Category: 2017

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2017 Abstracts Stage 2

The Rise of artificial intelligence and it’s implications for the constitution of personhood

My Territory: The territory of my essay is artificial intelligence; I will be looking at the progress it has made in the past decade, as well as the controversy it has sparked as a result.

My Object: My object is Sophia, a humanoid robot created in 2017 by Hanson Robotics Limited.

My Concepts: The main concepts I will be using in my project are: Human being, Personhood, Personal Identity, Persistence, Self-Ownership and Recognition

Philosophical Thinkers: The first philosopher I will be using to look at my territory is John Locke. I will be using his Essay on Human Understanding II, concentrating on his views on Personal identity. The second is Frederich Hegel; I will be looking at his Phenomenology of Spirit, particularly the sections on his theory of Recognition.

Main objective: I want to see if we would ever consider granting artificial intelligence the same rights as humans; to do so, I will be trying to find the necessary and sufficient conditions of personhood, and applying them.

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2017 Abstracts Stage 2

“Where Flash Becomes Word and Silents Selfloud”: the Language of Finnegans Wake

The obscure, polysemic, multi-lingual, syntactically nonstandard style of writing in James Joyce’s Finnegans Wake has polarised critics even since before the time of the book’s full release. The ongoing debates surrounding the work raise philosophical questions about the limits of language and the nature of art and literature. This essay explores possible philosophical justifications for using such a style, and enquires whether it might offer unique artistic possibilities, unavailable to clearer, more conventional styles.

Beginning from Heidegger’s theory of art, the essay explores the distinction between the Heideggerian concepts of “world” and “earth”, arguing that the book inverts the standard function of language as embodying a socio-historical “world”, instead turning it into a force which represents the “ungraspable”, impenetrable, nature of “earth”.

The essay then examines the Wake with reference to Blanchot’s work on literature, finding that the techniques of emphasising the physicality of language, as well as fragmenting a work into pieces whose only relation is difference – which Blanchot claims constitute are essential for a literary work to represent things in their “free, silent existence” – are utilised in extreme ways and to unique ends in the Wake.

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2017 Abstracts Stage 3

Can we resolve the conflict between Art and Science

My object is Zen and the Art of Motorcycle Maintenance and my territory is the relationship between art and science. In my project I argue that the arts (and humanities) come into conflict with science (and technology). Richard Dawkins laments that in his view science does not get the same respect as poetry. Meanwhile Midgley claims that science attempts to colonise humanities with inappropriate methods. Habermas claims that science has ‘infected’ politics, ethics and philosophy. Warbuton argues that the concepts used to evaluate scientific research are applied to the arts as well, but are not fit for this purpose.
Lyotard looks at one of the causes of this conflict. Narrative has been the main way of transmitting knowledge, and is still used in the arts. However, science condemns narrative as no knowledge at all, since narratives are only legitimated by their general acceptance. Science, on the other hand, requires legitimation by empirical evidence, and must be able to justify and defend its claims against challenges. However, science can only justify and defend its claims by using narrative, so could itself be accused of begging the question by using a form it has condemned as not susceptible to legitimation.

Heidegger argues that technology, by treating human beings as a reserve, poses a danger to our very essence. Pirsig proposes care as part of the solution. Heidegger sees care as constitutive of humans, inextricably linked with human life and temporality. Pirsig’s version of care is what provides the creativity and imagination which he demonstrates is needed by science to come up with new theories and hypotheses just as much as it is needed by the arts. If this is accepted then care, creativity and imagination could provide the basis for a bridge between the sciences and the arts.

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2017 Abstracts Stage 2

“Mrs. Dalloway. Not even Clarissa anymore; this being Mrs. Richard Dalloway.” Does Changing your Surname mean Forfeiting your Identity?

Object: ‘Mrs. Dalloway’ by Virginia Woolf (1925)

Aim: To discuss the implications of marriage in feminist theory and attempt to decipher if loosing your surname means loosing your identity.

How: Use main themes from the novel, modern articles, De Beauvoir, Woolf and Butler, Friedan.

Methodology: Structured with quotations from the novel. Therefore methodology is interpretive.

What are the implications of taking your fiancés surname/ marriage and how does Virginia Woolf’s novel ‘Mrs Dalloway’ connect us to these issues?

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2017 Abstracts Stage 2

The Status Quo Problem: the issues with status quo bias and how to solve them

The Status Quo Problem: the issues with status quo bias and how to solve them

What is the status quo problem?
We have a status quo bias which inhibits beneficial social progress whilst undermining valid status quo values, due to its invalid nature as a justification. The problem is further complicated by the fact that the bias can, at times, serve a rational purpose as a heuristic method to ensure risk aversion and the preservation of existing things of value.

