Category: Abstracts

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2017 Abstracts Stage 2

Can We Own a Vibe? A Philosophical Inquiry into Our Understanding of Music Copyright.

This project aims to look at the concept of private property within the context of copyright. I will investigate current copyright law in the case of music and examples of copyright infringement. Through these cases, I will question the grounds on which they have been ruled guilty of copyright infringement. With Robin Thicke’s ‘Blurred Lines’ (2013) being ruled as infringing the copyright of Marvin Gaye’s ‘Got to Give It Up’ (1977) due to copying the vibe of this song. With the idea of a vibe having not been previously protected by copyright, this challenges our previous understanding of the copyright of music and what it means to own musical property.

I will also discuss the implications copyright has upon the possibility of creativity within the music industry. Copyright law is in place to protect the original creative works of an individual and therefore protecting creativity as a whole. Through questioning whether copyright helps of hinders creativity in music, I will discuss whether copyright does protect creativity as it sets out to do so.

My project aims to question how appropriate the concepts grounding our copyright of music are and call into question whether we need to revise our music copyright system.

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2017 Abstracts Stage 3

The Right to Privacy: A philosophical investigation in to the notion of a right to privacy in contemporary society; looking at the ways in which this right is upheld/struck down

“To be left alone is the most precious thing one can ask of the modern world”
–
Anthony Burgess

We live in a society today in which privacy concerns seem to be cropping up more and more frequently. This essay basis its’ notion of a right to privacy on Warren and Brandeis’s article for the Harvard Law Review titled The Right to Privacy, and investigates the ways in which the culture today strikes down this right.

My essay focuses on the primary ways in which the notion of privacy has been struck down in the post 9/11 society that we live in. In doing this, I was able to use the philosophy of Martin Heidegger and John Rawls, among many other philosophers, to formulate a response to this abolition of privacy in the society we live in. Their philosophies provide us with a thoughtful response to the factors affecting our right to privacy, and henceforth allows for a thorough investigation into the notion of privacy from a perspective not entirely common.

‘Perhaps the most striking thing about the right to privacy is that nobody seems to have any very clear idea what it is.’
– Judith Jarvis Thomson

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2017 Abstracts Stage 3

Is the Queen, as portrayed and understood by the Netflix production ‘The Crown’, truly treated as an Other?

The Queen is not truly recognised by us for the work she does, but by the title she holds. Do we treat her as we should treat another human being, or do we treat her as if she is just her title?

The philosophy of Sartre and Levinas will be used as they both put forward a theory of the Other. We have an effect on the others freedom for both philosophers.

For Levinas, it is getting away from Heidegger’s view that we encounter everything with its use value. We have a relationship and a responsibility over the Other.

For Sartre, is the Queen acting in Bad Faith? Rather than recognising herself beyond her duty.

So, does the Queen restrict herself from becoming an Other, or do we restrict the Queen from being treated as an Other truly should be?

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2017 Abstracts Stage 3

BDSM, Power and Self-mastery: the strength of submission

Does power equate to dominance? Is there a strength in submission?

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2017 Abstracts Stage 2

Money: A Social Network Ontology, Complimented by the Abstraction of Theoretical Monetary Units Throughout Time.

This project argues for Georg Simmel’s Sociological account of money through two means:

Firstly, its ability to explain changes in monetary theory through time.
Secondly, the fact it can explain a nuanced human economic agent in a social network.

Money in a Simmelite Social Network:

My project explored the account of the human subject in Simmel’s The Philosophy of Money and applied this to the network theory from Dodd’s The Sociology of Money. Thus, the essay was able to create and analyse a framework that could both argue for the creation of money through a tool of desiring subjects, and how this interacts with society at large through a societal network.

Changing Monetary Theory Through Time:
This project explores the history of economic philosophy from the enlightenment onwards through four defined periods.

Smith and Classical Economics – Using An Inquiry into the Nature and Causes of the Wealth of Nations I was able to explore monetary theory that is reliant upon substance, and the ways Smith’s economic theory often ends up with a reductionist view of human agency.

Friedman and Neo-Classical Economics – Using Capitalism and Freedom I explored monetary theory and the belief that money is simply an economic lubricant, while also contesting the fact that Friedman truly believes in the imperfect being.

Post-Modern Economics – Using Lazzarato, and his influences, I was able to analyse the idea that digitised economics represent power and the desire of the subjects in this network as the creation of this power.

Bitcoin and the Satoshi Nakamoto Institute – This conception of money is a commodity guided by the rules of blockchain, however Bitcoin itself is only substantiated by ideological belief of a small number of active traders.

Throughout this project I argue that the Framework of the Simmelite Social Network can not only explain the beliefs of these four types of theory through time, but also why the path of history towards further abstraction has occurred.

