Managing your References: EndNote and OSCOLA

Recipe for referencing: Newcastle University Library

“Should I use EndNote as a way to manage my references?” is often a question we get asked. We wish that there was a simple answer to that question, but there isn’t! It all depends on how many references you have, how you like to work and if you are willing to make time to learn how to use EndNote properly. You see, while EndNote is tool that can make your academic life easier (for example, it can help you build a collection of references, insert references into your work and create bibliographies), it will only save you time, if you invest time NOW.

So if you’re using the OSCOLA referencing style and weighing up whether to use EndNote or not, then you might want to consider the following:

  • You need to have a good grasp of the OSCOLA fundamentals before you even start with EndNote. If you need a refresher on OSCOLA, then check out the OSCOLA referencing guide first before even looking at EndNote.
  • EndNote will not do EVERYTHING for you. You will still need to manually input and amend your references to ensure your footnotes and bibliography comply with OSCOLA.
  • Have you got the time to invest in EndNote before using it? We strongly recommend that you make a start using EndNote from the beginning, rather than in the middle or at the end, of your research.
  • How do you want to use EndNote? Some people decide to use it simply as a storage place for their references and PDFs and leave it at that. Others use it both as a storage place, as well as a tool to help them cite.

Still not sure? Watch the video below to see how to use OSCOLA style and the Cite While You Write feature in Word. Then take a look at the OSCOLA and EndNote guide and see if it’s something you’d like to start using.

Any questions? Have a look at our Frequently Asked Questions to see if it’s been asked before. If not, then do get in touch via Library Help

 

New resource: Westlaw All Books

We’re pleased to announce that following a successful recent trial, we have now bought access to Westlaw All Books.

This upgrade gives us access to an extra 250 law reference works online, covering over 50 areas of law, including 71 loose-leaf titles. No more worrying about whether the book is on the shelf or not: the information is always at your fingertips!

The new titles are likely to be of interest to students in business, accounting and finance, planning, and engineering, as well as law.

The new titles are individually catalogued on Library Search, or you can access them all by logging into Westlaw, and clicking on Books on the menu across the top of the page.


Thanks to everyone who used the trial and gave us feedback.

EndNote

What is EndNote?

The official blurb on EndNote is that it is “…the industry standard software tool for publishing and managing bibliographies, citations and references.”

Have you drifted off yet? Don’t – read on!

EndNote takes a little getting used to and we recommend you familiarise yourself with it at the start of your research process. But as Library Staff, we wouldn’t spend a significant amount of time demonstrating and training our academic staff and students on what EndNote is, and how to use it, if we didn’t think it was valuable. It will save you a huge amount of time in terms of writing up your assignments.

Essentially, you can use EndNote to create and organise a personal library of resources relevant to your research. You can import references from Library Search, and a huge range of databases such as Scopus, Web of Science, IEEE Xplore and Business Source Complete. You can ask EndNote to locate the full-text PDFs of the resources you are going to use in your research, and you can annotate them as you wish too. Did you know you can instruct Google Scholar to import references into EndNote? No? Try it. Finally, if you already have materials stored in your home folder (H:\) then you can attach them to a manually-created reference within EndNote, bringing all your research together in one place.

In addition to organising your references (and this is the clever bit) you can then get EndNote to ‘talk’ to your word processing software, e.g. Microsoft Word, and insert the citations into your work for you in your chosen referencing style, e.g. Harvard at Newcastle, Vancouver, APA or MLA. If you don’t want to do that, then EndNote will also allow you to create an independent bibliography of your references, saving you an awful lot of typing.

Using EndNote

Intrigued? You should be. Take a look at our EndNote Guide. It contains all the introductory information you need, step-by-step workbooks to train yourself on the use of EndNote (the Desktop and Online versions), videos, useful FAQs, and contacts for help, should you need it.

