Category: Stage 2

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2021 Abstracts Stage 2

Freedom, Power, and Psychoactive Therapies.

Does drug prohibition provide safety within society, or does it merely conceal our freedom, and the freedom of low-income and minority communities to protect the middle-classes?

This project focuses on a Foucauldian framework to analyse the power dynamics between the systems that are supposed to protect us, and addicts’ abilities to control their own forms of therapies. It also analyses the freedom of addicts themselves, and whether the therapies currently in place helps these people to break out of their situations and take control over their own lives, or whether it just slots them into a position that conforms with societal norms at current.

I also analyse different future options for therapies for low-income and minority communities breaking from their drug addiction with psychedelic therapies and psychoactive substances.

The aim of the essay is fundamentally an attempt to breakdown the lives of addicted people and the ways in which we can continue to support them and provide them with the freedom that as humans, we deserve.

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2021 Abstracts Stage 2

The Art of MMA

The object of this project is the sport of MMA itself, and the project will emphasise and refer to the philosophical concepts of Sun Tzu, with a concise focus on his philosophy of war within The Art of War. With regards to context, this project will emphasise how a mixed martial artist’s adherence of Sun Tzu’s war philosophy can contribute to the elevation of their performance. This essay will firstly address Sun Tzu’s Five Indispensable Matters of the leader and demonstrate how an MMA head coach’s adherence of these concepts can build the foundations of a successful team. This will be executed by outlining a specific MMA Gym that subconsciously adheres to the five matters and will meanwhile demonstrate the type of leader that aspiring mixed martial artists should aim to fight under in accordance with Sun Tzu’s philosophy. After evaluating the five matters, I will then focus upon Sun Tzu’s concepts of The Spirit of the Troops and Emptiness and Strength as here the emphasis will shift from leader to soldier, and therefore I will apply his philosophy directly to the fighter’s rather than their head coaches. Here I will apply his concepts to contemporary mixed martial arts examples and demonstrate circumstances where they are subconsciously applied by successful MMA practitioners. The purpose of this will be to demonstrate how a mixed martial artists adherence of the Sun Tzu’s philosophy can prove to be prudent in one’s pursuit of a world title. With regards to secondary literature, I will utilise Michaelson’s Sun Tzu for Execution, which is his interpretation of how to utilise Sun Tzu’s war philosophy to get results in the modern day. In order to improve the validity of this project I have also conducted two online interviews via direct message with professional mixed martial artists Nathan Fletcher (6-1) and Luke Riley (3-0), with the two athlete’s responses showing contrasting perspectives.

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2021 Abstracts Stage 2

Do the media overstep the mark when it comes to searching for the truth and is it necessary?

In this investigation, I answer my object of the extent to which the British Media has invaded the lives of the public. Is there a need to limit the freedom of the press, what has been done and what is left to do to ensure the protection of ordinary people? Using texts by Jeremy Bentham and the work of Hannah Arendt as my philosophical insight, I ask, are we too reliant on the press to pass us our information and if so who is to blame for the politically fuelled hate campaigns that arise towards certain groups, individuals and sectors in our society spearheaded by the media?

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2021 Abstracts Stage 2

The Dangers Posed By Social Media, and What They Mean for the Smartphone Generation

Project aims:

• To raise awareness of the dangers facing this and future generations, such as the mental health crisis and the existential threat to society.
• To offer real world practical solutions, such as legal/governmental legislation to moderate social media and by limiting our own social media use today.
• To create a challenge for myself, by applying 20th century philosophy to a modern-day concept.

Object/territory:

• Social media: The big six include Facebook, Twitter, Instagram, Snapchat, YouTube and TikTok.
• Smartphone generation or Generation Z is anyone born between 1995-2012, this is the first generation to grow up with social media.

Sources used:

• Consciousness, Art and Technology: Karl Barthes, ‘The Death of the Author’ and Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction. The social media author is dead, and the cause is suicide.
• Kantian and Post-Kantian Philosophy: Sigmund Freud, ‘Instincts and their Vicissitudes’. There is a drive attached to social media.
• ‘iGen’ book by Jean Twenge notices children are growing up slower and are facing a mental health crisis.
• ‘The Social Dilemma’ documents how social media is deigned to addict the user and then sell their data on. This can then end up in the wrong hands.

