Tag: technology

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2014 Abstracts Stage 3

The Power of Solitude. A critical analysis of solitude as a stimulant for creativity.

The objective of this essay is to produce an accurate analysis of our understanding of solitude, artistic creativity and its origins, and to examine whether solitude can be an aid to maximising creativity.

To reach an appropriate conclusion, it will first address the nature of creativity from Plato, Kant, Freud and from various modern thinkers.

It will then address theories on solitude from Thoreau, Artistotle, Descartes and Koch, followed by an analysis of the extent to which it can stimulate artistic creativity. I also see it necessary to briefly examine the role of technology in today’s society and the use of drugs to see how these two factors can influence solitude and creativity.

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2013 Abstracts Stage 3

Non-Human Language

MONKEYS! Through a discussion of the possibility of language in non-human great apes I aim to shed light on what makes humans different to other animals. Key thinkers in this are Peter Singer, Bertrand Russell and Ludwig Wittgenstein.

ROBOTS! Through a discussion of the possibility of language in computers I aim to explore the way in which language is acquired and whether it is possible to create an artificial system capable of language. Key thinkers in this are Jean Piaget, John Searle and Ludwig Wittgenstein.

ALIENS! I will also look at the possibility of language in extra-terrestrial life with the aim of demonstrating the limitations of a language which permits abstract thought when describing the world.

Following this discussion, I then aim to demonstrate flaws in philosophical methods and discourse including:
– The use of stereotypes intrinsic to sociological thought, such as that of Karl Marx
– The notion of fragmentation in postmodern thought, such as Jean-Francois Lyotard’s
– Attempts to create universal ethical or existential maxims, such as those found in Friedrich Nietzsche’s work

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2013 Abstracts Stage 3

The Legacy of the Beat Generation in Contemporary Culture

The changing shape of the search for meaning in American Literature, what does it mean to be ‘human’ today?

Comparing Don Delillo’s vision of contemporary culture and humanity to Beat literature, to explore how technology and mass culture have changed the nature of Being.

Using Heidegger to compare the authentic Beat human to the inauthentic contemporary human.

Does the resurgence of interest in the Beat Generation imply the effort to reclaim authentic life?

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2013 Abstracts Stage 3

Embedded within Reality? A Philosophical Inquiry into Whether Photographic Practice Differs from Other Modes of Visual Representation in Terms of its Classification as Art

The discussion of this paper will be centred on the argument of whether photography can ever be considered as anything more than merely a mechanical replicate of the world. Photography is generally seen by many as an automatic unemotional means of ‘capturing a moment in time’. Art, on the other hand, is commonly seen as a hand-rendered expression of human imagination typically illustrated within a visual form.

The following questions will be asked;
 What effect has the mass production of photographic images had?
 How much does the intentionality of the artist matter?
 What is the impact of photo-manipulation on the notion of authorship?
 Can our perception of a believed photographic reality be merely an illusion?
 Is our modern consumerist world driven by the image?

We will begin with a brief outline of the ways in which photography of the past designed modes of replicating the painterly styles of the artworks of the time. We shall then discuss the notion of how photography became a product of mass production, whilst introducing the thoughts of Walter Benjamin and Heidegger who both see modern works of art, and photography, as unable to reach the previous standards of past great artworks for they have lost originality, ‘aura’. We shall consider the views of Scruton who fundamentally states a photograph is unable to be the product of aesthetic judgement for it is bound by a casual relation to the world and is an automatic technical invention which requires no thought processes on behalf of the creator to effectively formulate it. Our discussion will finally lead us to the views of Susan Sontag and Jean Baudrillard who believe that under the present age of our consumer media driven tradition, our reality is reinstated by the photographic image, for photographic seeing fundamentally alienates reality.

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2012 Abstracts Stage 3

Avatar Selves: Ontological Implications of Fluid Identity in the Virtual Age

“We are becoming fluid and many-sided. Without quite realizing it, we have been evolving a sense of self appropriate to the restlessness and flux of our time.” – The Protean Self (R.J.Lifton)

What is the nature of Being in the burgeoning age of virtual networks?

How are modes of relating to one another, spaces, and information changing?

Our society is fast evolving from centering on hard modern technologies to soft postmodern technologies in tandem with a move to a postmodern identification with complexity and flexibility,

Our capacity to project our identity into an interactive cyberspace of other projected identities raises new questions about boundaries of intellect, collaboration, agency, authorship, self-knowledge, transhumanism, identity, shifts in neurological and social function…

Heidegger saw technology as enframing our way of being in the world. It can enable us to satisfy our desires, but there is always the danger of letting it obscure our essence as human beings. We must continually return to this always-already essence of being, and resist becoming functionaries for technology.

