Category: Abstracts

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2011 Abstracts Stage 2

An Attempted Analysis of the Rationality of Ted Bundy

My Project is based upon the serial killer Ted Bundy who murdered and raped at least 30 women.

The initial preconception is that there is something ‘evil’ about Bundy.

My aim is to look beyond these initial preconceived ideas and understand the mind of Bundy by focusing on his rationality.

The philosophical concepts I will use include:

Freud’s notion of the unconscious: Investigating Bundy’s childhood in relation to the Oedipus complex. Looking at the Id, Ego, and Superego and the possible variations in neurosis and psychosis.

Kantian rationality: Transcendental rationality in the moral law vs. Instrumental rationality in the sensible world. The need for duty as opposed to inclinations. The Categorical Imperative vs. The Hypothetical Imperative and the notion of Radical Evil.

Durkheim’s social thesis: The need for serial killing in deviant behaviour. The Division of Labour on modern society. The impact of capitalism on the rise of serial killing and the concept of organic solidarity.

Each theory will give a different perspective determining to what extent Bundy is rational; the inference of this will be an evaluation of whether the initial preconceived ideas of Bundy being ‘evil’ is credible.

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2011 Abstracts Stage 2

The Punishment of a Serial Killer. Is Utility Morality?

CONCEPT: The mind behind serial murder and the influence of mental illness on our judgement of correct punishment.

PHILOSOPHY: Mill’s Utilitarianism and Mill’s Speech in Favour of Capital Punishment; exploring contradictions, claims of morality and the influence of human nature.

SOURCES: newspaper reports, true story based films along with texts on Capital Punishment by Hodgkinson and Schabas and secondary texts on utilitarianism such as Utilitarian ethics by A. Quinton.

It was the relationship between mental illness and crimes of murder that first inspired my investigation into the punishment of a serial killer. I began to question what evidence of mental illness meant for the responsibility of the crime and how the law ought to respond to this. My initial intuition is that regardless of this, murder rates MUST be reduced, and so the introduction of a harsher punishment is necessary. Although, I am aware this causes problems when bringing up any causes that may have influenced the murder.

My aim is to use various reactions to the controversial issue of the death penalty to construct whether it is right to make judgements and decisions based purely on the ‘utility’ of the outcome.

Our reasons for and against capital punishment may not have an outcome of utility in mind but purely ‘what is right’. As well as the mental state of the criminal, many of us cannot but care for the right to life of the criminal, even for he who commits the worst crime imagin

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2011 Abstracts Stage 3

How Are Franz Kafka’s Novels Ethical?

Aim: I aim to demonstrate how Blanchot’s ethics can be found within literature. Specifically, in Kafka’s work.

Philosophy: death of a subject is, ultimately, Blanchot’s ethics. It is instigated by the interruption of the ‘Il y a’. Here, all former values (everydayness) is replaced by those of the other (otherness). This motion is mimicked in literature, particularly in Kafka’s work. My project will assess why.

Anti-thesis: Is Kafka’s work symbolic (stubbornly independent) or allegorical (autobiographical)? That is, is Kafka himself present throughout his work?

I will argue that Kafka’s work is allegorical; he is everywhere in his work.

Blanchot’s Texts: Reading Kafka, Kafka and Literature, The Language of Fiction Literature and the Right to Death, Death Sentence.
Heidegger’s Texts: Why Poets?, On the Essence of Truth, The Origin of the Work of Art, Way to Language.
Kafka’s texts: The Trial, The Castle, Metamorphosis.

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2010 Abstracts Stage 2

Alienation. A Catalyst for Two Great Men

The picture that…….. …….changed a life

The Brechtian Theatre presents;
The Political Ideology of Karl Marx
Starring: Karl Marx and full supporting cast including Hegel & Kant, Engels, Sartre and Marcuse

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2010 Abstracts Stage 3

Do Social Interactions Demand the Abandonment of an Authentic Identity?

