For this project I chose to explore that way that societies attitudes towards gender have shifted in the past 100 years. Through analysis of the work of Judith Butler and Simone de Beauvoir, I created an argument based upon the notion that we are defined above all else by our gender.
In order to bring my argument into the modern day, I looked into the Vogue December 2020 cover and article featuring Harry Styles and the subsequent backlash that it received.
Furthermore, I explored the territory of masculinity and femininity, referencing things such as the Mars and Venus symbols for gender and their meanings.
Eventually, I came to the conclusion that gender whilst prevalent in modern society, has taken us as far as it can.
Category: Abstracts
Does drug prohibition provide safety within society, or does it merely conceal our freedom, and the freedom of low-income and minority communities to protect the middle-classes?
This project focuses on a Foucauldian framework to analyse the power dynamics between the systems that are supposed to protect us, and addicts’ abilities to control their own forms of therapies. It also analyses the freedom of addicts themselves, and whether the therapies currently in place helps these people to break out of their situations and take control over their own lives, or whether it just slots them into a position that conforms with societal norms at current.
I also analyse different future options for therapies for low-income and minority communities breaking from their drug addiction with psychedelic therapies and psychoactive substances.
The aim of the essay is fundamentally an attempt to breakdown the lives of addicted people and the ways in which we can continue to support them and provide them with the freedom that as humans, we deserve.
Both Buddhism and Nietzsche’s philosophy point in the direction of nothingness. Nietzsche studied Buddhism at a young age due to his training as a classical philologist and it most likely accompanied him throughout his life as one of the cornerstones to his thought alongside his great educator Schopenhauer. Buddhism as a philosophy lacks breadth and depth, unlike Nietzsche who is a far-reaching philosopher writing on many topics in a variety of ways. It is an articulation of the application of emptiness and becoming onto all things in the universe – subtle in its poetic method of reducing many things’ Being to empty becoming. Buddhism is direct yet allusive in its brevity, a feat somewhat lacking in Nietzsche’s numerous aphorisms: there is so much character and enthusiasm in Nietzsche’s many articulations of nothingness and his many affirmations of life, forcing the discussion at hand to demand that portions be ignored, to allow other parts to make sense. So that Nietzsche may compliment Buddhism and Buddhism may compliment Nietzsche, the discussion will dissect Nietzsche’s most pure nihilisms from his array of articulations and applications of nihilism, in order to be able to compare their likeness to one another. The discussion will likewise only have eyes for Madhyamaka interpretations of the Buddha’s doctrine through Nagarjuna. Importantly, Nietzsche and the Buddha will be discussed within the milieu of their contextual origin, which will poke at the purpose of their philosophy: the Buddha’s extinction through nirvana demanded by his Indian peers (post-Brahmanical annihilation), and Nietzsche’s edified affirmations of life, attempting to provide the facilities for all to see ‘it’ for what ‘it’ is, in Europe upon God’s death. This discourse is a deliberately polemical approach to nihilism for the sake of being able to discuss Nietzsche’s selected philosophy and Buddhism mutually, improving ones ability to see where the two agree and disagree at the cost of excessive hyperbole.
I will be exploring the relationship between consumerism and identity. I will ask if people are free to create an identity and control the way in which they express themselves under the social order of consumerism. I will argue that rather than being emancipatory, consumerism instead imposes restrictions on people in ways that will be explored in this essay. The main philosophical ideas used to engage with this thesis will be drawn from works of Jean Baudrillard. I will primarily be drawing from Baudrillard’s The Consumer Society and will later incorporate some ideas from his Simulacra and Simulation. Baudrillard’s philosophical analysis of consumerism provokes much thought about identity, and the freedom that we possess to manipulate this identity. These ideas will be fundamental to my argument.
The recent and ongoing COVID-19 pandemic has shown a clear display of the attitudes and values some of society withhold in response to the restrictions and guidelines put in place to protect the larger community. While there is constant conflict between opinions on these restrictions, one thing that the debate almost always comes back to is the question of freedom and freewill, and whether enforced mandates are a violation of this or a commitment to the greater good regardless of sacrifice. Current events present this question; however, this discussion is not new and has been debated throughout history by many philosophers, but speakers Karl Popper and Fredrich Nietzsche present particularly appealing arguments that can be applied to both the conversation regarding the lack of freewill in this modern pandemic and in the past with reference to morality and religion. Furthermore, the debate of the validity of the proof behind the reasoning for the COVID-19 restrictions is constantly argued, often from two uncompromising parties, one that sides heavily with the scientifically backed restrictions and the other who completely disagrees with the evidence and its validity. The heavily discussed philosophical concepts of rationalism, empiricism and relativism can be applied to this argument to analyse each viewpoint and provide an insight on how philosophers like Popper and Nietzsche would approach the argument based on their philosophical beliefs and views of the above concepts. With this project being heavily based on the differing viewpoints of the community during the pandemic and linking this to different philosophical concepts based in several different fields: rationality, focusing on the subject’s personal beliefs; empiricism, focusing on scientific, verifiable truth; and relativism, focusing on the subjects moral and religious beliefs.