This is all the more applicable in an information-based society in which we present ourselves informatically through the medium of technological interfaces we have no understanding of.

The ontological, social and autobiographical implications for self-knowledge and agency in the novel complex networks of our virtualised society.

Philosophers and thinkers: Heidegger/Borgman/Nietzsche/Zizek/Harman/ Eagleman/Gorny/Self/Stirling/Lifton

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2012 Abstracts Stage 3

Reality Mining and Technology: a Postmodern Reflection

Reality Mining collects the digital breadcrumbs of our daily activities, to understand and predict social behaviour.

The territory shall outline up-and-coming advances in technology and communication and what we can learn from analysing these networks through reality mining. It will look at specific areas of communication development and reality mining. This discussion looks at the work of Lyotard, Baudrillard and Vattimo. With reference to these specific postmodern thinkers, this project shall discuss whether reality mining furthers the commodification of knowledge, alienates the individual and blurs the distinction between subject and object.

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2011 Abstracts Stage 3

Linking Heidegger’s Essay The Question Concerning Technology to the Changes of Technology within Football from the 1960s to the Present Day

The aim of my project is to link Heidegger’s essay The Question Concerning Technology to the changes of technology within football from the 1960s to the present day.

From watching the 1966 World Cup Final, England vs. West Germany and the 2010 Tyne-Wear Derby, Newcastle United vs. Sunderland, and also with the use of some useful websites, I would be able to highlight the changes of technology within football. These are the six changes of technology within football which I have highlighted:

1. Picture Quality/Display
2. Replays
3. Capturing of the Game play/Emotions
4. Football boots
5. The Football
6. Co-commentary/Audio

I will explain Heidegger’s essay The Question Concerning Technology from his book The Questioning Concerning Technology, and relate the changes of technology within football to the relevant parts of his theory.

A few examples of linking Heidegger’s theory to the changes of technology within football

– Heidegger talks about how modern technology reveals but also challenges, and I linked this to the development in the replays from the 1960s to today in the use of different camera angles which reveals more of what just happened, e.g. of a goal scored or challenging a decision made by the referee.
– Heidegger talks about how nature’s energy has become a standing reserve and how nature is now a resource of technological exploitation. As well, we ourselves are situated in the standing reserve as human resources. I linked this to the development in camera angles in capturing more emotions in football today than in the 1960s, therefore making football more of a standing reserve. Why? More is revealed (captured) in the match for the television audience.

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2010 Abstracts Stage 2

Assess the Validation Theories for the Existence of Ghosts

DEFINITION: ‘The spirit of a dead person, especially one believed to appear in bodily likeness to living persons or to haunt former habitats’

My primary objective in this project is to investigate whether or not there is valid ground for the existence of ghosts. I attempt to achieve this through the study of previous case studies and claims to paranormal activity. Obviously this study can be taken further through the examination of the reality and how this influences our judgment of ghosts.

As can be seen in the photo on the left people have attempted to obtain hard evidence through the use of modern technology. Whether or not this has ever been achieved still remains to be seen.

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2010 Abstracts Stage 2

In an Age Reliant upon Technology and Machines, Is Artificial Intelligence Currently Possible?

The Aim:
The aim of this project is to discuss the likelihood that machines are, by the standards of the Turing test already intelligent, or indeed are ever likely to be able to be described as being intelligent. Is it a problem with the Turing test if they cannot be described as intelligent? Or just something that machines lack?

Territory:
The territory is the realm of artificial intelligence and computers.

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2010 Abstracts Stage 2

How Has the Power of Mass Communication Changed over Recent Years and What Influence and Control Does It Have over Society?

A study of the ways in which society has changed as the advancement of mass communication has occurred.

Can we think for ourselves today or is autonomy impossible in this world of unlimited influence?

History of Modernity

• Modernity
• Crisis of modernity
• Post­modernity

Aim: To discus whether we have the ability to be autonomous in society today or are we are too broadly influenced by mass communication.

Territory: various forms of advertising particularly focusing on online advertising today

Philosophical concepts: Marxist ideas of the prevention of uprising, Guy Ernest Debord ‘The Society of the Spectacle’, Jean Baudrillard “The Ecstasy of Communication”

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2009 Abstracts Stage 3

How has the Rise in Technology Changed the Way we View the Human Environment and Human Identity?

