Category: Stage 2

Categories
2009 Abstracts Stage 2

The Morality of War: the War in Afghanistan and the UK Experience

Territory
The War in Afghanistan; which began on October 7, 2001 as the U.S. military operation, ‘Operation Enduring Freedom’, was launched by the United States with the United Kingdom, and Natoled, UN authorized ISAF in response to the September 11 attacks. This conflict will form the basis of my project. I will discuss the various ethical issues which have arisen from it and attempt to clarify the different arguments for and against such a war.

Object
There are many issues surrounding this conflict, for example the justification of the war itself, Increasing civilian casualties, lack of support for troops, both from the public and in terms of equipment. The detrimental effect on the population, especially farmers and industrial workers. The lack of sufficient troop numbers. The requirements of the Afghan population. There are many philosophical proponents of these theories and I intend to apply the theories of a number of philosophers to the problems we see in this conflict; Plato, Hobbes, Kant, Hegel Augustine, Thomas Aquinas, Locke & Rousseau, are some of the philosophers I will use to discuss the moral issues which result from these problems, from the just war arguments to the opposing teleological and deontological notions of war. Change I am particularly interested in the attitude of the UK towards this conflict, I will investigate the extent to which our attitude to war has changed, from the first and second world wars to the present day conflict in Afghanistan, with reference to the Falkland’s conflict and the Northern Ireland troubles. I wish to understand how these conflicts have affected the way the UK views war. To what extent has our perception of it changed over the past one hundred years? And what can we learn from these past conflicts? This shall be the ultimate goal of my project.

Categories
2009 Abstracts Stage 2

Can Alienation and Disaffection be a Catalyst for Art? Popular Music as a Form of Social Commentary and Self-Expression

Objective: In this essay I intend to look at how alienation and disaffection may be a catalyst for art, in particular with popular music, as a form of social commentary and self-expression, and what effect if any this art may produce within society. I will do so through studying Marx’s theory on alienation by looking at how if one becomes alienated in society they may use music as an alternative form of subjective labour. Then I will assess the role and worth of popular music in relation to the individual creating it and in turn how this may be used by other people in society and what they can gain from it. Concept: Popular music as a form of social commentary and self-expression. Thinkers: 1. Marx’s theory of alienation: ‘Anxiety about one’s social role, its basis, and its value is especially likely for creative artists who have “betaken themselves to their work as an isolated means of ‘self-expression’ without clear social function.’ (Elridge, 2003) I will explore how, whilst deprived a means of objectifying and fulfilling one’s human nature capitalist labour, creation of music may be an alternative form of productive labour. 2. Adorno’s critique of popular music ‘Its planned idiocy virtually tests what mankind will put up with, what threadbare, noncommittal intellectual contents can be imposed upon it.’ (Adorno, 1989.p52) Next, I will critically assess Adorno’s damning critique of popular music, aiming to interact with his theory to illustrate how, rather than being a meaningless practice, an audience may connect and be of benefit from it. Key Sources: Marx— Economic and Philosophic Manuscripts of 1844, Adorno— Introduction to the Sociology of Music, Popular music, Popular culture, Society.

Categories
2009 Abstracts Stage 2

The Truth Behind the Jonestown Massacre – Insight into the Character of Jim Jones in Light of Bataille’s Thought

Territory: In the autumn of 1978 in a rural area of Guyana, South America, a tragic event occurred, making headlines and remaining in the minds of many for years to come. A religious leader known as Rev. Jim Jones orchestrated a mass ‘suicide’ of over 900 people in a remote area known as Jonestown. Aims: To uncover the truth behind such an unusual event and really focus my attention upon the character of Jim Jones to see what led him to such an unfortunate end. I shall aim to do this by looking at the works of George Bataille. I intend to unmask not only the character of Jim Jones’ character and his followers, but also that of Bataille. I shall focus on Bataille’s own thought to see how it sheds light on the Jonestown massacre. Concepts: Bataille’s notion of homogeneity versus heterogeneity. Bataille’s views on religion in relation to Jim Jones’. Bataille’s on fascism versus Jones’ on socialism Georges Bataille versus Jim Jones. Research: Bataille: Visions of Excess, Gemerchak, The Sunday of the Negative, Tim Reiterman, Raven-The untold story of the People’s Temple.

Categories
2009 Abstracts Stage 2

Addiction in Society: Genetics, Society or the Individual

Since Sotheby’s auction house opened in 1744, the art market has grown and now sells pieces for millions of dollars every day. My project explores the societal and technological changes which have occurred throughout modernity to understand why paintings like The Scream were bought for over $119 million.