Evidence of Status Quo Bias
We can see a range of evidence which demonstrates the existence of status quo bias. In the project we discuss experiments which establish this, but as a succinct example one only needs to look at Coca Cola, which changed its recipe in 1985 based upon the new recipe performing better in blind tests, only to face a severe public backlash.

Rationality of Status Quo Bias
The fact that the bias can, at times, have a rational purpose only complicates, rather than solves, the issue. In the project we use Hobbesian logic to support the importance of risk aversion, as well as the work of Jacob M. Nebel who provides a conservative defence of status quo bias on the basis of protecting existing things of value.

The Dangers of Status Quo Bias
This bias prevents us from changing our values and policies based upon what is most beneficial or most right. We can see this when faced with our lack of response to Peter Singer’s ethical argument in “Famine, Affluence and Morality”. By relying upon a bias to uphold a system of values, one can also eventually undermine this system leading to a counter status quo bias which can be equally damaging.

Solution to the Status Quo Problem
The project proposes a combination of Bostrom and Ord’s Reversal Test and a revised application of John Rawl’s Veil of Ignorance as a means by which to identify and eliminate a status quo bias, and to provide a new heuristic method to assist decision making.

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2017 Abstracts Stage 3

Should student happiness be made a part of university rankings? If so, which type of happiness should be used and how should it be measured?

Should student happiness be made a part of university rankings? If so, which type of happiness should be used and how should it be measured?
What indicators are normally used in university rankings?
Entry Standards Industry Income
Graduate Prospects Number of Students
Student Satisfaction Teaching Quality

As we can see happiness does not feature as an indicator however it is becoming a bigger part of society and because of this I, and many other students, believe that it should become an indicator for university rankings.

The best way to measure happiness would be through questionnaires given to students at the end of the year.

So what type of happiness should be used?

Eudaimonia
Hedonic
Jouissance

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2017 Abstracts Stage 2

Fight the Power: An Interrogation of Sovereign Authority

The objective of this project is to investigate the validity of the Grand Jury process in the United States of America, which selects a group of citizens at random to become involved in legal proceedings and make judgements if the suspected criminal should go to court.

The discussion therefore investigates whether it can be justified to give power to individuals in society or if power should remain with the government, or sovereign authority.

The philosophers studied in the process of the dissertation are Thomas Hobbes, John Locke, Michel Foucault and Giorgio Agamben.

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2017 Abstracts Stage 2

Desire for Fame: The motivation behind reality TV stars in Geordie Shore.

In my project I want to assess why people desire fame and how reality TV has made this desire for fame more achievable. Reality TV has become more popular in recent years. Studies show that in 2010 worldwide viewers watched more reality TV shows than fictional TV dramas, making it a huge part of popular culture. The reason it is important is because we need to assess the kind of aspirations reality TV is creating. Why do people desire fame and are willing to go to great lengths to achieve this.

My object is Geordie Shore. This is a British reality TV show, aired on MTV, often gaining over 700 thousand viewers per episode. Leading to the fame of people you don’t normally see on TV: Young, lower middle-class Newcastle locals. I will ask why these young Geordies want to be on this reality TV show?

My methodology for this project is Interpretative Approach, Axiological Approach and the Historical approach.

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2017 Abstracts Stage 2

Has the experience pregnancy and childbirth been affected by becoming a consumersim market?

Object and territory: How has the growing trend of consumerism affected the way in which women experience pregnancy and labour comparing the experiences from the fifties to the experiences had now.

Sources: Sigmund Freud, Thomas Hobbes, Georg W.F. Hegel and Immanuel Kant have been used to give explanations of the way in which the experiences change in relation to doctors and product manufactures use immoral means for personal gain.

Project outline: Comparing the differences in experiences of women in the fifties to the present day is crucial in my exploration of the way in which consumerism has affected pregnancy. The difference in the product market today is colossal and this essay aims to explore the impact on the parent child relationship. Immanuel Kant’s formula of Humanity provides a moral guide to compare the way in which some doctors and companies are using pregnancy as a means to the end of monetary gain.

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2017 Abstracts Stage 3

When NO means NO

Rape Culture: “a society or environment whose prevailing social attitudes have the effect of normalising or trivialising sexual assault and abuse.”
Consent: “someone agrees, gives permission, or says “yes” to sexual activity with other persons. Consent is always freely given and all people in a sexual situation must feel that they are able to say “yes” or “no” or stop the sexual activity at any point.”

