What is it to be a Self?
• My objective is to explore personal identity by using film and television as thought experiments. I want to further my own understanding of my ‘self’, as well as that of others around me.
• Body theory: Our personal identity persists because we have the same body from birth until death. Challenged by ‘Star Trek’ Transporter thought experiment.
• Soul theory: The soul houses our identity, supported by Plato and René Descartes. Challenged by films such as ‘Still Allice’, how does Alzheimer’s damage the soul?
• Memory theory/ psychological continuity: John Locke’s Memory Theory. We have memory links to different stages in our lives, and they are all connected. Films such as ‘Total Recall’ and ‘Blade Runner’ call into question the role false memories can have in shaping our personal identities.
Society and the Self
• Zygmunt Bauman: Timeline of personal identity. We are in Liquid Modern Times, technology dictates personal identity. Explored in films such as ‘The Social Network’ and ‘Her’.
• Friedrich Nietzsche: Flux, we are in a constant state of becoming, so there is no fixed self that persists through time. Christian values of the past should be rejected, instead we should practise Amor Fati.
• Fixed identity: Exists in the Pre-modern Era and in Social Frameworks, i.e. institutions such as the Christian Church. Patrick Bateman in ‘American Psycho’ undergoes an identity crisis in response to the fixities in his life.
• Fluid identity: The transition from Walter White to Heisenberg in Breaking Bad is fluid identity in action. Supported by Bauman and Nietzsche, as it can make for a more tolerant society. However, lacking a solid sense of self can be dangerous.
Category: Stage 3
Samuel Beckett’s Nineteen-Sixty-One play Happy Days is best understood as a parody of the human condition. Beckett seeks to reflect the experience of what it means to be human in stage directions, set design, and language. His methods of confinement and parody also allow for a vivid portrayal of existence. A philosopher who also wrote on the human condition was Martin Heidegger. For Heidegger, this experience is regulated entirely by his concept of “Dasein”. My essay centres around seeking to attribute an overlap between Heidegger’s and Beckett’s human condition through its possible representation on the stage of Happy Days. Although Beckett is notoriously difficult to analyse and attribute a specific philosophical framework, I have uncovered evidence of possible Heideggerian influence and inherent similarities. The themes of Heidegger analysed include: world disclosure, anxiety, death, and authenticity. I have also highlighted Beckett’s use of optimism in the play as a potential counterpoint to the outwardly pessimistic philosophy of Heidegger. My aim is to show how the performance medium of theatre can be an effective tool in communicating philosophical ideas, as opposed to text on a page.
Are transgender children too young to undergo a gender transition? In my project I aim to discuss the valuable use of our language in order to broaden our understanding on transgender issues in order to help these children in the best way possible.
Analysing the UK’s contemporary penal system using Marx and Foucault.
Philosophical discourse surrounding time travel traditionally engages with concepts such as the Grandfather Paradox, the possibility of time travel, issues surrounding causation, and the effects such concepts have on the nature of the metaphysics of time and change. However in this project, time travel will be assessed by its ethical consequences through contemporary pieces of popular culture, namely Christopher Nolan’s Interstellar. Philosophically, this project will engage with Jean Paul Sartre’s Being and Nothingness and his essay Existentialism is a Humanism in addition to Baron d’Holbach’s The System of Nature, as the two will be presented in direct opposition to one another as representatives of philosophies of free will and hard determinism. The objective of this project is to assess whether ethical judgements are justified or necessary in the depictions of time travel I will be referencing by evaluating whether characters are free to act responsibly or predetermined to act in ways in which they have no influence over. The object of this project will therefore be time travel, assessed through the philosophical concepts of Sartre and d’Holbach, in the context of ethics. The position this essay wishes to argue in favour for is that Sartre’s philosophy of freedom allows one to manifest one’s own moral character, and this moral character is the ultimate determinant in ethical dilemmas. There does however exist vast amounts of overlap in the two opposing philosophers’ theses however the difference lies in Sartre’s notion of bad faith which highlights d’Holbach’s refusal of his ability to choose as problematic. Therefore, the overarching argument of this project is that it is one’s own moral character that dictates their future decision making, and the formulation of such character is done through choice and freedom. Due to the philosophies of Sartre and d’Holbach hugely predating the idea of time travel, I will first give a brief description of the scientific underpinnings of the procedure of time travel, then discuss d’Holbach’s and Sartre’s philosophies, before finally applying the latter to the former.
In a digital age saturated with social media platforms, Why has social media app TikTok become the most downloaded app of 2019, 2020 and 2021?
The stratification of the Ancient Athenian City State was acknowledged by citizens and slaves alike. The use of slaves to enable greater action was a prominent feature of the city state, allowing for civic life and peer to peer interaction. This stratification has been perpetuated into modern society but under the guise of a working class. Capitalism itself, an adopted slave morality and degrees of power all contribute to the maintenance of an almost four hundred year old capitalist system. This system has adapted and evolved alongside the times. Today, we see yet another evolution of capitalism with the rise of the digital revolution. This paper highlights the need for a constant examination of values based on the sort of life which society can currently provide. Suggesting that the etymological definition of labour is applying to less and less people and this should provide us with optimism for a future which relearns the value of leisure.