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2021 Abstracts Stage 2

The Correlation Between the Mental Health Crisis and Late-Stage Capitalism: Can the Eastern Practice of Mindfulness Help?

For decades, the correlation between the continuing rise in mental health cases and late-stage capitalism has been theorised by philosophers, sociologists, and psychologists. However, the problem still remains, and we are yet to find an adequate solution.
Individuals continue to be exploited by pharmaceutical companies more and more each year, as the rates in mental illnesses increase and in turn, so does the income of pharmaceutical companies who provide anti-psychotics.
This is where the Eastern practice of mindfulness seems like a viable alternative. Can mindfulness bridge help individuals that are suffering with their mental health, by eliminating this problem of contributing the exploitation of capitalist pharmaceutical companies?

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2021 Abstracts Stage 2

What are the implications of actors playing roles with a different sexual orientation to their own?

This research paper seeks to answer the research question of “what are the implications of actors playing roles with a different sexual orientation to their own?”. To do this the objects of Armie Hammer’s performance as Oliver in Call Me By Your Name, and Rupert Everett’s Performance as Sir Arthur Goring in An Ideal Husband are applied to Sartre’s notion of authenticity and Butler theory of performativity. Sartre’s notion of authenticity is used to assess the implications to the authenticity of an actor’s performance when playing a character with a different sexual orientation to their own. Butler’s theory of performativity is used to assess the implications that performativity has on performances, specifically performances where actors play roles where their sexual orientation is different from the character they play.

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2021 Abstracts Stage 2

The Soul Crisis of the 21st century: This paper aims to critically discuss whether it is possible to believe in the existence of the soul in the 21st century

This project investigates whether it is possible to believe in the soul and spiritual concepts in the 21st century, despite the rise in scientific research which aims to render them into fictitious elaborations.

AIM: With this investigation I aim to prove how it is entirely justifiable for individuals to hold a belief in the soul in contemporary society. I will reveal how the soul crisis today is purely a turning point in which science and spirituality can combine, introducing rational spirituality and examples neurological evidence in favour of the soul’s existence.

This project has taken me on a journey through the history of the human soul. I have looked at the ancient radical dualist philosophy of Plato and continental thought of Descartes, whilst analysing contemporary philosopher Tim Freke and his belief in ‘Emergent Spirituality’.
Scientific data and experiments for and against the soul have also been used to argue my conclusion in support of the soul’s existence.

This project came from a desire to be able to justify my own belief in the human soul, in a society where I have faced ridicule and criticism for holding such a belief. I began to question whether I was simply holding on to a deep desire for my life to be worth something, when actually in reality, I am a monkey who wears clothes, aimlessly wondering on a rock spinning to oblivion.
With the current pandemic I have never been faced with so much time in my own head to think about the existential questions that young people tend to brush over. Do I have a purpose? What happens when I die? Being faced with so much death and tragedy each day on the news, it forced me to think about the future of my existence. It forced me to want to prove that there is a place for those who believe in the purpose of humanity and spiritual concepts like the soul in the 21st century, and that science has not entirely eradicated the magic and mystery from my existence.

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2021 Abstracts Stage 2

The Functionality of Tattoo Artistry and its Discourse in the Attachment of Meaning, Expression and Identity