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2017 Abstracts Stage 3

On Bunnies: An Interpretative Approach to Playboy in the Sphere of Art

PLAYBOY
The use of nude photography does not exclude a work from the sphere of art

Featured Articles

Rose: The Paradigm case of Pornography-Playboy does not possess the same explicit sexual characteristics of other ‘adult’ entertainment.
-In the production of Playboy, there is no violation of liberty or victim.

Noë: ‘strange tools’ -art is purely the subversion of function and purpose, that calls into question the surrounding presuppositions -Playboy does not have his same subversion intention.

Hegel- the closest instance to absolute truth within art is the human form “we must search out that in Nature which on its own merits
belongs to the essence and actuality of the mind…The human form is employed…exclusively as the existence and physical form correspond to themind” (Hegel, 2004)

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2017 Abstracts Stage 2

The Rise of artificial intelligence and it’s implications for the constitution of personhood

My Territory: The territory of my essay is artificial intelligence; I will be looking at the progress it has made in the past decade, as well as the controversy it has sparked as a result.

My Object: My object is Sophia, a humanoid robot created in 2017 by Hanson Robotics Limited.

My Concepts: The main concepts I will be using in my project are: Human being, Personhood, Personal Identity, Persistence, Self-Ownership and Recognition

Philosophical Thinkers: The first philosopher I will be using to look at my territory is John Locke. I will be using his Essay on Human Understanding II, concentrating on his views on Personal identity. The second is Frederich Hegel; I will be looking at his Phenomenology of Spirit, particularly the sections on his theory of Recognition.

Main objective: I want to see if we would ever consider granting artificial intelligence the same rights as humans; to do so, I will be trying to find the necessary and sufficient conditions of personhood, and applying them.

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2017 Abstracts Stage 2

“Where Flash Becomes Word and Silents Selfloud”: the Language of Finnegans Wake

The obscure, polysemic, multi-lingual, syntactically nonstandard style of writing in James Joyce’s Finnegans Wake has polarised critics even since before the time of the book’s full release. The ongoing debates surrounding the work raise philosophical questions about the limits of language and the nature of art and literature. This essay explores possible philosophical justifications for using such a style, and enquires whether it might offer unique artistic possibilities, unavailable to clearer, more conventional styles.

Beginning from Heidegger’s theory of art, the essay explores the distinction between the Heideggerian concepts of “world” and “earth”, arguing that the book inverts the standard function of language as embodying a socio-historical “world”, instead turning it into a force which represents the “ungraspable”, impenetrable, nature of “earth”.

The essay then examines the Wake with reference to Blanchot’s work on literature, finding that the techniques of emphasising the physicality of language, as well as fragmenting a work into pieces whose only relation is difference – which Blanchot claims constitute are essential for a literary work to represent things in their “free, silent existence” – are utilised in extreme ways and to unique ends in the Wake.

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2017 Abstracts Stage 3

Can we resolve the conflict between Art and Science

My object is Zen and the Art of Motorcycle Maintenance and my territory is the relationship between art and science. In my project I argue that the arts (and humanities) come into conflict with science (and technology). Richard Dawkins laments that in his view science does not get the same respect as poetry. Meanwhile Midgley claims that science attempts to colonise humanities with inappropriate methods. Habermas claims that science has ‘infected’ politics, ethics and philosophy. Warbuton argues that the concepts used to evaluate scientific research are applied to the arts as well, but are not fit for this purpose.
Lyotard looks at one of the causes of this conflict. Narrative has been the main way of transmitting knowledge, and is still used in the arts. However, science condemns narrative as no knowledge at all, since narratives are only legitimated by their general acceptance. Science, on the other hand, requires legitimation by empirical evidence, and must be able to justify and defend its claims against challenges. However, science can only justify and defend its claims by using narrative, so could itself be accused of begging the question by using a form it has condemned as not susceptible to legitimation.

Heidegger argues that technology, by treating human beings as a reserve, poses a danger to our very essence. Pirsig proposes care as part of the solution. Heidegger sees care as constitutive of humans, inextricably linked with human life and temporality. Pirsig’s version of care is what provides the creativity and imagination which he demonstrates is needed by science to come up with new theories and hypotheses just as much as it is needed by the arts. If this is accepted then care, creativity and imagination could provide the basis for a bridge between the sciences and the arts.

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2017 Abstracts Stage 2

“Mrs. Dalloway. Not even Clarissa anymore; this being Mrs. Richard Dalloway.” Does Changing your Surname mean Forfeiting your Identity?

Object: ‘Mrs. Dalloway’ by Virginia Woolf (1925)

Aim: To discuss the implications of marriage in feminist theory and attempt to decipher if loosing your surname means loosing your identity.

How: Use main themes from the novel, modern articles, De Beauvoir, Woolf and Butler, Friedan.

Methodology: Structured with quotations from the novel. Therefore methodology is interpretive.