During encounters with the Other, one is prone to personality adaptations. Through this inquiry I will be looking at how one can be considered to have one identity as people adopt various personas, in addition to which, my non-philosophical territory will be exploring psychological insights into why these roles seem necessary.

In considering R.D. Laing, it seems that one creates a false self in order to survive in society, and it is distinct from an inner self. Lyotard and Taylor propose that discussions are essential in order to find a sense of self; something to distinguish the self from others, however if one creates a false self to engage with others, what is expressed may not always be a reflection of genuine personal beliefs, as such the authentic self is being ignored in the pursuit to ‘fit in’.

Sartre’s account offers an existentialist approach, and by simply being perceived by the Other one is being given an identity which will differ from person to person due to changes in roles. In which case we have further reason to believe that there is no one identity one can appeal to for an understanding of the self.

To solve this dilemma, I aim to explore Levinas’ notion of the Same as the economy of the Same may be adapted to include social adaptations necessary to relate to the world and others.

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2010 Abstracts Stage 3

Director’s Role of ‘Delivering’ a Play with Heidegger’s Philosophy of Art and Truth

Art enables us to interpret the world around us; just as Philosophy encourages us to understand our being in-existence. This project aims to discuss the way in which the art of theatre encourages us to reflect upon the world through a director’s recreation of reality upon a stage.

Heidegger’s notion of ‘being-in-the world’ and language in his work Being and Time, encourages us as beings to come to terms with the idea of Being, otherwise known as Dasein. From this, we are able to grasp the true nature of our existence.

I aim to pay close attention to the Artistic Director Sam Walters of the theatre in-the-round: The Orange Tree Theatre. Being-in-the-theatre is a process of entertainment, whereby as an audience we are faced with characters and scenarios that touch upon aspects of our own lives. Hence, there exists a fine line between forms of real life and the features of ‘make-believe’.

In order to connect the art of theatre with Heidegger’s philosophy, I aim to explore the concept of Being and art in his work The Origin of the Work of Art and Julian Young’s Heidegger’s Philosophy of Art, both of which consider and examine:
– The ‘origin’ of an art-work.
– The unconcealment of a ‘world’ via the metaphysical relationship between ‘earth and world’; shown through the Greek Temple.
– The notion of truth [Wahrheit] revealed through an art-work.

In order to test Heidegger’s thought on language, art and Being, I aim to discuss Alan Ayckbourn’s farcical creation of Taking Steps; a play that explores modern-day issues such as marriage and alcohol. As an audience, we recognise aspects of a ‘taboo’ subject-matter, but preserve our comfort-zone through laughter.

I aim to conclude, that through ‘being-in-the-theatre’ with Heidegger’s Philosophy, we essentially examine our world; and thus come to terms with the truth of our ‘being-in-the-world’.

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2010 Abstracts Stage 3

Ignoring the Other: an Enquiry into Levinasian Ethics and Child Abuse

For Levinas, the human being undergoes an ethical epiphany when it encounters the human Other. The subject, when faced by the Other, is commanded to respect it and care over it. A parent, when faced with the ethical presence of their newborn child, is called to rise to the responsibility and autonomy this human life demands…

16% of children experience serious maltreatment at the hands of their parents

The aim of this project is to explore ethical irresponsibility and the effects of abusive parenting. It shall argue that the experience of abuse distorts a child’s very structure of being. As such, the abuse victim’s understanding of themselves, their place in the world, and their relation to the Other is corrupted. This corruption can lead to difficulties in placing abuse within the construct of a coherent narrative identity. Similarly, it can effect a victim’s ability to appropriately relate to others as Other in later life.

It shall draw on texts from both Levinas’ philosophical discourse and cognitive research. To bring certain abstract concepts to life it shall introduce case studies of abuse victims.

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2010 Abstracts Stage 3

Art as Free Expression under Capitalism

My overall aim: To determine whether art can be free expression or whether it is always constrained by capitalism’s effects.

My objects: The works of; Antonin Artaud, Bertolt Brecht and the film Fight Club.

