Category: Stage 3

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2013 Abstracts Stage 3

An Enquiry into the Nature of Animal-Human Distinction and its Effects on the Ethical Treatment of Animals

• HYPOTHESIS- Theoretical explanations of the nature of animality through the use of distinctive measures and qualifications which serve to diminish ethical consideration of animals in modern scenarios. Improved ethical consideration of animals needs to take place and so these distinctions should be considered.

• AIMS OF ENQUIRY- Explain the nature of animal through the animal-human distinction from the perspective of Heidegger. Attempt to show that these theoretical accounts are unworthy of providing ethical formulations for the treatment of animals. Consider the idea of ethical reform in the works of Peter Singer.

• Use of primary data and analysis from Heidegger (The Fundamental Concepts of Metaphysics), Derrida (The Animal That Therefore I am) and Singer (Animal Liberation) as evidence for nature of human-animal distinction that leads to influence of ethical treatment of animals

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2013 Abstracts Stage 3

Mental Illness as a Social Construct

Key Concepts
Stigma of mental illness in society – The effects this has on the modern day sufferers & the effect of the overall illness within society itself.
Mental Illness as a social construct – How it is seen to be created by social influences and what this means for the illness.
Public Conceptions of Mental Illness from historical and modern media influences.
Is there even such a thing as mental illness?
What is an illness of the mind?

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2013 Abstracts Stage 3

Is Man Beast? Does Instinct Exist in Human Beings? Are We as Different from Animals as We Have Been Led to Believe?

Human Nature vs. Animal Nature
Does Instinct exist in Human beings? Are we as different from animals as we have been led to believe?
“If man has no instincts, all comparison with animals must be irrelevant.” – Midgley

Does EVIL exist in nature? Are humans in denial about the fact that they may well be the most dangerous beasts of them all? We have much to learn from the animal kingdom… Is wickedness an unavoidable element of human nature?

Mary Midgley (1919-) Beast and Man
W.H. Thorpe (19021986) Animal Nature and Human Nature
Sigmund Freud (18561939) The Ego and The Id
John Locke (1632-1704) An Essay Concerning Human Understanding

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2013 Abstracts Stage 3

“I’m Gonna Make Him an Offer He Can’t Refuse … ” A discussion concerning the definition of political legitimacy and its features, comparing the Sicilian Mafia with Sicily’s central governments of the 1860’s and 1920’s

Can the notion of political legitimacy be effectively applied to the Sicilian Mafia? What defines a legitimate authority? Can the Mafia be seen as legitimate if the state is not? These concerns will be discussed within the parameters of two central points in Sicilian history; the Unification of Italy during the 1860’s and the Italian Fascist regime of the 1920’s, allowing for a comparison between the Sicilian Mafia organisation and Sicily’s governments.

Philosophy
MARX; is the state merely an illusion, disguising our real interests? I must have self-mastery in order to be free and rational; is the Mafia therefore legitimate?
RAWLS; There must be a publicly recognised universal and fair distribution of justice in a well-ordered, liberal society; does the Sicilian state achieve this?
The thought of HOBBES and ROUSSEAU regarding the definitions of ‘authority’ and ‘political legitimacy’ will be used as framework to the discussion.

Sources
Historical interpretations and genealogies; including Pantaleone’s The Mafia and Politics , Dickie’s Cosa Nostra: A History of the Sicilian Mafia , and Duggan’s Fascism and the Mafia . Coppola’s The Godfather films were used for inspiration.

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2013 Abstracts Stage 3

Set Guitars to Kill: a Musical Examination of Post-Rock

The aim of my project was to examine Post-Rock music and to answer the question ‘is post-rock a philosophically sound musical genre?

To answer this question I looked at the Aesthetic Philosophy of Arthur Schopenhauer using his work The World as Will and Idea primarily. I applied his thought to the music by a number of the bands from the Genre such as Godspeed You! Black Emperor, Mogwai, 65daysofstatic, Explosions in the Sky, And So I Watch You From Afar, Thee Silver Mt. Zion and Slint among others.

I also looked at the social and cultural philosophy of Theodor Adorno found in his works Dialectic of Enlightenment and The Culture Industry. I applied this philosophy to the general attitude of the genre, a genre that tends to be antilabel, anti- capitalist and anti-corporate. I used a number of interviews with bands and also with the founders of Record labels who sign a number of post-rock bands such as Constellation Records.

