Category: Abstracts

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2017 Abstracts Stage 2

The Cost of Creativity

Michel Foucault, Madness and Civilization- the concept of madness and how it has developed over time. Foucault argues there was a specific moment in history when madness was labelled as a mental illness.

Friedrich Nietzsche, The Birth of Tragedy- life is subject to extreme bouts of suffering. Artistic production can contribute towards overcoming the pain we encounter in life. What implications does this have on the link between madness and creativity?

Are creative spirits more likely to be mentally ill? Ultimately the aim of this project is to reflect upon the complex relationship between insanity and creativity, to decide whether there is a correlation between individuals who suffer from psychological disorders, such as schizophrenia, and those who are highly artistic. It is arguable that there is a link, as mental illness and creativity often co-occur. However, this project will also reflect upon the idea that a correlation is simply a romanticised outlook with dangerous implications, and that mental illness does not need to be present for creativity to exist.

The subject matter will be considered via the philosophical thoughts of Foucault, Nietzsche and Schopenhauer, but also with reference to the psychoanalysis work of Freud drawing upon examples such as Daniel Paul Schreber, a famous German judge who was a diagnosed schizophrenic, whom Freud interpreted. The evident Freudian influence expressed by Andre Breton within his novel Nadja will also be addressed. Breton believed insane people were simply victims of their imagination.

‘Madness need not be all breakdown. It may also be break through. It is potential liberation and renewal’

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2017 Abstracts Stage 3

The Case for Drag: Exploring drag performance and culture through the work of Friedrich Nietzsche.

Given the rapid rise of drag performance in pop culture, it is now one of the most popular and varied forms of entertainment. But isn’t seeing drag performance and culture as nothing more than a source of amusement, to obfuscate swathes of its political, emotional and metaphysical potential? How might we do drag justice? How might we unlock this potential? The answer lies in the work of Friedrich Nietzsche, an engagement with whom, will help us see the potential drag offers.Early Nietzsche: The Birth of Tragedy helps us understand drag’s potential in revealing a harsh reality, and in making it possible to bear by transfiguring suffering into beauty. Middle-period Nietzsche: Nietzsche sews the seeds for the ideas which develop in his mature work. Mature Nietzsche: Nietzsche’s critique of the Kantian subject helps us understand how drag pulls us towards a less anxious, less restricted and more emancipated subjectivity. Thus Nietzsche helps us appreciate drag as more than a piece of entertainment, as offering us a more tolerable and healthier way of being in the world.

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2017 Abstracts Stage 2

Can one be a wolf in sheep’s clothing?

Object/Territory: How should we understand the concept of ‘psychopathy’ in relation to political theory and how we should we ought to treat other individuals?

Sources: Thomas Hobbes, Adam Smith, Sigmund Freud and Georg Hegel provide powerful theories that can be applied to the idea of psychopathic individuals.

Project outline: The distinction of ‘criminal psychopath’ and ‘white-collar psychopath’ is crucial for my investigation because the contrast between the two opens up a kaleidoscope of questions about psychopathy. The violent explicit nature of criminal psychopaths and the charming and charismatic character of white-collar psychopaths highlight the disparity of individuals that can be considered psychopaths. Hobbes’ egotistical humanity and Smith’s doctrine of altruism provide interesting material to apply to the elusive behaviour of psychopaths.

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2017 Abstracts Stage 2

Safety in numbers: Understanding the popularity of the internet’s, ‘Alternative Light’.

The Alternative light in this context, is specifically that of, ‘Anti-Social Justice’ YouTube channels.

In my project I set out to understand three main things:

How these anonymous, internet based, political movements come about. About other real-world movements such as Occupy wall street
Is there any Philosophical foundation, or key figures, in founding this movement? (I define it as a movement due to its large growth both in viewership, and online political presence). And how does this compare to the foundations of other more extreme movements.
In the case where there is no foundation of these kinds, how does the world view remain so homogenous, and are there any issues in the foundation of everyone’s belief system?

Along the way I employed primarily the Philosophy of Nick Land, as he is most heavily associated with the movement, and helped in highlighting the significance of analyzing the alt-light specifically. I mapped the progression of these channels from their atheistic, anti-creationist origins, and using the philosophy’s, including that of Land and Nietzsche, showed the significance of this genesis, in the progression of the movement.