Commodity fetishism and the global art market
Using Marx’s exploration of capitalism I focused on what constitutes a commodity and how art has been fetishized. I then incorporated Vattimo’s use of telematics and globalised media to demonstrate capitalisms more recent developments; this enabled me to discuss the role paintings have played in a global billion dollar market. In contrast I also looked back to 15th century artists, to understand if art has become a commodity only with the advent of capitalism and technology.

Mechanical technology and mass production
I used Benjamin’s philosophy of mechanical reproducibility to highlight the importance of technological advancement, especially that of mass reproduction, in selling the image of a work enabling fame and exposure to a wider market.

I also looked to how these factors of the current market affected the minds and work of artists themselves using the philosophy of Andy Warhol, and the artwork of Damien Hurst, Warhol himself, and Julian Opie. All of these artists demonstrated the drive of a capitalist mind-set, have benefited from global exposure, and produce pieces using technology invented in a postmodern age such as laser printing and spinning. My goal was to ultimately demonstrate that the market has changed both the nature of the art which is produced and opened the art world up to everyone on a global scale.

Internally replicable model of the art market
Mass reproduction of famous classical/modern works (such as The Scream and No.1)
Original work becomes more valuable as its image and fame is spread over a global market (both sold for millions)

Categories
2009 Abstracts Stage 2

The Silent Woman. A Philosophical Study into the Relative Equality Between Men and Women from the 18th Century to the Present Day

The traditional application of philosophy is intrinsically tied to a set of values, methods and self definitions which excluded women. Because philosophical works attributed to women have been devalued and therefore not included in recognized works, the traditional history of philosophy is a history of men’s ideas. Womanless history, however, is a distortion of the past which serves to justify the status quo, women philosophers are challenging mainstream philosophy to cease evaluating itself according to the standards set by men.

The aim of my investigation is to determine whether Feminism would ever have been necessary if the philosophical works of women were given any credit. I intend to look into the social theories of Rousseau, Locke and Hume. These thinkers preached the idea of equality, yet is there any correlation in the fact when writing of the collective they term it ‘man’? I intend to study the role of women and how if any Feminism has altered this view.

Categories
2009 Abstracts Stage 2

Is Art a Result of the Effects of Culture or is it Entirely Free Expression?

Do events in society affect artists in such a way that it is clearly reflected in their work, or is their work completely individual? In my project I look at the Abstract Expressionist movement, in particular Jackson Pollock. My main focus is the effect WW2 had on Artists in America and how Abstract Expressionism emerged as a result of it. I look into the government funding behind the movement and the postwar mood of society. Jackson Pollock is an interesting focus point because not only was he an alcoholic who suffered from depression but his art works, particularly his drip‐paintings, were extremely emotional and well documented. I centre my attention on the drip‐painting era because they demonstrate his connection with his art, his technique was controversial and the result seemed thoughtless and chaotic to some critics. To establish what is to be considered aesthetically pleasing, I will be looking at Kant, this covers how we perceive things as human beings and how our desires and preferences affect what we consider to be beautiful. To explore this idea I am going to focus on Kant’s concept of beauty, where he believes what we perceive as beauty, can be nothing other than subjective because it is the individual’s taste. In essence my project analyses art aesthetically, from both the artist and the people’s point of view. The influences surrounding artists at the time shows how art can be an inevitable result of mass emotion and therefore its popularity does not relate to how aesthetically pleasing it is.

Categories
2009 Abstracts Stage 2

The Student Search for the Sacred: a Study into Bataillean Transgression and Time-Wasting Amongst Newcastle Undergraduates

For George Bataille, human beings have a natural desire to both create and destroy. This dualism can be considered a balance of time spent productively and time wasted. Modern Capitalist culture gives less room than ever for destruction and time‐wasting. As a result of this, the modern human being finds strange new ways to accommodate his desire to transgress the social dogma of spending time usefully. Could binge drinking and drug abuse be examples of such transgression? The Newcastle undergraduate, newly expected to manage his time effectively, is a fascinating example to study under the Bataillean spotlight. My Stage 2 Project shall take the concepts of radical French thinker George Bataille, and assess to what extent his theory can account for alcohol and drug abuse within Newcastle University students. This aspect of student behaviour will be examined under the Bataillean spotlight of transgression and taboos.

Categories
2009 Abstracts Stage 2

If we Possess Free-Will, how was the Holocaust Allowed to Happen?

