One of the organisational members of our Collective is the Newcastle University Special Collections & Archives team. As part of their commitment to opening up the archive, the Collected Voices project gathers the oral histories of those behind the materials. In this post, literary archivist Rachel Hawkes gives us an insight into their work.
The interaction between oral history and creative practice has been a key topic of conversation at the Oral History Collective. In this post, Bruce Davenport reflects on the conversations emerging from our recent Show and Tell workshop.
A new film from the British Library features clips from an oral history interview by the Oral History Unit’s Sue Bradley. ‘Behind the Scenes: The Man Booker Prize — Stories from the British Library’s archive‘ is an audio-visual montage created by British Library interviewer Sarah O’Reilly, with voices from in-depth interviews recorded for National Life Stories.
In this Lug post, Andy Clark discusses a new network that he’s coordinating focused on deindustrialisation, heritage and memory. It aims to facilitate greater collaboration and discussion among academics, heritage groups, artists, and community historians interested in deindustrialisation and the memorialisation of manufacturing jobs and communities. Email andy.clark@newcastle.ac.uk to find out more, or to join the network’s mailing list.
In this Lug post, Andy Clark discusses his experience conducting research for the Scottish Government’s Cabinet Secretary for Justice. Along with a team of researchers, he contributed to, and co-authored, a major report focused on community experiences of Serious Organised Crime in Scotland. He reflects on utilising oral history methods to examine current experiences and problems in relation to organised crime, and contributing to a policy report.
Ben Houston, a member of the the Newcastle University Oral History Collective has a new exhibition opening at the Great North Museum on 7th October. The exhibition depicts elements of race relations and the civil rights struggle in Pittsburgh, USA, by combining the oral histories of black Pittsburghers (recorded by the Remembering African American Pittsburgh oral history project at Carnegie Mellon University’s Center for Africanamerican Urban Studies and the Economy) with historic photos from the world-class Charles “Teenie” Harris Archive held by the Carnegie Museum of Art.
We also feature Ben in the first of a number of occasional podcasts from Newcastle’s Oral History Collective. Listen at: The Lug Podcast #1. You can also listen to an extract of one of the interviews from the exhibition. Here Sala Udin offers an overview of the key themes of the exhibition.
By using Pittsburgh as a case-study, this exhibition embodies one of the central messages of Dr Martin Luther King’s speech: that racism looms over our world and yet the thirst for freedom and dignity remains unquenchable.
The exhibition runs in parallel with the “Teenie Harris Photographs: In Their Own Voice” exhibition at the Carnegie Museum of Art, Pittsburgh which takes place from 29 July 2017 – 28 February 2018.
Poster Image: Charles “Teenie” Harris
American, 1908–1998
Elderly woman holding Pittsburgh Courier newspaper with headline reading “Reverend King Freed: Albany Tense” seated in armchair, July 1962
Black and white: Kodak Safety Film
H: 5 in. x W: 4 in. (12.70 x 10.20 cm)
Carnegie Museum of Art, Pittsburgh: Heinz Family Fund, 2001.35.7018 © Carnegie Museum of Art, Charles “Teenie” Harris Archive