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2017 Abstracts Stage 2

Do the topics of feminism and speciesism need to be discussed as one sphere of ethics in order to be rendered valid?

Territory- ecofeminism is a branch of political philosophy which suggests that the oppression of women and animals is intrinsically linked, to the extent that women shall never be free until animals are also freed of oppression. This study focuses on a text by ecofeminist philosopher Andrée Collard called Rape of the Wild in order to conduct an axiological critique of the views widely held today in regard to the topics of feminism and speciesism. The territory of ecofeminism is hugely significant to modern day Earth as many issues surrounding both the treatment of women and animals are evident within the 21st century.

Concepts- in order to evaluate and examine the concepts held by Collard and the ecofeminist movement this study focused on ideas from other highly esteemed philosophers such as Kant, de Beauvoir and Aristotle. Concepts such as Aristotle’s Great Chain of Being and de Beauvoir’s idea of the ‘Other’ are useful when applied to the views held by Collard in order to determine how significant the link is between women and animals and how this relationship should be approached in terms of actions and beliefs held within modern day society.

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2017 Abstracts Stage 2

Finding Peace in a Frantic World: A Critique of Mindfulness using David Foster Wallace’s talk ‘This is Water’

Project Aims
To argue Foster Wallace’s popular talk This is Water highlights Mindfulness as an ideology.

How?
Foster Wallace highlights how Mindfulness key aspect of its thought believes in a Kantian autonomous/individualistic/ a-historical subject transcendental subject.

Implicates argument within the social context – Mindfulness is an antidote to stressful neo-liberal conditions

Economically and ideologically productive system of thought – 3.72 trillion dollar industry

Ideologically repressive – It blames you for your mental health problems!

Could Mindfulness be self destructive?

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2017 Abstracts Stage 3

Artistic Appropriation: Do you Own what you Create?

Plagiarism is wrong. Says who? Why should we obey this? Does Plagiarism stifle creativity? Is plagiarism a force of coercion and obedience?

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2017 Abstracts Stage 2

Rachmaninoff: Nationalism and “Russianness”

Territory: Russian Late-Romantic Music
Object: Rachmaninoff’s Prelude in C-Sharp Minor
Method: Interpretative and Axiological
Aim: I will be using Frolova-Walker’s musicology and Adorno’s musical philsophy to dissect Rachmaninoff’s Prelude and discuss whether it can be understood as a piece of Russian nationalist music.

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2017 Abstracts Stage 3

Sexuality in the modern era is a social construct

Michael Foucault
– The repressive hypothesis
– Changes in sexual practices over time
– Mode of power within society

Theodore Adorno
– Enlightenment
– Culture Industry
-Standardisation of sexual categories

Do sexual categories define individuals?
Has sexuality always existed?
How does sexuality function within society?

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2017 Abstracts Stage 2

Student Suicide: A philosophical investigation into whether attitudes towards ‘Suicide’ have changed over time?

Aims:
My project will examine whether contemporary society’s attitude towards ‘Suicide’ have changed over time?
Are we living in the past?
Are we scared to talk about mental health?

Territory/Object:
My territory is ‘Student suicide’
My object is the BBC Three documentary ‘Student Suicide: Real Stories’.
The documentary looks at how three students took their lives at University; but from the perspective of their loved ones.
Many students do not tell anyone, as they feel “ashamed”.

Philosophers:
This project will focus on the philosophical concepts; Suicide and Morality.
Durkheim’s On Suicide investigates whether social factors affect suicide rates.
Hume’s essay ‘Of Suicide’ illustrates his views against the traditional viewpoint of suicide.
Kant’s The Groundwork of the Metaphysics of Morals dictates his views against suicide.

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2017 Abstracts Stage 2

The failures of cosmopolitanism and international intervention in genocide

In this project I investigate why the present institutions and discourse of cosmopolitics frustrate rather than facilitate peace and resolution.

Through improperly structuring reasoning and creating subjectivity, the current cosmopolitic fails to provide the required conditions for the prevention of and intervention in genocide.