Philosophy: Heidegger, Vattimo and Adorno.

The concepts I wish to explore include…

Alienation – Does a film that can be bought and sold provoke, as a result, alienation from its message?

Truth – Can a work under a capitalist agenda still give us the semblance of truth? I will contrast Adorno with Heidegger and Vattimo in addressing this.

Is it necessary to adopt Artaud’s methods of enveloping an audience as described in The Theatre of Cruelty in order to freely express under capitalism? And is this compatible with Adorno’s critique of culture?

By the end of the work I will answer the question of the possibility of resistance of capitalism by art. I will have taken into account the postmodern views of Heidegger and Vattimo and contrasted them with the philosophy of Adorno. At the end I will have determined whether any of the artists mentioned have produced any works of originality or if, under capitalism, this is merely an illusion. I will also determine whether a film like Fight Club can be seen as original in its criticism of capitalism.

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2010 Abstracts Stage 2

Unmasking the Hero: Re-Evaluating Heroic Morality with Reference to the Graphic Novel Watchmen

The object concerning my project is the comic book character The Comedian. In my project I want to investigate how The Comedian can be considered to be evil by conventional morality and yet referred to as a hero. The main objective of my project will be to argue that although the Comedian acts beyond conventional morality, his label as a Hero is very much deserved. He is the epitome of what a Hero should be and so beyond normal considerations.

In my project two other characters from the comic book will also be discussed, Rorschach and Ozymandias, both of which illustrate two alternative moral systems. Rorschach takes on Kant’s Deontological value system that argues for universal morality known as the categorical imperative. It is obvious in the end that due to Rorschach’s moral inclinations he is not able to function as person let alone a hero. Ozymandias on the other hand illustrates Mill’s concept of Utilitarianism. Ozymandias justifies his actions in killing millions of people by arguing that it is for the greater good. Is the sacrifice too great? If it is ever discovered what he did would he still be considered a hero? Both these moral systems are considered to be socially accepted conventions. However I will argue that although they may be acceptable for general society, it is inadequate for a Hero to use either of these moral systems.

Unlike the other “Heroes” Rorschach and Ozymandias, the Comedian’s value system is over and above conventional social morality, he is the creator of his own values. The Comedian accepts that life is absurd and that society is not as civilised as we think it is and so he acts accordingly as the hero we need rather than the kind of hero we want. The Comedian utilises Hegel’s concept of the right of heroes to be the lawgivers in an uncivilised time. They are granted the right to do whatever is necessary to establish a civilised society.

The Philosophers and concepts
Machiavelli – The Prince
Nietzsche – The Overman
Hegel – World Historical individuals
Kant – categorical imperative
Mill – Utilitarianism
– The Eternal Return
– The Rights of Heroes

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2010 Abstracts Stage 3

An Analysis of Nietzsche’s Notions of Culture, Self-Formation and Exploring Whether Such Notions, When Compared with Foucault’s Philosophy, Are Relevant in Contemporary Society

– Nietzsche’s notions of culture

– Nietzsche’s formation of the self

– Foucault’s aesthetics of existence

– Foucault’s advancement and caring for the “self”

– Ethical advancement and transition

This project will determine whether the ideas of both Nietzsche and Foucault can be translated in to today’s contemporary 21st Century world. The lightning pace of technological and cultural advancement present in today’s society can be viewed as an ethical minefield, and therefore I question whether the two philosopher’s concepts of culture and ethical transition can help 21st Century society in any way shape or form.

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2010 Abstracts Stage 3

The Psychological Costs of Capitalism: an Exploration into How We Are Being Emotionally Snookered by the Demands of 21st Century Living

In our society we are getting richer and richer and simultaneously less and less happy. Within my stage three project I want to explore how in modern life capitalism and the consumer culture has corrupted our values and as a result people are increasingly driven by an obsessive desire to define themselves by their earnings, possessions, appearance and celebrity. I want to show how this is responsible for the ever rising rates of depression and anxiety in England and America…

Heidegger’s analysis of boredom suggests that our lives lack personal meaning, and where there is a lack of personal meaning, capitalism creates all sorts of diversions and substitutes, mostly in the form of consumption. Through the work of Heidegger, I will reveal how our fundamental needs as beings are not being met. This endless pursuit of unfulfillable desires has created a profoundly impoverished emotional culture, subsequently we are no longer living authentic lives.