In this project I hope to discuss the problem of evil – namely how God can exist as evil does. By examining the Holocaust in regards to this I hope to be able to shed some new light on this infamous example of evil and suffering beyond comprehension. Did the German people knowingly allow the Holocaust to happen and if so what were the reasons behind this? By reading Rudolf Hoess’ autobiography I hope to be able to discover whether following orders removes all moral responsibility. Ultimately, could it happen again?

Categories
2009 Abstracts Stage 2

Can the Practical Application of Reason Generate a Utopia?

Inspired by the 1980’s setting of Alan Moore’s epic superhero tale, Watchmen, we consider reason and its practical application for the purposes of generating an ideal society. How ideal do we find such a setting? Has utopia been achieved? And if not, what hinders such progress? We centre on Kant’s philosophy which considers the realisation of Utopic conditions via applied rational thought, contrasted to Hobbes who considers the nature of man before rational application. Furthermore, if utopia is desirable, what would be the means to achieve such? To consider such we turn to the Utilitarian actions of Ozymandias!

Categories
2009 Abstracts Stage 2

Advertising. A Study into the Causes and Consequences of Advertising with Reference to Bataille and Schopenhauer

Advertising and consumerism is undeniably significant in modern society and this study takes an alternative philosophical approach towards the issue as well as considering modern thinkers that have discussed the medium previously.
Schopenhauer argued that an individual is controlled by their will and this leads them to live a life of dissatisfaction and suffering. This study shows that advertising does not produce this suffering but intensifies negative feelings because it forces desires on individuals. Schopenhauer argues that to discover metaphysical truth is a temporary release from this cycle and so this study also considers its applicability to contemporary society. The texts used will be ‘The World as Will and Representation volume I and II’.
Bataille considers how a homogenous society seeks to remove unproductive elements from this sphere but I argue that because modern society is dominated by capitalism and homogeneity, it seeks to remove unproductive behaviour from all of society. This study then examines how advertising could be used as a tool to remove unproductive or heterogeneous behaviour by shaping our desires. The negative consequence is that heterogeneous behaviour is inseparable from productive behaviour. This insight is taken from a collection of essays by Bataille.

Categories
2009 Abstracts Stage 2

The “Punk” Trend by Vivienne Westwood and the Philosophy of Bataille

My key point is to look into the fashion trends of Vivienne Westwood, I shall concentrate on the era of ‘Punk’ where Vivienne Westwood and Malcolm McLaren played a vital role. I shall compare this with the Philosophy of Georges Bataille who had an obsession with obscene things such as Human Sacrifice. Concentrating mainly on his Base Materialism and his writing’s Eroticism and Story of the Eye. Punk……. • Punk first emerged in the mid 1970s in London as an anarchic and aggressive movement. About 200 young people defined themselves as an anti-fashion urban youth street culture. Vivienne Westwood is often cited as punk’s creator, but the complex genesis of punk is also found in England’s depressed economic and socio-political conditions of the mid-1970s. Punk was as much a youthful reaction against older generations, considered oppressive and outdated, as a product of the newly recognized and influential youth culture. Creative and entrepreneurial people, such as Westwood, often contribute to an aesthetic that brings a sub cultural style to the forefront of fashion. Bataille…. This image of a torture victim from Taiwan fascinated Georges Bataille. He thought that “the expression on the man’s face is the ecstasy of sexual pleasure”. Georges Bataille believed, as Hegel did, that ‘history is dead’ that we need to come up with new and exciting ways to take society forward to a new way of living because as it is now it is boring. He believed that the key to this was through art, shocking people into change.

Categories
2009 Abstracts Stage 2

Acceptable or Unacceptable? An Investigation into the Treatment of Mentally and Physically Disabled Individuals Detained in Institutions in Contemporary Society

The questions I will investigate are the following: • Is the way disabled individuals treated morally right? • Should the countries which allow such abusive treatment be allowed to join the European Union? • Why is torment rather than treatment continuing? • Do disabled people have human rights? The aim of this project is to investigate into the treatment of those with mental and physical disabilities, the way in which individuals are often from birth put into institutions and never endure a real life out of the walls of confinement. This project is a discussion into the inhuman and abusive treatment of many children, orphans in many cases and adults throughout the world’s institutions, and why this treatment occurs or if it there are plans to change it. Territory: Disability and Segregation. Object: The treatment of disabled people within institution in contemporary society. Concepts: Segregation and violation of human rights. Change: The treatment of mentally and physically disabled people changed over time from the ‘houses of confinement’ and the ‘birth of the asylum’. Thinkers: Michael Foucault- The history of madness, John Locke – Human rights and equality, Peter Singer – Equality and discrimination

