For decades, the correlation between the continuing rise in mental health cases and late-stage capitalism has been theorised by philosophers, sociologists, and psychologists. However, the problem still remains, and we are yet to find an adequate solution.
Individuals continue to be exploited by pharmaceutical companies more and more each year, as the rates in mental illnesses increase and in turn, so does the income of pharmaceutical companies who provide anti-psychotics.
This is where the Eastern practice of mindfulness seems like a viable alternative. Can mindfulness bridge help individuals that are suffering with their mental health, by eliminating this problem of contributing the exploitation of capitalist pharmaceutical companies?
Category: Stage 2
This research paper seeks to answer the research question of “what are the implications of actors playing roles with a different sexual orientation to their own?”. To do this the objects of Armie Hammer’s performance as Oliver in Call Me By Your Name, and Rupert Everett’s Performance as Sir Arthur Goring in An Ideal Husband are applied to Sartre’s notion of authenticity and Butler theory of performativity. Sartre’s notion of authenticity is used to assess the implications to the authenticity of an actor’s performance when playing a character with a different sexual orientation to their own. Butler’s theory of performativity is used to assess the implications that performativity has on performances, specifically performances where actors play roles where their sexual orientation is different from the character they play.
This project investigates whether it is possible to believe in the soul and spiritual concepts in the 21st century, despite the rise in scientific research which aims to render them into fictitious elaborations.
AIM: With this investigation I aim to prove how it is entirely justifiable for individuals to hold a belief in the soul in contemporary society. I will reveal how the soul crisis today is purely a turning point in which science and spirituality can combine, introducing rational spirituality and examples neurological evidence in favour of the soul’s existence.
This project has taken me on a journey through the history of the human soul. I have looked at the ancient radical dualist philosophy of Plato and continental thought of Descartes, whilst analysing contemporary philosopher Tim Freke and his belief in ‘Emergent Spirituality’.
Scientific data and experiments for and against the soul have also been used to argue my conclusion in support of the soul’s existence.
This project came from a desire to be able to justify my own belief in the human soul, in a society where I have faced ridicule and criticism for holding such a belief. I began to question whether I was simply holding on to a deep desire for my life to be worth something, when actually in reality, I am a monkey who wears clothes, aimlessly wondering on a rock spinning to oblivion.
With the current pandemic I have never been faced with so much time in my own head to think about the existential questions that young people tend to brush over. Do I have a purpose? What happens when I die? Being faced with so much death and tragedy each day on the news, it forced me to think about the future of my existence. It forced me to want to prove that there is a place for those who believe in the purpose of humanity and spiritual concepts like the soul in the 21st century, and that science has not entirely eradicated the magic and mystery from my existence.
Tattoo artistry is a form of permanent body adornment, which functions to establish as a form of art which configures a permanent establishment of meaning, expression and identity. Tattooing is a unique and heterogenous form of art which works directly upon the body as a canvas, eliciting a relationship of pain and sensation. Examples of recorded tattoo experiences and tattoo culture have been provided, both traditionally and contemporarily to establish the diversity and adaptation of historical change, as the tools and customs have been found to radically progress. The functions by which are carried out by tattoos, such as meaning, expression and identity, are able to be assessed with respect to differing perspectives. Present in discourse surrounding tattoo artistry, is how and why distinct differences in tradition and custom development are able to occur.
The application of Susan Sontag, Maurice Merleau-Ponty and Fredrich Nietzche to the heterogeneity of tattoo discourse allowed for the consideration of hermeneutic culture, metaphysical expression and the re-establishment of the self as reflective functions present in the application of tattoos. These noted functions act indivisibly throughout the consideration of tattooing and the practical tattooing process. Tattooing discourse reveals the underlying difference in the conception of tattoos and its customs, with the exploration of contemporary experimental tattoo environments, displaying the developing ideologies present in the tattooing sector.
Object: Salvador Dali’s “The Great Masturbator” (1929) Painting. Dali’s history as an artist confused and disturbed by sexual behaviour and promiscuous acts is represented by the strange surreal distorted imagery surrounding the sexual act. Examining Dali’s strange and disturbed history with promiscuous behaviour encourages us to ask the following questions:
-What is the nature of sexual promiscuity?
-Is sexual promiscuity ethical?
My project is an investigation into the ways in which the representation of women in politics by the media objectifies them and poses barriers to their success, this is explored through my key philosophers of Martha Nussbaum, Rae Langton and Kant who each propose a variety of forms of objectification. The way in which these notions of objectification impact the success of female politicians is demonstrated through empirical evidence of key political figures such as Jacinda Ardern and Angela Merkel. Through this investigation I reach the conclusion that the institutions of the government and the media are based on a patriarchal power imbalance and need to be reformed in order for women in politics to succeed without the harm of objectification.