Preliminary Questionnaire
 25 male students and 25 female students were asked to take part in a questionnaire about rape culture and what constitutes consent
 example: students were asked whether they thought women were sexually objectified – of the 25 females asked, they all said yes, and, in contrast, all 25 males said no
 questions also asked about the influence of drugs and/or alcohol in conjunction with sexual acts – whether an individual can consent to sex or not when under the influence

Case Studies
 3 cases used: Brock Turner, Judy Garland & Melanie Martinez
 all case studies had things in common but applied to the 3 thematic links of power, gender, freedom and agency

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2017 Abstracts Stage 3

A Defence of Disco: exploring the power and value of disco with reference to Adorno’s theories of music and the Culture Industry

The values of disco are often seen to tie neatly into consumerist culture and represent a false, materialistic and escapist attitude to life. In this project, I seek to provide a defence for a genre that had significant power and value for marginalised communities.

I will be referencing texts that discuss popular music and popular culture, focusing on Theodor Adorno, Richard Middleton and Simon Reynolds predominantly, in order to assess how a musical movement can be valued, what disco music can tell us about ourselves, and whether disco music should be taken seriously as a musical genre.

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2017 Abstracts Stage 2

An Investigation into the Meat Industry and its Impact on the Environment

Territory: Environmental Ethics
Object: The impact of the Meat Industry on the Environment

Philosophers/Key Thinkers:
James Lovelock; Mary Midgley; Arne Naess; Anthony Weston; Jonathan Safran Foer

The aim of this project is to discover the impact the meat industry has on the environment and to question whether vegetarianism could help minimise Global Warming. To do this, the Hermeneutic and historical approaches will be used.

Throughout this project two main questions will be explored: What is the main contributor to our carbon footprint? and Is environmentalism justified?

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2017 Abstracts Stage 2

Societies that permit conscientious objection are morally superior to those which will not

Claim: Countries which permit conscientious objection are morally superior to those which do not

Aim: to establish if the needs of the of the state should ever outweigh citizens rights

Case Study: I will examine the case of Desmond Doss, a conscientious objector in the second world war, and apply him to the philosophies of Kant, Hegel, Rawls and Lukes.

Philosophers: Kant, Hegel, Rawls, Lukes

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2017 Abstracts Stage 2

Toxic Masculinity In Young Males: A Possible Explanation Through Hobbes and Lacan?

This project is centered around the idea of toxic masculinity, and attempting to understand the prevalence of it in young males with reference to the philosophical and psychoanalytical ideas of Hobbes and Lacan.

-Toxic masculinity is the exhibition of certain antisocial behavioural tendencies predominantly performed by young males, including, homophobia, misogyny and violent physical or verbal behavior to one another. This behavior is rampant throughout society, with the behaviour of young males being especially indicative of this toxic way of acting. Lad culture has become simply sexism with and alibi. To show the existence of toxic masculinity within young males I researched different journal and website articles detailing examples, as well as conducting an interview with a female Newcstle university student. I will also be looking through the primary texts and identifying at what points their ideas contribute to the discussion. These texts are Hobbes Leviathan and Lacan’s Ecrits.

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2017 Abstracts Stage 2

Dance Music as Culture

Territory: Music, Culture

Object:
Dance music, in its authentic form, with Disco as it’s predecessor — authenticity established by a continuum from Disco to electronic dance music, cultivating ideological resistance, sonic variation and club cultural context.

Methodology:
Unlike most art forms, dance music achieves its ultimate potential in only a moment of euphoria shared by the cumulative joy of a crowd of people. I aim to prove that in these moments, all aspects of authentic dance music come together to form a unique autonomy in the context of the culture industry. I will do this by identifying, using critical analysis, weaknesses in the theories that will be discussed and presenting dance music’s unique ability to exploit these.

Theory:
The Social Theories of Theodor Adorno in The Dialectic of Enlightenment and G.W.F Hegel in The Philosophy of Right and Philosophy of Mind. Hegel’s theory reinforces the concept of an artistic freedom restricted by the Culture Industry.

Application:
Adorno engages in the idea of ‘autonomous art’ against the culture industry. To an extent, this will remain the position of authentic ‘dance music’;ideologically resistant to the culture industry in the way that Adorno idealises. However, a study into Adorno’s own perception of authentic art, a result of his complex, often pretentious Aesthetic Theory, demonstrates why he doesn’t actually believe autonomy can be anything other than illusory in relation to its social context — Adorno is too negative.

Conclusion:
I have thus presented ‘dance’ music’s authentic features as holding the potential to actualise Adorno’s illusory ideal. Whilst I also understand this cannot be maintained, in brief moments, dance music is at least the perfect representation of Hegel’s utopian union of the subjective and objective, yet also, can achieve an independent utopia.

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2017 Abstracts Stage 2

Free Internet Pornography and The Under Eighteens

An investigation into how ideologies within Ancient Greek philosophy may pre-empt the impact of negative influences within free online pornography on the large number of under eighteens who regularly consume it.

The aim in engaging with the material I have chosen it two fold. Firstly, I intended to further my understanding of pornography within my society and not only that but to further expand upon my own understanding of the philosophies proposed by Plato and Aristotle. Secondly, I intended to better my ability in applying philosophical concepts and attempting to find solutions to real world issues.