Through an examination of Kant’s cosmopolitanism and current cosmopolitical theories, demonstrated with the use of 3 case studies of Rwanda, Kosovo, and Myanmar I intend to highlight the fundamental contradiction at the heart of cosmopolitanism. Systems are either too universal and empty, ignoring important cultural fabric, or too particular and local, resulting in inaction.

As a result of these failures, intervention becomes an expression of ideology, not humanitarian interest.

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2017 Abstracts Stage 2

What can Louise Bourgeois tell us about art criticism?’: a meta-critique of philosophico-psychoanalytic readings of the artist.

Object: The art criticism of works in Louise Bourgeois’ Cells series
Territory: Contemporary art criticism
Concepts: Subjectivity, intention, Freudian psychoanalysis, the artist and their relation to works of art, authority of criticism
Philosophy: Nietzsche, Foucault, Wimsatt and Beardsley, Bal.

In my project, the work of Louise Bourgeois in her Cells series is utilised as a case study to explore wider issues in art criticism and how works of art are interpreted in relation to the artist. An examination of the reception of Louise Bourgeois’ work shows largely the same approach in psychoanalysing Louise Bourgeois and relating this back to her work and perceived intended meaning. Conversely, the position in the project argues that such a reading of her work, as well as that of other artists and authors, carries problems related to the importance of artistic intention, the public sphere of a work of art compared to the private sphere of the artist, as well as to what extent such readings are not only valid, but in the case of Louise Bourgeois count as genuine criticism rather than uncritically accepting her own statements.

Philosophy from the course included use of material from modules PHI2002 and PHI2006.

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2017 Abstracts Stage 3

Between Emancipation and Control: A critical discussion of social media in postmodern

Between Emancipation and Control: A Critical Discussion of Social Media in Postmodern Society

Is social media the key to emancipation, or the handcuffs prohibiting liberation? This project started from the object of social media and the claim that, as society has become highly mechanised, it is a further perpetuation of control and the very medium, which keeps individual behaviour in accordance with what is deemed socially acceptable. This project aimed to investigate this claim, using the case of Cambridge Analytica, to reach a conclusion to the overriding question: CAN SOCIAL MEDIA EMANCIPATE?

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2017 Abstracts Stage 3

Everything Now, as Result of Creativity or Commercialism; Reading Arcade Fire with Adorno’s The Culture Industry.

Money + Love
Can artists make a statement about consumer culture without falling into it themselves?

Territory: Arcade Fire’s album Everything Now

Object: Consumer Culture
Philosophy: Adorno’s The Culture Industry

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2016 Abstracts Stage 2

The figure of Jesus in Mark’s gosel: Do humans have an existential need for hope and illusion?

Territory: Mark’s Gospel The Bible is culturally strange and scientifically inadequate, so it is typically dismissed as nonsensical. If the Bible accounts were literal, they would all match up-but they do not. This means you can see which data has been redacted and manipulated, for the author’s particular purpose. Looking at this information, you can begin to infer the authorial intention for writing the text. This is a task that historians, biblical interpreters and theologians have undertaken. In most accounts, it is understood that Mark’s gospel as the first Gospel to be written and that he wrote in Rome during emperor Nero’s persecution Nero burned down Rome and to avoid the consequences he blamed the people, meaning they were tortured and killed as punishment. Mark was writing for this suffering community, to provide them hope and courage to continue through life. Now, we can understand why the Gospel emphasized belief in miracles and the afterlife- it was so these people had hope. Even if the hope came from an illusion.

Concept: Hope
Bloch develops a human ontology that points to a future orientated utopian consciousness. Human’s dream and wish for world improvement. Bloch says man is Not-Yet-Conscious and Not-Yet-Become. Hoping in such way, drowns out our existential anxiety about life. This is relevant in looking at all the myths of utopia in the gospel, i.e. miracles, afterlife, and our potential ‘homeland’ the Kingdom of God.
Concept: Illusion
Early Nietzsche says that humans need metaphysical comfort in myth. He creates an intellectual dichotomy between the Dionysian and the Apollonian which when perfectly combines embraces tragedy. This is relevant mainly for looking at Jesus as a ‘suffering servant’ and at the figure of him as a necessary illusion. Later Nietzsche would claim that living based of illusion distracts from striving and creating our own meaning in life

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2016 Abstracts Stage 2

From Concert Halls to Kurt Cobain: Investigating a Loss of Value in Contemporary Popular Music

Where do we place value in music?
TRADTIONALLY TRAINED or CULTURALLY INCLINED
Has music regressed in value? Is music rendered inauthentic by its standardised, repetitive structures?
Of the Origin of the Work of Art VS
On the Fetish-Character in Music and the Regression of Listening

Music “is the becoming and happening of truth…with extraordinary awesomeness”.

