Aim: To discover why certain types of heroes are popular in films, animation and graphic novels, and why we are attracted to such qualities. Method: Analysing some of the more interesting and obscure characters to ascertain why people are attracted to more nihilistic, free-thinking traits. To do this I will look at ideas such as nihilism, escapism and boredom, and correlate them with research into transcendence, innocence, naivety, and rebelliousness. Characters explored will include Roman Dirge’s Lenore, Jhonen Vasquez’s Johnny The Homicidal Maniac (pictured above), the residents of Sobriety Straight in Dame Darcy’s Meat Cake, and the Norse God Loki who features in The Mask. Sources: The Modern Stranger – Lesley D. Harman, Comic Book Nation – Wright, Dame Darcy’s Meat Cake Compilation – Dame Darcy, JTHM – Jhonen Vasquez, Lenore: Noogies – Roman Dirge.
Category: Abstracts
• My chosen territory: magazine advertising • My aim: explore the field of magazine advertising, investigate the truth within, and discuss in reference to the changes in the philosophies of truth. • My workbook explains how the concept for my project evolved from researching my chosen territory, and lead into the philosophy involved. • I started to research a few facts and figures about advertising in the media, and then gathered some examples of the advertising itself. • Then I began to investigate the possible philosophical issues that could be involved, for example: Karl Marx – discussing the power of the consumer on ads – the ‘masses’ have become the middle classes, who hold the most jobs, consume the most goods, and provide the state with the most revenue. Bertrand Russell – the pursuit of happiness – an admirable social goal, which he defines as “a profound instinctive union with the stream of life”. And also, Marcuse, Adorno, and Horkheimer – in respect of manipulation -they formulated the Frankfurt School vision of the innocent man and the guilty social institutions. I took a closer look at Sigmund Freud who described how non-satisfaction of powerful instincts leads to ‘cultural frustration’. And also his nephew Edward Bernays, perhaps the world’s first Spin Doctor, he called for the implementation of mass psychology by which public opinion might be controlled. • But then I struck on the concept of truth. Its significance and value is universally recognised, and yet is often manipulated by the advertising industry. Surprisingly, a complete account of the nature of truth has been notoriously elusive. Whereas the aim of science is to discover which of the propositions in its domain are true, i.e. which propositions possess the property of truth, the central philosophical concern of truth is to discover the nature of that property. It is not, What is true? but rather, What is truth? • There are 3 main theories. Firstly, the Correspondence Theory – an Aristotelian thesis, perhaps the most widely held account, it states that a belief is true provided there exists a fact corresponding to it. However if it is to provide a complete theory of truth, then it must be supplemented with accounts of what ‘facts’ are, and what it is for a belief to correspond to fact. • A popular alternative is to identify truth with verifiability. This idea can take on various forms. The Coherence Theory, developed by Bradley and Brand Blanchard, involves the further assumption that verification is holistic. Another version, from Dummett and Putnam, states that a true proposition can be verified by the appropriate procedure. In mathematics this amounts to the identification of truth with provability and is sometimes referred to as ‘intuitionistic truth’. Such theories however, appear to overestimate the link between knowability and truth, for we can easily imagine a statement that, though true, is beyond our power to verify. • The third major theory is the Pragmatic Theory, which argues that true beliefs are a good basis for action, and takes this to be the very nature of truth. True assumptions are said to be, by definition, those that provoke actions with desirable results. But again, the central objection is that the link it postulates, in this case between truth and its utility, is overestimated.
Aim To discover the importance of contemporary television broadcasting to the nature of our society and culture. Objectives 1. To explore the key concept of ideology as interpreted by poststructuralists such as Foucault and Althusser as well as the Gramscian notion of hegemony. 2. To investigate the way that we are unconsciously manipulated into receiving cultural values and class position by the world around us. To show that existing within the context of a society dominated by the influence of a capitalist media engine shapes the normative conditions of these evaluations, and illustrate how constant change allows modern capitalist society to revamp and perpetuate itself through self-referential discourse. 3. To trace some of the patterns and phenomena in our modern media. To establish what might have caused the proliferation and success of ‘reality television’ and the cult of celebrity. To understand how television invades our homes and turns us into consumers in our own front room, transforming unique individuals into aspiring capitalists engaged in the systematic labour of production and consumption. Method Close reading of texts such as Foucault’s ‘The Archaeology of Knowledge’ and ‘Power/Knowledge’ and Gramsci’s ‘Selections from the Prison Notebooks’ as well as an examination of recent trends in television and the effects of modern celebrity on individuality.