TERRITORY: West Ham United. AIM: In my investigation I wanted to see how the rise of technology has affected the human environment and identity. As a keen West Ham supporter I thought this would be an interesting place to start. From its humble origins as an amateur club to the rise of its top premiership I assumed this community has been subject to a lot of technological modifications over the years. Method: I examined how the club has changed from over 50 years ago in order to see the affect technological advancements have had with regards to the club; satellite television, the internet and advanced forms of transport illustrated how the human environment has turned into a global network. I also wanted to see how this has affected the players of West Ham United in order to see if the human subject has changed. After establishing this I could then see which philosophical theories were relevant to the past and present eras of West Ham United. I considered Kant’s theory of knowledge which places the rational human subject above the causal necessity of reality. This notion seemed to express how the individual in West Ham (the footballer and manager) related to the club in the past. I then decided to look at postmodern ideas on reality and the human subject. It expressed a more complex view of reality where the individual’s autonomy is undermined as man is unable to establish what is image and what is reality. I believed this expressed the organisation of West Ham and how the footballer relates to his environment in contemporary times. After examining both these attitudes I could then draw some conclusions about how we must view our human environment and human identity.

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2009 Abstracts Stage 3

Dying in Denial: the Industrialisation of Death in Contemporary Society

For my stage three project I have decided to explore the industrialisation of death in our current society. My examination begins with a look at the gradual change in the perception of death, from the classical age to the modern day. By taking a genealogical approach to this historical change I am able to identify the specific reasons for these changes and reflect upon what significance these changes have on the perceived meaning of death. Beginning with the role in which death played in the Classical Age, I examined how death was once understood as a harsh reality of life to which everyone was made aware through events such as the bubonic plague and the limitations in medical knowledge. After which I explored the gradual development of anatomical pathology in the modern age and the effect that demography, pathology and sociology had and currently have on how death is now approached. In particular I looked at the importance that has been placed on defining death in terms of its physiological cause and the implication that this definition has on each of the specific areas of study I have mentioned. By understanding the changes that have occurred between these two points of history, I highlight the key issues that are involved in the industrialisation of death and what exactly this means in relation to our individual approach to death and our common understanding.

Following this I introduced the philosophical theory of Martin Heidegger and his explanation of death in relation to his phenomenological task to uncover true meaning in ‘Being and Time’. By setting out a brief explanation of how Heidegger attempts to understand the meaning of being in general through human experience, I examine the significance that death has in making possible the discovery of true meaning. From this I moved onto Heidegger’s later work, ‘The Question Concerning Technology’ and his thought on the role of technology in the pursuit of understanding being and the distinction he makes between authentic and inauthentic perception. It is at this point where I applied the issues I raised, in the study of my concept, to Heideggerian theory and translate what effect the industrialisation of death has had on the authenticity of understanding the true meaning of death in the modern day. In conclusion I offered a personal insight to my opinion on the impact that contemporary society has had on our perceived meaning of death and what significance this has to our eventual confrontation with death.

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2009 Abstracts Stage 3

Hearing without Knowing: Music, Recording and Differance

This project began with Bill Drummond’s poster, Notice. For Drummond, the digitization and instant access to music through the internet has rendered recorded music a dead art form. To try and understand Drummond’s perception, I have chosen to examine three moments where technology had altered musical production and dissemination: – (1) The birth of notation. (2) The advent of file-sharing software such as Napster. (3) The rise of house music and ecstasy culture where DJs perform using recorded music. Throughout, I have used Deleuze and Guatarri’s A Thousand Plateaus as a conceptual tool-kit. Drawing on their notion of the rhizome, faciality, the refrain, becoming-imperceptible and micro-politics I have attempted to understand both these three movements and develop an approach to music itself. In order to cast some light on Drummond’s perception of recorded music as a single, irrelevant genre, I have turned to Adorno’s conception of the culture industry. Through Derrida’s Dissemination, I have attempted to show that the dichotomy between recording and performance cannot be sustained and that the musical experience returns the listener to the play of differance.