Tattoo artistry is a form of permanent body adornment, which functions to establish as a form of art which configures a permanent establishment of meaning, expression and identity. Tattooing is a unique and heterogenous form of art which works directly upon the body as a canvas, eliciting a relationship of pain and sensation. Examples of recorded tattoo experiences and tattoo culture have been provided, both traditionally and contemporarily to establish the diversity and adaptation of historical change, as the tools and customs have been found to radically progress. The functions by which are carried out by tattoos, such as meaning, expression and identity, are able to be assessed with respect to differing perspectives. Present in discourse surrounding tattoo artistry, is how and why distinct differences in tradition and custom development are able to occur.
The application of Susan Sontag, Maurice Merleau-Ponty and Fredrich Nietzche to the heterogeneity of tattoo discourse allowed for the consideration of hermeneutic culture, metaphysical expression and the re-establishment of the self as reflective functions present in the application of tattoos. These noted functions act indivisibly throughout the consideration of tattooing and the practical tattooing process. Tattooing discourse reveals the underlying difference in the conception of tattoos and its customs, with the exploration of contemporary experimental tattoo environments, displaying the developing ideologies present in the tattooing sector.

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2021 Abstracts Stage 2

Sexual Promiscuity & ‘The Great Masturbator’: An understanding of the nature and ethics of this behaviour.

Object: Salvador Dali’s “The Great Masturbator” (1929) Painting. Dali’s history as an artist confused and disturbed by sexual behaviour and promiscuous acts is represented by the strange surreal distorted imagery surrounding the sexual act. Examining Dali’s strange and disturbed history with promiscuous behaviour encourages us to ask the following questions:
-What is the nature of sexual promiscuity?
-Is sexual promiscuity ethical?

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2021 Abstracts Stage 2

“It is impossible for women to succeed in the male dominated discourse of politics”. An exploration into the objectifying representation of women in politics.

My project is an investigation into the ways in which the representation of women in politics by the media objectifies them and poses barriers to their success, this is explored through my key philosophers of Martha Nussbaum, Rae Langton and Kant who each propose a variety of forms of objectification. The way in which these notions of objectification impact the success of female politicians is demonstrated through empirical evidence of key political figures such as Jacinda Ardern and Angela Merkel. Through this investigation I reach the conclusion that the institutions of the government and the media are based on a patriarchal power imbalance and need to be reformed in order for women in politics to succeed without the harm of objectification.

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2021 Abstracts Stage 2

Reconciling Both Sides of Oneself: Using Freudian & Lacanian Psychoanalytic Theory to Deconstruct Tony Soprano.

This essay explores and deconstructs the inner psyche of Anthony Soprano, the protagonist of the TV show ‘The Sopranos’ (1999-2007). This essay puts an explicit focus on the work of Sigmund Freud and Jacques Lacan and their work on subjectivity and the formation of selfhood. The broader aim of this essay is to better understand how a personality is formed, and the ways in which our experiences – even the ones forgotten over time – have a permanent effect on our self-esteem, our behaviour and our response to certain situations. Tony Soprano was chosen for analysis because of the extreme dichotomy between the side of him that wants to be good and the side of him that is demonstrably bad. This essay also discusses whether or not Tony’s inner conflict can be resolved, coming to the conclusion that this is impossible for him. This essay also seeks to avoid an ethical discussion and look objectively at character-forming from a purely psychoanalytic perspective to avoid a discussion of moral relativism, instead hoping to understand the notion of morality as being formed through experience.

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2021 Abstracts Stage 2

Pseudo-Intellectualism: A Deep Dive Into A Cultural Phenomena

Through my research into pseudo-intellectualism as it is conceptualized by today’s society, I have identified two many features that make an argument pseudo-intellectual. The first being; a foundation in some sort of reasoning or logic, and the second being the use of faulty rhetorical appeals in order to make a claim. These arguments are usually made to provide the consumers of these philosophies with a sense of both meaning and purpose; this is done in order to combat a sense of meaningless and unfulfillment in today’s modern world.
What separates an intellectual from that of a pseudo-intellectuals, is how the latter will base their argument on facts and reasoning, but will then use faulty rhetoric in the formation of their arguments. Aristotle conceptualizes rhetoric as; ethos, pathos, and logos. These three forms of rhetoric are understood as; an appeal to credibility, emotion, and logic. All forms of arguing rely on a least one of these forms, and sound arguments can be built using these three rhetorical forms. Pseudo-intellectuals, on the other hand, attempt to use these rhetorical forms, in an unjust manner in order to fully persuade the listener of their point.
In today’s pop-culture the pseudo-intellectuals that often get the most attention are the ones that use these faulty methods of reasoning to evoke a sense of meaning and purpose in the audiences that listen to them. It may seem harmless, but because they do this, they are given a lot of unwarranted attention and authority when it comes to social and academic topics. This allows them to speak on things they aren’t fully qualified on, which can divert social discussion to that of semantics, which then dissolves social discussions to that of arguing for the sake of proving a point. This in turn, creates a divide in society.
It is important to be able to identify pseudo-intellectual arguments because they can be very enticing, due to the fact that they are based on reason, and promise the listener with a sense of meaning. But because they aren’t sound conclusive arguments, if ever placed under scrutiny by anyone knowledgeable, they will crumble along with what meaning they provided.

