Category: Stage 2

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2017 Abstracts Stage 2

The failures of cosmopolitanism and international intervention in genocide

In this project I investigate why the present institutions and discourse of cosmopolitics frustrate rather than facilitate peace and resolution.

Through improperly structuring reasoning and creating subjectivity, the current cosmopolitic fails to provide the required conditions for the prevention of and intervention in genocide.

Through an examination of Kant’s cosmopolitanism and current cosmopolitical theories, demonstrated with the use of 3 case studies of Rwanda, Kosovo, and Myanmar I intend to highlight the fundamental contradiction at the heart of cosmopolitanism. Systems are either too universal and empty, ignoring important cultural fabric, or too particular and local, resulting in inaction.

As a result of these failures, intervention becomes an expression of ideology, not humanitarian interest.

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2017 Abstracts Stage 2

Can We Own a Vibe? A Philosophical Inquiry into Our Understanding of Music Copyright.

This project aims to look at the concept of private property within the context of copyright. I will investigate current copyright law in the case of music and examples of copyright infringement. Through these cases, I will question the grounds on which they have been ruled guilty of copyright infringement. With Robin Thicke’s ‘Blurred Lines’ (2013) being ruled as infringing the copyright of Marvin Gaye’s ‘Got to Give It Up’ (1977) due to copying the vibe of this song. With the idea of a vibe having not been previously protected by copyright, this challenges our previous understanding of the copyright of music and what it means to own musical property.

I will also discuss the implications copyright has upon the possibility of creativity within the music industry. Copyright law is in place to protect the original creative works of an individual and therefore protecting creativity as a whole. Through questioning whether copyright helps of hinders creativity in music, I will discuss whether copyright does protect creativity as it sets out to do so.

My project aims to question how appropriate the concepts grounding our copyright of music are and call into question whether we need to revise our music copyright system.

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2017 Abstracts Stage 2

Are the ethics instilled within the current film ratings still attainable within our modern society? A historical insight into the progression of the rating system and the ethics applied within it

The aim of my project is to provide a historical exploration in the change of films rating system from its first code, The Hays Code, to the current classification of film ratings. In order to do this I will need to understand the ethics implemented in its change and then comment as to whether I believe it to be viable in modern society. Specifically looking at the notion of the Spectacle as a critique.

Key thinkers involved within my project will include John Stuart Mill, Jeremey Bentham. I will specifically take from their works the key idea of the Harm Principle and Bentham’s Hedonic Calculus. An interpretive analysis of Guy Debord’s The Society of the Spectacle will help answer whether the ethics within film ratings is sustainable in modern society.

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2017 Abstracts Stage 2

Are humans destined to conform to evil?

Philip Zimbardo and the Stanford Prison Experiment

Participants were assigned either the role of guard or prisoner in a prion simulation designed to investigate the behavioural and psychological effects of prison life. From that moment they were treated according to their role and the study commenced. Rebellion, excessive punishment and a mass escape plot.

The findings showed that the guards and prisoners conformed wholly to their assigned role to the point where role and reality were blurred. The participants had lost all sense of reality . Why did this happen? Does it say something about an inherent human nature to conform?

Hannah Arendt and the Banality of Evil: Arendt claims that evil can occur when someone simply follows orders to the point that they no longer have their own thought process. They become a cog in a well oiled machine. She basis this theory on the trial of the Nazi, Adolf Eichmann, who she claims was not an inherently evil man but someone who “simply followed orders”. What does this mean for moral culpability? Does this change our understanding of human nature?

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2017 Abstracts Stage 2

Money: A Social Network Ontology, Complimented by the Abstraction of Theoretical Monetary Units Throughout Time.

This project argues for Georg Simmel’s Sociological account of money through two means:

Firstly, its ability to explain changes in monetary theory through time.
Secondly, the fact it can explain a nuanced human economic agent in a social network.

Money in a Simmelite Social Network:

My project explored the account of the human subject in Simmel’s The Philosophy of Money and applied this to the network theory from Dodd’s The Sociology of Money. Thus, the essay was able to create and analyse a framework that could both argue for the creation of money through a tool of desiring subjects, and how this interacts with society at large through a societal network.