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2009 Abstracts Stage 3

The Impact of Scientific Knowledge on the Philosophical Questions of Creation

Object/Territory: The James Webb Space Telescope / The impact of the advancement of scientific knowledge. Aim: To investigate the differences between types of knowledge. Comparisons: • William Paley’s Watchmaker Analogy vs. The Existence of Dark Matter and Dark Energy • Thomas Aquinas’ First Cause Vs The Big Bang Theory. C.P. Snow: Two cultures know little or nothing about each other. Communication is difficult if not impossible. No common ground to achieve creative chances. Thomas Kuhn: Encompassing Vs Overthrowing. Isaiah Berlin: Growing tension, path to progress, elitist view of science, defence by Vico, new form of science. Jean-François Lyotard: Correspondence theory of truth. Language Games. Truth. Progress. Problem justifying scientific knowledge. God of the Gaps. In conclusion the distinction we have made between science and other forms of knowledge leaves us at a disadvantage. Both forms of knowledge are needed for us to gain true knowledge about our world.

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2009 Abstracts Stage 2

Fakebook: is Technology Mediating Human Interaction?

It is estimated that there are 150 million active Facebook users worldwide. • Once a website aimed solely at students at Harvard University as a means of keeping in contact with classmates, Facebook has grown exponentially since its inception in February 2004. • Recently it has excelled in the 35‐54 year age demographic with a reported 279% increase in users in this age bracket. The worry is that, in domino effect of sorts through the generations, it will soon be a reality that everyone who has regular access to a computer will be communicating through a website and human contact and interaction will be a seldom practiced pastime. With the arrival of the mobile telephone came a whirlwind of irreversible change. Advancements in Telecommunications opened the gateway to a so‐called ‘Thumb culture’ in which communication and media interaction are all dictated by some form of digital interface. It seems as though, with each technological step forward, we take an interpersonal step back. For example, first there were phone conversations to close friends and family, then came text messaging, a far less personal way of communicating but, nonetheless it was a progression, or perhaps digression, that was mutually embraced by contacts that once knew each other well enough to interact verbally. From this stemmed the birth of instant messaging as a cheaper but very similar alternative. The concept of social networking through sites such as Myspace and Facebook is a commendable one. They aim to maintain correspondence with people that would have otherwise slipped off one’s communication radar. But the reality is that our strong relationships become diluted by becoming ‘Facebook friends’ with people we would call mere acquaintances. With the addition of Facebook chat in April 2008, Facebook became a ‘one‐stop shop’ for all our communication needs. Engaging in duologues on Facebook meant that their monopolisation have become so conglomerate that face‐to‐face conversations end up actively referring to Facebook. With a limitless online friend capacity, people with thousands of friends either have to spread themselves very thinly across all these people, or spend hours and hours chained to a computer to maintain a valid friendship. In order to explore this territory, I will be looking at the work of J.G. Ballard and Guy Debord as well as looking into Communication Theory. My aim for this project is to investigate where we go from here. Will face to face, or even verbal communication exist in the future? Or will technology sever our personal relationships to such an extent that meeting with people will be simply a distant memory; something the future generations will dismiss as ’something their grandparents did’?

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2009 Abstracts Stage 2

The Transformation of Japan. A Philosophical Investigation of Japanese Cultural Change

Japan today is a nation synonymous with contemporary culture and ambitious technology that tries to transform the way in which we live. However, it is hard to imagine that just over a century ago; Japan was in the midst of a massive change which saw it go from a country of feudal military foundations to an industrious world power which would contribute to world history in a substantial way. This project aims to look at the History of Japan over the Meiji Restoration in the late 1800s and see how this event was the catalyst which caused a nation to turn its back on 800 years of uniform history and become a contending power on the world stage. The cultural principles of Japan at this time shall lead me to look at the post war writer Yukio Mishima, whose ideas on the culture of Japan after World War II provoked him to write some of the most defining Japanese literature of the 20th Century. Ultimately, his views in this area led to his highly publicised ritual suicide in 1970 prior to which he tried to start a coup against the new media based, industrial Japan. To link this project philosophically, I shall be referring the ideas of Mishima to those of Georges Bataille, who Mishima himself had a fascination with. Bataille’s theories brought forward notions related to sacrifice within a culture. This includes specifically the concept of Potlatch, wherein Native American tribal chiefs would appease opposing leaders by destroying resources and objects of value. With this in mind, I shall show how the Japanese transformation was a Potlatch on a grand scale, and how Mishima was a microcosm of this in the 20th Century. The conclusion of this project will come to the point where justification of Japan’s change will be shown.

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2008 Abstracts Stage 3

Have advances in communication technology facilitated a modern era or brought about postmodernity?