Categories
2009 Abstracts Stage 2

Sacrifice, Martyrdom and the Sacred

In my project, I wanted to explore the notion of sacrifice in relation to Christianity, specifically looking at the idea of martyrdom. I wanted to contrast this with Bataille’s ideas on religious sacrifices and his notions of the sacred. My aim for my project was so that I could understand the reason as to why people are willing to sacrifice their lives for their beliefs. To understand martyrdom in Christianity, I decided to look at their beliefs and values that they uphold and teach. I then looked at the meaning of martyrdom, and how it has changed from meaning martus, ‘to witness’ to die for a purpose or a cause.
To illustrate this point, I looked at Simone Weil as an example. She starved herself to death as a protest to the treatment of French citizens under Nazi-Germany. I wanted to explore her biography and her philosophy so I could understand her values and her beliefs. I then wanted to contrast Christian thoughts, with Bataille. He argued that sacrifice is religion portraying the heterogeneous. It breaks the means-end lifestyle for those who witness it, however, for the person martyring their self, he argued that they want to do it to break away from ‘things’. After looking at Bataille, I wanted to finally look at Yukio Mishima. I wanted to see whether his death was for a greater ‘good’ or belief he supported, or whether it was an attraction to the heterogeneous.

Key Books for my Project
Christian Beliefs and Martyrdom— “Christian Beliefs and Modern Questions” by O.Quick-Chase and “Martyrdom—The Psychology, Theology, and Politics of Self-sacrifice” by R.M Fields.
Simone Weil—”Simone Weil” by S. Pétrement and “Gravity and Grace” by S. Weil
Bataille—”Theory of Religion” by G. Bataille and “After Bataille – Sacrifice, Exposure, Community” by P. Ffrench
Mishima— “Life and Death of Yukio Mishima” by H. ScottStokes and “The Sea of Fertility” by Y. Mishima

Categories
2009 Abstracts Stage 2

Acting-analysis: “Emotional Memory” as a Theatrical Interpretation of Psychoanalysis

In my project, I will examine the process of acting, and the emotional experience of becoming a character. Physically looking the part is very different to mentally becoming the part. Stanislavski’s ‘Emotional Memory’ encourages an actor to recall their own memories in order to create a realistic interpretation of a role. Therefore, one must remove themselves from their ‘true self’ in order to create a ‘new self’. From this, I believe an actor must consciously explore their subconscious. Therefore, this concept can be associated with Freud’s examination of the human psyche. Thus, I will compare Emotional Memory with Psychoanalysis. Like actors, Freud’s patients must explore their unconscious. I will examine Psychoanalysis, whereby the relationship between the patient and analyst is crucial for an effective treatment. From this, I will examine ‘free association’ and ‘unconscious formations’: both central features of this Freudian system, aiding the patient on a laborious journey of recovery. Whether in theatre or film, I believe there is a danger in acting. One must be extremely careful in adapting their mentality when becoming a character, in order to remain secure in their ‘true self’. Occasionally, an actor’s addiction to his role can become detrimental, as seen through Heath Ledger’s tragic death in 2008. It is argued that the extreme depth of his role of The Joker in The Dark Knight, combined with his perfect interpretation, led him towards self-destruction. Through acting, one must Psychoanalyse your ‘own self’, when creating a ‘new self’. However, one must be consciously aware of the complexity of the process, and thus intentionally maintain your own mentality.

Categories
2009 Abstracts Stage 2

The Pursuit of Happiness

Territory – Happiness Object – The search, relativity and morality of the emotion Concepts – ethics, relativity, utilitarianism and materialism Thinkers – Montaigne, Plato and Schopenhauer

The search for happiness seems to be a part of the human condition. It is a sometimes selfish, ambition that the human race, and western world culture specifically, feels is owed to them.

-What are the pre-requisites of happiness?
-Is it natural?
-Is happiness relative, i.e.: can the poor be as happy as the rich? Can the unintelligent be as happy and the intelligent?
– Is Schopenhauer’s pessimistic view of the possibility of happiness understandable?
– Does money and material gain lead to happiness or is it merely a superficial façade?
-Is it essential?

Categories
2009 Abstracts Stage 2

The Problematic Case of Alchemy: Science or Superstition?

The project is driven by the intuition that in the modern age there is a conflict between science and religion. This conflict/ value distinction is proved problematic; in which domain does alchemy lie? Context: Alchemy as a historically changing concept. Thinkers: Kant, Hegel, Kuhn. Change/ Contrast: Historical contrast between our views/ intuitions of alchemy, science and religion respectively; from the Ancient world view, to the Enlightenment and the Modern age. – Why is there a value distinction between the two? Alchemy defies this hierarchy. – Can science and religion reconcile their positions?