An evaluation on women’s position in the transition to capitalism, the function of capitalism, and 21st century capitalism through the works of key Italian Marxist Feminist thinkers. This project will analyse how Italian feminists have critiqued and developed Marx to develop a new theory on capitalism which focuses specifically on women’s exploitation. Analysis of Italian Marxist feminist theory will demonstrate how and why they understand capitalism to inherently entail women’s exploitation.
The so-called ‘cathartic’ elements of art, especially music, have fascinated me in some way for a long time. The strong emotions that can be aroused in the presence of an artwork, or while one is listening to certain music, are very often difficult to comprehend and put into words – such feelings can be said to ‘elude common vocabulary’ (Gabrielsson, 2010, p. 548). Especially since by nature our individual experiences are so subjective, the cathartic or therapeutic nature of art can also be very difficult to make sense of and thus communicate to others, perhaps even yourself. However, there have been and continue to be more sociological and medical articles being published investigating the idea of art therapy, which seem to be gaining traction as sound cases arguing in favour of art therapy. In light of all of this, what this article aims to accomplish is split up into two parts: firstly, I will provide a thorough philosophical foundation for understanding the very idea of artistic catharsis, which will entail a deep and critical exploration into Aristotle’s concept of catharsis and the debates surrounding it; and secondly, once this has been done to a satisfactory level, I aim to transition into a more social and psychological approach by considering the current ways in which art therapy and catharsis are viewed today. This latter half will pay specific attention to the effects of music on various individuals and groups, taking into account the different factors at play that may impact how those individuals or groups experience music, and even several other art forms.
The philosophical concept known as ‘The Death of the Author’ was first coined by Roland Barthes, in his 1967 essay of the same name. In short, it is the idea that all prestige bestowed upon an author should be removed, and that the figure of the author is no more important than anyone else.
Within my work I intend to argue that if this concept were to be applied within the modern world, it would either directly cause, or allow for, the oppression of minority authors.
Objectives: To establish the extent of influence Social Media has on people’s identity using the philosophical concepts of: Lacan, Goffman, Bauman and McLuhan. Furthermore, to investigate if the anxiety surrounding, what Farman described, as the ‘techxistential crisis’ of the 21st century is rational. And if Social Media can have a positive influence on one’s Identity.
Conclusions: The Black Mirror – Social Media has a pervasive influence over our identity as the ‘mirror stage’ does for Lacan. This is because we spend a lot of time staring into the “black mirror” of the screen in which we use for Social Media. The performance of our identity on Social Media and in real life converge. Social Media’s influence on our identity does not have to be a negative one. Our identity has always been performative and Social Media just offers a new medium in which to explore this. If we learn how to monitor our usage and utilise Social Media positively; social media can be a positive influence for exploring and performing identity
The theories that attempt to explain the derivation of meaning in art concerning the individual usually assume the original creator is one individual. Theatre however always contains three distinct creative groups in the formulation of a play. This dissertation aims to examine how theatre stands out amongst other art forms in the derivation of meaning due to the distinct creative groups involved in a theatre production.
I will be taking an autoethnographcial approach by applying the concepts to a performance of Hamlet that I was in and, by examining that experience, hopefully see if such theories accurately apply to theatre.
My project will posit the notion that society is entrapped in a one dimensional mode of thinking due to the technological rationality of our time. I will dissect the notion of neutrality and how it is simply a facade to cover the logic of domination. This will be evidenced by the impositions on religious beliefs and the oppression of the Islamic community and voice, highlighting that the commodification of high culture into mass culture has reduced us to a society where there is no critical angle left. A society in which one cannot argue against the supposed ‘rational’ a society that follows the history of domination yet we are all deluded into believing it is more progressive than ever. Furthermore I will reflect on case studies to illustrate the repressive nature of this society and focus on Frankfurt school critical thinkers: Marcuse and Adorno. The use of critical theory is necessary as it will enable dialect thought that will hopefully allow for the the individuals real liberty.
This project looks at the question, ‘Is the age of social media marketing creating a warped sense of reality for Generation Z?’. This project explores and applies Baudrillard’s concepts of hyperreality as well as his theory of sign value, to the modern world of social media. As well as looking at areas such as fast fashion marketing and the effect social media can have on both mental health and our perception of reality.