Modern liberal democracies are often assumed to operate in accordance with an unobjectionable neutrality with respect to the various worldviews of their citizens. By examining the work of Locke and Rawls, I demonstrate that even the most sophisticated conceptions of society and secularity rely on value-judgements that are asserted by the state on behalf of its citizens. The aspirational target of value-neutrality held by the liberal democracy is thus shown to be unattainable.
Reading key thinkers such as Hegel, Marx, and Blumenberg the project will assert an anthropology which states that human identity naturally needs techne in its formation.
By tracing the development of techne into modern digital technology, Stiegler will help demonstrate how the changing nature of technology has come to change the formation of human identity.
Drawing on Heidegger, Agamben and Baldwin the project will prove how modern digital technology simultaneously systematises and fragments human identity. It will then analyse whether these effects on human identity are either positive or negative from both humanist and post-humanist perspectives.
The project will finally question what the future holds for the development of modern technology and whether human identity formation will become entirely dictated by technology or continued to be formed under the control of humanity.
I will use Marx’s concept of alienation to understand experience of workers within the service industry. Ultimately this dissertation will find that Marx’s concept of alienation still applies to work today.
In this essay, I explore if a failure to give an account of oneself should be used as an explanation for violent behaviour, with reference to the Netflix television series ‘You’. I reference Butler’s account of oneself, where we will often face opacity as we come across barriers in our own self-narration. This occurs because we are not in control of our narrative origins, nor the social norms that were shaped by a pre-existing society. I also reference Laplanche’s enigmatic demand of the Other, where we possess a radical dependence on our caregivers from the moment we are born and discover that we are vulnerable to them. I also reference Levinas’ face-to-face relation with the Other, where we are met with the unavoidable face of the Other, and we must recognise our inherent responsibility to appeal to their presence, with an obligation to live a life of peaceful pacifism. However, the fictional serial killer Joe Goldberg subverts the notion of non-violence as he suffers with numerous neurological disorders and is unable to give an account of himself due to his traumatic and neglectful childhood, whereby his psyche protected his egoistic sense of self through repression.
Within this project, an investigation occurred which looked at the genealogy of the causation of depression and the potential treatments that result from the theories. This investigation look at studies ranging from Ancient Greece to the medieval ages, to the 1920’s, to the 1950’s and finally the modern age. This was done by researching studies, journal articles and books by both scientists and philosophers about what depression was understood to be. The discussion involved Hippocrates, Bogdan Popoveniuc, Sigmund Freud, B. F. Skinner to name a few. An interview with CAMHS also took place where a deeper understanding of support structures which offer help to children with both the diagnosis and treatment of depression. The rationale behind the project is because the author has struggled with depression for a lot of their life, and they want to understand what the potential causes could have been and what treatments might be available to the author. The author has found that depression is often caused through genetic malfunctions within a human, and is maintained through unhealthy circumstances in the environment. Also the author also found that CAMHS was a struggling system, that it was severely underfunded and understaffed, and the staff that worked there were up against immense workloads. Studies pointed to a holistic approach to treatment that takes into account both childhood, genetics and how the individual behaves at the current point in their lives. This means that therapies like Cognitive Behavioural Therapy or Psychoanalysis, and treatments like medication, often fail as the disease is approached in a way that must be nipped in the bud as soon as possible. The implication of this conclusion is that a new therapy needs to be created which takes into account all of the previously mentioned circumstances, and that CAMHS needs to be reorganised in a way where children should see councillors within school that are trained in mental health specifically. These new councillors should allow for children to understand their own situations, and it should remove the cessation of social interaction that is typically seen in mental illness of children.
My project concerns Netflix. I will investigate whether Netflix as a streaming platform can aid in building a sense of identity. Then consider whether the platforms use of recommender systems and machine learning algorithms are in fact reducing one’s agency. Limited agency suggests limited identity, as freedom of choice is reduced. I will consider Bauman, Le Bon and Sartre within this project discussion and through careful analysis, conclude that Netflix aids building identity to an extent, however, the platforms increasing use of algorithms reduces agency and so limits an individual when building a sense of identity.
The rise of the music streaming service throughout the 21st century stands as a revolutionary change within the world of music. Although only a small number of companies dominate control of the market, the streaming service has succeeded in becoming the world’s most favoured method of music listening. The largest and most popular service is Spotify; a multi-billion-pound corporation that will act as the representative case study for the project. Spotify offers a unique platform of audible content, which gives users access to a vast library spanning the history of music. The main appeal of Spotify sits in their provision of a more affordable, accessible, and technologically advanced mode of listening, which is available to be streamed online through digital devices. This project looks to investigate the platform through the unique application of 20th century cultural critics Walter Benjamin and Theodor Adorno. Benjamin’s work will be used to introduce how our experience of art changes as technology evolves. His theory on art’s ‘aura’, a concept relating to the presence of an original piece, which withered in the age of mechanical reproduction, will show how the move away from physical collections of music, such as vinyl, has led to a decline in authentic musical experience. Despite this, Benjamin’s work helps provide a balanced overall assessment of Spotify. This balance occurs through his insights upon how new technologies can bring about social change, particularly through the enhancement of accessibility – a useful argument in the context of Spotify’s global network. The primary conceptual focus, Adorno, will build upon the foundation set by Benjamin, through his observations on ‘the culture industry’. This term refers to the commodification of cultural goods, such as television, film and noticeably, music, that occurred at the hands of late capitalism. Adorno claims the movement comes at the jeopardy of all modern culture, as the industry looks to homogenise cultural creation to accommodate for mass production. . Overall, the project will use Adorno’s philosophy to show how Spotify exists as a modern extension of the culture industry; thus, adding to the decline of true artistic expression in contemporary music.