‘Cause this music can put a human being in a trance like state and deprive it for the sneaking feeling of existing. ‘Cause music is bigger than words and wider than pictures. If someone said that Mogwai are the stars I would not object. If the stars had a sound it would sound like this. – Mogwai – Yes I am a Long Way From Home (Opening Monologue)

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2013 Abstracts Stage 3

The Proliferation of Contemporary Capitalism in the Art World: Between the Global Market and the Business of Art Production

Since Sotheby’s auction house opened in 1744, the art market has grown and now sells pieces for millions of dollars every day. My project explores the societal and technological changes which have occurred throughout modernity to understand why paintings like The Scream were bought for over $119 million.

Commodity fetishism and the global art market
Using Marx’s exploration of capitalism I focused on what constitutes a commodity and how art has been fetishized. I then incorporated Vattimo’s use of telematics and globalised media to demonstrate capitalisms more recent developments; this enabled me to discuss the role paintings have played in a global billion dollar market. In contrast I also looked back to 15th century artists, to understand if art has become a commodity only with the advent of capitalism and technology.

Mechanical technology and mass production
I used Benjamin’s philosophy of mechanical reproducibility to highlight the importance of technological advancement, especially that of mass reproduction, in selling the image of a work enabling fame and exposure to a wider market.

I also looked to how these factors of the current market affected the minds and work of artists themselves using the philosophy of Andy Warhol, and the artwork of Damien Hurst, Warhol himself, and Julian Opie. All of these artists demonstrated the drive of a capitalist mind-set, have benefited from global exposure, and produce pieces using technology invented in a postmodern age such as laser printing and spinning. My goal was to ultimately demonstrate that the market has changed both the nature of the art which is produced and opened the art world up to everyone on a global scale.

Internally replicable model of the art market
Mass reproduction of famous classical/modern works (such as The Scream and No.1)
Original work becomes more valuable as its image and fame is spread over a global market (both sold for millions)

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2013 Abstracts Stage 3

Existential Therapy: a Discussion of Heidegger’s Contribution to Psychoanalysis and the Relevance of his Ideas to Current Day Therapy

Daseinsanalysis
• Heidegger and a psychologist Medard Boss created a strand of psychoanalysis called Daseinsanalytic within ‘The Zollikon Seminars’
• Boss used Heidegger’s phenomenological method from ‘Being and Time’ to create a therapy based on the openness of Dasein to the world
• I will compare this therapy to modern-day Cognitive Behavioural Therapy

Cognitive Behavioural Therapy
• CBT is the main therapy offered by the NHS
• Heidegger believes that technology removes our ability to understand Being
• It turns us into calculable resources
• I will discuss CBT as an obvious product to our current technological society

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2013 Abstracts Stage 3

Discussions on the nature of the animal liberation movement – can animal and human exist as equals and does the real possibility of a consensus in the debate exist?

The animal liberation movement was the first movement to be entirely founded by philosophers, and ended up being one of the most important and controversial movements in society then and now. Using the thought of Peter Singer within Animal Liberation and Alasdair MacIntyre within Dependent Rational Animals, among others, my essay aims to assess whether their theories seem intuitionally correct and/or comfortable, and if we can observe what their ideas describe in contemporary society with regard to our relationship with animals. I also take a look at the differences between UK legislation concerning animal welfare and that of other countries, attempting to conclude if the animal rights debate can ever be solved, and how indeed the world should go about doing so.

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2013 Abstracts Stage 3

Knowledge is Power. How the desire for self-education among the pitmen of the North East evokes both Kantian autonomy and Marxist emancipation

This Project is an exploration of the philosophical, ethical, and political motives to be found in the desire for and execution of self-education among the pitmen of the Great Northern Coalfield, particularly in the twentieth century.

The two main philosophical strands used were Kant’s notion of autonomy in the context of the universal moral law, and Kant’s depiction and encouragement of human emancipation.

The case study chosen was the Ashington Group of pitmen and labourers who rose to fame with their art from the 1930s onwards, but chose not to leave their occupations for the art world.

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2013 Abstracts Stage 3

Education in England. Is Turning Back the Way Ahead?

Michael Gove’s reforms
A Foucauldian Analysis

“We’re on the side of teachers, we’re determined to restore order and we’re not going to be deflected from laying down lines which the badly behaved must not cross.” (Gove 2010)

“Enough is enough. This motion’s intention is to send the strongest message possible to this government that many of their education policies are failing our children, their parents and the very fabric of our school communities.”
(Tim Gallagher proposing vote of no confidence at National Association of Head Teachers Conference 2013)

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2013 Abstracts Stage 3

Who Controls the Past Controls the Future, Who Controls the Present Controls the Past. A Discussion into the Manipulation of History in Relation to Power in Orwell’s 1984

The Novel
Big Brother, Continuous war, ever present government surveillance, mind control, eradication of independent thought, manipulation of history and written record

Power
Power in its third dimension:
Being complicit in one’s own domination
Ideologies are promoted; the masses are forced to believe that what they think is in their interests are furthering the interests of those in power