This essay explores and deconstructs the inner psyche of Anthony Soprano, the protagonist of the TV show ‘The Sopranos’ (1999-2007). This essay puts an explicit focus on the work of Sigmund Freud and Jacques Lacan and their work on subjectivity and the formation of selfhood. The broader aim of this essay is to better understand how a personality is formed, and the ways in which our experiences – even the ones forgotten over time – have a permanent effect on our self-esteem, our behaviour and our response to certain situations. Tony Soprano was chosen for analysis because of the extreme dichotomy between the side of him that wants to be good and the side of him that is demonstrably bad. This essay also discusses whether or not Tony’s inner conflict can be resolved, coming to the conclusion that this is impossible for him. This essay also seeks to avoid an ethical discussion and look objectively at character-forming from a purely psychoanalytic perspective to avoid a discussion of moral relativism, instead hoping to understand the notion of morality as being formed through experience.
Through my research into pseudo-intellectualism as it is conceptualized by today’s society, I have identified two many features that make an argument pseudo-intellectual. The first being; a foundation in some sort of reasoning or logic, and the second being the use of faulty rhetorical appeals in order to make a claim. These arguments are usually made to provide the consumers of these philosophies with a sense of both meaning and purpose; this is done in order to combat a sense of meaningless and unfulfillment in today’s modern world.
What separates an intellectual from that of a pseudo-intellectuals, is how the latter will base their argument on facts and reasoning, but will then use faulty rhetoric in the formation of their arguments. Aristotle conceptualizes rhetoric as; ethos, pathos, and logos. These three forms of rhetoric are understood as; an appeal to credibility, emotion, and logic. All forms of arguing rely on a least one of these forms, and sound arguments can be built using these three rhetorical forms. Pseudo-intellectuals, on the other hand, attempt to use these rhetorical forms, in an unjust manner in order to fully persuade the listener of their point.
In today’s pop-culture the pseudo-intellectuals that often get the most attention are the ones that use these faulty methods of reasoning to evoke a sense of meaning and purpose in the audiences that listen to them. It may seem harmless, but because they do this, they are given a lot of unwarranted attention and authority when it comes to social and academic topics. This allows them to speak on things they aren’t fully qualified on, which can divert social discussion to that of semantics, which then dissolves social discussions to that of arguing for the sake of proving a point. This in turn, creates a divide in society.
It is important to be able to identify pseudo-intellectual arguments because they can be very enticing, due to the fact that they are based on reason, and promise the listener with a sense of meaning. But because they aren’t sound conclusive arguments, if ever placed under scrutiny by anyone knowledgeable, they will crumble along with what meaning they provided.
In 1967, French literary theorist and cultural critic Roland Barthes asserted The Death of the Author. Representing a call for a diminished heed in reviewing the backdrop of the author when interpreting a text, he states the reader as the only place where such meaning within a text can accumulate. It is through the Internet meme, “groups of items sharing common characteristics of content and form” (Williams, 2020, 4), we see this call met. Addressing Foucault’s “author-function” argument, we see the meme detach from the author’s stipulation — in its being propagated on the Internet, participation in the creation of work no longer holds regard to an author. Instead, we see memes created, propagated, spread, remixed, edited, actions integral to the digital experience, allowing the meme to standalone as a piece of work in its own utterance, it is not simply an original piece but woven in it lies countless threads of culture. In detailing Pepe, the Frog meme, we find memes represent a collective cultural experience: different groups rally over the Internet to depict meaning to a piece of work, presenting differing composition of cultures, none of which original. Thus, in the Internet age, the birth of the reader is in full stride, presenting the author as truly dead, in the context of the collective ownership of memes.
I Will Survive: Self-preservation and its practical application
Self-Preservation is a force endowed to all organic beings. Its innate nature means it is inescapable, leading to it being a definite presence among action in the world. As a concept it has been subject to interpretations, and my own will supplemented by Schopenhauer, Nietzche and Darwinism. Within the project I will attempt to offer a comprehensive story of the practical application, to understand how the will developed and changed in its environment. Within the project I wrestled with questions such as:
“Who runs the world?”
“Why did modern countries develop the way they did?”
“How do we fix societies for the better”?
My analysis began with ancient history, where self-preservation showcased itself in establishing systems of hierarchy as extension of the will’s desire to dominate. Following on from this I focused on Western society and how self-preservation inspired the actions of imperialism. Next, I explained how self-preservation transitioned into neo-liberalism as well as the resulting disguise from the new environment. Finally, I presented potential solutions to the harmful effects of self-perseveration that I encountered within the project.
The concept of death is one that philosophers have looked into since the ancient Greeks. Similarly to other topics, such as God, the soul and the universe, death and the afterlife is one that we will never fully understand. Both religious and non-religious ideas have formed relating to what different groups and thinkers believe happen after death, and this also intrudes on discussions relating to who we really are- whether we are only our body, only our mind, or a mixture of both. Certainly in the 21st Century, not only do we have the many writings of previous thinker’s opinions on death and the afterlife, but with medical advancements, we also have the experiences of some who have died and been resuscitated- many of whom speak about the overwhelming feeling of peace, welcomeness, support and even recall images of their past, calming settings and a bright light. However, there are previous philosophers, for instance Epicurus, who we will see later, doesn’t believe that death is something that we experience, thus we cannot ever truly know what happens after we die. Freud builds on this with his idea, asserting that humanity cannot imagine not existing as a thinking thing, therefore will fantasise attending their own funeral, which could also explain the experiences of those who have passed on and been resuscitated. Essentially, there is a suggestion that their beliefs about death could have an impact on what they believe they experience in the afterlife.
