Dr Sally Watson joins the Oral History Collective as Research and Innovation Associate on the Green Corridors North East research project in History, Classics, and Archaeology

Sally completed an undergraduate degree in Architectural Design at Edinburgh University and an MSc in Town Planning at Newcastle University. She has extensive experience of working in the cultural sector in collections, programming and research and is currently a trustee at the Historic Towns Trust. Here, she describes her new project involvement with the Oral History Collective.

Green Corridors North East

The Green Corridors North East project, funded by the Arts and Humanities Research Council, is based on three green corridors in Gateshead, Durham City and South Teesside. The project brings together Newcastle, Teesside, Northumbria, and Durham Universities, the National Trust, local authorities and community organisations to explore how arts and humanities–led research can support more sustainable, inclusive, and community-centred approaches to place, nature and stewardship.  

In addition to leading on the nature and natural heritage theme across all three corridors, my primary focus will be on Gateshead’s Tyne Derwent Way. Here I will be collaborating with researchers alongside staff at the National Trust, Gateshead Council, Tyne and Wear Building Preservation Trust, and community-based groups.  

A view of Dunston Staiths in the snow from the Tyne Derwent Way.
The Tyne Derwent Way in the snow overlooking Dunston Staiths, by Dr Sally Watson.

Byker Community Archive & Histories of Redevelopment

Alongside this, I will be working with Silvie Fisch, Director of Northern Cultural Projects and Oral History Collective Associate Researcher, who has been awarded funding from the Heritage Lottery Fund and Karbon Homes to develop a community archive in BykerHannah James Louwerse and I share the role of archivist and will be helping Silvie to set up the archive in the coming months.  

A row of terraced houses on the Byker estate, near the Community Archive site.
The Byker estate near the Community Archive site, by Lily Tidman

My involvement in the Byker Community Archive began when I met Silvie whilst undertaking my doctoral research at Newcastle University. My PhD and subsequent Postdoctoral Fellowship, both funded by the Economic and Social Research Council, examined the history of post-war housing, landscape design and children’s outdoor play in Newcastle upon Tyne. Alongside archival research, I undertook oral history interviews with professionals who had worked on the redevelopment of the Byker neighbourhood 1969-1983, including architects, landscape architects and planners, and people who had grown up in Byker during and after the redevelopment. 

I am interested in oral history as a method for understanding children’s lives in the past and changing ideas about children and childhood over time. In particular, I am interested in how such ideas have shaped and continue to shape children and young people’s geographies of play and mobility. In my previous research, I examined the design, governance and policing of housing, streets, parks, playgrounds and other urban spaces and used go-along interviews to explore childhood experiences of these places. I am looking forward to collaborating with communities, including children and young people, on projects along the Tyne Derwent Way. 

Byker Community Archive

A funding boost of over £275,000 is enabling a Newcastle-based cultural project to celebrate the vibrant social and architectural history of the city’s Grade II* listed Byker Estate. Here, Silvie Fisch, Director of Northern Cultural Projects, and Associate Researcher in the Oral History Collective, explains how the funding will be used. 

Archive photographs from the Byker collection. Photo S. Fisch, 2025
Visitors from Brazil in the hobby room that will house the archive, Photo S. Fisch, 2024

The Byker development has long been recognised as a key part of a significant collaborative movement in international architecture and is one of the most important social developments in British post-war history. The community archive will capture the evolution of the estate over the years, from before redevelopment and its construction between 1969 and 1983, through to the present. It will showcase the unique architectural and design features, as well as capture the stories of its communities, contributing new narratives and giving people agency over their histories. The three-year project will start off with the refurbishment and conversion of the ‘Photo Studio’ hobby room on Raby Way into the archive space, which will open to the public in spring 2026. The archive will be community-led, providing people who live on the estate with volunteering and employment opportunities. 