What are the implications of taking your fiancés surname/ marriage and how does Virginia Woolf’s novel ‘Mrs Dalloway’ connect us to these issues?

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2017 Abstracts Stage 2

The Status Quo Problem: the issues with status quo bias and how to solve them

The Status Quo Problem: the issues with status quo bias and how to solve them

What is the status quo problem?
We have a status quo bias which inhibits beneficial social progress whilst undermining valid status quo values, due to its invalid nature as a justification. The problem is further complicated by the fact that the bias can, at times, serve a rational purpose as a heuristic method to ensure risk aversion and the preservation of existing things of value.

Evidence of Status Quo Bias
We can see a range of evidence which demonstrates the existence of status quo bias. In the project we discuss experiments which establish this, but as a succinct example one only needs to look at Coca Cola, which changed its recipe in 1985 based upon the new recipe performing better in blind tests, only to face a severe public backlash.

Rationality of Status Quo Bias
The fact that the bias can, at times, have a rational purpose only complicates, rather than solves, the issue. In the project we use Hobbesian logic to support the importance of risk aversion, as well as the work of Jacob M. Nebel who provides a conservative defence of status quo bias on the basis of protecting existing things of value.

The Dangers of Status Quo Bias
This bias prevents us from changing our values and policies based upon what is most beneficial or most right. We can see this when faced with our lack of response to Peter Singer’s ethical argument in “Famine, Affluence and Morality”. By relying upon a bias to uphold a system of values, one can also eventually undermine this system leading to a counter status quo bias which can be equally damaging.

Solution to the Status Quo Problem
The project proposes a combination of Bostrom and Ord’s Reversal Test and a revised application of John Rawl’s Veil of Ignorance as a means by which to identify and eliminate a status quo bias, and to provide a new heuristic method to assist decision making.

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2017 Abstracts Stage 3

Should student happiness be made a part of university rankings? If so, which type of happiness should be used and how should it be measured?

Should student happiness be made a part of university rankings? If so, which type of happiness should be used and how should it be measured?
What indicators are normally used in university rankings?
Entry Standards Industry Income
Graduate Prospects Number of Students
Student Satisfaction Teaching Quality

As we can see happiness does not feature as an indicator however it is becoming a bigger part of society and because of this I, and many other students, believe that it should become an indicator for university rankings.

The best way to measure happiness would be through questionnaires given to students at the end of the year.

So what type of happiness should be used?

Eudaimonia
Hedonic
Jouissance

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2017 Abstracts Stage 2

Fight the Power: An Interrogation of Sovereign Authority

The objective of this project is to investigate the validity of the Grand Jury process in the United States of America, which selects a group of citizens at random to become involved in legal proceedings and make judgements if the suspected criminal should go to court.

The discussion therefore investigates whether it can be justified to give power to individuals in society or if power should remain with the government, or sovereign authority.

The philosophers studied in the process of the dissertation are Thomas Hobbes, John Locke, Michel Foucault and Giorgio Agamben.

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2017 Abstracts Stage 2

Desire for Fame: The motivation behind reality TV stars in Geordie Shore.

In my project I want to assess why people desire fame and how reality TV has made this desire for fame more achievable. Reality TV has become more popular in recent years. Studies show that in 2010 worldwide viewers watched more reality TV shows than fictional TV dramas, making it a huge part of popular culture. The reason it is important is because we need to assess the kind of aspirations reality TV is creating. Why do people desire fame and are willing to go to great lengths to achieve this.

My object is Geordie Shore. This is a British reality TV show, aired on MTV, often gaining over 700 thousand viewers per episode. Leading to the fame of people you don’t normally see on TV: Young, lower middle-class Newcastle locals. I will ask why these young Geordies want to be on this reality TV show?

My methodology for this project is Interpretative Approach, Axiological Approach and the Historical approach.

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2016 Abstracts Stage 2

The figure of Jesus in Mark’s gosel: Do humans have an existential need for hope and illusion?

Territory: Mark’s Gospel The Bible is culturally strange and scientifically inadequate, so it is typically dismissed as nonsensical. If the Bible accounts were literal, they would all match up-but they do not. This means you can see which data has been redacted and manipulated, for the author’s particular purpose. Looking at this information, you can begin to infer the authorial intention for writing the text. This is a task that historians, biblical interpreters and theologians have undertaken. In most accounts, it is understood that Mark’s gospel as the first Gospel to be written and that he wrote in Rome during emperor Nero’s persecution Nero burned down Rome and to avoid the consequences he blamed the people, meaning they were tortured and killed as punishment. Mark was writing for this suffering community, to provide them hope and courage to continue through life. Now, we can understand why the Gospel emphasized belief in miracles and the afterlife- it was so these people had hope. Even if the hope came from an illusion.

