When the United Nations Special Rapporteur for Extreme Poverty visited the Newcastle West End Foodbank in Wednesday, the Oral History Collective was invited along to share some of the research findings from our six-month Foodbank Histories project, a partnership with Northern Cultural Projects. This work is also part of the Being Human festival, 15-24 Nov. So why is it important?
One of the organisational members of our Collective is the Newcastle University Special Collections & Archives team. As part of their commitment to opening up the archive, the Collected Voices project gathers the oral histories of those behind the materials. In this post, literary archivist Rachel Hawkes gives us an insight into their work.
Research Associate, Andy Clark, has recently been organising and coordinating a new network looking at deindustrialisation, heritage and memory. On Friday 28th September, the network held its first workshop at the Scottish Oral History Centre in Glasgow. In this Lug post, Andy reports on the papers, themes and discussions that emerged throughout the day.
A new film from the British Library features clips from an oral history interview by the Oral History Unit’s Sue Bradley. ‘Behind the Scenes: The Man Booker Prize — Stories from the British Library’s archive‘ is an audio-visual montage created by British Library interviewer Sarah O’Reilly, with voices from in-depth interviews recorded for National Life Stories.
For many – maybe most – of us, imagination is what gets us interested in history in the first place. Recently, the oral history collective have been having a lot of conversations about the connections between oral history and creative practice, including creative interpretation of history. In this post, Alison Atkinson-Phillips takes us on a winding journey of reflection on oral history and imagination, and offers a round-up of some local examples.
In this Lug post, Andy Clark discusses a new network that he’s coordinating focused on deindustrialisation, heritage and memory. It aims to facilitate greater collaboration and discussion among academics, heritage groups, artists, and community historians interested in deindustrialisation and the memorialisation of manufacturing jobs and communities. Email andy.clark@newcastle.ac.uk to find out more, or to join the network’s mailing list.
In this Lug post, Andy Clark discusses his experience conducting research for the Scottish Government’s Cabinet Secretary for Justice. Along with a team of researchers, he contributed to, and co-authored, a major report focused on community experiences of Serious Organised Crime in Scotland. He reflects on utilising oral history methods to examine current experiences and problems in relation to organised crime, and contributing to a policy report.
With sponsorship from the Labour and Society Research Group at Newcastle University, Andy Clark is organising a workshop on Friday 8 June focussed on factory occupations in Britain, particularly in the period 1970-1990. Andy’s PhD thesis (2017) considered three instances of factory occupations led by Scottish women. Here he explains why he is looking forward to welcoming key scholars in the field for a thoroughly engaging day. Continue reading
How can oral historians interact with other forms of interviewing, voice recordings and publication of oral sources? In this Lug post, Andy Clark discusses his experiences of interviewing and producing features for BBC Radio Scotland. He considers the differences between this style and his oral history work, and the ways in which oral history training can be advantageous when undertaking broadcasting work.
Alison Atkinson-Phillips has joined Oral History @ Newcastle as our second Research Associate. Alison has come to oral history via public history, cultural studies, community development and a non-academic career in communications. Alison’s Twitter profile (@dralia_p) describes her as a ‘writer, researcher, renovator and procrastinator’. But with the renovations left behind in Bassendean (Western Australia) she is hoping she will have time for her other three favourite things.*