This project aims to investigate the effects that the COVID-19 pandemic has had on the development of the identities of university students, looking at the impact that the removal of social influences has had on identity formation during such a critical time of personal growth. Using the philosophies of Charles Taylor and Friedrich Nietzsche to support my investigation, I will look at whether Taylor’s quote ‘one cannot be a self on one’s own’ (Taylor, 1989, pg.36) is shown to be true as a result of lockdowns and subsequent isolation, or whether COVID-19 provided students with a chance to embrace Nietzsche’s heroic individualism and create a stronger sense of self.
The subject of my project is war photography, and the goal is to determine the level of noesis that a photograph can convey. I picked war photographs to emphasise this since it is a reality that many people do not face, particularly in Western Europe. Secondly, I picked war photography because the photographs I’ve chosen for my project represent other people’s grief and suffering, and it’s crucial for society to avoid aestheticizing others’ misery and understand what function they may and should provide. Through Jean Baulldriad’s hyperreality, the project next investigates combat photos in a modern digital setting.
This project seeks to problematize European notions of Enlightenment and to discuss notions of a non-Western form of Enlightenment. I will begin by discussing the problem of Enlightenment that still haunts us to this day. Central to this will be Kant and Foucault’s work ‘What is Enlightenment’. This will lead me to utilize work from Adorno and Horkheimer and Said to demonstrate how colonial expansion was justified through Enlightenment and Orientalist ideology. This will explain how foreign interference across the globe has been justified. I shall highlight the issues of enforcing European, Enlightenment value frameworks on non-Western cultures in reference to the Iranian Revolution of 1979.
This essay looks at philosophical principles that re-conceive spatial orientation. This is done in response to urban spaces and architecture in modern capitalist society, and the many ways in which these spaces are conceived negatively and have been appropriated without respect for natural surroundings and the effect these spaces have on our self-identity. This essay will look at the works of Martin Heidegger and Gilles Deleuze. These philosophers were chosen as they offer differing alternative views of our relationship to our environment. Both philosophers, however, are similarly critical of modern capitalist societies and the effects these societies have had on our relationship to space. Specific interest is shown to the concepts of ‘dwelling’ and ‘nomadism’, and actual examples of each concept, and their effect on their environment, are presented and explained.
For my stage 3 dissertation, my object of study is mass media, specifically on the subject of repression within the culture industry. I will firstly mention philosopher, Theodor Adorno’s concept of the culture industry, explaining his belief that those who govern society have purposefully caused a standardisation of the media. This creates a domino effect of standardisation in both leisure and work time, that results in a submission to capitalist ideals. I will clarify, that this submission is apparent to Adorno, as during the reign of capitalism, creativity and pleasure have grounded to a halt, preventing new ideas or realisations, which consequently has led to a submission to the political regime.
In response to Adorno, I will discuss Astra Taylor’s concept of repressive technology in her book ‘The Peoples Platform’. Taylor, much like Adorno, argues that the culture industry has led to a growth of capitalist control and power, however, unlike Adorno, Taylor’s focus is on technology.
I will lastly explain Walter Benjamin’s concept of the aura. I will discuss how Benjamin believes that in order for a piece of art to have an aura, it must be authentic and original. Benjamin confesses that the aura of art has depleted as a result of technological advancements, as art can be reproduced easily, thus the original piece has lost its uniqueness. Benjamin, agreeing with Adorno, argues that this, in turn, causes a depletion of creativity. However, I will then reflect on his claim that, if used correctly, this new technology can be an opportunity for a political movement. He says this, as the reproduction of art allows it to be experienced by not just the bourgeoise class, but by all of society, as art has now become a form of mass media. As the opinions of those in power are now not the only ones being heard, the political regime can be challenged, and cultural homogenisation is prevented.
This project analyses the value of Nietzsche’s concept of eternal recurrence, using Kundera’s novel “The Unbearable Lightness of Being” as a contextual foundation. I argue that Kundera’s work highlights the problems that arise from not accepting one’s fate, failing to comprehend the immutable nature of the past, and refusing to recognise that suffering is an inevitable part of life. By using Nietzsche’s doctrine of eternal recurrence as a psychological tool, individuals can learn to appreciate both the positive and negative aspects of existence. I contend that although criticisms, such as Karl Löwith’s, demonstrate some weaknesses, ultimately Nietzsche’s eternal return is a valuable doctrine that may act as a possible solution to the burden of existential weight.