issues I shall apply the philosophies of Mill’s Utilitarianism and Nietzschean thought to see if either, both or neither can agree on specific aspects of the study.

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2009 Abstracts Stage 3

Hearing without Knowing: Music, Recording and Differance

This project began with Bill Drummond’s poster, Notice. For Drummond, the digitization and instant access to music through the internet has rendered recorded music a dead art form. To try and understand Drummond’s perception, I have chosen to examine three moments where technology had altered musical production and dissemination: – (1) The birth of notation. (2) The advent of file-sharing software such as Napster. (3) The rise of house music and ecstasy culture where DJs perform using recorded music. Throughout, I have used Deleuze and Guatarri’s A Thousand Plateaus as a conceptual tool-kit. Drawing on their notion of the rhizome, faciality, the refrain, becoming-imperceptible and micro-politics I have attempted to understand both these three movements and develop an approach to music itself. In order to cast some light on Drummond’s perception of recorded music as a single, irrelevant genre, I have turned to Adorno’s conception of the culture industry. Through Derrida’s Dissemination, I have attempted to show that the dichotomy between recording and performance cannot be sustained and that the musical experience returns the listener to the play of differance.

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2009 Abstracts Stage 3

Fighting for Peace: a Contradiction in Terms or the Harsh Reality?

Object: I chose to examine the concept of war and terror and if it is really possible to fight in order to restore peace. The main focus of my project lay in the idea that war will only spawn more hatred, and so creating a war with the objective of bringing peace to a society is an impossibility. In conjunction with this I attempted to look at the reasons why people agree to war, and the freedom of British citizens when they agree to join the Army. Territory: When I originally decided upon a territory I chose the ‘War on Terror’, namely the wars in Afghanistan and Iraq. Upon further investigation it became clear to me that these were two separate wars with different focuses and motivations, and so I shifted the focus of my project solely to the war in Iraq, and the reasons for and against this war. I also looked at the concept of the British Army and the reasons behind why soldiers are deployed to fight in what was not a British fight to begin with. The Philosophy behind my project: Gadamer and Death: One of the concepts that became most clear to me was that of the idea of the repression of death. Gadamer notes that society’s perception of death had changed, and I examined if this affected the decision of those joining the Army. Kant, Freedom and Duty: I also looked at the idea of whether the innate sense of duty that we possess, according to Kant, affects the decisions we make in everyday life, such as joining the Army. I also discussed how much freedom we actually have, when, if you join the Army, you have to sign up for a minimum period of time, and you can be forcibly deployed to fight in wars you might not believe in.

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2009 Abstracts Stage 3

The Class System: is it Evident at Newcastle University?

Do we still live in a society that is dominated by issues of class? • If so why do certain sectors of society refuse to discuss it and others believe that it no longer exists? • Why do we force social issues, in the desperate hope not to show a class divide? Aim: These were some of the questions I wanted to try and tackle this year. With the ever increasing topic of class being raised, I decided to question Newcastle students on their perspectives. Whether they felt that Universities were a key part of society’s social engineering, or whether they believed that there was a social divide at the University. Philosophers: Focusing on the work of Karl Marx and Theodor Adorno to illustrate the concept of capitalism, and whether we still live in a bourgeoisie and proletariat state.

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2009 Abstracts Stage 3

Whodunnit? An Investigation into Autonomy and the Subject within the British Justice System

My project is an investigation into responsibility. In modern times more and more people are getting reduced prison sentences due to diminished responsibility. This inspired me to look into the autonomy of the Subject. This investigation charts its way through the history of the subject, starting with the wholly autonomous subject as proposed in John Rawls theory of justice, justice as fairness. This theory relies on respect for others, freedom and equality and most importantly an autonomous self. The first person to challenge this idea concerning the self was Sigmund Freud when he proposes that the mind was in fact split in three parts, the id, ego and the super‐ego, which all have different effects on our actions and choices. With this theory in mind I look into scientific evidence to back up Freud and show how illness such as schizophrenia and narcissistic personality disorder affect the mind and the Subject. Finally I look at the theories of Keith Ansell Pearson in his book Viroid Life in which he questions the autonomy of the Subject altogether. He produces a theory of the cyborg and the hybrid self and proposes that the rapid rise in technology has created a more deterministic reality and halted the autonomy of man.

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2009 Abstracts Stage 3

The Prevention of the two Possible Outcomes for Society

Territory: My project this year is a follow on from my project last year and so my territory has remained the same. My territory is society itself, but particularly the problems of society and the two possible futures for society those being either; the civilised state of nature where everyone is out to get everyone in order to increase their standing in society, this is seen in things such as the culture of legal action. The other scenario is a totalitarian state where the government take absolute control to prevent a collapse in the civilised state of nature or full anarchy, but it can also be seen happening through such things as political correctness and the nanny culture. Aim: My aim for my project is to find a way to prevent these two scenarios from occurring but also to find a way to tackle some of today’s societies problems. I plan to do this by looking for the root of the problem and then tackle the problem from the root up. I believe that the root is society’s obsession with liberty and equality with liberty being the more problematic of the two. To tackle the problem I shall be using theories from Social Contract thinkers such as Hobbes and Hegel to thinkers such as Levinas and their view on meaning. Overall I want to try and make a system where there is liberty and equality, but it is not an obsession rather a balance between liberty, equality, order and meaning to ensure a society where we can grow as moral human beings with the most pleasant life possible without having to resort to extremes to do so.

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2009 Abstracts Stage 3

Nature vs Nurture

Overall aim- to prove that humans do have a distinct nature which sets us apart as individuals and that we are more than living organisms that respond to social needs. • To prove this I am using my experience of America – to study how I adapted to a new culture to see whether I totally adapted or whether there is part of me that remained the same. • We cannot deny our want and need to adapt to environments and cultures but humans still have an innate nature that defines us as individuals and remains the same all our life. • Our human nature is responsible for HOW we respond to cultures and our upbringing. We are not born a blank slate. PHILOSOPHY. • I liken my ideas to Descartes and his idea of dualism where the mind and body are distinct from each other. • Mencius believed that there are 4 positions of human nature that we are born with but develop throughout our life, o 1. Mind of commiseration o 2. Mind of shame o 3. Mind of respect o 4. Mind of right/wrong • Lao Tzu believed that we should strive to be an ‘uncarved block.’ So we should go back to the basis of our human nature and we should not be affected by anything external to ourselves. • I am using these two philosophers to suggest unlike them I do not believe we are wholly independent from society and I think that Lao Tzu’s ‘uncarved block’ is unrealistic. We could never deny the influences that our society/upbringing has on us. • But like them I believe we have an innate human nature which is responsible for how we respond to our surroundings and is individual to each person.