Changing Monetary Theory Through Time:
This project explores the history of economic philosophy from the enlightenment onwards through four defined periods.

Smith and Classical Economics – Using An Inquiry into the Nature and Causes of the Wealth of Nations I was able to explore monetary theory that is reliant upon substance, and the ways Smith’s economic theory often ends up with a reductionist view of human agency.

Friedman and Neo-Classical Economics – Using Capitalism and Freedom I explored monetary theory and the belief that money is simply an economic lubricant, while also contesting the fact that Friedman truly believes in the imperfect being.

Post-Modern Economics – Using Lazzarato, and his influences, I was able to analyse the idea that digitised economics represent power and the desire of the subjects in this network as the creation of this power.

Bitcoin and the Satoshi Nakamoto Institute – This conception of money is a commodity guided by the rules of blockchain, however Bitcoin itself is only substantiated by ideological belief of a small number of active traders.

Throughout this project I argue that the Framework of the Simmelite Social Network can not only explain the beliefs of these four types of theory through time, but also why the path of history towards further abstraction has occurred.

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2017 Abstracts Stage 2

Artificial Intelligence: What Does It Mean to have consciousness?

I aim to talk about the possibility of consciousness arising within artificial intelligence with reference to two thinkers who have not yet been incorporated into the debate: Immanuel Kant and Andres Bretton. In doing so I hope to uncover new ways of talking about consciousness in less anthropomorphic ways.

Kant: Kant’s transcendental idealism can be used to propose a theory of the minimum requirements for consciousness to arise in artificially intelligent machines. In addition to this, the distinction he outlines between ‘reason’ and ‘understanding’ can be seen as analogous to the Turing Test and the Chinese Room thought experiment and therefore can be used to show the qualitative difference between our human experience of consciousness and any potential consciousness that might arise within artificial intelligence.

Bretton: Bretton’s Surrealist thought is used as a juxtaposition to Kant formulaic and systematic approach. The surrealist practices of automatism raise the question of a difference between human consciousness and potential consciousness within artificial intelligence in that it raises the issues of intentionality and the subconscious, something which artificial intelligence.

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2017 Abstracts Stage 2

Journalism, Ethics and Brexit: An Exploration into our Democratic Abilities in a Post-Truth Age

Project Outline

-This project was undertaken to determine whether the Brexit vote was a result of unethical journalism and whether we can remain democratic in today’s society.

-In order to be democratic citizens, the population needs to be correctly informed from factual evidence and I believe that throughout the Brexit referendum this was not the case.

-This project looks at journalism within the context of the free market to highlight the issues journalists face when companies prioritise money over the truth.

-This project will also use the ideas of Baudrillard to determine the nature of truth in the 21st century and how the phenomena of fake news found its way into Brexit.

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2017 Abstracts Stage 2

Fight the Power: An Interrogation of Sovereign Authority

The objective of this project is to investigate the validity of the Grand Jury process in the United States of America, which selects a group of citizens at random to become involved in legal proceedings and make judgements if the suspected criminal should go to court.

The discussion therefore investigates whether it can be justified to give power to individuals in society or if power should remain with the government, or sovereign authority.

The philosophers studied in the process of the dissertation are Thomas Hobbes, John Locke, Michel Foucault and Giorgio Agamben.

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2017 Abstracts Stage 2

What can Immanuel Kant and Voltaire reveal about women’s place in society after the revelations of Harvey Weinstein and Larry Nassar?

“I want tonight to express gratitude to all the women who have endured years of abuse and assault because they, like my mother, had children to feed and bills to pay and dreams to pursue” Oprah Winfrey, Golden Globes Speech 2018).

This project aims to explore the territory of women’s position in society, after the scandalous revelations of Harvey Weinstein and Larry Nassar. The study of the sexual abuse allegations made against Weinstein and Nassar employs a comparative analysis of arguably the two highest profile cases of the 21 st century.

Initially, this project will delve into the inner workings of Immanuel Kant, and his maxim of ‘a means to an end’, in order to derive a sense of how women are still being treated. Following this, it will look into the deeply embedded issues in which our society is at fault for.