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2010 Abstracts Stage 2

How Has the Power of Mass Communication Changed over Recent Years and What Influence and Control Does It Have over Society?

A study of the ways in which society has changed as the advancement of mass communication has occurred.

Can we think for ourselves today or is autonomy impossible in this world of unlimited influence?

History of Modernity

• Modernity
• Crisis of modernity
• Post­modernity

Aim: To discus whether we have the ability to be autonomous in society today or are we are too broadly influenced by mass communication.

Territory: various forms of advertising particularly focusing on online advertising today

Philosophical concepts: Marxist ideas of the prevention of uprising, Guy Ernest Debord ‘The Society of the Spectacle’, Jean Baudrillard “The Ecstasy of Communication”

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2010 Abstracts Stage 2

Is Cooking an Art According to Kant’s Aesthetic?

My project is an investigation into gastronomy. My aim is to investigate whether cooking is regarded as an art or a craft or even maybe both. My territory is looking at two famous British chef’s Heston Blumenthal and Jamie Oliver. My philosophical concept is going to be using Kant’s aesthetic judgement from his third critique.

According to Kant art cannot be part of an aesthetic judgement, however there is a sense of ambiguity when it comes to the ideas behind Blumenthal’s molecular gastronomy. What is the difference between the two chefs? Why can one make it more acceptable for gastronomy to become close to an aesthetic experience?

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2010 Abstracts Stage 2

How Deceived Are We by Our Own Mind?

The aim of my project is to explore the tricks (problems) the mind plays on us and how a technique can overcome that problem. I would use Freud to explain the problem of the mind and use a Derren Brown technique which could overcome that problem. I will also show how they both share some similar views in certain areas. So do you know how deceived you are by your own mind?

Here are a few areas I will explore.
• I will explain Freud’s theory on forgetting ‘Proper Names’. I will then suggest a technique by Derren Brown which could overcome this. In this case, a technique called ‘Remembering Names’.
• ‘Forgetting Names and Sequence of Words’ by Freud can be related to the ‘Linking System’ by Derren Brown. This technique allows you to move onto the next word without any worries.
• A view which Freud and Derren Brown share is on superstition and the supernatural. They both disapprove of it. Derren Brown’s controversial programme, the Séance showed his rejection of the supernatural through psychological experiments which shows the illusions of it.

I shall use Freud’s book Psychopathology of Everyday Life to explore the problems of the mind. For Derren Brown, I shall use his book, Tricks of the Mind, and include his programmes as well, such as Trick of the Mind, Trick or Treat, and the Séance.

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2010 Abstracts Stage 3

Property Magazine: the Realities of the Market

Many would acknowledge, that in some form, the contemporary financial landscape is separated from what we would consider ‘reality’. The money which is exchanged within in the financial markets seems to have no grounding outside the markets in which it is exchanged. This edition looks at the problem and enquires to what extent this is a problem.

Capitalism. Can capitalism and the markets that work within be justified on moral grounds? A Property Week special report puts aside our intuitive moral assumptions and looks in greater depth at the concept of capitalism and the ethical dilemmas that arise out of this system.

Hyperreality. By commencing deregulation in the global financial institutions, have the governments of Thatcher and Reagan of the 1980s created a new economic domain of hyperreality? This edition looks at whether responsibility can be placed back into the financial markets.

Questioning the economic realities of the market with particular reference to the commercial property market

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2010 Abstracts Stage 2

Free Will in Relation to Advertising in the Modern Society.

In my project I hope to achieve an understanding of the free will problem and through this explore how various elements of society may subconsciously coerce us into action that we do not want to take.