“The aim of [music] is the mechanical reproduction of a regressive moment, a castration symbolism. ‘Give up your masculinity, let yourself be castrated,’ the eunuch-like sound of the [boy] band both mocks and proclaims, ‘and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite.”

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2016 Abstracts Stage 2

Conservation or Cruel…Is it right to keep animals captive?

Territory: I will discuss whether it is right to keep animals captive. In particular, if it is right to keep them captive for our entertainment. Animal captivity raises many important moral questions: Is ever right to restrict animal’s liberty and if so, under what conditions? Do human beings have the right to keep other animals captive? Are we the superior species and if so, why is this the case?

Concepts: Peter Singer: humans are animals but language makes us overlook this. As a utilitarian and hedonist, Singer looks towards the end result, where like human beings, other animals choose pleasure over suffering. Kant: we do not have any direct ethical duties to non-human animals. We only owe ethical duties to rational beings, and nonhuman animals are not included in this group.

‘If possessing a higher degree of intelligence does not entitle one human to use another for his or her own ends, how can it entitle humans to exploit non-humans?’ – Peter Singer, Animal Liberation

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2016 Abstracts Stage 2

Integrity and Ethics in Journalism

The right to Freedom of Expression Integrity & Ethics in Journalism
Michel Foucault on Confinement and Parrhesia | John Stuart Mill on Freedom of Expression
Territory The object of study for this project is the human right to freedom of expression, with a particular focus on discussing the extent that this right should be exercised – particularly within the Journalism sector. Establishing the value of freedom of expression will assist in evaluating how important this right is to contemporary society.
Modern examples of defending oneself by using the principle of freedom of expression will assist in understanding the relevance of freedom of expression within the modern day. Philosophical Concepts The first concept applied to this territory is John Stuart Mill’s discussion of the necessity of the right to freedom of expression: this project looks at both his reasons for freedom of expression and why he postulates this argument.
The second concept is Michel Foucault’s historical philosophy. Foucault’s work in Fearless Speech will discuss the Greek expression, parrhesia, which translates as a verbal activity designating one to tell the truth despite the risk of differing from the majority and risking danger.
This project will also discuss Foucault’s Madness and Civilisation in order to consider how society can treat those who express themselves in forms that differ to those in traditional society. This concept will lead the project to ask whether we truly do have true freedom of expression.

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2016 Abstracts Stage 2

Philosophical implications behind concussion in American Football

Philosophers used
Kant – Will use Kant’s philosophy to explain why the behaviour of the National Football League (NFL) was immoral
Hobbes – Will examine the actions of the NFL in relation to Hobbes’ view on Power
Adorno – Will use Adorno’s philosophy to analyse the role of mass culture in the concussion scandal
Territory – The National Football leagues denial of the dangers of concussion, and their attempts to cover up the work of Dr Omalu – The danger that this put all American Footballers in – The Lawsuit the NFL faced because of their mishandling of the situation

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2016 Abstracts Stage 2

Gramsci and Benefits Street

The “State” should be understood not only as the apparatus of government, but also the “private” apparatus of “hegemony” or civil society.

Territory: Antonio Gramsci’s Prison Notebooks Concepts: The subaltern, cultural hegemony, integral state, war of position. Object: The Channel 4 Documentary Benefits Street.
In my project, I have used Gramsci’s philosophical concepts to critically examine the media’s domination over perceptions of the unemployed, with particular reference to Channel 4’s Benefits Street. The concepts will give an idea of how incoherent ideologies are formed and maintained and what, if anything, can we do to reject these ideologies.