Northern Cultural Projects CIC has secured a £240,186 grant from the National Lottery Heritage Fund and £36,488 match funding from Karbon Homes, to see one of the hobby rooms on the Byker estate transformed into an archive. Our goal is a community living archive: one that captures not only the history of Byker’s buildings and landscapes, but also the lived experiences of its people, past and present. 

MA Public History programme visit to the hobby room, S Fisch, 2023.

This archive isn’t about romanticising the “old Byker.” Rather we aim to bridge the past and present. It’s about assembling a mosaic of memories, from the Victorian terraced houses to the Grade 2* listed Byker Wall. Some academics have claimed that, Byker has been over-researched. However, the memories of residents who have lived on the estate since its earliest days are still missing from the historical record. “Unsanitised” memories that contest official narratives remain unrecorded. Histories have still to be documented, including Byker’s long association with community arts activism as well as local campaigns, including action on environmental  issues, such as the successful resistance against the use of a waste incinerator in 2005.

Swedish Byker Architects Arne Nilson, Bengt Ahlqvist and Per Hederus visit the Hobby Room in 2023. S. Fisch, 2023.

Out of 2,000 homes on Byker, 1,800 are owned by social housing landlord Karbon Homes, with the organisation responsible for the day-to-day management of the estate. As Victoria Keen, Place Lead at Karbon Homes, has said: “The Byker community taking control of their own formidable heritage through a living archive is an idea which we’re certain will generate social impact on many levels. We believe that the chance for this project to go ahead with such a level of local expertise is a true once in a lifetime opportunity. This project aligns with the delivery of our Thriving Byker Strategy, enhancing pride of place in our community.” 

Farrell Centre Installation, S. Fisch, 2025

The project has been long in the planning by Northern Cultural Projects CIC. Support from the Oral History Collective and Newcastle University proved invaluable in developing the bid. New and existing oral histories were combined for an Installation at the Farrell Centre, as a pilot for the archive, to tell the story of the estate from predevelopment to its early days from the perspective of local residents, architects and planners.  

Preserving Byker’s Vibrant Past with Oral History

The Byker Estate in Newcastle is internationally famed for its pioneering approach to urban regeneration through community participation and innovative architecture. Ralph Erskine significantly transformed the landscape of Byker and gained notoriety for his leading role, inspiring architects and historians alike. At the forefront of ensuring Byker’s human narrative remains as celebrated as its architectural accomplishments is the work of Silvie Fisch, an Associate Researcher at Newcastle University’s Oral History Collective and Director of Northern Cultural Projects.

Photo: Tyne and Wear Building Preservation Trust, Raby Way Photograph

The Unsung Heroes of the Byker Study Group

While Ralph Erskine has been credited as the instigator of the Byker Estate’s ‘bottom-up’ and participatory approach to redevelopment, Silvie draws attention to influential grassroot efforts that preceded its success. The largely unrecognised efforts of the Byker Study Group of the 1960s were crucial, as they lobbied for the rights of residents to remain in Byker and shaped the socially inclusive redevelopment.

Silvie and Dr Sally Watson, ESRC Postdoctural Fellow in the School of Architecture, Planning and Landscape, have been invited by the Farrell Centre to co-produce the Fight for Byker and Other Stories (6 February – 1 June 2025) exhibition. This installation explores the lesser-known history of the Byker Estate, incorporating photographs, artefacts, and oral histories from contemporary witnesses. The focus is on the ‘pre-development’ period that laid the foundation for its success. Visitors are invited to contribute by bringing old photographs, negatives or slides that can be added to a memory wall.

The Fight for Byker and Other Stories is a free exhibition in The Sir Terry Farrell Building. More information can be found below:

Byker Through Creative Lenses

Silvie also examines how Byker has been represented across different media over the past 50 years. At Byker in Focus (6 February 2025), she will join photographer Sirkka-Liisa Konttinen, to deliver a talk on how artists, filmmakers, and architects have documented Byker’s distinctive urban culture.

Silvie poses critical questions about its representation: How do external portrayals compare to residents’ lived experiences? Can the “real” Byker ever be fully captured, or is it a dynamic narrative shaped by those who call it home?