I will look into elements of;
• Causal determinism
• Libertarianism
• Compatibilism
• Self determination
• Coercion
• Desires

I will also be looking at Hobbes and Kant to compare and contrast their views on freedom and then look at the modern society and explore how the concept of freedom can change and also how it is relative to the self. I will then look at political coercion and various forms of advertising to show how we can be controlled and our freedom can be easily threatened, I will then ask if we even truly have freedom for it to be threatened or is this coercion essential to society and is it even important that we have a totally free will.

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2010 Abstracts Stage 3

Consumer Culture. What’s in It for Me?

Territory.
The consumer culture/Modernity /Postmodernity/Commodity and the role of the individual experience. Essentially the current capitalist world in which we live.

Object.
The various theories brought forward by philosophers and sociologists such as Horkheimer and Adorno, Giddens, Lyotard, Marx, Featherstone, Slater, Baudrillard, Debord and Bernstein. The theories of Modernity and Postmodernity, their consequences when related to the concepts of Consumer Culture and a world of Commodity.

Change.
I am to chart the change from traditional world view through to modernity. The extent to which capitalism is affected by the culture industry and its movement towards postmodernity. Mass culture and the effect of industrialisation. The Influence of the Media industry, and the various problems we associate with advertising and marketing culture in contemporary society.

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2010 Abstracts Stage 2

Why the Trends in Suicide Rates?

New Religious Movements?

Aims: philosophically interpret the graphical data. Understand firstly why, since the beginning of postmodernity, suicide rates have dropped so significantly, halving in number on average. Secondly why they were inclining prior to this?

Sources: Oliver James’s ‘Affluenza’, Durkheim’s ‘Suicide’, and antisecularization theses.

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2010 Abstracts Stage 2

Though Hope Is a Virtue, Can It Also Be Considered a Vice?

Out of the ashes of despair came hope. Though the human race suffers so much hatred, famine, illness, war; through it all there has been hope, there always will be.

Through the works of Nietzsche and Marcel I intend to study the positive and negative effects of hope on the human condition.

“Hope need not mean expectancy. It suggests here rather the music that can come from the remaining chord” – George Watts

As long as there is man, there will be hope. Though it may prolong one’s torment, it is a necessary evil to overcome the despair and anguish in the world around us today.

“For hope, which is just the opposite of resignation, something more is required. There can be no hope that does not constitute itself through a we and for a we. I would be tempted to say that all is hope is at the bottom choral…. the only genuine hope is hope in what does not depend on ourselves, hope springing from humility and not from pride” Gabriel Marcel

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2010 Abstracts Stage 2

Absurdity and the Apocalypse. Meaningful Existence in a Dying World

Mankind has long held a kind of morbid fascination in the prospect of its own demise, and with that of the world as a whole. The apocalypse – the cataclysmic end of all life on Earth – has frequently been a subject of film, art and literature. In my project, I intend to investigate one such literary instantiation of a world subject to just such a cataclysm – the bleak and ruined existence described in Cormac McCarthy’s ‘The Road’ – with regard to the philosophy of the absurd, as found specifically in the works of Søren Kierkegaard and Albert Camus.

When faced with the absurdity and meaninglessness of our existence – by the tension between our intuitive feeling that our lives have meaning, and our inevitable failure to find it in the world – we are plunged into nihilism.

The absurd man has recourse to three possibilities upon his experience of nihilistic feeling; faith, defiance, and suicide.

Through an investigation into the absurdist thought of Kierkegaard and Camus, and with reference to the world imagined in The Road, I intend to show existence in the post-apocalyptic world to be the ultimate embodiment of the absurdity of human life; that in this Godless world, where death is an experience one cannot stop living, and where nihilism is substantiated, inescapably, by existence itself, we find the true essence of our being, and the true nature of our attempt to give a point to our lives.

I intend to argue two things; one, that our world and the post-apocalyptic one are, in terms of human meaning, identical. And secondly, that despite the absurd nature at the core of human existence, our lives can still be worth living.