Finally, Newcastle University provides support for EndNote but it is not compulsory to use. You may prefer Mendeley, Zotero, RefWorks or another piece of bibliographic management software. That’s fine, whatever makes your referencing lives easier. Go on, give them a try.

When is a website not a website?

A common mistake made in referencing is grouping all sources found online under the category and reference type of a website. Your aim should be to reference the information you have in front of you rather than where it was sourced. Simply grouping items found online as a website would be the equivalent of referencing a book by the publisher details rather than the author and title.

For example, a government publication found online would be referenced like this in Chicago.

United Kingdom. Department for Education. Cloud computing: how schools can move services to the cloud. London: The Stationary Office, 2016. Accessed: February 01, 2018. https://www.gov.uk/government/publications/cloud-computing-how-schools-can-move-services-to-the-cloud. 

An electronic journal article might appear like this in APA.

Gillum, J. (2012). Dyscalculia: Issues for practice in education psychology.  Educational Psychology in Practice, 28(3), 287-297. doi:10.1080/02667363.2012.684344

While a video posted on the Tate website would look something like this in Harvard.

TateShots (2016) Grayson Perry: think like an artist. Available at: http://www.tate.org.uk/context-comment/video/grayson-perry-think-artist-tateshots (Accessed: 27 November 2018). 

Identifying the type of information you are using as well as the source, are essential skills of evaluation and developing a critical approach to information. In many cases, you will be unconsciously using your judgment to assess the value of information for your purpose. So when you are using any source of information, ask yourself what it is you are looking at, what details are recorded about it, and whether it measures up as a quality piece of information.

Getting to know OSCOLA 4th referencing style

What is OSCOLA?

The Oxford University Standard for Citation of Legal Authorities (OSCOLA) is the standard referencing format used by law students and anyone writing in a legal field.  It allows for exact referencing of cases, journals and statutes meaning that sources can be found quickly and accurately.

HELP!!!!!

OSCOLA can be a bit daunting at first, especially if you are unused to referencing, but don’t worry, we have a lot of help available.   Here are some top tips for getting to grips with OSCOLA from scratch or if you just need a refresher:

  1. Start by going to our library guide, where you will find tips and resources to build your knowledge up.
  2. Have a look at our OSCOLA and referencing slideshow to understand the importance of referencing and to get a brief overview of OSCOLA.
  3. Set some time aside and work through the Citing the Law Tutorial from Cardiff University. This will show you how to cite cases, legislation and secondary sources, as well as how to identify authors and quote.
  4. For quick “how do I”? questions, check out the OSCOLA quick help guide (physical copies also available in the Law Library) or Cite the Law’s A-Z referencing examples.
  5. And if you are trying to use OSCOLA and EndNote, don’t forget we have a handy guide for you. More on this next time!

And lastly, if you are in doubt, remember we are always here to help! Contact us via library help or ask in the Law Library.

New resource in focus: Literary Print Culture

A bookbinder’s workshop, with the finished products in a domestic scene over on the right. Date: 1875

Continuing our series of blog posts exploring our brand new resources in more depth…

We have recently bought access to Literary Print Culture: the Stationers’ Company Archive. This is one of the most important resources for understanding the workings of the early book trade, the printing and publishing community, the establishment of legal requirements for copyright provisions, and the history of bookbinding. Explore extremely rare documents dating from the 16th to 21st century in this invaluable resource of research material.

This archive contains a huge range of primary sources. Before you dive in, we’d recommend clicking Introduction, in which you can learn more about its scope and features.

The primary sources include many different record types, relating to finance, membership, court, trade and charity. More recent sources include photographs and oral histories. These sources are supplemented by contextual essays and other commentary to give you ideas for interpreting and exploiting the archive.

You can browse or search the archive contents by clicking Documents (to browse) or one of the two search buttons. You can filter your search in various ways, e.g. by document type, year or theme.

For some of the documents in the archive, you can now use handwritten text recognition to enable you to search the handwritten items effectively. Split screen viewing enables you to view a document and its index simultaneously.