Byker in Focus is a free talk in The Sir Terry Farrell Building. Booking and more information can be found below:

Photo: Tyne and Wear Building Preservation Trust, Shipley Rise and site clearance, 1970’s

Oral History and the Byker Estate

Silvie and Sally are working on plans for a “Byker Community Archive”, which will embrace past, present and future of the estate and create a lasting legacy for future generations.

The historical influences that led Ralph Erskine to envisage Byker, as well as its legacies have yet to be systematically documented, explored, and analysed. Numerous oral histories have been recorded over time but to this date can’t be centrally accessed. And as yet, several architects and other professionals involved in this pioneering scheme have not been interviewed, and many of the views of residents who have lived on the estate since its earliest days are still missing from the historical record.

The interaction between Narrative and Archive: The Lockerbie Disaster, Pan Am 103, and Syracuse University

In October 2022, NOHUC Researcher Andy Clark undertook a research and engagement trip to Syracuse University, New York. Along with Colin Atkinson, this was part of their British Academy funded project that conducted oral history interviews with first responders to the Lockerbie Disaster, 1988. In this Lug post, Andy reflects on engaging with victim communities in the United States, and how the materials held in the Pan Am 103 archive aligned with the narratives collected in his research.

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The Voices Of Stannington Sanatorium: Musings on Oral History and Creative Writing

In this Lug post, Dr Liz O’Donnell reflects on interviews that she conducted being reused and repurposed for a radio drama, considering the attachments that we as oral historians have to the data we collect.

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“I used to love standing barefoot in the river”: Living Deltas Hub

In this Lug piece, Siobhan Warrington  introduces the Living Deltas Hub and provides an update on how the Newcastle Oral History Unit & Collective is contributing to this large, five-year (2019-2024) international and interdisciplinary project. 

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Happy birthday, Metro!

August 11th 2020 marks the 40th anniversary of the Tyne and Wear Metro. In this Lug Post, Andy Clark confesses to his enthusiasm for all things railway-related and discusses a new oral history project that NOHUC are supporting on forty years of the Metro.

The iconic Metro ‘M’ at Four Lane Ends Interchange. Author’s picture
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‘I never knew which school I was going to be in’: Disrupted education in World War Two

Over ten years ago, Liz O’Donnell recorded the memories of more than 40 people in the North East who, as children during the 2nd World War, had experienced the huge dislocation caused by mass evacuation. Current discussions about the damaging impact of disrupted education caused by the pandemic led her to dig out her research notes, to look at the evacuees’ recollections of their own disturbed schooling, especially their feelings about its long-term effects. All the examples here are of evacuation to villages in Northumberland, mostly from the industrial areas of Tyneside. Summaries and recordings of all the interviews are available at Northumberland Archives, Woodhorn.

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Preserving the voices of engineering: The Common Room of the Great North

The Common Room of the Great North was established in 2017 to manage the redevelopment and refurbishment of The North of England Institute of Mining and Mechanical Engineers in Newcastle. The group was awarded £4.1m from The National Lottery Heritage Fund, plus a further £3m in match funding, to conserve the Grade II*  listed building, refurbish its ground floor reading rooms, securely house its archive and collections and enhance its conferencing facilities. In this Lug post, Programme and Engagement Manager Emily Tench discusses the history of the building, its collections, and the future ambitions of The Common Room.

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Oral history and the current Covid-19 crisis

In this statement on behalf of the Oral History Collective, Graham Smith, Professor of Oral History at Newcastle outlines some of the challenges and possible responses that oral historians face during the COVID-19 crisis. He argues that oral historians need to go beyond the technical challenges of remote working and think about the political crisis arising from the COVID-19 pandemic. In doing so, he warns against oral historians supporting stereotypical and dangerous attitudes to older people, and outlines the Collective’s local and international strategy.

Graham would like to thank Oral History Unit colleagues for their early input and Collective members who commented on the draft. Graham notes: ‘Any errors or mistakes are his alone’.

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