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2017 Abstracts Stage 2

Dance Music as Culture

Territory: Music, Culture

Object:
Dance music, in its authentic form, with Disco as it’s predecessor — authenticity established by a continuum from Disco to electronic dance music, cultivating ideological resistance, sonic variation and club cultural context.

Methodology:
Unlike most art forms, dance music achieves its ultimate potential in only a moment of euphoria shared by the cumulative joy of a crowd of people. I aim to prove that in these moments, all aspects of authentic dance music come together to form a unique autonomy in the context of the culture industry. I will do this by identifying, using critical analysis, weaknesses in the theories that will be discussed and presenting dance music’s unique ability to exploit these.

Theory:
The Social Theories of Theodor Adorno in The Dialectic of Enlightenment and G.W.F Hegel in The Philosophy of Right and Philosophy of Mind. Hegel’s theory reinforces the concept of an artistic freedom restricted by the Culture Industry.

Application:
Adorno engages in the idea of ‘autonomous art’ against the culture industry. To an extent, this will remain the position of authentic ‘dance music’;ideologically resistant to the culture industry in the way that Adorno idealises. However, a study into Adorno’s own perception of authentic art, a result of his complex, often pretentious Aesthetic Theory, demonstrates why he doesn’t actually believe autonomy can be anything other than illusory in relation to its social context — Adorno is too negative.

Conclusion:
I have thus presented ‘dance’ music’s authentic features as holding the potential to actualise Adorno’s illusory ideal. Whilst I also understand this cannot be maintained, in brief moments, dance music is at least the perfect representation of Hegel’s utopian union of the subjective and objective, yet also, can achieve an independent utopia.

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2017 Abstracts Stage 2

What is the role of capitalism and the ruling class in our recognition and responsibility towards the plight of refugees and genocide outside the West?

Why does Genocide outside the WEST remain unnoticed?

My aim is to uncover reasons why genocide is still a modern age problem. I will be looking in particular at the Rwanda genocide and the ongoing persecution of the Rohingya Muslims in Myanmar. To investigate this, I will be taking a historical and political viewpoint to explore the value systems promoted within society that allow us to ignore this blatant bloodshed, which are purely based upon location and affiliation. The sources used include books, articles and scholarly certified media pieces in order to help uncover the reasons why there still remains an issue within the modern world with genocide.

I will argue that we still live in this post enlightenment era, using Kant and Hegel to describe how empty legislation and abstract laws do not meet action in the real world. I will also link the influence of Capitalism, using Adorno’s Culture Theory to help exemplify how harmful ideologies and passivity is promoted in today’s society. I will be drawing upon philosophical concepts such as moral distance, dehumanization, autonomy and recognition. Ultimately, my claim will be that this narrative of ‘the other’ is largely at play within the media. Similarly, that this passive stance occurs in the face of this, due to the powerlessness individuals feel within the system of the state.

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2017 Abstracts Stage 2

Is there a fundamental destructive drive for people to self-starve themselves? Comparing historical asceticism and that of the modern day phenomenon ‘anorexia nervosa’ to help answer this question

Anorexia Nervosa, a harmful disease effecting an increasing number of people, relates to a distorted body image and an irrational fear of gaining weight. Whereby self-starvation and severe self-control of food is practiced in return for domination over one’s body and self in a world where they feel they have lost control.

My objective in this essay is to explore the possibility of there being a destructive internal drive that leads people to refrain from food. In order to create a comprehensive argument I will be considering anorexia nervosa in the territory of medieval asceticism and the cultures that surround them to help identify whether it is culturally triggered or it is in fact inherent in one’s self.

First I will consider Hegel’s Philosophy of the Right to outline his ideology on social identity being equally important as the will when it comes to moral behaviour.

Having scrutinised his philosophy I will be looking at both Nietzsche’s Genealogy of Morals and Schopenhauer’s The World as Will and Representation to emphasis the impact of the ‘will to power ‘ that has over oneself.

Ultimately, I aim to prove that although culture plays a part in people’s behaviour, fundamentally there is an inner destructive drive, which is the same throughout the ages that drives the sufferers of anorexia nervosa to self-starvation.

