One of the organisational members of our Collective is the Newcastle University Special Collections & Archives team. As part of their commitment to opening up the archive, the Collected Voices project gathers the oral histories of those behind the materials. In this post, literary archivist Rachel Hawkes gives us an insight into their work.
The interaction between oral history and creative practice has been a key topic of conversation at the Oral History Collective. In this post, Bruce Davenport reflects on the conversations emerging from our recent Show and Tell workshop.
A new film from the British Library features clips from an oral history interview by the Oral History Unit’s Sue Bradley. ‘Behind the Scenes: The Man Booker Prize — Stories from the British Library’s archive‘ is an audio-visual montage created by British Library interviewer Sarah O’Reilly, with voices from in-depth interviews recorded for National Life Stories.
For many – maybe most – of us, imagination is what gets us interested in history in the first place. Recently, the oral history collective have been having a lot of conversations about the connections between oral history and creative practice, including creative interpretation of history. In this post, Alison Atkinson-Phillips takes us on a winding journey of reflection on oral history and imagination, and offers a round-up of some local examples.
Sue Bradley joined Oral History @ Newcastle as our third Research Associate in February this year. Sue is an experienced oral historian and was instrumental in developing a network of like-minded researchers at the university before the Oral History Unit came along. Her first project has been to work with Special Collections at the Philip Robinson Library to develop shared processes for the collection and archiving of oral histories. Having worked in the Centre for Rural Economy for the past ten years, Sue brings a non-urban focus to the unit’s work.
Full Media Release: https://www.ncl.ac.uk/press/articles/latest/2018/08/saveourshipyardshistory/
Voices from a historic campaign to save the North East’s shipyards are being sought in a bid to remember the real life experiences of those involved.
The Oral History Unit’s Dr Alison Atkinson-Phillips wants to track down people who took part in the ‘Save our Shipyards’ campaign that took place from 1983-84 in a bid to stop the closure of yards on the Tyne and Wear. Workers from Swan Hunter on the Tyne and Austin & Pickersgill on the Wear, their families, union leaders and local politicians, were interviewed for two short films known collectively as the ‘Shipyard Tapes’.
The first film ‘The Price of Ships’ explains the economics of the global shipping industry, highlights the strengths of the yards on the Tyne and the Wear and argues for further government support. The second film ‘Down the Road Again’ warns of the dangers of the yards returning to private ownership, cautioning that it risked returning to the type of unsecure, casual labour that shipbuilding was known for before nationalisation.
Originally commissioned by the Tyne and Wear County Council, the two twenty minute films have been preserved and are part of the collections of North East Film Archive, who are working with Newcastle University on the project.
Email oralhistory@newcastle.ac.uk for more information.
The Oral History Collective’s Seminar Series brings scholars to Newcastle so we can learn about their work on a range of interesting project and topics. Primarily, though, the seminar series allows us to explore methodological questions. In June, Anisa Puri visits to talk about Australian Generations: Creating a Digital Oral History Project. It’s got Alison Atkinson-Phillips thinking about the relationship between oral history and digital humanities (and digital culture here at Newcastle).
How can Oral History Society (OHS) training meet the vastly different needs of academic and non-academic historians with diverse interests? In this Lug post, our Associate Researcher, Rosie Bush, shares her experiences of the OHS ‘Introduction to Oral History’ course. She outlines the areas the course covers and considers the steps that follow when starting out.
We’ve been getting into movies lately…
Our Alison Atkinson-Phillips has been working with Leeds University to plan the Post-Work Mini Film Season (see bottom of the page for event listing) on behalf of Newcastle’s Labour & Society research group. The films shown explore the way ‘work’ has changed and the impact of deindustrialisation and neoliberalism.
In May, our regular Seminar Series is kicking off with a visit from Steve Humphries of Testimony Films on Tuesday 9 May. Although best known as a film-maker, Humphries is possibly one of the most prolific oral historians in the UK, basing his documentaries on detailed interviews with his sources.
You may have heard that some UK universities, including Newcastle, are involved in a pensions dispute (see https://www.chroniclelive.co.uk/news/north-east-news/newcastle-durham-university-strikes-begin-14323108 for just one of the Chronicle articles on this issue).
As oral historians, we are always interested in hearing people’s voices–literally as well as figuratively. We knew that the experience of 14 days of striking had been a significant one for many other those involved–we knew through our own informal conversations, through Twitter posts (see the #USSstrikes hashtag for some of this), and indeed through our own varied experiences. But when we decided, on Monday 12 March, that we would take our recording equipment the next day’s picket, we had no idea what was about to happen.