Concept: Hope
Bloch develops a human ontology that points to a future orientated utopian consciousness. Human’s dream and wish for world improvement. Bloch says man is Not-Yet-Conscious and Not-Yet-Become. Hoping in such way, drowns out our existential anxiety about life. This is relevant in looking at all the myths of utopia in the gospel, i.e. miracles, afterlife, and our potential ‘homeland’ the Kingdom of God.
Concept: Illusion
Early Nietzsche says that humans need metaphysical comfort in myth. He creates an intellectual dichotomy between the Dionysian and the Apollonian which when perfectly combines embraces tragedy. This is relevant mainly for looking at Jesus as a ‘suffering servant’ and at the figure of him as a necessary illusion. Later Nietzsche would claim that living based of illusion distracts from striving and creating our own meaning in life

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2016 Abstracts Stage 2

From Concert Halls to Kurt Cobain: Investigating a Loss of Value in Contemporary Popular Music

Where do we place value in music?
TRADTIONALLY TRAINED or CULTURALLY INCLINED
Has music regressed in value? Is music rendered inauthentic by its standardised, repetitive structures?
Of the Origin of the Work of Art VS
On the Fetish-Character in Music and the Regression of Listening

Music “is the becoming and happening of truth…with extraordinary awesomeness”.

“The aim of [music] is the mechanical reproduction of a regressive moment, a castration symbolism. ‘Give up your masculinity, let yourself be castrated,’ the eunuch-like sound of the [boy] band both mocks and proclaims, ‘and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite.”

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2016 Abstracts Stage 2

Conservation or Cruel…Is it right to keep animals captive?

Territory: I will discuss whether it is right to keep animals captive. In particular, if it is right to keep them captive for our entertainment. Animal captivity raises many important moral questions: Is ever right to restrict animal’s liberty and if so, under what conditions? Do human beings have the right to keep other animals captive? Are we the superior species and if so, why is this the case?

Concepts: Peter Singer: humans are animals but language makes us overlook this. As a utilitarian and hedonist, Singer looks towards the end result, where like human beings, other animals choose pleasure over suffering. Kant: we do not have any direct ethical duties to non-human animals. We only owe ethical duties to rational beings, and nonhuman animals are not included in this group.

‘If possessing a higher degree of intelligence does not entitle one human to use another for his or her own ends, how can it entitle humans to exploit non-humans?’ – Peter Singer, Animal Liberation

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2016 Abstracts Stage 2

Integrity and Ethics in Journalism

The right to Freedom of Expression Integrity & Ethics in Journalism
Michel Foucault on Confinement and Parrhesia | John Stuart Mill on Freedom of Expression
Territory The object of study for this project is the human right to freedom of expression, with a particular focus on discussing the extent that this right should be exercised – particularly within the Journalism sector. Establishing the value of freedom of expression will assist in evaluating how important this right is to contemporary society.
Modern examples of defending oneself by using the principle of freedom of expression will assist in understanding the relevance of freedom of expression within the modern day. Philosophical Concepts The first concept applied to this territory is John Stuart Mill’s discussion of the necessity of the right to freedom of expression: this project looks at both his reasons for freedom of expression and why he postulates this argument.
The second concept is Michel Foucault’s historical philosophy. Foucault’s work in Fearless Speech will discuss the Greek expression, parrhesia, which translates as a verbal activity designating one to tell the truth despite the risk of differing from the majority and risking danger.
This project will also discuss Foucault’s Madness and Civilisation in order to consider how society can treat those who express themselves in forms that differ to those in traditional society. This concept will lead the project to ask whether we truly do have true freedom of expression.

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2016 Abstracts Stage 2

Philosophical implications behind concussion in American Football

Philosophers used
Kant – Will use Kant’s philosophy to explain why the behaviour of the National Football League (NFL) was immoral
Hobbes – Will examine the actions of the NFL in relation to Hobbes’ view on Power
Adorno – Will use Adorno’s philosophy to analyse the role of mass culture in the concussion scandal
Territory – The National Football leagues denial of the dangers of concussion, and their attempts to cover up the work of Dr Omalu – The danger that this put all American Footballers in – The Lawsuit the NFL faced because of their mishandling of the situation

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2016 Abstracts Stage 2

Gramsci and Benefits Street

The “State” should be understood not only as the apparatus of government, but also the “private” apparatus of “hegemony” or civil society.

Territory: Antonio Gramsci’s Prison Notebooks Concepts: The subaltern, cultural hegemony, integral state, war of position. Object: The Channel 4 Documentary Benefits Street.
In my project, I have used Gramsci’s philosophical concepts to critically examine the media’s domination over perceptions of the unemployed, with particular reference to Channel 4’s Benefits Street. The concepts will give an idea of how incoherent ideologies are formed and maintained and what, if anything, can we do to reject these ideologies.