The idea that I decided to look at was that of technology, more specifically the internet. The reason I used this was to enable a sense of relevance to my peers as we have all enjoyed a privileged upbringing when it comes to the availability we have at our disposal of technology. We are all able to use the internet through the resources we have had at school, in local libraries and even here at university. As a result of this we are inflicted to a multitude of facts and opinions. When looking at it philosophically we are bound to notice that with this growth in technology we have inevitably felt a shift in culture. I intend to show a radical change in the way that we are now able to interact with the world and voice our opinions. This will inevitably be shown through tracing the line from which the newspaper changed from being the only means of global information, to the culmination of the internet and its use for informing people of the news. My project aims at showing the change in culture due to the growth in communication technology.

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2008 Abstracts Stage 3

Advertising: A Tool of Capitalist Manipulation?

This project is an investigation into the discourse of advertising in our contemporary late capitalist society. This study shall attempt to assess the role advertising plays in manipulation of the masses and its relation to mass media in capitalist society. My aim is to assess whether advertising is a central tool of deception in the commodity driven culture of capitalism Advertising has changed dramatically since the time of the industrial revolution. The division of labour and the beginning of mass production due to the industrialisation that has created far more of a ‘need’ to advertise and stay one step ahead of competitors. This I would stipulate is due to the onslaught of late capitalism, globalisation and commodity infatuation of the consumer. Ongoing advancement in technology has created an environment in modern society by which there are more and more means of mass broadcasting. The industrial revolution was the catalyst for this. The use of advertising has metamorphosed from a simple presentation of information on a product to the public in a manner to inform of use and content of a product; to an ambience creating, aesthetic tool merged with mass media creating a barrage on the senses. Branding and heritage of brand has outplayed use, image out mustering purpose The end product of Advertising’s growth through the mass media is its immanence in society, and its ability to shape the ideas and behaviour, as well as formation of self of the individual.

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2008 Abstracts Stage 2

Are we Ready for the new Technologies?

Although the idea of technology has been with mankind ever since the first tool was invented, the term has never achieved such a glorified status to which it was elevated in the twentieth century, a term and an aspect of science which will now take on an even more awe-inspiring tone in the twenty-first century; but now, eight years after the dawn of a new millennium, a millennium which was born into war, one cannot help to ask the question of whether the advent of new, more powerful technologies is actually beneficial to the progress of mankind, technologies which yes, could help many people, but also, if misused, bring about the premature end of our race. My project aims at discussing the repercussions of the prospective new sciences in our society, sciences which promise to change every aspect of life as we know it, and at asking the question of whether we are indeed ready for such power. I begin my discussion with a look at these new technologies, weighing the good aspects of them against the bad. Afterwards, in a slight departure from the technological basis of this project, I analyze the current state of society as I see it and discuss the problems which we must face before we even think about implementing new technologies; This part of the discussion will be aided by the philosophy of the situationists, specifically that of Guy Debord, regarding the society of the spectacle. After this analysis, I merge back into the theme of technology, and seek to examine the relationship between it and the spectacle before I address the views of technological determinism in relation to both Hegel’s and Nietzsche’s philosophy of history. Finally, I shall draw my conclusions regarding how ready we are as a race, a conclusion fully based on the discussions I have endeavored in to that point.

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2008 Abstracts Stage 3

Man and Machine: from Communication to Miscommunication

Territory: I have chosen to explore the power and impact of electronic devices that act as mediators when we perceive the world. I will focus on the way in which the position of the ‘subject’ is continually shifting in this increasingly technological and mediated society. Questions that need addressing: I wish to discover the shift in the material condition of humanity and how communication systems and technology have changed the role of the individual within the world, and thus the way we live, learn and interact with each other. Questions that necessitate investigation include: what is knowledge and truth if all information is mediated through several networks? This will lead to a discussion of whether mediated knowledge in any way deflects from the final product or image, that is to say whether it makes digital information and knowledge less authentic or second rate in anyway. To open this territory up for philosophical investigation I am going to look at the notion of presence and absence and what it means to be present as a human being using the philosophers Heidegger and Derrida, and whether there are different levels of being, in relation to mediated reality as proposed by some thinkers. In addition, I am going to use the concepts of authenticity and simulation and apply them to media by looking at Baudrillard and Debord. Key thinkers and sources: The main sources of my research will lie within the philosophical thought of Jacques Derrida, Martin Heidegger and Jean Baudrillard. I will also be drawing upon the ideas of G. W. F. Hegel and the modern sociologist Mark Poster.