A Rhizome, as in the Botanical definition means a plant which grows horizontally and in a discontinuous manner by sending out runners. Deleuze and Guattari’s comes from this idea of roots of becoming divergent. The Rhizome is different to the arborescent root. The growth is vertical not horizontal. This is a tree like structure which, in terms of within the music press represents a hierarchy of opinion or influence. With the rapid growth in different music publications the structure of the business may be changing as technology and the demands of the consumer change. Also with the creation of different genres or sub cultures comes the demand for attention and often publications specific to that genre or style. With this interest in turn comes the capitalist interests and the potential for what Deleuze and Guattari call deterritorialization; a move from the minor to the major due to capital. The importance of having an independent music press for the consumer and for bands/artists. Is an independent and honest music media something that we should be concerned about or something which the masses really want- The need for some direction, for leaders. What are the arborescent papers or programmes now? Has the shift changed, or is it changing and do organs such as NME and channels such as MTV still exert the massive influence over the music press. The change is a change from totalities and uniformity, the power structure of the arborescent in which everything derives from the same homogenous, commanding trunk. The change is a change towards a decentred production of information which resists any temptation to coagulate around a power source, around uni-polar modalities, in favour of a free associating heterogeneity of all, a true multiplicity, a rhizome.
A look into the shifted ideals of religion, human spirituality and the replacement of conventional religion with new spiritualities. Objectives To investigate what has happened to religious belief since the enlightenment. How conventional religion has slowly throughout the last two hundred years become fragmented and changed along with its effect on human spirituality. The damage that the enlightenment did to major religions. The effect lack and subsequent regaining of faith In new and different ways. Our attitude to religion has changed so far, that although we now believe ourselves to be free of its grasp, we are more under its thrall. Concepts: Replacement of Religion, shifting role of religion and human frailty of will. Territory: Religion throughout Europe since the Enlightenment
The Aim of this project is to explore suffering in society. My project initially centred on answering the following questions 1 What is suffering? 2 Does suffering help define our existence? 3 If so, why do we use suffering to define ourselves? 4 Does suffering help us understand the problems we face, or create more? 5 Why do we use suffering more than other emotions, such as happiness, to examine and define our lives? After answering these questions I then applied the answers I found plus the theses of the two philosophers above to the crisis of depression in the modern rich western society.
Territory: The picture here shows a detail of one of the feature pyramids of the Kostnice Sedlec Ossuary in Kutna Hora, near Prague. The Ossuary contains a jar of earth reportedly from Golgotha, and important Christian site, making the chapel an extremely popular place to bury loved ones. Over-population of the graveyard led to the creation of the Ossuary in 1511. Initial Aims: The Sedlec Ossuary has left a lasting impression on me and I wanted to sort out for myself why it had the impact it did. This helped me to generate a list of basic questions to answer, some of which were: ▫ How much is identity an abstract concept? To what extent is it bound up in our bodies? ▫ Do most people experience a crisis of identity as some philosophers believe (eg Sartre’s crisis of the enormity of our freedom) or is it only provoked by trauma? ▫ How rigid is our personal identity? Is identity purely conscious or can our identity remain even if we do not? ▫ Are we alienated from our bodies or united with them through our identity? ▫ How does identity work in a social situation? Key Concepts and Philosophical Models: The most obvious key concepts are identity and the mind/body divide. My chosen philosophers as key thinkers and their works are: ▫ Hegel: The Phenomenology of Spirit ▫ Beck & Beck-Gernsheim: Individualization Basic Overview: ▫ Hegel: Use and abuse of the master/slave relationship. ▫ Beck & Beck-Gernsheim: Individualization as a concept is self-perpetuating.
Fear has always been with us. Fear has always been used in politics, as a means to control, both for the good and for the bad. Hobbes: The fear of the state of nature, led the people to accept a sovereign. Montesquieu: The fear of the tyrannical despot means people are bound to democracy. Tocqueville: Fears of the consequences of being ostracised by society mean people have conformed to the tyrannical majority. 9/11 has brought about a new kind of fear in the people of the U.S.A. It caused paranoia about a devastating attack from an anonymous face to spread through society. The people in their abject fear have turned to the government to protect them. The style of government they have chosen that they feel will protect them best is a new brand of conservatism, one that is even further right on the political spectrum; this government is Neoconservatism. What of this regime that is here to save us? It again marks a change in society. For centuries in western societies we have moved towards progressively freer societies. The implementation of a Neoconservative government, has changed this, we are seeing the abolition of civil liberties, no trial by jury, the detainees of suspects in prison for years without charge. This is not peculiar to the U.S buts its influence as the one true super power is immense, and it has sparked similar policy changes elsewhere. The political thinker Leo Strauss has heavily influenced neoconservatives. In particular his doctrine on natural right. We must try and understand the work of Leo Strauss, if we are to understand what the people find so attractive about this style of government. The Neoconservatives are particularly influential in the areas of defence and foreign policy, the two key areas for the protection of the U.S.A from the “axis of evil”. Again we must turn to Strauss to understand how his philosophy has influenced the policies that affect us all today.
