Starting out as an Oral Historian: Rosie Bush

How can Oral History Society (OHS) training meet the vastly different needs of academic and non-academic historians with diverse interests? In this Lug post, our Associate Researcher, Rosie Bush, shares her experiences of the OHS ‘Introduction to Oral History’ course. She outlines the areas the course covers and considers the steps that follow when starting out.

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Talking film with the Oral History Collective: Seminar Series

We’ve been getting into movies lately…

Our Alison Atkinson-Phillips has been working with Leeds University to plan the Post-Work Mini Film Season (see bottom of the page for event listing) on behalf of Newcastle’s Labour & Society research group. The films shown explore the way ‘work’ has changed and the impact of deindustrialisation and neoliberalism.

In May, our regular Seminar Series is kicking off with a visit from Steve Humphries of Testimony Films on Tuesday 9 May. Although best known as a film-maker, Humphries is possibly one of the most prolific oral historians in the UK, basing his documentaries on detailed interviews with his sources.

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Recording of Portelli: ‘Reflecting on a life in progress and the stories of oral history’

Reflecting on a life in progress and the stories of oral history

Professor Portelli at the launch of the Oral History Unit and Collective at Newcastle, 10 January 2018.

Professor Portelli at the launch of the Oral History Unit and Collective at Newcastle, 10 January 2018.

To relisten to Alessandro Portelli’s recent lecture, please click here.

 

Public Lecture: Reflecting on a Life in Progress and the Stories of Oral History

Public Lecture All welcome. Admission free.
Register here

Launch of the Oral History Collective and Unit @ Newcastle
Wednesday 10 January, 5.30 pm
Curtis Auditorium, Herschel Building,
Newcastle University

Professor Alessandro Portelli
Professor of American Literature Sapienza, University of Rome
Alessandro Portelli has played a leading role in transforming oral history. Through a number of key studies, he has promoted an appreciation of oral history as a literary genre that throws light on the significance of subjectivity in history. By interpreting the themes and structures of eyewitness testimony, Portelli has consistently demonstrated new ways of understanding memory. In this lecture Portelli reflects on his work to date, illustrating his intellectual journey with reference to the stories of the personal, and the historical, victories and defeats that have inspired his critical contribution.

Ben Houston: Oral history and photographic exhibition

Ben Houston, a member of the the Newcastle University Oral History Collective has a new exhibition opening at the Great North Museum on 7th October. The exhibition depicts elements of race relations and the civil rights struggle in Pittsburgh, USA, by combining the oral histories of black Pittsburghers (recorded by the Remembering African American Pittsburgh oral history project at Carnegie Mellon University’s Center for Africanamerican Urban Studies and the Economy) with historic photos from the world-class Charles “Teenie” Harris Archive held by the Carnegie Museum of Art.

We also feature Ben in the first of a number of occasional podcasts from Newcastle’s Oral History Collective.  Listen at: The Lug Podcast #1. You can also listen to an extract of one of the interviews from the exhibition. Here Sala Udin offers an overview of the key themes of the exhibition.

By using Pittsburgh as a case-study, this exhibition embodies one of the central messages of Dr Martin Luther King’s speech: that racism looms over our world and yet the thirst for freedom and dignity remains unquenchable.

The exhibition runs in parallel with the “Teenie Harris Photographs: In Their Own Voice” exhibition at the Carnegie Museum of Art, Pittsburgh which takes place from 29 July 2017 – 28 February 2018.

Poster Image: Charles “Teenie” Harris
American, 1908–1998
Elderly woman holding Pittsburgh Courier newspaper with headline reading “Reverend King Freed: Albany Tense” seated in armchair, July 1962
Black and white: Kodak Safety Film
H: 5 in. x W: 4 in. (12.70 x 10.20 cm)
Carnegie Museum of Art, Pittsburgh: Heinz Family Fund, 2001.35.7018 © Carnegie Museum of Art, Charles “Teenie” Harris Archive