Hegel
Culture and knowledge are liberating; culture makes an individual rational
The course of history is governed through a development of ‘progress’
Progress toward emancipation and empowerment

Lyotard
Crisis in modernity; loss of belief in metanarratives
Power is maintained through a manipulation of historical record
no one can ‘know’ anything anymore; the interests of those in power are maintained

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2013 Abstracts Stage 3

The Gap Year and Finding Oneself: a Philosophical Discussion

It has been a growing phenomenon in recent years for young people to take a year out from education. There are a number reasons for this but the one most often given, the one which stands out above all others, is ‘to find oneself’. This project aims to explore the validity of such a claim in conjunction with the thought of Alain de Botton and Jean Paul Sartre. In order to offer the discussion some context I shall also be drawing on my own experiences volunteering in Africa.

De Botton’s work The Art of Travel is an investigation into the philosophical aspects of travel. From the anticipation of the trip, to the poetic nature of the journey, to the adventure itself and even the reflections upon your return. The entire experience is conducive to being potentially life changing, and as such no detail is left out. His over riding suggestion is that we travel in order to temporarily escape our ordinary, well established lives and that we have an inherent desire to wander without purpose for a time.

To support these claims I have also used Sartre’s phenomenology, as he makes the claim that consciousness constructs the ego. We only really become our true selves when we reflect on things and it is very much dependent on our mood or state at the time of the experience. His entire theory is building up to the fact that our consciousness is what frees us. A fact which is absolutely key in understanding how experience changes us. When this is applied to the concept of travel it becomes apparent that we may have a particular viewpoint or opinion of a place before we go there, but our experiences there will inevitably alter that preconception. As these change, as does our conception of self.

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2013 Abstracts Stage 3

The Legacy of the Beat Generation in Contemporary Culture

The changing shape of the search for meaning in American Literature, what does it mean to be ‘human’ today?

Comparing Don Delillo’s vision of contemporary culture and humanity to Beat literature, to explore how technology and mass culture have changed the nature of Being.

Using Heidegger to compare the authentic Beat human to the inauthentic contemporary human.

Does the resurgence of interest in the Beat Generation imply the effort to reclaim authentic life?

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2013 Abstracts Stage 3

Animal Farm: Does the Subtle and Binary Nature of Philosophy Fail where Literature Succeeds?

IS ANIMAL FARM A COMMENT ON SOVIET RUSSIA? A COMMENT ON THE PITFALLS OF MARXIST THEORY? A COMMENT ON HUMAN NATURE WITH REGARDS TO POWER? OR IS THIS A LIMITING VIEW OF TRUTH? CAN LITERATURE SHOW US GREATER TRUTH?

HEIDEGGER:
THE POWER OF POETRY FOR A HIGHER TRUTH, A TRANSCENDANCE OF OUR SITUATION TO REVEAL THE BEING-OF-BEINGS

FOUCAULT:
SURELY THERE IS NOT SUCH A THING AS RESISTANCE OR TRUTH? EVERYTHING IS PART OF THE SYSTEM OF POWER, EVEN IDENTITY, SO CAN ORWELL BE ANYTHING MORE THAN AN IDENTITY CREATED BY POWER’S MECHANISM?

VATTIMO:
ONCE WE ACCEPT THAT WE ARE HISTORICALLY CONTINGENT AND THERE IS NO ‘TRUTH’ WE CAN WORK WITHIN THE SYSTEM OF UNDERSTANDING TO TRANSCEND OUR GIVEN VALUES THROUGH OSCILLATORY NIHILISTIC HERMENEUTICS: CRITICAL THOUGHT: IS THIS WHAT ORWELL ACHIEVES?

“Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind” (Orwell, 1984)

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2013 Abstracts Stage 3

The Ethical Issues Surrounding the Charity Sector

Aim: To explore the ethical issues within the charity sector as my territory. I then explored the ethical questions of whether we should all give to charity, or whether it is our duty to. I then explored the way in which charities ask for our money and whether this is always ethically correct. And finally, I looked at the effects that the money raised makes in the charity sector and whether it is always distributed fairly.

My object is the charity campaign Kony 2012, the infamous campaign by the Invisible Children organisation.

Philosophical concepts: Peter Singer ‘s Practical Ethics and The Life You Can Save: How to Play your Part in Ending World Poverty.
Theodor Adorno’s concept of the Culture Industry in which he looks at the deception and manipulation of society through the arts.

