In this Lug post, Dr Liz O’Donnell reflects on interviews that she conducted being reused and repurposed for a radio drama, considering the attachments that we as oral historians have to the data we collect.
Continue readingSound Artist, Sound Designer, and Abstract Composer Matthew Tuckey reflects on the creation of an abstract sound composition in response to the Oral History Unit & Collective’s research with the Newcastle West End Foodbank.
Continue readingThe Newcastle Oral History Unit and Collective is celebrating its first full year of operation with our Annual Public Lecture in March. As with any new venture, it has been a year of learning, and an important part of that has been figuring out where we fit into the world of oral history. To help us with that, we made sure at least one member attended each of the four large oral history conferences held in Europe and North America in 2018*, to get a sense of the ‘state of the field’ that we are a part of. So, what have we learned?
One of the organisational members of our Collective is the Newcastle University Special Collections & Archives team. As part of their commitment to opening up the archive, the Collected Voices project gathers the oral histories of those behind the materials. In this post, literary archivist Rachel Hawkes gives us an insight into their work.
The interaction between oral history and creative practice has been a key topic of conversation at the Oral History Collective. In this post, Bruce Davenport reflects on the conversations emerging from our recent Show and Tell workshop.
Throughout the warm summer months, we have been working hard to create an exciting programme of events for the autumn semester at Newcastle. These are now finalised and we’re delighted to share them with you. If you have a proposal for an event that you think we should be organising or contributing to, please contact us either via the comments section, or at oralhistory@newcastle.ac.uk
For many – maybe most – of us, imagination is what gets us interested in history in the first place. Recently, the oral history collective have been having a lot of conversations about the connections between oral history and creative practice, including creative interpretation of history. In this post, Alison Atkinson-Phillips takes us on a winding journey of reflection on oral history and imagination, and offers a round-up of some local examples.