Categories
2009 Abstracts Stage 2

In 2009: Can the Pen be Mightier than the Sword?

During the course of this project my main objectives are to explore the purpose of war throughout history, to assess what can make war morally justifiable, man’s natural tendencies towards violence and to explore the place of war within modern society with policing factions such as NATO and nuclear deterrents. The main question asked within this essay is: with man’s natural disposition for violence, can the pen EVER be mightier than the sword?

Categories
2009 Abstracts Stage 2

Addiction …. Mill and Bataille

My territory is addiction; I chose addiction as it is a contemporary issue of concern today! I have examined most areas of addiction, such as; Drug/ alcohol abuse, gambling, sex and eating disorders. Essentially it is not about what addiction one has; rather why one is addicted in the first place. Thus, I have explored contemporary answers. The two concepts of Philosophy I have  chosen are that of Mill and Bataille. 

Bataille is related to my topic of addiction because he blames Society!!! Due to the Rise of Capitalism All time is spent on useful means leaving no  time for useless expenditure…addiction is a way of escaping  this monotonous regimented lifestyle!!! 

The methodology: The method I have used throughout my project is the hermeneutic interpretive, as I attained all my information from books and the internet.

Mill is associated with my territory because his philosophy is based on Hedonism: Addiction is based on pleasure and addicts do it to release pain. This is also following Mill’s principle of Utilitarianism. Also, I have explored Mill’s work on education; his basic doctrine related to addiction would be that a good education from a young age would prevent behaviours like addiction occurring. He distinguishes higher and lower pleasures, higher pleasures being things such as; theatre and literature. Thus an alternative for addiction, for Mill, could be through art.

Categories
2008 Abstracts Stage 2

An Investigation into the Origins and Implications of Football Related Violence

• My aim in my project is to give a detailed discussion into the origins and implications of football related violence. In doing this I want to emphasise certain aspects of football related violence which make it such a serious problem. In researching this topic it became apparent that football violence is seen by most as being nothing more than physical outburst between alcohol induced ‘thugs’, I want to show that football related violence is much more than this. • In doing this I will give a detailed discussion on the origins and how the world wide problem of football related violence is seen as an ‘English disease’. From this point I will look at the implications of football related violence, for example, fascism and racism and related them to the work of George Bataille. This project will establish that acts of football related violence are much more than a ‘thugs’ battle.

Categories
2008 Abstracts Stage 2

The Genetic Prison: an Exploration of the Predetermined Nature of Man

Territory: I used DNA as my territory exploring the role that the genetic code has in the predetermination of humans and if there is the possibility of freedom within these constraints. Aims: The main aim of this project was to explore to what extent human beings are predetermined through their genetic codes. I was concerned with the idea that through the development of the scientific rationale in modern society, any understanding of freedom and autonomy that we had, did not belong with modern thought. Through exploration of the understanding that genetics have the possibility of predetermination, I was able to draw comparison between genetic inheritance and the theory of the eternal return. Through this comparison I was able to examine the possibility that we could break free from the determination of our genes and the cycle of repetition that we find ourselves in. It seems important for me to recognise that it was not only through our genetic make-up that we are predetermined, but that we are also greatly influenced by the world around us, and the society in which we live. We are influenced not only internally by our genes, but by all that surrounds us, adding to the idea that we are predetermined. This led me to question if it was at all possible for us to have freedom and negate that which influences us to allow us any sort of autonomy. The idea that humans are predetermined has major implications for moral responsibility. This is because the theory of predetermination seems incompatible with the idea of moral responsibility. If we are determined to act in a certain way then we cannot surely be held accountable because we did not choose to behave in such a way. I aimed to explore the idea that if we are to be accountable it is necessary for us to have some freedom, or at least the ability to gain autonomy. Philosophers: Predominantly I used the writings of Nietzsche, with particular interest to his theories on the concept of the eternal return. When looking at genetic determinism I compared his ideas with those of Dawkins and Matt Ridley. Through exploring the idea of predetermination through society I examined the writings of Locke with particular interest to his understanding of the Tabula Rasa and looked at how Nietzsche’s ideas related to this. Finally as I examined the implications of predetermination on moral accountability I looked towards the ideas of Durkheim, who saw man as being moral through his participation in society. I also looked at the work of Kant and his idea of transcendental freedom and morality through duty, once again comparing both thinkers with Nietzsche’s ideas.