There is currently a spectre haunting the modern world, whose presence demands the attention of socioeconomic, political and intellectual institutions to which it is opposed. It has claimed thousands of lives, initiated wars, undermined international law and called into question modernity’s ideological foundations; and yet, discourse on terror has failed to confront its true origins. Knee-jerk condemnation and bureaucratic rationality continue to dominate responses, manufacturing consent while excluding any form of self-reflexivity or discussion. In situating terrorism in the dialectic of modernity, this project aims to assert the absolute necessity of such a re-evaluation in finding a solution. Key themes • Problems of the inherited language: Towards redefinition of ‘Terrorism’ • The legacy of the Enlightenment and the task of Philosophy. • Power bases and the assertion of legitimacy. Fundamentalism vs. Liberty. • Towards a resolution: forums of discussion and devolution and hospitality
Questions I will be asking 1. Why do people travel and emigrate? 2. How has travel had an affect on cultures? 3. How has the world changed through the rise of the business? 4. How has society integration benefited and impeded cultures and communities. Aims In this project I aim to explore a number of different ideas involving travel. I will be trying to explore the way in which travel has had an impact on modern societies whether it be through modern mass travel, economic needs or personal exploration. I will be examining the positive and negative aspects of travel on a social level, philosophical level and ethical level. The environmental problems have become major ethical concerns today. I will also be examining what motivates us to travel. In particular I will want to explore the influence that the west has had on Asia especially Japan and see what effect it has changed cultures. The major idea I want to explore is what can other cultures teach us about the world. I will be exploring these ideas in relation to Hegel’s Philosophy of History and Lyotard’s Postmodern Condition. Sources • Georg Hegel- The Philosophy of History • Jean-François Lyotard- The Postmodern Condition: A Report on Knowledge • Shlomo Avineri- Hegel’s Theory of the Modern State • J. Christopher Holloway- The Business of Tourism • Bella Dicks- Culture on Display.
Part 1 Using literature by Terry Eagleton, David Harvey and Hal Foster I explore the idea of postmodernism, including its evolution from modernism and its contradictions and definitions. Concluding with an in depth look at works by Jean Baudrillard and Fredric Jameson in preparation for the main body of my argument. Part 2 Looks at house music culture, its origins from Chicago and influences from the rest of Europe. Using knowledge from part one, I explain how through sampling and recycling, house music is a perfect example of a postmodern aesthetic. I also present neo-conservative postmodern arguments written by Steven Redhead, Hillegonda Rietveld and Simon Reynolds that house music is culture of abandonment, disengagement and disappearance. Part 3 Focuses on the growth of raves in the eighties Britain, and legislation introduced by the government to prevent free parties taking place. Researching into the idea of Techno-shamanism and the tribal nature of house culture, I argue against the arguments presented in part two, and with my own argument, contend that house music can be used to escape postmodern society.
Prague is my chosen place for the study of my project and the development of architecture in the sixteenth and seventeenth centuries. The architecture is a mix of all time periods and have al been preserved, Gothic, Renaissance, Baroque are just some of the styles that can be seen. I am focusing on the Renaissance to Baroque period and the reason for the architectural transition. Along with this transition and the reasons behind it there is the main theme of individuality and power and how these characteristics may have helped the process of Renaissance to Baroque. The individuals that could have the kind of power needed to influence a change in style are emperors, religious leaders, architects and the aristocracy. But how do these individuals use their power to influence others? Can style really be changed through the will of one person? These questions lead to an investigation of individualism and its impact and influence on others. The main buildings I am exploring are the Renaissance Beldevere, a summerhouse, built for Queen Ann, the Baroque Wallenstein Palace, the Baroque St. Nicholas Church and the cathedral of St. Vitus. These buildings are interesting to compare and contrast so as to get a real feel for the different periods and stages of development. The Belvedere- 1535-63, Renaissance Summerhouse built for Queen Anne. The idea of an individual being responsible for the development in architecture is possible but unlikely so there must be other reasons. These are blunted sensibility, advancement of architectural tools and abilities, the need for new art to admire and the natural development of style. All these have to be discussed in order to find which is most likely to have had the most influence. Religion is also a key factor in the development as the transition may be connected to the Thirty Years War and this would mean limitations or requirements were needed to be seen on buildings in order to promote or demote certain religious beliefs. Sources The Architecture of Prague and Bohemia- Brain Knox, Renaissance and Baroque – Heinrich Wolfflin, The Thirty Years War- Stephen Lee, Space, Time and Architecture- Sigfried Giedion, Rudolf II and Prague: the court and the city- Eliska Fucov, Also a study of the buildings themselves in Prague.
