A new film from the British Library features clips from an oral history interview by the Oral History Unit’s Sue Bradley. ‘Behind the Scenes: The Man Booker Prize — Stories from the British Library’s archive‘ is an audio-visual montage created by British Library interviewer Sarah O’Reilly, with voices from in-depth interviews recorded for National Life Stories.
For many – maybe most – of us, imagination is what gets us interested in history in the first place. Recently, the oral history collective have been having a lot of conversations about the connections between oral history and creative practice, including creative interpretation of history. In this post, Alison Atkinson-Phillips takes us on a winding journey of reflection on oral history and imagination, and offers a round-up of some local examples.
In this Lug post, Andy Clark discusses a new network that he’s coordinating focused on deindustrialisation, heritage and memory. It aims to facilitate greater collaboration and discussion among academics, heritage groups, artists, and community historians interested in deindustrialisation and the memorialisation of manufacturing jobs and communities. Email andy.clark@newcastle.ac.uk to find out more, or to join the network’s mailing list.
In this Lug post, Andy Clark discusses his experience conducting research for the Scottish Government’s Cabinet Secretary for Justice. Along with a team of researchers, he contributed to, and co-authored, a major report focused on community experiences of Serious Organised Crime in Scotland. He reflects on utilising oral history methods to examine current experiences and problems in relation to organised crime, and contributing to a policy report.
With sponsorship from the Labour and Society Research Group at Newcastle University, Andy Clark is organising a workshop on Friday 8 June focussed on factory occupations in Britain, particularly in the period 1970-1990. Andy’s PhD thesis (2017) considered three instances of factory occupations led by Scottish women. Here he explains why he is looking forward to welcoming key scholars in the field for a thoroughly engaging day. Continue reading
How can oral historians interact with other forms of interviewing, voice recordings and publication of oral sources? In this Lug post, Andy Clark discusses his experiences of interviewing and producing features for BBC Radio Scotland. He considers the differences between this style and his oral history work, and the ways in which oral history training can be advantageous when undertaking broadcasting work.
Alison Atkinson-Phillips has joined Oral History @ Newcastle as our second Research Associate. Alison has come to oral history via public history, cultural studies, community development and a non-academic career in communications. Alison’s Twitter profile (@dralia_p) describes her as a ‘writer, researcher, renovator and procrastinator’. But with the renovations left behind in Bassendean (Western Australia) she is hoping she will have time for her other three favourite things.*
Ben Houston, a member of the the Newcastle University Oral History Collective has a new exhibition opening at the Great North Museum on 7th October. The exhibition depicts elements of race relations and the civil rights struggle in Pittsburgh, USA, by combining the oral histories of black Pittsburghers (recorded by the Remembering African American Pittsburgh oral history project at Carnegie Mellon University’s Center for Africanamerican Urban Studies and the Economy) with historic photos from the world-class Charles “Teenie” Harris Archive held by the Carnegie Museum of Art.
We also feature Ben in the first of a number of occasional podcasts from Newcastle’s Oral History Collective. Listen at: The Lug Podcast #1. You can also listen to an extract of one of the interviews from the exhibition. Here Sala Udin offers an overview of the key themes of the exhibition.
By using Pittsburgh as a case-study, this exhibition embodies one of the central messages of Dr Martin Luther King’s speech: that racism looms over our world and yet the thirst for freedom and dignity remains unquenchable.
The exhibition runs in parallel with the “Teenie Harris Photographs: In Their Own Voice” exhibition at the Carnegie Museum of Art, Pittsburgh which takes place from 29 July 2017 – 28 February 2018.
Poster Image: Charles “Teenie” Harris
American, 1908–1998
Elderly woman holding Pittsburgh Courier newspaper with headline reading “Reverend King Freed: Albany Tense” seated in armchair, July 1962
Black and white: Kodak Safety Film
H: 5 in. x W: 4 in. (12.70 x 10.20 cm)
Carnegie Museum of Art, Pittsburgh: Heinz Family Fund, 2001.35.7018 © Carnegie Museum of Art, Charles “Teenie” Harris Archive