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2021 Abstracts Stage 2

The collective authorship of memes, instigated by the birth of the reader

In 1967, French literary theorist and cultural critic Roland Barthes asserted The Death of the Author. Representing a call for a diminished heed in reviewing the backdrop of the author when interpreting a text, he states the reader as the only place where such meaning within a text can accumulate. It is through the Internet meme, “groups of items sharing common characteristics of content and form” (Williams, 2020, 4), we see this call met. Addressing Foucault’s “author-function” argument, we see the meme detach from the author’s stipulation — in its being propagated on the Internet, participation in the creation of work no longer holds regard to an author. Instead, we see memes created, propagated, spread, remixed, edited, actions integral to the digital experience, allowing the meme to standalone as a piece of work in its own utterance, it is not simply an original piece but woven in it lies countless threads of culture. In detailing Pepe, the Frog meme, we find memes represent a collective cultural experience: different groups rally over the Internet to depict meaning to a piece of work, presenting differing composition of cultures, none of which original. Thus, in the Internet age, the birth of the reader is in full stride, presenting the author as truly dead, in the context of the collective ownership of memes.

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2021 Abstracts Stage 2

I Will to Survive: Self-preservation and its practical application

I Will Survive: Self-preservation and its practical application

Self-Preservation is a force endowed to all organic beings. Its innate nature means it is inescapable, leading to it being a definite presence among action in the world. As a concept it has been subject to interpretations, and my own will supplemented by Schopenhauer, Nietzche and Darwinism. Within the project I will attempt to offer a comprehensive story of the practical application, to understand how the will developed and changed in its environment. Within the project I wrestled with questions such as:

“Who runs the world?”

“Why did modern countries develop the way they did?”

“How do we fix societies for the better”?

My analysis began with ancient history, where self-preservation showcased itself in establishing systems of hierarchy as extension of the will’s desire to dominate. Following on from this I focused on Western society and how self-preservation inspired the actions of imperialism. Next, I explained how self-preservation transitioned into neo-liberalism as well as the resulting disguise from the new environment. Finally, I presented potential solutions to the harmful effects of self-perseveration that I encountered within the project.

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2021 Abstracts Stage 2

What do philosophers teach us about death and the afterlife?

The concept of death is one that philosophers have looked into since the ancient Greeks. Similarly to other topics, such as God, the soul and the universe, death and the afterlife is one that we will never fully understand. Both religious and non-religious ideas have formed relating to what different groups and thinkers believe happen after death, and this also intrudes on discussions relating to who we really are- whether we are only our body, only our mind, or a mixture of both. Certainly in the 21st Century, not only do we have the many writings of previous thinker’s opinions on death and the afterlife, but with medical advancements, we also have the experiences of some who have died and been resuscitated- many of whom speak about the overwhelming feeling of peace, welcomeness, support and even recall images of their past, calming settings and a bright light. However, there are previous philosophers, for instance Epicurus, who we will see later, doesn’t believe that death is something that we experience, thus we cannot ever truly know what happens after we die. Freud builds on this with his idea, asserting that humanity cannot imagine not existing as a thinking thing, therefore will fantasise attending their own funeral, which could also explain the experiences of those who have passed on and been resuscitated. Essentially, there is a suggestion that their beliefs about death could have an impact on what they believe they experience in the afterlife.
In this essay, I will discuss non-religious and religious views about the afterlife, as well as arguments for the possibility of reincarnation, from a range of different philosophical thinkers. I will explore this deeper through employing secondary sources that critically analyse these arguments and review how valid these arguments may be.