Objectives – To show how and why society still needs myths and magic in the ages of science and enlightenment. Method – Define the language of myth, and why we read significance into events and objects; Define the function of myths and magic in relation to the human psyche and psychoanalysis; Sources – Barthes’ Mythologies, Rollo May’s The Cry For Myth, Adorno and Horkheimer’s Dialectic Of Enlightenment.
Aim To investigate the relationship between human consciousness and text and images. Territory The ‘handwriting on the wall’. Objectives 1. To explore the key concepts of postmodernism, post-structuralism, interpretation, hermeneutics and deconstruction amongst others, as introduced by postmodernists such as Barthes, Derrida, Foucault and Gadamer. 2. To trace some of the patterns in graffiti and explore its explosion since the late 1960’s. To establish if postmodernism has effected the way we view, read and interpret graffiti. To understand how graffiti has changed so much in a relatively small period of time and the world events and cultural variations that have influenced it. To study graffiti’s increased universalism and the proliferation of styles. 3. To make a distinction between humans and the outside events that influence and determine their lives. Does graffiti bridge any gaps? Method Close reading of postmodernist texts such as Derrida’s ‘Of Grammatology’ and Gadamer’s ‘Truth and Method’ as well as analysis of examples of graffiti from ancient Rome to modern contemporary artists such as Banksy.
Objectives: • To what extent has this notion of rights evolved over time, from the ancient Greeks to the present day? • To what extent do non-human animals possess legal and/or moral rights? • Depending on whether animals do or do not possess legal and/or moral rights I will determine why it is that they do, or do not possess these rights and what has changed. Structure: 1st Chapter: I will trace the notion of ‘Rights’ through the Western Philosophical Tradition from Aristotle to Darwin. I will determine whether or not they believed animals to possess intrinsic value and moral standing; did animals possess rights and if they did not, did they believe that they should. 2nd Chapter: I will look at the 1970’s onwards, what has been referred to as ‘the Greening of Philosophy.’ To what extent has the notion of moral consideration for animals changed? Do animals possess rights, if so, do they possess significantly more rights? 3rd Chapter: I will determine whether animals do, or do not possess legal rights and/or moral rights? Why is it that they do, or do not possess these rights and to what extent has this notion of ‘Rights’ changed? Change: I will look at the 1970’s as the key change as there was an emergence of interest in environmental philosophy and the belief in both moral consideration and moral standing for animals. I will examine to what extent there has been a change in both legal rights and moral rights for animals. Did they and/or do they possess such rights? If there has been a change, Why? Sources: Law Relating to Animals, Brooman and Legge. The Rights of Nature, Nash. Rights, Jones. Animal Rights and Human Obligations, Regan and Singer. Respect for Nature A Theory of Environmental Ethics, Taylor. Animal Rights – a Symposium, Ryder. Environmental Ethics, What Really Matters, What Really Works, Schmidtz and Willot.
This project aims to investigate the current growth in popularity of traditional eastern philosophy and practices in western developed societies. In particular, I aim to investigate how the current popularity of eastern martial arts, which I believe to be indicative of this interest, demonstrates a general trend in our heavily industrialised, materialistic society, to seek answers to epistemological and ethical questions outside of a purely rational or religious framework. Fundamentally, this trend reflects a desire to liberate ourselves from what Max Weber refers to as the ‘iron cage of bureaucracy ’ Part 1 : The condition of modernity. Part 2 : Contrasting West and East. Holism as a remedy for a fragmentary existence. Part 3 : The martial arts as philosophy in action.