In this essay, I will discuss non-religious and religious views about the afterlife, as well as arguments for the possibility of reincarnation, from a range of different philosophical thinkers. I will explore this deeper through employing secondary sources that critically analyse these arguments and review how valid these arguments may be.
Was Harry Potter predetermined to be the chosen one? Or is it down to free will.. or more fate?
Although all forms of art have changed massively in the 21st century under the influence of digital technology, it is the forms of art that contained the aura in the 20th century that have changed the most as the aura that was once there, is no longer.
Contemporary treatment of specific crimes (miscarriages of justice) reveals that early forms of vendetta are still present in our supposedly rational society, which may therefore result in the destabilisation of hierarchical power relations. The project uses the subsequent cases; the Birmingham Six (1974-75), the Guildford Four (1975), and the Maguire Seven (1976), to highlight how such a system of our judiciary systems’ necessity to our society can fail. The project uses MacIntyre’s philosophy, regarding narrative alongside Poyser’s academics, to suggest that through improved case narratives due to media involvement, the judiciary system is provided with the opportunity to resurrect their mistakes and in doing so improve the structural innerworkings of society. Further philosophical analysis of the media’s narrative regarding MacIntyre perhaps reveals how the victims are condemned due to how they have been treated by the judiciary system and the miscarriage of justice that they been involved. In thinking about one’s selfhood in terms of narrative, it is possible to review how the victim’s lives are changed for the worse due to their mistreatment. Moreover, use of Hegel’s Philosophy of Right feasibly aids the removal of historical discordancy around the concept of justice, which in doing so provides a clearer understanding of how violence in the form of terror and vendetta still become pertinent issues for our society. Hence, the project sets itself to reviewing the claim that contemporary treatment of specific crimes in the form of miscarriages of justice may in fact provoke the destabilisation of hierarchical powers such as our judiciary system due to the presence of repeated acts of violence in the form of terror and vendetta.
The philosophical concept known as ‘The Death of the Author’ was first coined by Roland Barthes, in his 1967 essay of the same name. In short, it is the idea that all prestige bestowed upon an author should be removed, and that the figure of the author is no more important than anyone else.
Within my work I intend to argue that if this concept were to be applied within the modern world, it would either directly cause, or allow for, the oppression of minority authors.
My Object is Covid-19 mental health, as I believe that mental health has not had enough importance throughout the Covid-19 pandemic. I highlight this pressing issue using psychological studies that show the link between Lockdown and mental health.
Project Aim:
To use my philosophical concepts to offer solutions at mitigating the effects of Covid-19 mental health, I shall not be suggesting that the physical effects of the virus should be disregarded.
Within my project, I use two philosophical concepts – Jean-Paul Sartre’s existentialism and Ayn Rand’s rational egoism.
Sartre’s existentialism focuses on our own individual freedom as he claims that we do not have a general human essence to conform to. Sartre also has insights into why we experience anxiety which include factors such as abandonment and responsibility, all feelings exaggerated within a lockdown.
Ayn Rand’s rational egoism denies selfishness as an evil motive, and instead, Rand promotes placing oneself first in order to gain a clear conscience to make rationally informed decisions. Our integrity and values will ensure that making selfish decisions will not lead to immoral acts, and therefore we should be making more selfish decisions.
An application of Nietzschean and Bataillean philosophy to the music of Lana del Rey and The Stooges, in order to investigate whether music has the capacity to be transgressive. Specific use of Nietzsche’s concepts of the Apolline and Dionysiac with Bataille’s philosophy of transgression which includes erotism and expenditure.
This project is about the topic of sports washing, in particular, sports washing in the area of Football. It aims to provide an answer to whether the practice of it may be justifiable or not. The project shall argue against it being justified using Kantian ethics vs utilitarianism argument whereas the essay shall side with Kant. The philosophers against Kant are Jeremy Bentham and John Stuart Mill. some keywords to describe this are Utilitarianism, Sports washing, Kantian Ethics, Human Rights, Saudi Arabia, UAE, and Football.
I have investigated the potential for authenticity in works of art and fiction created by fans of various media. I have examined whether or not fan artists themselves may be considered as living authentically when producing works of art which are inspired by and dependant on another source of art. I have looked at the concept of authenticity from both an aesthetic and existential perspective, examining the philosophies of Benjamin, Barthes, Sartre and Heidegger.
Girls and Social Media
The Object of my project is how social media contributes towards and perpetuates the damaging social construct of femininity.
Control.
Control is the overarching force at play in this project. It refers both to capitalist and patriarchal control. Foucault explains how social media acts as a form of surveillance, policing and governing girls’ behaviour online and prohibiting their freedom.
Identity.
Identity is relevant to this project because of the identities girls form on social media. Girls internalise the sexually objectifying media content they consume on social media, which causes the development of a patriarchal construction of identity. Tiqqun is used to demonstrate how this prohibits girls from experiencing true value in a number of ways, such as the values of liberation, introspective intimacy and identity.