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2021 Abstracts Stage 2

Was Harry Potter predetermined to be the chosen one? Or is it down to free will.. or more fate?

Was Harry Potter predetermined to be the chosen one? Or is it down to free will.. or more fate?

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2021 Abstracts Stage 2

Project Question : ‘How Might Walter Benjamin Compare the Influence that Digital Technology has had on All Forms of Art from the twentieth Century to the twenty-first Century?’

Although all forms of art have changed massively in the 21st century under the influence of digital technology, it is the forms of art that contained the aura in the 20th century that have changed the most as the aura that was once there, is no longer.

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2021 Abstracts Stage 2

Miscarriages of Justice: A Philosophical Investigation into the Media, and their effect upon the Judiciary System in accordance with specific cases of Violence

Contemporary treatment of specific crimes (miscarriages of justice) reveals that early forms of vendetta are still present in our supposedly rational society, which may therefore result in the destabilisation of hierarchical power relations. The project uses the subsequent cases; the Birmingham Six (1974-75), the Guildford Four (1975), and the Maguire Seven (1976), to highlight how such a system of our judiciary systems’ necessity to our society can fail. The project uses MacIntyre’s philosophy, regarding narrative alongside Poyser’s academics, to suggest that through improved case narratives due to media involvement, the judiciary system is provided with the opportunity to resurrect their mistakes and in doing so improve the structural innerworkings of society. Further philosophical analysis of the media’s narrative regarding MacIntyre perhaps reveals how the victims are condemned due to how they have been treated by the judiciary system and the miscarriage of justice that they been involved. In thinking about one’s selfhood in terms of narrative, it is possible to review how the victim’s lives are changed for the worse due to their mistreatment. Moreover, use of Hegel’s Philosophy of Right feasibly aids the removal of historical discordancy around the concept of justice, which in doing so provides a clearer understanding of how violence in the form of terror and vendetta still become pertinent issues for our society. Hence, the project sets itself to reviewing the claim that contemporary treatment of specific crimes in the form of miscarriages of justice may in fact provoke the destabilisation of hierarchical powers such as our judiciary system due to the presence of repeated acts of violence in the form of terror and vendetta.

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2021 Abstracts Stage 2

The Death of the Minority Author: How the removal of the author can be understood as oppressive to minority authors in the modern world.

The philosophical concept known as ‘The Death of the Author’ was first coined by Roland Barthes, in his 1967 essay of the same name. In short, it is the idea that all prestige bestowed upon an author should be removed, and that the figure of the author is no more important than anyone else.
Within my work I intend to argue that if this concept were to be applied within the modern world, it would either directly cause, or allow for, the oppression of minority authors.

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2021 Abstracts Stage 2

Mitigating the Effects of Covid-19

My Object is Covid-19 mental health, as I believe that mental health has not had enough importance throughout the Covid-19 pandemic. I highlight this pressing issue using psychological studies that show the link between Lockdown and mental health.
Project Aim:
To use my philosophical concepts to offer solutions at mitigating the effects of Covid-19 mental health, I shall not be suggesting that the physical effects of the virus should be disregarded.

Within my project, I use two philosophical concepts – Jean-Paul Sartre’s existentialism and Ayn Rand’s rational egoism.
Sartre’s existentialism focuses on our own individual freedom as he claims that we do not have a general human essence to conform to. Sartre also has insights into why we experience anxiety which include factors such as abandonment and responsibility, all feelings exaggerated within a lockdown.
Ayn Rand’s rational egoism denies selfishness as an evil motive, and instead, Rand promotes placing oneself first in order to gain a clear conscience to make rationally informed decisions. Our integrity and values will ensure that making selfish decisions will not lead to immoral acts, and therefore we should be making more selfish decisions.