This project will address the transition in human mediation between self, society and world affected by the transition from religious mediation to financial mediation. The problem will be posed from the perspective of circulation and the historical consequences suspected to arise from unrestricted human interaction. Broadly speaking the project will focus on; *The framing of transgression and taboo in Hittite, Scriptural, Roman, Ecclesiastical and British Civil law *The Council of Elvira and the formulation of the principle of una cara by Basil the Great *The birth of the Bank of England and consequent transfer of value and mediation *The contemporary economic situation which, with the demand for deregulation of markets and increasing tendency toward investment in areas of low governance leaves social mediation almost entirely up to finance and credit- the promise of value rather than value itself
This philosophy project will evaluate the notion of science, technology and capitalism as an abstract organising mechanism. It will attempt to show the turn in philosophy in ways to redeem the primacy of bodily life and creativity and its influence on the order of things. Abstract: Topic and Key Concepts Capitalism is conceived by production and efficiency. Bataille and Deleuze and Guattari show that one is compelled to participate as a producer in society via the economic infrastructure, and as a consumer via cultural mediation. In essence the human condition is confined by an ‘abstract order’, being that of capitalism. The project will evaluate the shift in consciousness, perception and communication. It will assess the ability to understand and absorb the impact of technological and other changes, how basic human ‘drives’ are related, for example, to a well-functioning economic system, to a balance of conversation and change, and to the production of functionally useful patterns of society. . An evaluation on the various means and manifestations denying such abstract representative systems in society: – Through Transgressions – Drugs. Stimulants and Dampeners – Idleness – Counter-Institutions – Revolution – Terrorism It will evaluate political, economic and media examples of representative systems evaluating the ways in which technology has been imagined and theorised during recent history exploring its impact on the producing and consuming individual. It will assess the propagation of ‘events’ and will assess the manifestations of the rejection of functionally useful patterns of society, i.e. the intensification of the working day. Sources: Heidegger: ‘On the Question Concerning Technology’, Deleuze and Guattari’s: ‘Anti Oedipus’, Bataille: The Accursed Share, Baudrillard Jean: The Mirror of Production and Simulations, Beck U: Reflexive Modernisation
Part One – Knowledge of the Unconscious In what way is the unconscious knowable, an object available to knowledge? A look at the analogies Freud uses to describe psychoanalysis as a method capable of producing knowledge, and analysis as cure through knowledge. In what ways does the notion of the unconscious make ideas about a monogamous knowledge of (and authority on) itself problematical? Do I know, or am I paranoid? (Sources: Freud, Kant) Part Two – Lyotard, Knowledge, and Paralogy Drawing on the work of Lyotard we can sketch out an account of the unconscious as an effect of phrases. The human as a node, or knot, in a complex of relations that pre-exist her – as embedded. What is the place of the affect in the work of Lyotard, and where does he place it? The move to psychoanalysis as flirtation – the promiscuous movement among beds. (Sources: The Postmodern Condition, The Differend, The Inhuman) Part Three – Practise in Paralogy, Paralogy in Practise Using the findings of part two we can offer an account of why Adam Phillips writes the way he writes that turns around the work of Lyotard. Is Phillips the last psychoanalytic writer (is he a psychoanalytic writer?)? Has promiscuity brought about the end of the psychoanalytic relationship? The replacement of psychoanalysis as epistemology by psychoanalysis as ethos. (Sources: Lyotard, Adam Phillips, Jacqueline Rose, D.W.Winnicott)
Outline of Place: What is and what makes a person an ‘outsider’? An investigation of selected ‘outsiders’ with reference to and analysis of Albert Camus’ Outsider and The Rebel, Jean-Paul Sartre’s Nausea, theory of existentialism and the sociology of deviance; why some people choose to be outsiders or rebel against society. I will be looking into the reasons of why some people simply cannot be part of society. Typical outsiders keep to themselves; they are existentialist types and stay out of people’s way, looking out mainly only for themselves; refusing to be emotionally attached in any way. Camus’ character Meursault, in The Outsider, has the mind and curiosity of a child, he does not understand the rules of life, he does not act accordingly as people would expect one to act in society. He cannot however get away with it like a child could; the distraction of things in a room is overpowering when he should be listening to people and behaving a proper way. He is condemned for this and sentenced to death, as he is unwilling to pretend any emotions or defend himself with little white lies in the court of justice. One must however not compare this to Socrates, who refused to deny his beliefs for the sake of life; it an absurd attitude this outsider has towards society that inevitably dooms him. Aim: This project will be a piece by piece report and examination of these selected texts, with philosophical reasoning applied as to why these outsiders simply do not fit into society and are not considered to be the norm. Their thinking and mentality will be examined; what exactly this indifferent, unsocial attitude signifies and why it is this way. Answers to absurd behaviour and this completely different perspective of life will result through this investigation. Criticisms by and for authors will feature as well as points of views. References: Main Texts: Camus, Albert The Outsider & The Rebel, Sartre, Jean-Paul Nausea & selected texts on Existentialism, Analysing Texts and Commentaries: Becker, Howard Outsiders: Sociology of Deviance, Thody, Philip Albert Camus 1913-1960, Wilson, Colin The Outsider, A selection of definitive websites will be used also.