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2013 Abstracts Stage 3

Depression in an Age of Control: Towards a Phenomenology of Mental Illness

THINKERS:

LEVINAS – There is
VIRNO – Precarity
HEIDEGGER – Value of inauthentic everydayness?
DELEUZE – Discipline -> Control Individuals -> “Dividuals”

ACCOUNTS OF DEPRESSION:
– SOLOMON
– STYRON

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2013 Abstracts Stage 3

Can Rawls’ and Nozick’s Theories of Justice Be a Basis for the Distribution of University Acceptances?

CURRENTLY:
 According to The Sutton Trust, independent school pupils are more than twice as likely as pupils in comprehensive schools to be accepted into one of the 30 most highly selective universities.
 Universities take into account academic ability, personal attributes, and social background when considering place offers.
 Their societal belief that these statistics are caused by arbitrary factors rather than merit is very apparent.

RAWLS:
 Rawls’ theory of justice aims to promote equality within society
 Liberty Principle: Everyone should be entitled to the same basic liberties, chosen from under a veil of ignorance in the Original Position
 Fair Equality of Opportunity Principle: Everyone should be open to the same opportunities should they have the same ability and motivation
 Difference Principle: Inequality is just only if it benefits those who are worst-off in society, rather than further enhancing the lives of the already fortunate

NOZICK:
 Entitlement theory: We are entitled to our holdings if we have acquired them through the principle of just acquisition, or have exchanged it with someone through the principle of justice in transfer
 We are entitled to our talents and abilities, regardless of whether they have come about through circumstantial luck and social background.
Rawls is incorrect to suggest that we are not entitled to something if it merely came about through chance, because ultimately everything can be attributed to luck.
 Inequalities are just if they come about through voluntary exchange, there should not be a limitation on freedom to satisfy the desire for equality
 Thus, leniencies should not be made towards those who are disadvantaged to maintain equality, and university places should be awarded to those with the greatest academic ability.

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2013 Abstracts Stage 3

Is Moral Photojournalism Possible?

This project looks at photojournalism and the role it plays in our culture. Whether or not photojournalism is ethical and, if it isn’t, what is the function of it?

Focusing specifically on the work of Kevin Carter in the Sudan in 1993, this project explores these topics through critical examination of Theodor W. Adorno’s discourses on Culture as mass deception and Martin Heidegger’s essay On the Origin of the Work of Art.

It will explore the idea of the roles played in society by the photograph, the photographer and the media, and bring to light the idea of the ‘icon of outrage’ as a necessary feature, both for our society and culture and for ethical realisation.

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2013 Abstracts Stage 3

The Magazine Industry: are We Truly Free to Live an Authentic Life?

I aim to look at the effects mass culture has on society, particularly the influence of the magazine industry, and assess whether we are able to live authentically in keeping with the ideas of Adorno and Heidegger.

The evolution of magazines and the explosion of mass media has influenced individuals greatly.
Magazines have played a part in producing a set of standardized ideals for society to obey. Are we able to live authentically in spite of this?

Theodor Adorno; The Culture Industry
Popular culture in capitalist society is nothing more than a factory of mass produced goods which manipulate society into passivity and obedience.

Martin Heidegger; Being and Time
As humans we are thrown into a culture and society which we have no control over.

If we are all stroked with the same brush of culture then how is it possible to live an authentic life?

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2013 Abstracts Stage 3

Embedded within Reality? A Philosophical Inquiry into Whether Photographic Practice Differs from Other Modes of Visual Representation in Terms of its Classification as Art

The discussion of this paper will be centred on the argument of whether photography can ever be considered as anything more than merely a mechanical replicate of the world. Photography is generally seen by many as an automatic unemotional means of ‘capturing a moment in time’. Art, on the other hand, is commonly seen as a hand-rendered expression of human imagination typically illustrated within a visual form.

The following questions will be asked;
 What effect has the mass production of photographic images had?
 How much does the intentionality of the artist matter?
 What is the impact of photo-manipulation on the notion of authorship?
 Can our perception of a believed photographic reality be merely an illusion?
 Is our modern consumerist world driven by the image?

We will begin with a brief outline of the ways in which photography of the past designed modes of replicating the painterly styles of the artworks of the time. We shall then discuss the notion of how photography became a product of mass production, whilst introducing the thoughts of Walter Benjamin and Heidegger who both see modern works of art, and photography, as unable to reach the previous standards of past great artworks for they have lost originality, ‘aura’. We shall consider the views of Scruton who fundamentally states a photograph is unable to be the product of aesthetic judgement for it is bound by a casual relation to the world and is an automatic technical invention which requires no thought processes on behalf of the creator to effectively formulate it. Our discussion will finally lead us to the views of Susan Sontag and Jean Baudrillard who believe that under the present age of our consumer media driven tradition, our reality is reinstated by the photographic image, for photographic seeing fundamentally alienates reality.