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2017 Abstracts Stage 2

The Cost of Creativity

Michel Foucault, Madness and Civilization- the concept of madness and how it has developed over time. Foucault argues there was a specific moment in history when madness was labelled as a mental illness.

Friedrich Nietzsche, The Birth of Tragedy- life is subject to extreme bouts of suffering. Artistic production can contribute towards overcoming the pain we encounter in life. What implications does this have on the link between madness and creativity?

Are creative spirits more likely to be mentally ill? Ultimately the aim of this project is to reflect upon the complex relationship between insanity and creativity, to decide whether there is a correlation between individuals who suffer from psychological disorders, such as schizophrenia, and those who are highly artistic. It is arguable that there is a link, as mental illness and creativity often co-occur. However, this project will also reflect upon the idea that a correlation is simply a romanticised outlook with dangerous implications, and that mental illness does not need to be present for creativity to exist.

The subject matter will be considered via the philosophical thoughts of Foucault, Nietzsche and Schopenhauer, but also with reference to the psychoanalysis work of Freud drawing upon examples such as Daniel Paul Schreber, a famous German judge who was a diagnosed schizophrenic, whom Freud interpreted. The evident Freudian influence expressed by Andre Breton within his novel Nadja will also be addressed. Breton believed insane people were simply victims of their imagination.

‘Madness need not be all breakdown. It may also be break through. It is potential liberation and renewal’

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2017 Abstracts Stage 2

Why are we so addicted to social media? A question involving the issues of personal identity

Territory/object → Social media in relation to social media and related to ‘Nosedive’ – an object of contemporary society
Philosophers → Michel Foucault, Arthur Schopenhauer

Overview → I will be exploring why so many of us feel compelled to manipulate our identities online and the issues surrounding the ease and ability to do so with little restrictions. I consider what philosophers of different centuries may have said on such matters. I aim to support and prove my claim that until we change the values of the social system that we are a part of, we will not be able to overcome the negative impacts that social media provides.

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2017 Abstracts Stage 2

Japan: A suicide nation? A philosophical investigation into the history of Japan’s high suicide rate.

Aim:
This project seeks to investigate the global, social and cross-cultural phenomenon of suicide (territory). More specifically, suicide in Japan (object). The purpose of this project is to highlight and examine the possible factors as to why the average global suicide rate within the Japanese nation is so high – it is nearly twice the global average. Through exploring the History of Japan I ask the questions: ‘What is it about the Japanese culture/ society that has caused Japan to become synonymous with the act of suicide?’ And ‘Is Japan really a suicide nation?’

Areas to be explored:
Premodern Japan: The way of the Samurai and The Kamikaze Pilots.
Geographical ‘hot spots’
Suicide prevention in Japan
Japanese Psychiatry

Application:
Philosophically and ethically suicide poses difficult questions. Albert Camus states: “There is but one truly serious philosophical problem and that is suicide”.

Through exploring the interesting philosophical arguments put forward by Immanuel Kant and Arthur Schopenhauer the following questions in regards to suicide arise:

Does suicide violate our natural duty of self-preservation?

Does suicide achieve what it ultimately aims for (i.e. to end all suffering), or does it simply terminate superficial elements of ourselves thus achieving the opposite: affirmation of the will?

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2017 Abstracts Stage 2

Do the topics of feminism and speciesism need to be discussed as one sphere of ethics in order to be rendered valid?

Territory- ecofeminism is a branch of political philosophy which suggests that the oppression of women and animals is intrinsically linked, to the extent that women shall never be free until animals are also freed of oppression. This study focuses on a text by ecofeminist philosopher Andrée Collard called Rape of the Wild in order to conduct an axiological critique of the views widely held today in regard to the topics of feminism and speciesism. The territory of ecofeminism is hugely significant to modern day Earth as many issues surrounding both the treatment of women and animals are evident within the 21st century.

Concepts- in order to evaluate and examine the concepts held by Collard and the ecofeminist movement this study focused on ideas from other highly esteemed philosophers such as Kant, de Beauvoir and Aristotle. Concepts such as Aristotle’s Great Chain of Being and de Beauvoir’s idea of the ‘Other’ are useful when applied to the views held by Collard in order to determine how significant the link is between women and animals and how this relationship should be approached in terms of actions and beliefs held within modern day society.