The object of this project is free online pornography and the messages and attitudes that are resembled within in. The issues raised by pornography is the masculine ideology portrayed in the videos that the younger consumers are likely to adopt themselves. I will be looking for solutions to this problem within Plato’s idea of a good education and Aristotle’s idea of virtue.

I will make direct references to Plato’s The Republic, Aristotle’s The Nicomachean Ethics, and finally, Robert Jenson’s Getting Off: pornography and the end of masculinity.

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2017 Abstracts Stage 3

Song is Existence

The first part of my project was to prove that accepting a scientific and medical approach to mental illness was wrong. I used Jean-Paul Sartre’s account of bad faith, in which the human being freely gives up their freedom. I then applied this behaviour to the person who accepts the scientific explanation for the dark thoughts and emotions we experience when suffering from illnesses such as depression and anxiety.

In the second part, I introduced Heidegger’s lecture on the origin of the work of art, and how poetry uncovers truths about the world through its use of
language. Music is also a form of poetry so in contemporary times I believe that accepting the truths presented to us about mental illness by musicians is acting in good faith. I supported this argument with the examples of Kurt Cobain, Amy Winehouse, and Kendrick Lamar. Additionally I analysed a select few examples of medical accounts of mental illness in order to prove that they were an insufficient approach to mental health.

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2017 Abstracts Stage 2

Tolerance over time: ‘If we knew nothing about where we’d end up what sort of society would it feel safe to enter?’

‘If we knew nothing about where we’d end up what sort of society would it feel safe to enter?’

Aims:
How does secularisation affect the religion?
Why Britain become more secular?
How does the rise of terror by Islamic extremists affect the Islamic community?
What is the purpose of the EDL and why is it so against the Muslim community?
How has the role of the woman changed throughout modernity?
Why do measures still exist that prevent women from achieving equality?

Methods:
I intend to explore Rawls’ view of tolerance by using various approaches; these include: a Historical Approach and an Axiological Approach. The Historical Approach has been chosen as a means of depicting to the reader the changes and transformations in both the role of the woman in society, as well as the role religion plays in a seemingly secular society. As a result, I will trace the historical, social and political changes affecting both issues at hand. Furthermore, an Axiological Approach will be used to assess whether there are challenges that both religion and women have faced is just throughout contemporary society.

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2017 Abstracts Stage 2

The Cost of Creativity

Michel Foucault, Madness and Civilization- the concept of madness and how it has developed over time. Foucault argues there was a specific moment in history when madness was labelled as a mental illness.

Friedrich Nietzsche, The Birth of Tragedy- life is subject to extreme bouts of suffering. Artistic production can contribute towards overcoming the pain we encounter in life. What implications does this have on the link between madness and creativity?

Are creative spirits more likely to be mentally ill? Ultimately the aim of this project is to reflect upon the complex relationship between insanity and creativity, to decide whether there is a correlation between individuals who suffer from psychological disorders, such as schizophrenia, and those who are highly artistic. It is arguable that there is a link, as mental illness and creativity often co-occur. However, this project will also reflect upon the idea that a correlation is simply a romanticised outlook with dangerous implications, and that mental illness does not need to be present for creativity to exist.

The subject matter will be considered via the philosophical thoughts of Foucault, Nietzsche and Schopenhauer, but also with reference to the psychoanalysis work of Freud drawing upon examples such as Daniel Paul Schreber, a famous German judge who was a diagnosed schizophrenic, whom Freud interpreted. The evident Freudian influence expressed by Andre Breton within his novel Nadja will also be addressed. Breton believed insane people were simply victims of their imagination.

‘Madness need not be all breakdown. It may also be break through. It is potential liberation and renewal’

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2017 Abstracts Stage 3

The Case for Drag: Exploring drag performance and culture through the work of Friedrich Nietzsche.

Given the rapid rise of drag performance in pop culture, it is now one of the most popular and varied forms of entertainment. But isn’t seeing drag performance and culture as nothing more than a source of amusement, to obfuscate swathes of its political, emotional and metaphysical potential? How might we do drag justice? How might we unlock this potential? The answer lies in the work of Friedrich Nietzsche, an engagement with whom, will help us see the potential drag offers.Early Nietzsche: The Birth of Tragedy helps us understand drag’s potential in revealing a harsh reality, and in making it possible to bear by transfiguring suffering into beauty. Middle-period Nietzsche: Nietzsche sews the seeds for the ideas which develop in his mature work. Mature Nietzsche: Nietzsche’s critique of the Kantian subject helps us understand how drag pulls us towards a less anxious, less restricted and more emancipated subjectivity. Thus Nietzsche helps us appreciate drag as more than a piece of entertainment, as offering us a more tolerable and healthier way of being in the world.