Have you used Literary Print Culture? Please feel free to post your comments and experiences by clicking Leave a comment below.

Drama Online: what’s new?

The Library has subscribed to Drama Online for a few years.  This resource contains the text of over 2,000 international plays, from ancient to contemporary, together with contextual resources. It’s likely to be of interest to anyone studying literature, languages (ancient to modern), film studies and media.

We’ve recently upgraded our subscription to include the Nick Hern Books collection (over 400 plays) together with the 2017/18 core update (117 plays).

All the plays are individually catalogued and searchable via Library Search, or you can search/browse them all in various ways on the Drama Online site.

For example, using the options at the top of the screen, you can browse by title, author, genre and time period, or if you click Find Plays on the home page, you can add in other search filters, such as number of roles or scenes. Select Context and Criticism for access to a wide range of e-books about drama.

When viewing a play text, click Play Tools to analyse the speaking parts and appearances of different characters throughout the play.

Finally, follow @dramaonlinelib for news and features about this fantastic resource!

 

Cambridge Histories Online: what’s new?

We subscribe to Cambridge Histories Online, the internationally renowned book series which first started in 1902.  We have access to over 360 volumes online, covering many different subject areas in depth, including history, music, language and literature.

We have recently bought access to several new volumes (in some cases, multiple volumes) which cover the following topics:

Ireland

Moral Philosophy

Intellectual History of Byzantium

Judaism

Communism

Modernism

Slavery

All the Cambridge Histories are individually catalogued and searchable via Library Search, or if you prefer, you can browse them all together on the Cambridge Histories platform.

 

 

New resource in focus: Aerial and Lidar Digimap

Digimap is an online map and data delivery service, comprising various collections, including Ordnance Survey and Historic. We have recently acquired access to two more modules: Aerial and Lidar Digimap.

Aerial Digimap 

This provides access to some of the highest quality aerial photography available for Great Britain, created and licensed by Getmapping plc. You can use a range of interactive tools, allowing interrogation and analysis of the data online and offline. You can also:

  • add annotations (text, point, lines and areas)
  • identify image capture date by clicking on the map
  • generate PDF, PNG or JPG files for printing
  • save maps to go back to or print later

Lidar Digimap

This offers detailed Lidar data from the Environment Agency and presents a model of the earth’s surface.

Uses of Lidar data are highly varied, from use in the creation of visual effects for virtual reality and film projects, to archaeology, forestry management, flood and pollution modelling.

You’ll need to agree to the new licence before using these new modules: please see our separate blogpost for more details. If you need help with Digimap, there are extensive help pages online for each component.

New resource in focus: Rock’s backpages

Rocks back pages logo

We’re looking in more depth at some of the great new online resources we’ve bought recently, to help you get the best out of them.

Rock’s Backpages is an online archive of music journalism, containing over 37,000 articles from the 1950s to the present, including reviews, interviews, letters and features, plus 500 audio interviews.

It covers a wide range of artists and genres: from Aaliyah to ZZ Top; from BB King to PP Arnold; from 10CC to 999; and from The Rezillos all the way to….. The Revillos. Hold tight!

Articles are taken from music publications around the world, such as NME, Rolling Stone, Smash Hits, The Face and Mojo, together with music articles from non-music magazines and newspapers. You can read the work of writers such as Lester Bangs, David Hepworth, Nick Kent, Jon Savage, Caitlin Moran and many more.

Hot tip! Choose Advanced search or Library for a full range of search/browse options, including by genre, artist, journalist or publication. If you want to read the first reviews of The Beatles, analyse how LGBT issues have been handled over the years, or explore Chrissie Hynde’s early years as an NME journalist, you can do it here.

New content is added to Rock’s Backpages every week, and highlighted on the home page. Follow them on Twitter to keep up to date, or listen to the weekly podcast which highlights the latest additions.