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2017 Abstracts Stage 2

In Defence of Violence: Why Violence is a Necessary Aspect of Protest

The riots of 2011 were particularly significant due to the rate they spread nationwide, and the prevalence of looting and the perceived greed of those involved, leading many to believe they were caused by nothing more than opportunism.

Objectives:

Come to an understanding of how we define violence, using R.P. Wolff’s On Violence and Žižek’s Violence
To compare and contrast the theories of the various key thinkers and how they understand violence
To then apply these theories to the events of 2011 and understand why the riots took place, and what we can learn from them as a result

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2017 Abstracts Stage 2

“Where Flash Becomes Word and Silents Selfloud”: the Language of Finnegans Wake

The obscure, polysemic, multi-lingual, syntactically nonstandard style of writing in James Joyce’s Finnegans Wake has polarised critics even since before the time of the book’s full release. The ongoing debates surrounding the work raise philosophical questions about the limits of language and the nature of art and literature. This essay explores possible philosophical justifications for using such a style, and enquires whether it might offer unique artistic possibilities, unavailable to clearer, more conventional styles.

Beginning from Heidegger’s theory of art, the essay explores the distinction between the Heideggerian concepts of “world” and “earth”, arguing that the book inverts the standard function of language as embodying a socio-historical “world”, instead turning it into a force which represents the “ungraspable”, impenetrable, nature of “earth”.

The essay then examines the Wake with reference to Blanchot’s work on literature, finding that the techniques of emphasising the physicality of language, as well as fragmenting a work into pieces whose only relation is difference – which Blanchot claims constitute are essential for a literary work to represent things in their “free, silent existence” – are utilised in extreme ways and to unique ends in the Wake.

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2017 Abstracts Stage 2

No-Platforming and UK Campus Censorship: The Liberal Dream. Progression or Regression?

Project Aims:

My project tends towards an understanding of No-Platforming and UK campus censorship (the object of investigation) within the context of Liberalism. In attempting to explain this relatively recent, and so-called Liberal, political phenomenon, I explore the way in which contemporary Liberalism functions as a political modality; and weather in fact it can be seen as Liberal at all. I Align the Liberal dream, as conceived, to Thomas Hobbes’ explication of a polity predicated on negative liberty (a term popularised by Isiah Berlin, and very much applicable to Hobbes). Hobbes’ thought serves as yardstick by which to measure the hermeneutic development of Liberalism. Leviathan is a primary text I refer to throughout the project. Berlin’s Two Conceptions of Liberty is also a primary source of information; providing the framework by which the debate between Classic Liberalism and Contemporary Liberalism takes shape. Classical Liberalism is affiliated with Hobbes’ emphasis on freedom from interference, and thus, in Berlin’s terms; negative Liberty. The question surrounding contemporary Liberalism, as symptomatized by No-Platforming and UK campus censorship, is whether it is a negative libertarian ideology or weather it has regressed into a political system that makes freedom possible only within the restrictions of prevailing beliefs, even if those beliefs, somewhat confusingly, concern freedom of oppressed groups. If the latter, contemporary Liberalism bears resemblance to pre-Liberal political ideologies with positive liberty at their core; and has thus regressed.

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2017 Abstracts Stage 2

The Death Penalty – An Inhumane and Degrading Treatment?

Territory: Punishment
Object: Death Penalty

Why this topic?: In my view, the death penalty is an appalling punishment. The whole concept of killing a human being in an inhumane manner to restore ‘justice’ in society because of their wrongdoing, is in my view, utterly absurd. The use of violence is a degrading way of punishing criminals. How can a governmental system that is supposed to promote moral justice kill its own citizens?

Aims of Project:
1) To address the moral question that is associated with the death penalty as a form of legal punishment as the main concern for analysis.
2) Examine rivalry accounts from both a philosophical and political point of view that are either for or against the punishment, and the consequences it would have on the morality of society.
3) Learn about the history of the death penalty in the two Westernised countries: Britain and America, (including its effectiveness)