The object of this project is the sport of MMA itself, and the project will emphasise and refer to the philosophical concepts of Sun Tzu, with a concise focus on his philosophy of war within The Art of War. With regards to context, this project will emphasise how a mixed martial artist’s adherence of Sun Tzu’s war philosophy can contribute to the elevation of their performance. This essay will firstly address Sun Tzu’s Five Indispensable Matters of the leader and demonstrate how an MMA head coach’s adherence of these concepts can build the foundations of a successful team. This will be executed by outlining a specific MMA Gym that subconsciously adheres to the five matters and will meanwhile demonstrate the type of leader that aspiring mixed martial artists should aim to fight under in accordance with Sun Tzu’s philosophy. After evaluating the five matters, I will then focus upon Sun Tzu’s concepts of The Spirit of the Troops and Emptiness and Strength as here the emphasis will shift from leader to soldier, and therefore I will apply his philosophy directly to the fighter’s rather than their head coaches. Here I will apply his concepts to contemporary mixed martial arts examples and demonstrate circumstances where they are subconsciously applied by successful MMA practitioners. The purpose of this will be to demonstrate how a mixed martial artists adherence of the Sun Tzu’s philosophy can prove to be prudent in one’s pursuit of a world title. With regards to secondary literature, I will utilise Michaelson’s Sun Tzu for Execution, which is his interpretation of how to utilise Sun Tzu’s war philosophy to get results in the modern day. In order to improve the validity of this project I have also conducted two online interviews via direct message with professional mixed martial artists Nathan Fletcher (6-1) and Luke Riley (3-0), with the two athlete’s responses showing contrasting perspectives.
The purpose of this investigation is to determine the extent of which our climate crisis can be aided by plant-based diets. I will assess different opinions on animal sentience and moral philosophy in order to determine how and why a plant-based diet could play a part in combatting the crisis. By Harry Feachen
This project explores the role offence plays in the creation of authentic and progressive discourses. It will be exploring this by looking at misogynistic rap lyrics, investigating the offence these lyrics cause. It will begin by discussing John Stuart Mill and Joel Feinberg in order to demonstrate how offensive rap lyrics offend rather than harm. Then it will discuss the work of Catherine Mackinnon, looking at how a minority of rap lyrics could be defined as pornography and therefore harmful. However, it will then demonstrate how misogynistic rap lyrics should be understood as responding to the world building of pornography. This project will then discuss how rap music also has the potential to challenge the belief system created by pornography. Through discussing Martin Heidegger, we see how misogynistic rap lyrics defy our everyday idle talk, creating a new authentic discourse. This discourse is created through the shock caused by offensive lyrics. We will see how shock has a liberating potential, as demonstrated by Walter Benjamin. Ultimately this project will investigate how rap’s offensive misogynistic lyrics shock us, forcing us to engage with them. This creates a new authentic discourse that allows the rise of progressive voices.
A fair trial of Rawls.
The right to a fair trial is a human right held by those living in the UK. Rawlsian theory lays claim to the fairness of the criminal trial and insists upon the ability of such a procedure to produce fair outcomes. This is frank account of the reality of criminal trials in the UK, the procedures in place and the extent to which Rawls is able to justify his claims. Individual liberty, amongst other things, appears to be in jeopardy. Will Rawls produce a suitable enough defence to clear his name of all shortcomings?
I have investigated the potential for authenticity in works of art and fiction created by fans of various media. I have examined whether or not fan artists themselves may be considered as living authentically when producing works of art which are inspired by and dependant on another source of art. I have looked at the concept of authenticity from both an aesthetic and existential perspective, examining the philosophies of Benjamin, Barthes, Sartre and Heidegger.
An investigation into the nature, history, prominence and management of risk on both a personal and professional level. To answer the question of whether humans or computers are more effective risk managers.
Girls and Social Media
The Object of my project is how social media contributes towards and perpetuates the damaging social construct of femininity.
Control.
Control is the overarching force at play in this project. It refers both to capitalist and patriarchal control. Foucault explains how social media acts as a form of surveillance, policing and governing girls’ behaviour online and prohibiting their freedom.
Identity.
Identity is relevant to this project because of the identities girls form on social media. Girls internalise the sexually objectifying media content they consume on social media, which causes the development of a patriarchal construction of identity. Tiqqun is used to demonstrate how this prohibits girls from experiencing true value in a number of ways, such as the values of liberation, introspective intimacy and identity.
This project aims to explore the territory of horror fiction,
investigating the question of ‘what is horror?’ through a
psychoanalytic perspective. This investigation is focused on H.P.
Lovecraft’s novella At the Mountains of Madness, published in 1936;
this constitutes the object of the project. The psychoanalytic thought
that will be drawn upon is, primarily, that of Sigmund Freud and
Jacques Lacan, with Slavoj Žižek used as secondary theorist
throughout. The philosophical concepts employed in this project are
Freud’s notion of the unheimlich and Lacan’s order of the Real,
though the latter is streamlined through the Žižekian reading of the
Real as horrifying.
An application of these psychoanalytic frameworks to the material
provided by Lovecraft’s novella will offer two contrasting accounts
concerning what constitutes the notion of horror. The Freudian
approach rationalises the image of horror by tracing it back to certain
repressed content, whilst the Žižekian-Lacanian approach
understands the phenomena of horror as an interruption of the Real
into our social reality. This project argues for the salience of the latter,
on account of the reductive tendency of the Freudian framework that,
ultimately, fails to capture the philosophical richness of the material
with which it is dealing.